Oct 24

The Prison System is Legalized Slavery: “The Peculiar Patriot”


Presented by ArtsEmerson
Produced by National Black Theater & Hi-ARTS
Created and Performed by Liza Jessie Peterson
Directed by Talvin Wilks

October 17-28, 2018
Emerson Paramount Center
Boston, MA
ArtsEmerson on Facebook

Review by Noelani Kamelamela

(Boston, MA) For relatively local folks who missed the remount of The Peculiar Patriot at the National Black Theatre in Manhattan this summer, grab tickets and head over to the Paramount Center. If you can’t catch The Peculiar Patriot over the rest of it’s Boston run, but if you know a theatre and a community who needs this show, bug the heck out of them to pay these artists and get this to as many audiences as possible.   Continue reading

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Oct 19

Casseroles of Ashes: “The Tragic Ecstasy of Girlhood”

Danielle Palmer, Amanda Figueroa, Stephanie Castillo (foreground, clockwise from left), Tatiana Chavez (background). Photograph By Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Kira Rockwell
Directed by Leila Ghaemi

Oct. 11 – 21, 2018
BPT
949 Commonwealth Ave
Boston, MA
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Any social worker can tell you that the foster system is broken. Wards of the State are just as vulnerable as foster kids, but at the very least they get to socialize with each other in a relatively consistent environment. The Tragic Ecstasy of Girlhood takes a look at family dynamics within State government enforced boundaries and the impossible odds girls face as they grow into womanhood. It’s a miracle any of us come into adulthood with our sanity intact. Continue reading

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Oct 02

“Meet Fred,” No Strings Attached!


Presented by Puppet Showplace Theater
By Hijinx Theatre in association with Blind SumMiT
Directed by Ben Pettitt-Wade
Fred theme music by Jonathan Dunn
Puppetry dramaturgy by Tom Espina & Giulia Innocenti

Sept. 28-30, 2018
Plaza Theatre
Boston Center for the Arts
Boston, MA
Puppet Showplace on Facebook
Hijinx on Facebook

Review by Diana Lu

(Boston, MA) In Meet Fred, three-man puppetry meets meta-theater meets sociopolitical satire meets disabilities awareness. All this was beautifully woven together with tight storytelling, sharp humor, and arresting visuals. The result is one of the most engaging, funny, and touching theater experiences you will ever have. Continue reading

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Oct 01

Cripping Up and Other Indignities: “PermaDeath”


Presented by White Snake Projects
Dan Visconti – Composer
Cerise Lim Jacobs – Creator and Librettist
Pirate Epstein – Co-Librettist
Cori Ellison – Dramaturg

September 27–29, 2018
Emerson/Cutler Majestic Theatre
219 Tremont Street in Downtown Boston

Critique by Kitty Drexel

(Boston, MA) I had such high hopes for PermaDeath. It is a forward thinking libretto and score but its ablism, racism, and homophobia are disappointing. That this opera is problematic, is an understatement. Continue reading

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Sep 24

“Vicuña” or not “Vicuña,” That is the Question

(L to R) Evelyn Holley, Srin Chakravorty, Steve Auger, Arthur Barlas, and Jaime Hernandez in Zeitgeist Stage Company’s production of Vicuña. Photo by Joel Benjamin.

Presented by Zeitgeist Stage Company 
By Jon Robin Baitz
Directed by David J. Miller

September 14th – October 6th, 2018
Plaza Black Box Theater
Boston Center for the Arts
539 Tremont St
Boston, MA
Zeitgeist on Facebook

Review by Diana Lu

(Boston, MA) In Vicuña, the year is 2016, and Amir, a young Iranian-American tailor’s apprentice, gets thrown into the world of national politics when Kurt Seaman, the loose cannon business tycoon-turned underdog presidential candidate, drops in to order a special suit (made of fine vicuña wool) for his third debate against an unnamed female opponent. Caught between virtue and duty, flirting with Seamen’s daughter Ivanka—er, I mean Srilanka—and disaster, Amir must decide whether to make the suit and betray everything he believes in, or refuse and let his family and closest friends suffer the consequences of denying this powerful and dangerous man. Continue reading

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Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading

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Aug 27

The Monkey is Omniscient: “Timbuktu, USA”

Top row (l-r): Karos, McMaster, Kaiss, Astudillo
Bottom row (l-r): Wiseman, Hillyer, Baltay; photo credit to David Marshall

Presented by Sleeping Weazel
Written and directed by Kenneth Prestininzi
Assistant direction from Teresa Cruz
Fight choreography by Drew Frayre

Aug. 25 – Sept. 1, 2018
Boston Playwrights’ Theatre
Boston, MA
Sleeping Weazel on Facebook
Review by Kitty Drexel

Trigger warning: references to bestiality, incestuous kissing

(Boston, MA) Sleeping Wezel’s Timbuktu, USA is an absurd political satire made digestible via the mechanics of a bedroom farce. There is opportunity a plenty to be delightfully offended by the comings and goings of Prestininzi’s chaotic neutral politicians. The buffoonery so closely resembles the US current political boondoggle that audience members may leave confused. Fear not, Timbuktu, USA is a diversion well worth any disorientation. Continue reading

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Aug 20

Fatal Attraction: Love, Friendship, and Ritual Sacrifice in the name of “Our Dear Dead Drug Lord”

Photo by Ally Schmaling. — with Gina Fonseca, Khloe Alice Lin, Lisa Joyce and Tatiana Isabel.

Presented by Off the Grid Theatre Company
Written by Alexis Scheer
Directed by Rebecca Bradshaw

August 17 – September 1, 2018
Calderwood Pavilion
Roberts Studio Theatre
Boston Center for the Arts
527 Tremont St. Boston, MA 02116
Off the Grid on Facebook

Review by Diana Lu

(Boston, MA) It is 2008, a momentous year for the United States, and especially for four teenage girlfriends in suburban Florida. This radical, ambitious, creative squad grapples with identity, relationships, and adult responsibility using the occult as a metaphor…or is it anything but? Continue reading

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Aug 17

A Love Letter, inspired by “A Good Death”

Photo credit: Colleen Moore

Presented by Also Known As Theatre
Written by Shelley M. Hobbs
Directed by Alexandra Smith
Produced by Kelly Smith

August 17 through September 2
Fridays and Saturdays at 8:00PM
Sundays at 2:00PM
Calderwood Pavilion at Boston Center for the Arts
527 Tremont Street, Boston, Massachusetts 02116
The Stanford Calderwood Pavilion on Facebook

Written by Bishop C. Knight

(South End, Boston, MA)  OOH child, nothing but praise for A Good Death!  I’m about to provide a review that’s emotionally charged with encouragement – for you to see this play and to bring loved ones; especially for you to bring religious relatives you have trouble communicating with.  I’ll use the words love and queer repeatedly, because it is a play about lesbian companions who are platonic life partners.  I’ll show why Boston is damn lucky to have Also Known As Theatre (AKA) as it newest independent theatre company.  I want AKA to flourish. I want Alison Bechdel to attend. I want YOU to attend, and here’s why: Continue reading

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Aug 10

“Leftovers” and the Balance Between Wishes and Truths

Photo by Paul Fox.

Presented by Company One Theatre
Written by Josh Wilder
Directed by Summer L. Williams
Developed by C1 PlayLab

July 21 – August 18, 2018
The Strand Theatre
543 Columbia Road, Boston, MA 02125
The Leftovers on Facebook

Review by Gillian Daniels

(Boston, MA) When a giant dandelion bursts out of the ground in their Philadelphia yard, Kwamaine (the charming Christian Scales) is enchanted while his older brother, Jalil (Kadahj Bennett, who pulls some of the best humorous faces I’ve seen on any given stage), is understandably baffled. Their harassed mother, Raquelle (Lyndsay Allyn Cox), is mostly just annoyed. Writer Josh Wilder and director Summer L. Williams deliver an odd, funny city-based fable that becomes a magic realist quest through systemic poverty, race, The Cosby Show, and the insulating nature of fantasies. Continue reading

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