Presented by Speakeasy Stage Company Written by Fabiola R. Decius, Adriana RoCale, Nico Pang, Hortense Gerardo, Paige Monopoli, and Magda Romanska Performed by Cheryl Singleton, Garciela Femenia, Jupiter Lê, Paige Clark, Gigi Watson, and Darya Denisova Directed by Dawn M. Simmons, Michelle Aguillon, Desire Bennett, Michelle Ambila, Alex Lonati, and Dmitry Troyanovsky
ONLINE — Celebrating the unique identities and experiences that make up the city of Boston, Speakeasy presents The Boston Project: Project Resilience. Showcasing six original plays by Boston local playwrights, Project Resilience is part of Speakeasy’s initiative in supporting the creation of new play development set in Boston.Continue reading →
Listen to Sipu: A Watertown Historical Moving Play
Presented by New Rep Theatre Company
In partnership with The Watertown Free Public Library, The Historical Society of Watertown, and The Pigsgusset Initiative.
Written by Morgan (Mwalim) J. Peters
Directed by Jaime Carrillo
Movement direction by Andre StrongBearHeart Gaines, Jr.
Soundscape artistry by Geraldine Barney
Dramaturgy by Angelique Dina
Dramaturgical assistance from Abby Lass and Tomantha Sylvester
Dramaturgical LINK to learn more
June 5 – July 11, 2021
Outdoors at the Commander’s Mansion (near the Mosesian Center for the Arts)
440 Talcott Avenue,
Watertown, MA 02472 BUY TICKETS
Details: Accessibility information and other performance facts are generously provided by New Rep HERE.
Review by Kitty Drexel
PIGSGUSSET/WATERTOWN — Listen to Sipu is about how Sipu (Maria Hendricks) absolutely pwns a Tour Guide (Grace Wagner) giving a talk about historical Watertown, MA race relations. Tour Guide tries to give a politically correct, psychically-comfortable estimation of Watertown’s origins. Sipu is having none of TG’s inaccuracies and tells us the true meaning of colonialist occupation.
History is written by the victors, the saying attributed to Churchill goes. I remember learning in elementary school that white settlers peacefully negotiated with American natives to live together in harmony. Frankly, that’s white supremacist horseshit.Continue reading →
chekhovOS /an experimental game/ Presented by Arlekin’s Zero Gravity (zero-G) Lab & The Cherry Orchard Festival Foundation Inspired by The Cherry Orchard by Anton Chekhov Conceived & Directed by Igor Golyak Produced by Igor Golyak & Sara Stackhouse Starring Jessica Hecht, and Anna Baryshnikov, Anna Bortnik, Darya Denisova, Jeffrey Hayenga, Melanie Moore, Nael Nacer & Mark Nelson Mikhail Baryshnikov as playwright Anton Chekhov Program slides are HERE (scroll down)
May 16 – June 24, 2021 Streamed over Zoom Tickets are HERE Arlekin Players on Facebook
Review by Kitty Drexel
“Wheel of Morality turn, turn, turn/Tell us the lesson that we should learn.” – Yakko Warner, The Animaniacs
ZOOM — Science fiction is now in black and white Chekhovian color streaming to an internet tool near you. chekhovOS /an experimental game/ only has a few more performances, so check it out before it disappears forever.
There is a brief segment in the Animaniacs cartoon franchise called “The Wheel of Morality” that pokes fun at both game shows and cartoon shows that teach morality while also employing slapstick violence for laughs. In the segment, Yakko Warner turns a large game show wheel while siblings Wakko and Dot watch. Reliably, the spinning wheel lands on a number causing a small computer to print out the episode’s morale. The morale is often silly and almost never applies to the episode. The siblings are then chased off of the lot by Ralph the Guard. We love The Animaniacs in our house for its irreverence.
The virtual morality of Arlekin Player’s production of chekhovOS /an experimental game/ (not to be confused with their last event Cherry OS /an experiment/) is a lot like the Wheel of Morality: the rules are unclear, the narrators are unreliable and the story isn’t linear. You’ll have a great time as long as you have no attachment to the ending. Try to have fun because nothing is certain. Or is it?Continue reading →
Songs For A New World, A Performance to Benefit SpeakEasy Stage Presented by SpeakEasy Stage Company Music & lyrics by Jason Robert Brown Directed by Paul Daigneault Music directed by Jose Delgado Cast includes Rashed Alnuaimi, Laura Marie Duncan, Jennifer Ellis, Dwayne P. Mitchell, Davron Monroe, Mikayla Myers, Rebekah Robles, Alexander Tan, and Victor Carrillo Tracey The program is HERE.
May 26 – June 8, 2021 Streaming to your Device Tickets SpeakEasy on Facebook
Review by Kitty Drexel
STREAMING — SpeakEasy stage had two COVID compliance officers, and a testing coordinator. OccMed provided health services to the Song for A New World Team and Viracor Eurofins Clinical Diagnostics was their COVID testing provider. A disclaimer that COVID safety protocols were followed during rehearsals and recording of this fundraiser. Continue reading →
ZOOM – When we last left our antiheroes, Macbeth (Jesse Garlick) found his ambitions for the throne awoken by three, soothsayer witches (all played by Rebecca Lehrhoff in different registers and Instagram filters) and Lady Macbeth (Rachel Wiese) decided to do whatever was in her power to climb the hegemonic ladder and stomp on every person who got in their way as bloodily as possible. Betrayal has yet to visit ruin and mental anguish on their lives. Continue reading →
ZOOM — Liars & Believers slices off bite sized pieces of the Scottish Play for serialized consumption! In a world that demands us to simultaneously be far apart while empathizing with each other’s difficulties, we revisit a cautionary tale of a man whose name has become synonymous with backstabbing cruelty. In serializing Macbeth, we watch a show that absorbs the changes and horrors of our contemporary headlines and sense of unease each passing week. Continue reading →
Directed by Ingrid Oslund Music by Marc Hoffeditz Libretto by MJ Halberstadt Featuring performers Brad Baron, Jonathan Harris, Wes Hunter, Adrian Jones, Craig Juricka, Sara Kerr, and James Lesu’i
June 26 – 27, 2020
Content warning: adult themes and sexual references
Review by Gillian Daniels
ZOOM — “Queerness is about so much more than who you’re sleeping with. It’s also about a sensibility, a sense of camp,” says director Ingrid Oslund.
This could easily serve as the thesis for the zoom presentation of selected pieces from the comic opera-in-progress, Grindr (And Other Concerns). The show follows queer men Brandon, Riley, and Riley’s long-term, timid partner, Eugene, as they use and debate the merits of the titular hook-up app. Their odyssey includes such contemporary pratfalls as mysterious acronyms such as DDF (drug and disease free), sexually transmitted infections, and excitable adults obsessed with Disney. Continue reading →
ZOOM — Theatre created in corona-times is theatre that can be preserved for future generations. Those generations will look back on our work and express amazement at the simplicity of our tech and the universality of the human condition. Fancypants stage technology can embellish a performance, but it isn’t necessary when the foundational elements of a performance are of superior quality. Fort Point Theatre Channel’s Zoom reading of Eugene O’Neill’s Long Day’s Journey Into Night captures both the rigidity of Zoom’s limitations while highlighting the subtle creativity of Fort Point Theatre Channel’s artists. Continue reading →
The New England Theatre Geek asserts that Black Lives Matter, BIPOC Lives Matter, Immigrant Lives Matter.
These lives matter now that it’s popular and convenient for white communities to pledge that they matter. These lives will continue to matter to us when it’s inconvenient and the Black Lives Matter movement is no longer popular in mainstream journalism. The New England Theatre Geek pledges to widen its activism and remain vigilant.
Racism isn’t something white people with comfortable lifestyles can solve in a few months during quarantine when we’re all at home anyway with a couple of Twitter posts and a simple website banner (that a Black person made anyway). Racism is systemic; it is aggressive; it is subverted. Deconstructing systemic racism requires equally aggressive, daily practice, and vigilance. We pledge ourselves to this daily practice.
It’s a list. It’s a start that should lead to one’s own personal research.
Most news resources – It is very popular right now for media sites to offer resources. If you find a reliable site that you trust, bookmark it, sign up for its newsletter. Read that newsletter. It’s only by making anti-racist changes a conscious, personal, daily practice that can we ever hope to eradicate racism one day.
Racism is an inherent system that affects everyone existing in society. Perpetuating racism isn’t conscious or explicit; it isn’t rational. You can’t choose to live outside of racism. You can be a “good/nice person” and be racist. Racism is a social reality for all.
White people, you will mess up. You will say and do racist things accidentally. Don’t get defensive. Messing up doesn’t make you a bad person. It makes you a person. Thank the person of color who corrects you (if you’re lucky enough to have a relationship with someone who will) and keep educating yourself.
Don’t ask Black people to explain race/racism to you. That’s not their job. Not even if they’re your friends/colleagues. Attend a training or workshop. Contact your HR. Read a book. Google it. Read the room.
You can have conversations about race/racism with your Black friends if your relationship is conducive to that dialogue. Ask for consent first. If you don’t know why it’s important to ask for consent, you are not ready to have this conversation with your Black friend/s.
Do have conversations with other white people about whiteness/race. Our skin has a color; it affects the world around us. We need the conversational practice.
Don’t try to be the “cool white person.” BIPOC will not see you that way.
White people love to think that racism is something that only exists in history, that it isn’t something we do now. Racism evolves as people do.
Race might not be real but racism is. It will take your entire life to deconstruct your inherent beliefs about white supremacy. Keep going.
“WARNING! You exhibit symptoms of a glitched ThotBot. An ULTRA Operative has been deployed to reboot your operating system. Avoid contact with other Bots until you have been successfully rebooted.” – ThotBot.me, http://thotbot.me/glitch.html on 6/28/2019.
SOMERVILLE, Mass. — The ThotBot Implantation Center fliers are all over Camberville. An acquaintance assumed they were for a cult. No, they are for Reagan Esther Myer, a one-woman, multimedia, performance art concert about a dystopian future in which The Ultra leads through thought-control and nearly all human brains rely on tech to retain peace of mind. In these days of Texas concentration camps and selling your gold for cash, this science fiction drama isn’t at all far fetched. Continue reading →