Amanda J Collins and Robert Najarian; photo by Corinne Elicone.
Presented by Mount Auburn Cemetery By Patrick Gabridge, Mount Auburn Cemetary Artist-in-Residence Directed by Courtney O’Connor Music in All the Broken Pieces written, performed and recorded by Arshan Gailus
CAMBRIDGE, Mass. – The America Plays is a pleasant introduction to a select few of the curious residents interred at Mount Auburn Cemetery through theatre. These short plays in place preserve the lives of eight artists, politicians, and scientists while asking their audience to hike the cemetery grounds. It’s a charming way to meet some New England spirits and watch the grounds transition to their fall colors. Continue reading →
Oppression isn’t a contest. Virginia is mourning the 400th anniversary of slavery in the US. June 28 marked the 50th anniversary of the Stonewall riots. The ADA wasn’t made law until 1990. The only people who win when marginalized communities fight are the rich, white people who make money from our oppression. No one is free until we are all free. Freedom must be intersectional. Continue reading →
Trigger warning: sexual abuse of a minor, gas lighting, female objectification
(Cambridge, MA) Six is catchy like Hamilton. They have similar harmonic elements; both borrow heavily from popular music formats. Unlike Hamilton, Six lends its female characters depth beyond the deeds of a man. The women of six will be remembered for more than a shared husband. They’ll be remembered for living and their shared husband. Continue reading →
Presented by Acropolis Stage Company By David Gow Directed by Evan Turissini Law practice consultation by Will Korman Judaism & culture consultation by Becky Price
August 23 – September 1, 2019 The Rockwell 255 Elm Street Somerville, MA 02144 Acropolis Stage on Facebook
Critique by Kitty Drexel
This critique contains minor spoilers.
Trigger warning: depictions of violence, domestic terrorism, racism, hate speech, panic attacks, white fragility
(Somerville, MA) Cherry Docs may be the most relevant-to-our-times production this theatre season. Other area-productions will claim to be relevant (storytelling often is) but they won’t attack the western world’s ongoing white, male, hetero, cis problem like David Gow’s play. Gow even offers solutions to the problems that our white men create for us. The script isn’t perfect, but it does offer the victims of predatory, toxic male behavior a way out. Cherry Docs a more compassionate play than is credited. Continue reading →
Presented by Brown Box Theatre
Written by William Shakespeare
Directed by Kyler Taustin
Intimacy & Fight Choreography by Margaret Clark
Performances dates 8/21 – 8/25, 2019
Performance location (s): Various outdoor locations:
8/21: Sampus Pavilion, 160 Pawtucket Blvd, Lowell, MA
8/22: Borderland State Park, 250 Massapoaq Ave., Easton, MA
8/23: – Herter Park Ampitheater, 1175 Soldiers Field Road, Allston, MA
8/24: Hopkinton Ctr for the Arts, 98 Hayde Rowe Street, Hopkinton, MA
8/25: Atlantic Wharf/Waterfront Plaza, 290 Congress Street, Boston, MA
Brown Box on Facebook
Review by Chloé Cunha
(Boston, Mass.) Without even mentioning context, the above refrain strikes a familiar chord, the scene paints itself: a woman abused, her abuser, threatening the full extent of his power against her. Who will believe you? Chilling and pressing, Brown Box Theatre’s production reminds us why Shakespeare remains relevant today.Continue reading →
Saturday, Sept. 7, 2019
Doors at 7:30 p.m., Show at 8 p.m. Tickets are $22
Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA 02116
Featuring the talents of Geeks Diana Lu and Shiyanbade Animashaun!
They’re back again! Mark your calendars for the return of The Intersection. Come to the South End on Saturday, September 7 for a night of comedy!
Come witness the baddest comedians, poets, sketch artists, and improvisers create community on stage while making you laugh! The Intersection is produced by creatives of color from across the Boston area.
Doors open at 7:30 pm. Show at 8:00 pm.
F.U.N. – Fierce Urgency of Now: Energizing Young Professionals of Color to Unlock Boston’s Promise
What is the Fierce Urgency of Now Festival?
A five-day series of events hosted by local businesses and organizations geared at highlighting the experiences, challenges, and opportunities for young professionals of color in our city with the ultimate goal of creating community. With more than 30 events scheduled, you can plan to learn, connect, and have fun all week long, while also lending your voice to change. Join us September 4-8 to help make Boston more inclusive for all.Why are we involved in F.U.N.?
With half of the workforce in Boston being classified as millennials, and nearly half of millennials in Greater Boston being people of color, we know that the business community must play a key role in improving the city’s image and increasing access and opportunities to attract and retain talent. Retention of young people of color is of critical importance to our future as a region.
F.U.N. is for you: young professionals and young professional of color looking to build community and gain allies.
Presented by the Huntington Theatre Company Adapted from the book, The Lightening Thief by Rick Riordan Book by Joe Tracz Music and lyrics by Rob Rokicki Directed by Stephen Brackett Music direction by Wiley DeWeese Choreography by Patrick McCollum Fight direction by Rod Kinter New puppetry design by AchesonWalsh Design Studios
(Boston) Saturday afternoon’s performance of The Lightning Thief: The Percy Jackson Musical was an event for superfans and their friends. Children in Camp Half-Blood t-shirts and their adults congregated to the Huntington Theatre to watch this musical about modern day children of Greek gods. It’s not a production for everyone; it’s specifically written for devotees to the Rick Riordan book. Theatre-lovers will appreciate the ingenuity of the design team but they should attend knowing that this musical isn’t for them; It’s for fans in their childhood years. Continue reading →
(Brookline, Mass.) I Wan Jan is a puppet troupe from Taiwan who presented their debut and only performing show in Boston on July 14th. The troupe was founded by Li Tien-Lu, who named the group “I Wan Jan” (translation: “like natural”) because he believed that a puppet show could be as convincing as any performance by a live actor. The members of the troupe are fourth and third generation descendants of Li Tien-Lu. Continue reading →
(Cambridge, MA) I don’t prefer productions performed out of doors. The novelty has never appealed to me. I’ve only acted in one Shakespeare in the Park production and, while grateful for the experience, I wouldn’t do it agin. Actors must complete with offstage noise, there’s the weather, and, at dusk, there are the MOSQUITOS. Nature in all its splendor cannot compare to the creature comforts offered by the great indoors. That being said, Praxis Stage’s Hamlet is fun.
A summary of Hamlet is provided by Encyclopedia Britanica (contains spoilers). Unlike many, many Hamlets before, Praxis’ interpretation doesn’t paint Hamlet (Eric McGowan) the man as a wounded emo-hero torn apart by his circumstances. Praxis takes a more feminist approach by establishing Hamlet as a man-child culpable for his abusive actions: he’s rash and impulsive; a murderer and a misogynist. Continue reading →