Sep 04

Pawpaw Trees are the Gateway to Orgiastic Ritual: “Hurricane Diane”

Jennifer Bubriski, Kris Sidberry, Esme Allen, Marianna Bassham, and Rami Margron “Hurricane Diane” Photo: Nile Hawver

Presented by the Huntington Theatre Company
Written by Madeleine George
Directed by Jenny Koons 
Original music and sound design by Ben Scheff
Voice coaching by Christine Hamel
Intimacy Consultant: Ayshia Mackie-Stephenson

The Playbill
August 27 – September 26, 2021
Calderwood Pavilion at the BCA 
527 Tremont Street 
Boston MA 02116
The Huntington on social media: @huntington

PLEASE NOTE: This production includes strobe lighting effects and a simulated thunderstorm.

Critique by Kitty Drexel

“You can lead a horticulture, but you can’t make her think.”

– Dorothy Parker, theatre critic, poet & hero

BOSTON, Mass. — Hurricane Diane is fun and topical. It smacks of “The Witches of Eastwick.” Please go see it. 

It is recommended that attendees get vaccinated. Everyone must wear a mask (even performers when not actively performing). It’s not just your friendly, neighborhood theatre critic telling you, it’s also on The Huntington’s website

There are two sets of ushers after the BCA’s Box Office waiting to assist patrons into the theater. The first set of BCA staff will confirm your vaccination status or proof of a recent negative COVID-19 test. It behooves you to have this info at the ready so one doesn’t create a traffic jam.  Continue reading

May 19

This is the Future Progressive Theatremakers Want: A “Firebird” Ballet

Crappy screencap of a screen photos by Kitty Drexel

Presented by Abilities Dance Boston
Based on the Slavic firebird folktale
Choreography by Ellice Patterson with the ensemble
Music composed and directed by Andrew Choe
The Firebird program has full cast and crew information

May 14 & 15, 2021
Livestreamed from the Wimberly Theatre at the Calderwood Pavillion
Boston, MA
Abilities Dance on Facebook

Critique by Kitty Drexel

BOSTON/YouTube — The pressure to create during quarantine reached monstrous enormity. For every normie Tom, Delia, and Harrison Ford who worked on a script because Lear was written during a pandemic, an artist with a resume of successes couldn’t polish their abilities because they were too busy surviving the next 24-hours. 

Survival for the disabled arts community means something very different than it does the abled community. Jobs for disabled artists didn’t merely dwindle. They vanished overnight. Some of those jobs may never reappear

Our priorities went from managing a job to managing continued existence in a world actively trying to kill them: doctors appointments and surgeries were canceled, elevators became vectors for disease, carers were transferred to essential service positions. We went from demanding plastic straws in restaurants to demanding our right to live at all. It felt like ableds weren’t going to permit us either thing.   Continue reading

Feb 24

Distracted by T-Rex: “She the People”

Presented by Huntington Theatre Company
Resident Direction / Choreography by Carisa Barreca
Original Direction / Head Writing by Carly Heffernan
Original Music & Sound Design by Mary Mahoney
Music Direction & Sound Design by Jacob Shuda
Stage Managing by William Collins

Performance dates: Feb 18 – Mar 8
Calderwood Pavilion at the BCA
527 Tremont St., Boston:
Facebook link

Review by Chloé Cunha

Boston, MA — I am woman, hear me roar… with laughter? She the People is fun, high-energy, and, in its best moments, a cathartic release of female frustrations. At its least effective, it is as on the nose as the opening sentence of this review, and narrow in its vision. Though not as radical as one might expect or hope for, it nevertheless presents an entertaining piece of political bubblegum pop to chew on. Continue reading

Nov 19

Some of Them Want to Be Abused: “The Moors”

Photo via Entropy’s Facebook page.

Presented by Entropy Theatre Company
By Jen Silverman
Directed by Joe Juknievich
Dramaturgy by Jo Michael Rezes
Movement Direction by Kayleigh Kane

November 8 – 17, 2019
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Entropy on Facebook

Critique by Kitty Drexel

“Some of them want to use you/Some of them want to get used by you
Some of them want to abuse you/Some of them want to be abused”
— “Sweet Dreams (Are Made of This)” by the Eurythmics

(Boston, MA) The Moors is Brontë novel fanfiction. It condenses all of the winsome trappings of gothic romance novels into one melodramatic package for our amusement. Jen Silverman funnels archetypal characters from gothic romances into dark, mysterious environments. They are forced to confront unsettling truths against a backdrop of death and decay. Then Silverman makes us watch. For the right viewer, The Moors is voyeurism.   Continue reading

Sep 25

Rhythms of Humanity: “Choir Boy”

The cast in “Choir Boy.” Photo by Nile Scott Studios.

Presented by SpeakEasy Stage Company
By Tarell Alvin McCraney
Directed by Maurice Emmanuel Parent
Musical Direction by David Freeman Coleman
Choreography by Yewande Odetoyinbo and Ruka White

Sept. 13 – Oct. 12, 2019
Stanford Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Shiyanbade Animashaun

(Boston, MA) Choir Boy opens on a sole figure, David (Dwayne P. Mitchell), a student at the elite Charles R. Drew Prep School. He looks into the audience with intent as he begins to step dance. It is deliberate, slow and unaccompanied. The routine then increases in intensity and volume as more students appear. They flank the audience, on their way to the stage, with percussive dancing and chanting. Among the students, I noticed Bobby Marrow (Malik Mitchell) right away. He often seemed moments away from breaking into a joyous smile, mirroring my own.  Continue reading

Aug 13

“The Intersection” presented by Bodega

The Intersection presented by Bodega Commedy

Saturday, Sept. 7, 2019
Doors at 7:30 p.m., Show at 8 p.m.
Tickets are $22
Calderwood Pavilion at the BCA
527 Tremont Street
South End
Boston, MA 02116

Featuring the talents of Geeks Diana Lu and Shiyanbade Animashaun!

They’re back again! Mark your calendars for the return of The Intersection. Come to the South End on Saturday, September 7 for a night of comedy!

Come witness the baddest comedians, poets, sketch artists, and improvisers create community on stage while making you laugh! The Intersection is produced by creatives of color from across the Boston area.

Doors open at 7:30 pm. Show at 8:00 pm.

#FUNinBOS

F.U.N. – Fierce Urgency of Now: Energizing Young Professionals of Color to Unlock Boston’s Promise

What is the Fierce Urgency of Now Festival?

A five-day series of events hosted by local businesses and organizations geared at highlighting the experiences, challenges, and opportunities for young professionals of color in our city with the ultimate goal of creating community. With more than 30 events scheduled, you can plan to learn, connect, and have fun all week long, while also lending your voice to change. Join us September 4-8 to help make Boston more inclusive for all.Why are we involved in F.U.N.?
With half of the workforce in Boston being classified as millennials, and nearly half of millennials in Greater Boston being people of color, we know that the business community must play a key role in improving the city’s image and increasing access and opportunities to attract and retain talent. Retention of young people of color is of critical importance to our future as a region.

F.U.N. is for you: young professionals and young professional of color looking to build community and gain allies.

May 07

“Vietgone” Baby, “Vietgone”

Quentin Nguyen-duy and Rob Chen – Photo by Paul Fox.

Presented by Company One
In partnership with Pao Arts Center
Written Qui Nguyen
Directed by Michelle Aguillon

April 26 – May 25, 2019
Boston Center for the Arts
Plaza Theatre
Boston, MA
Company One on Facebook

Review by Diana Lu

(Boston, MA) A hip hop musical play, Vietgone is Qui Nguyen’s new rom-com style re-telling of his parents’ love story. Though it’s presented as “a story about falling in love, not a story about war”, it very much is also a story about the Vietnam War, its devastating consequences, and the dignity and fortitude of its survivors. As a play, it’s well-written, at times hilarious, at times, heartbreaking. Continue reading

Feb 04

Parental Supervision Requested: “Girlish”

Photo by Paul Fox; Eigo and Jensen in a lighter moment.

Presented by Fresh Ink Theatre
By Alexa Derman
Directed by Melanie Garber
Dramaturgy by Corianna Moffatt and Ramona Ostrowski

Feb. 1 – 16, 2019
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Fresh Ink on Facebook

Critique by Kitty Drexel

Trigger warning: catfishing, dubious consent, underage romantic activity

(Boston, MA) My cousin Aubrey* owned a coveted Samantha Parkington American Girl Doll growing up. I hadn’t known what jealousy was until I saw Samantha in Aubrey’s perfect, skinny arms. Sure, I occasionally suffered a nervous desire to own things that I couldn’t have such as Gap jeans or the a Skip-It, but I didn’t really know what wanting was until I espied Samantha in all her plastic, toothy glory. Samantha was everything Aubrey was, and nothing I’d ever be. I needed an AG doll. I’d die without one.   Continue reading

Jan 08

Awkwardness is Part of the Process: “Small Mouth Sounds”

All photos by Nile Scott Studios. The cast. Digesting.

Presented by SpeakEasy Stage Company
By Bess Wohl
Directed by M. Bevin O’Gara

Jan. 4 – Feb. 2, 2019
Boston Center for the Arts
The Calderwood Pavilion Boston, MA
SpeakEasy on Facebook

This critique has been updated from its previous posting. The update includes corrections and clarifications. (1/31/19 KD)

Critique by Kitty Drexel

Trigger warnings: penis, simulated pot smoking, heavy moaning

It’s January and chances are that you (or your acquaintances) are experiencing an influx of athletic practitioners in your studio of choice. For example, at my own neighborhood ashtanga yoga studio, January 1 meant that the floor became overwhelmed with novices and their wholesome, divot-free mats. Small Mouth Sounds(SMS) captures that awkward group consciousness of baby-yogis talking first “did I make a huge mistake?” steps towards enlightenment. An enlightened mind is not obtained overnight. The journey is schadenfreude for the audience. Continue reading

Dec 04

“Twelfth Night” Thrums with Life

L to R: Sarah Gazdowicz (OIivia), Charlotte Kinder (Viola); Photo Credit: Sharman Altshuler

Presented by Moonbox Productions
Written by William Shakespeare
Directed by Allison Olivia Choat

Nov 25 – Dec 29, 2018
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) There are productions of Shakespeare that are focused on reciting the text rather than acting it out. I understand the temptation. Maybe it’s the rhythm, maybe it’s the Bard’s reputation as, well, THE BARD, but sometimes theater groups seem to engage with Shakespeare’s comedy as a text to worship rather than a story to tell, even with a comedy like Twelfth Night. I’m happy to say Moonbox Production not only engages with the high emotions, cartoonish confusion, and whacky consequences of the comical cross-dressing romance but celebrates the story and its jokes with delight. Continue reading