Presented by Wheelock Family Theatre Book by Linda Woolverton Music by Alan Menken Lyrics by Howard Ashman & Tim Rice Directed by Jane Staab Music direction by Steven Bergman Choreography by Laurel Conrad
“Men are afraid that women will laugh at them. Women are afraid that men will kill them.” ― attributed to Margaret Atwood.
(Boston, MA) Disney’s Beauty and the Beast (DBatB) is beloved in all its forms. The 2017 film with Emma Watson, Dan Stevens, Luke Evans, Emma Thompson, and a vastly underutilized Audra McDonald, is a charming retelling with updates to make it more palatable for contemporary audiences. The 1994 musical adaptation of the 1991 film is not. The original Disney movie was notable for its strides in animation technology, but not for its intersectionally feminist portrayal of accepting others for their differences. Unfortunately for Wheelock Family Theatre, this problematic musical hasn’t received the update treatment. In some ways, it’s worse that the 1991 film. Continue reading →
Boston, MA — World Music/CRASHarts presents Ladysmith Black Mambazo on Sunday, February 11, 3pm at Sanders Theater, 45 Quincy St., Cambridge. Tickets are $48, $37, $32, and $28, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.
(Cambridge, MA) With the power of gospel and the precision of Broadway, Ladysmith Black Mambazo is the undisputed king of mbube, South African a cappella singing. The group came together in the early 1960s and continues to thrill audiences around the world with its strong, proud melodies harmonized in layers of call and response.
(Lowell, MA) We owe our individual existences to thousands of coincidences in history, but our identities are forged through careful curation. Many find their identities come preformed for them, whether
they like it or not, but some, like second-generation immigrants, must sort early in life through
conflicting information and cultural influences to find who they are. Continue reading →
(Boston, MA) “Dying doesn’t make you wise,” says Melinda Lopez, describing the death of her tough, stubborn mother. “Dying doesn’t make you generous.” The words could serve as the thesis of Mala, a story of a loyal daughter processing guilt and bitterness over the death of her elderly parents. Baked into the subject matter is a grim but gentle humor, one that picks at the coat of polish usually applied to recollections of the grieving process. Lopez’s pain, here, is visceral and true, not some softly lit movie set.Continue reading →
Introduction: Below are two pieces in response to The Nora Theatre’s production currently playing at Central Square Theater in Cambridge, MA. First is my critique of the production. The second is an opinionated response from fellow Geek Noelani Kamelamela. I asked Noelani to write a response to the production because representation is important. Three out of four cast members of Proof are Asian-American. This is significant because David Auburn didn’t factor race into his writing process. This means white was his default. No one gets extra credit for treating people of color like human beings. The Nora does get kudos for subverting the racial paradigm.
Review by Kitty Drexel
“In a good proof there is a very high degree of unexpectedness, combined with inevitability and economy. The argument takes so odd and surprising a form; the weapons used seems so childishly simple when compared with the far-reaching consequences; but there is no escape from the conclusions.” – G.H. Hardy, A Mathematician’s Apology
(Cambridge, MA) The stigma around mental illness remains sharp. The Nora Theatre’s production of Proof doesn’t tackle this stigma so much as wait until the audience is pliable and then viciously assault it. It isn’t gentle but it is effective. Continue reading →
Shakespeare at Viola’s feet. Photo by Nile Hawver/Nile Scott Shots
Presented by SpeakEasy Stage Co. Based on the screenplay by Mac Norman & Tom Stoppard Adapted for the stage by Lee Hall Directed by Scott Edmiston Original music/music direction/sound design by David Reiffel Choreography/period movement by Judith Chaffee Fight direction by Ted Hewlett
(Boston, MA) SpeakEasy’s production of Shakespeare in Love is okay. People who loved the movie will get a lot out of attending. Anyone expecting a revelatory experience from their theatre will be disappointed. Aside from the lighting design by Karen Perlow (which made Jennifer Ellis look like a gilded angel floating down from Heaven, and the set look like a theatre in a night forest) and the compositions by David Reiffel, this production is good but unremarkable. Continue reading →
(Boston, MA) Meagan Michelson delivered a sincere but rowdy tribute last Saturday night at Club Cafe. Mother Mary Says to Me is a love letter to Mary, her Mom. It expressed the kind of gratitude one hopes to share with their own mother figure. I wish I had brought my Mom to see it; MMSTM had the kind of edge my Mumma Geek enjoys, and the heart to put a twinkle in anyone’s eye. Continue reading →
(Boston, MA) Lost Girls brought back memories I’d nearly forgotten about growing up in northern New Hampshire. I went to school with kids whose parents worked the register at the one Dunkin’s as their main source of income. My uncle is a Tea Party politician (we don’t talk to him). New Hampshire is deeply conservative place whose inhabitants honor their motto, “live free or die.” Alas, “living free” is usually expressed by making rash, uninformed choices in the name of freedom. Watching this play was a painful albeit nostalgic reminder of home.Continue reading →
Arlington Friends of the Drama is currently seeking Stage Directors, Music Directors and Choreographers for our 2017-2018 Season. If you are interested in directing for AFD next season, please send a current resume along with a brief paragraph describing your concept for each production you are applying for. You may apply for more than one production. Please respond by January 1, 2017. Interviews are scheduled for Tuesday evening, January 17th and Saturday, morning and afternoon, the 21st at the theater. Interview slots will be confirmed and conducted in 20 minute intervals. Please include a date and time preference when responding to this application form.Continue reading →