Nov 19

Lived A Girl Trapped: “In the Forest, She Grew Fangs”

Photo by Tenneh Sillah. With Kira Compton and Branwyn Ritchie.

Presented by Also Known As Theatre
By Stephen Spotswood
Directed by Kelly Smith
Movement design by Jessica Stout Malone

Nov. 16 – Dec. 2, 2018
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
AKAT on Facebook

Critique by Kitty Drexel

(Boston, MA) In the Forest, She Grew Fangs twists the Little Red Riding Hood cautionary tale about the dangers of strange men into a different cautionary tale about the dangers of female mental health. Fans of horror theatre may find a lot to enjoy in this production. Intersectional feminists might not. ITFSGF explores the modern young woman’s psyche as she comes of age. It does so through the lens of bullying culture and a little light stabbing. Continue reading

Share with Your Audience
Jan 09

Son of a Biscuit: HAND TO GOD

It starts so innocently. It always does. Eliot Purcell and Josephine Elwood; Photo by Glenn Perry Photography

Presented by SpeakEasy Stage Company
Written by Robert Askins
Directed by David R. Gammons
Puppetry direction by Roxanna Myhrum
Fight direction by Ted Hewlett

Jan. 6 – Feb. 4, 2017
Calderwood Pavilion at the BCA
527 Tremont St
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

Trigger warning: Devil references, supernatural activity, gore, violence, implied sex with a minor, graphic puppetry

(Boston, MA) Horror gets nastier when it employs kid’s toys. Personally speaking, dolls are the worst, but cinematic history has proved that puppets can be just as creepy. They can be really, super, frickin’ creepy. SpeakEasy’s Hand to God has a puppet. Like the previously referenced horror movies, it gets creepy and weird. Like, Evil Dead chainsaw hand meets Avenue Q levels of weird. It’s awesome.   Continue reading

Share with Your Audience