“Hang on because it’s gonna be dope.” – From the pre-performance speech by Elizabeth Rodriguez.
ZOOM — This production is made available to viewers as a part of LAByrinth Theater Company’s desire to continue existing past the coronavirus pandemic. If you viewed this production and you are able, please donate to LAByrinth Theater. Donate now so theatre can exist later.
Directors must stop apologizing for their Zoom readings. Our Lady of 121st Street’s triumphant director Elizabeth Rodriguez is not the first to apologize to a Zoom audience. If I had my druthers, she would be the last. It’s unfair to the cast and crew who have put so much energy into the performance. Now is not the time to apologize for variables spinning mundanity far beyond our control. There is no set precedent for corona-times streaming theatre. We’re inventing the genre. Mistakes and minor emergencies are part of the fun of live theatre. Continue reading →
Boston, MA — We all know that one toxic person who refuses to go away: they show up everywhere, you grew up together, they were hired when the company first started, etc. No one in your circle wants to get singled out by kicking them to the curb. Instead, everyone brines in their own contempt because confronting Toxic Tilly might upset the barely tolerable status quo. Boston Playwrights’ Theatre’s Deal Me Out directly addresses the harm they do. Continue reading →
Presented by Huntington Theatre Company Resident Direction / Choreography by Carisa Barreca
Original Direction / Head Writing by Carly Heffernan
Original Music & Sound Design by Mary Mahoney
Music Direction & Sound Design by Jacob Shuda
Stage Managing by William Collins
Boston, MA — I am woman, hear me roar… with laughter? She the People is fun, high-energy, and, in its best moments, a cathartic release of female frustrations. At its least effective, it is as on the nose as the opening sentence of this review, and narrow in its vision. Though not as radical as one might expect or hope for, it nevertheless presents an entertaining piece of political bubblegum pop to chew on. Continue reading →
Presented by Underground Railway Theater
By Kate Hamill
From the novel by William Makepeace Thackeray
Directed by David R. Gammons
Fight coordination by Victor Ventricelli
Dialect coaching by Erika Bailey
Dramaturgy by Hilary Rappaprt
Cambridge, MA — William Makepeace* Thackeray’s Vanity Fair postdates Voltaire’s Candide by almost 100 years. Kate Hamill’s Vanity Fair now at Central Square Theater compares strongly to the famed Bernstein operetta. One could expect the human race to have evolved to squabble over different intersocial problems after nearly a century. One would be wrong. Continue reading →
“Ring-a-round the rosie, A pocket full of posies, Ashes! Ashes! We all fall down.” – Traditional song (American version)
Boston, MA — We All Fall Down is a family portrait that examines clashing egos during a period of family dilemma. The Stein family isn’t talking to each other. In their defense, they aren’t listening either. It’s Passover. Everyone has an agenda and none of them correspond. We All Fall Down is about the power we give denial. The stronger the denial, the tauter the family bond. Continue reading →
Presented by the Huntington Theatre Company in association with Hartford Stage and Alley Theatre
A reimagining of Don Quixote by Miguel de Cervantes
By Octavio Solis
Directed by KJ Sanchez
Compositions and sound design by David R. Molina
Other compositions by Eduardo Robledo
Music direction by Jesse Sanchez
Fight direction by Ted Hewlett
Vocal and dialect coaching by Robert Ramirez
Dramaturgy by J. Sebastián Alberdi
(Boston, MA) It’s only three days until Thanksgiving! So let me take this opportunity to remind you, dearest reader, that the very land you stand on was stolen by colonizers from Native American tribes. Quixote Nuevo takes place on the Mexican-American border. The US is currently keeping the children of immigrants in cages at that border. Their parents aren’t much better off. When you see this production, and you should because it is excellent, please consider the role colonizers and their progeny (us) have played in putting the land’s indigenous peoples behind bars. Continue reading →
Trigger warnings: blasphemy, betrayal, cursing, portrayals of Satan, extreme Christianity
(Boston, MA) Stephen Adly Guirgis doesn’t give his audience answers in The Last Days of Judas Iscariot. He gives them a question: does Judas belong in Hell for his actions against Jesus of Nazareth? Guirgis supplies an answer to this question but his answer is only one answer of many. It’s up to audience members to discern the answer that makes the most sense to them.
“Some of them want to use you/Some of them want to get used by you Some of them want to abuse you/Some of them want to be abused” — “Sweet Dreams (Are Made of This)” by the Eurythmics
(Boston, MA)The Moors is Brontë novel fanfiction. It condenses all of the winsome trappings of gothic romance novels into one melodramatic package for our amusement. Jen Silverman funnels archetypal characters from gothic romances into dark, mysterious environments. They are forced to confront unsettling truths against a backdrop of death and decay. Then Silverman makes us watch. For the right viewer, The Moors is voyeurism. Continue reading →
Please note: this critique contains minor spoilers.
Critique by Kitty Drexel
“I get that there are entitled white men who assume they get a seat without having to do anything to earn it, I do go to Hillcrest after all, and I do have eyes, but I’m actually one of the people working really fucking hard to earn a seat, and every time I get close it’s like, ew! Not You!” — Charlie Luther Mason throwing a tantrum in Admissions by Joshua Harmon.
(Boston, MA) It’s no longer okay for anyone to say they “don’t see race.” It is bad, very bad to say this now. When one professes that they don’t see race, what they are saying is that they don’t see racism. This statement is a red flag for bigoted behavior. It’s especially heinous coming from liberal-until-inconvenient, white democrats like the ones in SpeakEasy’ Stage Company’s Admissions. We’re supposed to set a better example.
Performance dates: Nov 1 – Nov 10 Various locations: Fri 11/1 & Sat 11/2, 7:30 PM: Gregorian Rugs, Newton Lower Falls, 2284 Washington St. Fri 11/8 & Sat 11/9, 7:30 PM: Finch/Robinson home, Waban Sun 11/10, 4:00 PM: Dunn Gaherin’s Pub, Newton Upper Falls, 344 Elliot St. NNT on Facebook
Review by Chloé Cunha
(Newton, MA) What do you do when you’re in the middle of a revolution and your only discernible skills are to write good plays? According to The Revolutionists, whatever happens, don’t write a musical (but maybe add a puppet or two)!Continue reading →