Orson Welles, 1938. Shown in rehearsal, standing, center background: director Orson Welles; seated, right: composer Bernard Herrmann NB: directing his Mercury Theatre of the Air troupe, such as created panic on the CBS radio broadcast of The War of the Worlds, October 30, 1938
Article by Kitty Drexel
The pandemic has sparked a greater interest in radio drama.
In May, the New York Times shared a great article by Alexis Soloski that named multiple Broadway podcast radio shows called “For Your Ears Only: Broadway’s New Stage Is a Mic.” It references the Great Depression (as we head into another recession), quotes recording actors like James Monroe Iglehart, and then details their podcast projects.
Kelli O’Hara, Annaleigh Ashford, Iglehart, and others answer pertinent questions such as “How do you develop a character using just your voice?” Their answers are excellent advice to actors making podcast theatre during the pandemic. It’s a good read. Continue reading →
BOSTON/ZOOM — Boston’s theatre journalism scene is a barren wasteland of white maleness. The desperate cries of BIPOC performing artists and designers for accurate representation are carried by winds off of the Atlantic ocean to diversity-parched cities and towns across New England: where are the critics of color?
Critiquing and reviewing circles have remained steadfastly white for the last few decades. Out of the current eleven members of the Boston Theater Critics Association, six are white men, five are white women.
The Front Porch Arts Collective launched the Young Critics Program in spring 2019 in partnership with WBUR the ARTery. It is the only independent training opportunity specifically geared towards young BIPOC journalists in New England. Boston-based director, dramaturg, educator, writer, and collaborator Pascale Florestal is the woman in charge. Continue reading →
Presented by Cirque du Soleil Directed and Created by Daniele Finzi Pasca and Line Tremblay Music Composed and Directed by Jean-Francois Cote, Phillipe LeDuc, and Maria Bonzanigo
June 19th – June 30th, 2019 Agganis Arena 925 Commonwealth Avenue Boston, MA 02215 Corteo on Facebook
Review by Gillian Daniels
(Boston, MA) Mauro, the Dreamer Clown, tells the audience, “I dreamed of my funeral.” Except it’s no dream; this character is actually on his deathbed. A funeral becomes a party and the party becomes a circus. Angels fly on wires above, shoes walk across the stage on their own, and our narrator relives childhood memories while he’s fitted for wings. The somber frame narrative balances the rest of the show, which is cheeky, saccharine, and full of dream imagery that seems to have been cut, raw, from a sleeper’s mind.Continue reading →
(Somerville, MA/NYC) Occasionally the New England Theatre Geek is invited to review plays. Theatre Communications Group (TCG) provides gratis paperback copies to NETG in exchange for objective reviews. The opinions stated here are not shared by TCG and are the author’s own. Continue reading →
(Boston, MA) Holidaze is a Cirque du Soleil like production. It’s a “holiday” circus show with Christmas as it’s primary focus. Token nods are thrown briefly at Hanukkah and New Years. The focus is still on Christmas. Please note: Cirque Dreams is not Cirque du Soleil. It is a production operated by company Cirque Productions, and a direct competitor of Cirque du Soleil. Cirque Productions are more… earthy. Continue reading →
Dearest Readers for Whom the Election Results have brought Trauma,
Now it is more important than ever to be the change you wish to see in the world. Do not crumble. Fight.
We, the Geeks of NETG, wish our readers great love, convicted passion, and steadfast courage. We can make this country a better place by fighting for it. Art can heal. Art can teach. Art can protect. If you don’t like the election results, make it your goal to change the battlefield on which politics are fought. Commit yourselves to a greater good.
Thank you for voting. The next steps, among others, include ensuring that Arts funds aren’t slashed to smithereens.
John by Annie Baker Published by TCG (NYC) in June 2016 $14.95 paperback $30.00 hardcover www.tcg.org
Review by Kitty Drexel
I was given a gratis copy of John by TCG in return for my review. My opinions are my own. Anyone who thinks otherwise can fight me.
TCG summarizes the play thusly, “the week after Thanksgiving. A Bed & Breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.” The truth is much creepier than that.
Elias and Jenny are traveling through Gettysburg on a mini-vacation. They are a textbook example of pre-breakup behaviors: they don’t value each other’s struggles or input. They are distant to the point of unintentional neglect. They are staying at Mertis’ freezing cold bed and breakfast. Mertis has awkward boundaries. She doesn’t read between the lines. Neither do they. As the play unfolds, the couple is forced to confront their self-absorbed assumptions regarding each other. Everything and nothing is a metaphor for their experiences. Continue reading →
“If the sea were to shout,
we would all be deaf.”
– Carlos Fuentes, “Destiny and Desire”
“Sotto Voce: A Play” Nilo Cruz TCG Books Theatre Communications Group, New York, 2016 $14.95 Available: http://www.tcg.org/; https://www.amazon.com/; and other purveyors of fine dramatic literature.
Review by Kitty Drexel
(New York, NY) Sotto Voce is a three person (two women, one man) play about the ways we harness our fears to confront the past and understand our consequential future. Playwright Cruz’s prose lilts off the tongue like a lover’s kiss. His character interactions sweep the stage of the imagination like poetry: gentle, unrushed but intense. Yet, his script is not without its thematic and dynamic problems. With the exception of two German characters revealed in flashback, these individuals manipulate each other with little compassion.Continue reading →
(Boston, MA) The last time Ana Moura was hosted by World Music/CRASH arts in 2014, she brought the house to its feet in a celebration of her latest release at the time Desfado. This show was excellent in a different way. Certainly, her latest album Moura has been touring since last year and those performances were condensed for her concert at the Berklee Performance Center this past Saturday. Featuring a great backing band, Ana Moura dazzled the typically stoic New England audience to the point of stupefication for two hours.Continue reading →
(New York, NY) Charles R. Drew Prep School for Boys is a christian organization founded on the mission to turn black boys into strong, ethical men… So long as the boys obey authority without question, these boys will grow into men who will do as they are told. This is how Charles R. Drew is expected to run. The reality is quite different. Continue reading →