Mar 09

“When Angels Fall”: El Greco Would Be Proud

When Angels Fall – Photo Credit: Georges Ridel

Presented by ArtsEmerson
Direction and Choreography by Raphaëlle Boitel
Artistic Collaboration, Set and Light Design by Tristan Baudoin
Original Soundtrack and Sound Design by Arthur Bison
Costumes by Lilou Hérin
Rigging, Machinery and Set Design by Nicolas Lourdelle

February 20 – 24, 2019
Emerson Cutler Majestic Theater
219 Tremont Street
Boston, MA 02116
ArtsEmerson on Facebook

Review by Diana Lu

(Boston, MA) When Angels Fall melds dance, aerial circus, slapstick humor, cinematic visual arts and more to weave a fantastical tale of fallen angels (or humans) trying to make sense of their harsh dystopian landscape and their places within (or without) it. As a synthesis of disparate disciplines, director and choreographer Raphaëlle Boitel has crafted a truly original new performance art, and this is a major artistic accomplishment in and of itself. 

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Oct 02

Stepping Into “Hiveland”

Luminarium Dance Company’s HIVELAND. Photo: Short photo co.

Presented by Luminarium Dance Company
Choreography by Merli V. Guerra and Kimberleigh A. Holman
Performed by the dancers Jess Chang, Devon Colton, Melenie Diarbekirian, Amy Mastrangelo, Katie McGrail, Alison McHorney, and Jennifer Roberts

September 21, 22, 28,& 29, 2018
The Multicultural Arts Center
Cambridge, Massachusetts
Luminarium on Facebook

Written by Bishop C. Knight

(Cambridge, MA) This dance was called Hiveland.  It was a performance about the social psychology of approach and discovery, and it featured a group of dancers who shared a hive mind.  All of the dancers constantly managed their group conduct, condoning or condemning each other, and it’s interesting how the Directors used an experimental dance to explore societal values of conformity. Continue reading

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Jun 28

Your Ticket is Problematic: LUZIA


Presented by Cirque du Soleil
Written by Julie Hamelin Finzi and Daniele Finzi Pasca
Directed by Daniele Finzi Pasca
Acrobatic performance designed by Philippe Aubertin
Composed and music directed by Simon Carpentier
Acrobatic choreography by Edesia moreno Barata, Debra Brown, Sylvia Gertrúdix González

June 27 – August 12, 2018
Suffolk Downs
525 William F McClellan Hwy
Boston, MA 02128
Parking available for $20.00
CdS on Facebook

Review by Kitty Drexel

(Boston, MA) Cirque du Soleil’s scheduling of its Luzia American tour is so poorly-timed that it’s nearly offensive. The producers couldn’t have known, could they? On the one hand, there’s the appreciation of Mexico’s song, dance, and natural resources. On the other, there’s the fact that ICE is indefinitely detaining immigrants as well as asylum seekers near the Mexican border. It’s deporting LEGAL residents across the US. It had been separating families because it could. “But why does light entertainment have to be dragged through politics? It’s just a show!” Because the political is personal, my friends. There are immigrants living in Boston who are at risk of deportation as I type. We, as artists and audience members, can’t forget the fascist actions of the the President because it’s convenient. We must be better. Continue reading

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Jun 11

“A Chorus Line” as a Period Piece

Wahle as Zach with Ensemble. Photo by Herb Philpott.

Presented by Reagle Music Theatre of Greater Boston
Conceived and Originally Directed and Choreographed by Michael Bennett
Book by James Kirkwood and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Originally Co-Choreographed by Bob Avian
Direction; Recreation of the Original Choreography by Leslie Woodies
Music direction by Dan Rodriguez
Assistant Director/Assistant Choreographer – Lauren Gemelli

June 7 through 17, 2018
Reagle Music Theatre of Greater Boston
617 Lexington St., Waltham, MA 02452
Reagle on Facebook

Reviewed by Bishop C. Knight

(Waltham, Massachusetts) I had never seen A Chorus Line so, for readers who are unfamiliar with this 1975 Broadway musical about life in show biz, please let me provide a brief summary.  On a bare stage, a group of dancers bring their headshots and personal histories to an audition where they share their birth names, stage names, birthdays, and ages, as well as their most formative life experiences.  There was a tough boy from the Bronx, another guy from a big Italian family, a saucy woman who flirted with the director, and fifteen more performers – all with large and extremely memorable personalities. Continue reading

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Jun 04

Fingers in “Cold Blood”


Presented by ArtsEmerson
Original idea by Michèle Anne De Mey
Produced by Astragale ASBL
Co-produced by Charleroi Danses

May 30 to June 3, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA
ArtsEmerson on Facebook

Reviewed by Bishop C. Knight

(Downtown Boston, MA)  The show began with a narrator sonorously incanting:  “It’s dark. You hear a voice. That voice will count to three, and at three you will be asleep.  One. Two. Three.” Continue reading

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May 08

A Majestic “Migration”


Presented by Step Afrika!
Produced by 
ArtsEmerson
Choreographed by Jakari Sherman, Jackie Semela, Paul Woodruff
Percussionists: Artis Olds, Jakari Sherman, Andrew Vinson

May 3 through 6, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA

Reviewed by Bishop C. Knight

“One of the most important functions of jazz has been to encourage a hope for freedom, for people living in situations of intolerance or struggle.”  –Herbie Hancock, jazz pianist and bandleader

(Boston, Massachusetts)  I could feel the crackling energy of the show, even before it started.  I could anticipate that it’d be a layered and textured theatrical experience that engaged the audience, even before dancers and musicians arrived on stage.  I am a person who is always listening to music. Likewise, I’m a patron who yearns for a show’s soundtrack to play both before and after the performance, as well as during its intermission.  The recording of African drum music, peppered with the rattling of gourds and the rhythmic clapping of hands, was vitalizing and encouraged a social atmosphere before the show began. Most patrons were out of seats, strolling around, greeting each other, standing in small circles having spirited conversations, smiling while sipping drinks; it was the pre-party I always wished for. Continue reading

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Sep 29

“Machine” Delivers a Bumpy Ride


Presented by Arts Emerson
Director, Co-Writer, and Original Idea by Vincent Dubé
A Machine de Cirque Production

September 21 – October 2, 2016
559 Washington St
Boston, MA 02111
Machine de Cirque on Facebook

Review by Gillian Daniels

(Boston, MA) In the face of the neon polish standard that is Cirque de Soleil in the Canadian acrobat scene, Machine de Cirque’s simplicity is real, grim, and refreshing. Here, the stage is covered in junk—bicycles, drums, stripped down scaffolding, juggling pins. The performers who encounter each item play and experiment, piecing the fragments into an act. It’s stunning. Perhaps a bit dark, too, as a viewer is left to wonder where, exactly, these performers are. Are these homeless young men in a junk yard? Or has the apocalypse come and gone, and they’re left with nothing but pieces in the dust of the cataclysm?  Continue reading

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Jul 18

Some Like it Hot: CUISINE & CONFESSIONS

CAPTION: ANNA KICHTCHENKO & MELVIN DIGGS Photo Credit: Alexandre Galliez

Anna Kichtchenko & Melvin Diggs; Photo Credit: Alexandre Galliez

Presented by The 7 FingersArtsEmerson and Jonathan Reinis Productions
Created and Staged by Shana Carroll and Sébastien Soldevila

July 12 – August 7
Cutler Majestic Theatre
219 Tremont St. Boston
The 7 Fingers on Facebook
ArtsEmerson on Facebook

Review by Danielle Rosvally

(Boston, MA) I’ve noticed a really exciting trend in Circus arts lately.  The Circus, in many ways, is going through a pivotal transitional period: as animal acts continue to dwindle in reaction to the many valid concerns about humane animal treatment, circus performers are finding more and more creative ways to showcase not just the feats of inhuman strength, flexibility, and dexterity that we’re used to seeing, but also the humanity of the performers themselves.  Story telling is becoming more and more central to the outstanding circuses touring the world and I couldn’t be more excited to have a front row seat to the incredible fruits of this transition. Continue reading

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Jun 09

Cirque du Soleil’s “Kurios” Packed with the Usual Curiosities

Presented by Cirque du Soleil 
Written and directed by Michel Laprise
Director of creation – Chantal Tremblay
Compositions and music direction by Raphaël Beau
Compositions and arrangements by Guy Dubuc and Marc Lessard
Acrobatic choreography by Andrea Ziegler, Rob Bollinger, Yaman Okur, Ben Potvin, Sidi Larbi Cherkaoui, Susan Gaudreau, Germain Guillemot, Boris Verkhovsky, Danny Zen

May 26th (premier) – July 10th, 2016
Suffolk Downs
525 McClellan Highway
East Boston, MA 02128
Kurious on Facebook

Review by Gillian Daniels

(Suffolk Downs, Boston, MAKurios, unlike the other two Cirque du Soleil shows I’ve reviewed for The New England Theatre Geek, is tied to a world of technology and innovation. In 2012, Totem offered meditations on natural history, complete with frogs. Amaluna came to Boston in 2014 and involved a shipwreck on an island wild with magic, a loose adaptation of The Tempest. Kurios, though, is centered on 19th century trains, gramophones, laboratories, and aerial machines. Continue reading

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Nov 04

“Spektrel” Spectacular

Photo: Caitlin O'Brien

Photo: Caitlin O’Brien

Presented by The Luminarium Dance Company
Choreographed by Merli V. Guerra and Kimberleigh A. Holman

OCTOBER 27 -31, 2015 @ 8PM
Multicultural Arts Center
41 Second St, Cambridge MA
Luminarium on Facebook

Review by Gillian Daniels

Spektrel is four stories sewn together, a series of modern dances united by themes of self-realization and independence. More broadly, it’s about millennials that have figured out what they want. Each modern dance piece slides into place beautifully, from the playful re connect to the harrowing Phoenixial Cycle. The Luminarium Dance Company knows what it’s about and directors Merli V. Guerra and Kimberleigh A. Holman put together a show that shines. Continue reading

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