Sep 21

A Study in Contrasts: “Tiny Beautiful Things”

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Shravan Amin, Nael Nacer, Lori Prince and Caroline Strang. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Based on the book by Cheryl Strayed
Adapted for stage by Nia Vardalos
Co-Conceived by Marshall Heyman, Thomas Kail and Nia Vardalos
Directed by Jen Wineman

September 11 – October 6, 2019
Merrimack Repertory Theatre
Lowell, MA
MRT on Facebook

Review by Shiyanbade Animashaun

(Lowell, MA) Tiny Beautiful Things delivers a personal memoir through the vehicle of questions answered by ‘Sugar’, who does so in each case with an insight drawn from a personal story.  Continue reading →

Sep 18

On “The Akhmatova Journals,” part of the October 2019 That’s What She Said program at Central Square Theater

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That’s What She Said presented by The Nora Theatre Company.
Coming to the Central Square Theater in October 2019!
CST on Facebook

Article by Kitty Drexel.

Playwright Ginger Lazarus; photo via www.gingerlazarus.com.

(Cambridge, MA) Playwright Ginger Lazarus said the journey to write her drama “The Akhmatova Journals” began in 1993 while visiting St. Petersburg, Russia.

Lazarus was completing a semester abroad in Moscow through the O’Neill Center’s National Theater Institute when fellow students invited her to visit the Anna Akhmatova Museum at the Fountain House with them. She said during a phone interview in late July that she planned on meeting her classmates there that afternoon but a sudden, touristy apathy convinced her to spend the afternoon sipping espresso in a cafe instead.

“I still kick myself for not going,” Lazarus said.

Lazarus’s play “The Akhmatova Journals” is scheduled for a dramatic play reading as part of the That’s What She Said program held by the Nora Theatre Company at Central Square Theater in Cambridge, MA. Continue reading →

Sep 18

The Artist She is Today: “Witches, Bitches and Divas”

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Presented by Club Oberon
Written, arranged and performed by Christina Pecce and Steve Bass

Sunday Sep 7th, 2019
Club Oberon
2 Arrow Street, Cambridge, MA
Oberon on Facebook

Review by Piyali Mukherjee

(Cambridge, MA) Christina Pecce’s show Witches, Bitches and Divas was presented as a crossover musical comedy and it delivered. Christina was accompanied on stage by her music director, Steve Bass, on the piano, George Darrah on the percussion instruments and Nick Franchese on the viola. Continue reading →

Sep 16

Completely Natural, Incredibly Beautiful: “The America Plays”

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Amanda J Collins and Robert Najarian; photo by Corinne Elicone.

Presented by Mount Auburn Cemetery
By Patrick Gabridge, Mount Auburn Cemetary Artist-in-Residence 
Directed by Courtney O’Connor
Music in All the Broken Pieces written, performed and recorded by Arshan Gailus

September 12, 2019 – September 22, 2019
Mount Auburn Cemetery
Cambridge, MA
MAC on Facebook 

Critique by Kitty Drexel

CAMBRIDGE, Mass. – The America Plays is a pleasant introduction to a select few of the curious residents interred at Mount Auburn Cemetery through theatre. These short plays in place preserve the lives of eight artists, politicians, and scientists while asking their audience to hike the cemetery grounds. It’s a charming way to meet some New England spirits and watch the grounds transition to their fall colors.  Continue reading →

Sep 13

We’re on the Same Side: “The Purists”

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J Bernard Calloway and John Scurti; Photo Credit: T Charles Ericksonn© T Charles Erickson.

Presented by the Huntington Theatre Company
By Dan McCabe
Directed by Billy Porter
Original music by Michael Sandlofer

Aug. 30 – Oct. 6, 2019
South End / Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

Editor’s Note: This article now includes an addendum by Noelani Kamelamela

(Boston) These are some terms and figures within hip hop culture that viewers should understand to better appreciate The Purists.

These are some terms and figures from musical theatre culture that viewers should understand.

  • Jerome Kern
  • George & Ira Gershwin
  • Bob Fosse 
  • Andrew Lloyd Weber 
  • National treasure, Bob Ross
  • Rapping in musicals
  • Annie + video 
  • Stephen Sondheim
  • Call center/Box office
  • The Golden Age of musical theatre

Oppression isn’t a contest. Virginia is mourning the 400th anniversary of slavery in the US. June 28 marked the 50th anniversary of the Stonewall riots. The ADA wasn’t made law until 1990. The only people who win when marginalized communities fight are the rich, white people who make money from our oppression. No one is free until we are all free. Freedom must be intersectional.   Continue reading →

Aug 27

Riffs, Shimmies, Herstory: “Six”

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Anna of Cleves (Brittney Mack, at center) performs “Get Down” in SIX, written by Toby Marlow and Lucy Moss and directed by Lucy Moss and Jamie Armitage.
Photo: Liz Lauren

Presented by the American Repertory Theatre
By Toby Marlow and Lucy Moss
Direction by Lucy Moss and Jamie Armitage
Music direction by Roberta Duchak
Choreography by Carrie-Anne Ingrouille 

Aug. 21 – Sept. 29, 2019
The Loeb Drama Center
64 Brattle Street
Cambridge MA 02138
A.R.T. on Facebook 

Critique by Kitty Drexel

Trigger warning: sexual abuse of a minor, gas lighting, female objectification

(Cambridge, MA) Six is catchy like Hamilton. They have similar harmonic elements; both borrow heavily from popular music formats. Unlike Hamilton, Six lends its female characters depth beyond the deeds of a man. The women of six will be remembered for more than a shared husband. They’ll be remembered for living and their shared husband.  Continue reading →

Aug 26

Prison is a Place: “Cherry Docs”

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The cast; Photo by Tenneh Sillah.

Presented by Acropolis Stage Company
By David Gow
Directed by Evan Turissini
Law practice consultation by Will Korman
Judaism & culture consultation by Becky Price

August 23 – September 1, 2019
The Rockwell
255 Elm Street
Somerville, MA 02144
Acropolis Stage on Facebook 

Critique by Kitty Drexel

This critique contains minor spoilers. 

Trigger warning: depictions of violence, domestic terrorism, racism, hate speech, panic attacks, white fragility

(Somerville, MA) Cherry Docs may be the most relevant-to-our-times production this theatre season. Other area-productions will claim to be relevant (storytelling often is) but they won’t attack the western world’s ongoing white, male, hetero, cis problem like David Gow’s play. Gow even offers solutions to the problems that our white men create for us. The script isn’t perfect, but it does offer the victims of predatory, toxic male behavior a way out. Cherry Docs a more compassionate play than is credited.  Continue reading →

Aug 20

Who will believe you?: “Measure for Measure”

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Photo via the BBT Facebook page.

Presented by Brown Box Theatre 
Written by William Shakespeare
Directed by Kyler Taustin
Intimacy & Fight Choreography by Margaret Clark

Performances dates 8/21 – 8/25, 2019
Performance location (s): Various outdoor locations:
8/21: Sampus Pavilion, 160 Pawtucket Blvd, Lowell, MA
8/22: Borderland State Park, 250 Massapoaq Ave., Easton, MA
8/23: – Herter Park Ampitheater, 1175 Soldiers Field Road, Allston, MA
8/24: Hopkinton Ctr for the Arts, 98 Hayde Rowe Street, Hopkinton, MA
8/25: Atlantic Wharf/Waterfront Plaza, 290 Congress Street, Boston, MA
Brown Box on Facebook 

Review by Chloé Cunha

(Boston, Mass.) Without even mentioning context, the above refrain strikes a familiar chord, the scene paints itself: a woman abused, her abuser, threatening the full extent of his power against her. Who will believe you?  Chilling and pressing, Brown Box Theatre’s production reminds us why Shakespeare remains relevant today. Continue reading →

Aug 13

“The Intersection” presented by Bodega

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The Intersection presented by Bodega Commedy

Saturday, Sept. 7, 2019
Doors at 7:30 p.m., Show at 8 p.m.
Tickets are $22
Calderwood Pavilion at the BCA
527 Tremont Street
South End
Boston, MA 02116

Featuring the talents of Geeks Diana Lu and Shiyanbade Animashaun!

They’re back again! Mark your calendars for the return of The Intersection. Come to the South End on Saturday, September 7 for a night of comedy!

Come witness the baddest comedians, poets, sketch artists, and improvisers create community on stage while making you laugh! The Intersection is produced by creatives of color from across the Boston area.

Doors open at 7:30 pm. Show at 8:00 pm.

#FUNinBOS

F.U.N. – Fierce Urgency of Now: Energizing Young Professionals of Color to Unlock Boston’s Promise

What is the Fierce Urgency of Now Festival?

A five-day series of events hosted by local businesses and organizations geared at highlighting the experiences, challenges, and opportunities for young professionals of color in our city with the ultimate goal of creating community. With more than 30 events scheduled, you can plan to learn, connect, and have fun all week long, while also lending your voice to change. Join us September 4-8 to help make Boston more inclusive for all.Why are we involved in F.U.N.?
With half of the workforce in Boston being classified as millennials, and nearly half of millennials in Greater Boston being people of color, we know that the business community must play a key role in improving the city’s image and increasing access and opportunities to attract and retain talent. Retention of young people of color is of critical importance to our future as a region.

F.U.N. is for you: young professionals and young professional of color looking to build community and gain allies.

Jul 23

Laughter Through Tears: “Steel Magnolias”

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The Cast; Photo by Tim Gurczak

Presented by Hub Theatre Company of Boston
By Robert Harling
Directed by Paula Plum

July 19 – Aug. 3, 2019
Club Cafe
209 Columbus Ave
Boston, MA
Hub on Facebook

Critique by Kitty Drexel

(Boston, MA) Steel Magnolias is a theatre classic. It can be seen in fringe and community productions across the country. The 1989 movie starring Sally Fields and Dolly Parton has firmly cemented itself into the 80’s pop culture. The 2012 TV-movie starring Queen Latifah and, queen in her own right, Phylicia Rashad introduced a new generation to the story. It has survived well because of its timelessness. There will always be a need for safer-spaces where women can be themselves beyond the emotional and physical labors society demands from them. Hub Theatre’s production nestles into that need.  Continue reading →