Jul 13

The Link Between Cause and Effect: “AddictShunned”

The cast. Photo: Avenue Stage

Presented by Avenue Stage
By Judith Austin
Directed by Michael O’Halloran

Boston Playwrights’ Theatre
949 Commonwealth Ave.
Boston, MA 02215
Avenue Stage on Facebook

AddictShunned was originally titled Spiro Spero, which roughly translates to “While I Breathe, I Hope.”

Review by Kitty Drexel

“Addiction is defined as a chronic, relapsing brain disease that is characterized by compulsive drug seeking and use, despite harmful consequences. It is considered a brain disease because drugs change the brain; they change its structure and how it works. These brain changes can be long lasting and can lead to many harmful, often self-destructive, behaviors.”
— NIDA website, “The Science of Drug Abuse and Addiction: The Basics” https://www.drugabuse.gov/

(Boston, MA) Addiction is as much of a disease as Diabetes. Yet, while we don’t demand diabetics to will themselves healthy, we do demand this of addicts. Addicts need and deserve compassion, understanding, and resources to break the cycles of abuse. Avenue Stage’s AddictShunned compassionately reframes the stories of addicts. The audience is made to find commonality with characters it would prefer to remain anonymous.   Continue reading

Jun 28

Your Ticket is Problematic: LUZIA


Presented by Cirque du Soleil
Written by Julie Hamelin Finzi and Daniele Finzi Pasca
Directed by Daniele Finzi Pasca
Acrobatic performance designed by Philippe Aubertin
Composed and music directed by Simon Carpentier
Acrobatic choreography by Edesia moreno Barata, Debra Brown, Sylvia Gertrúdix González

June 27 – August 12, 2018
Suffolk Downs
525 William F McClellan Hwy
Boston, MA 02128
Parking available for $20.00
CdS on Facebook

Review by Kitty Drexel

(Boston, MA) Cirque du Soleil’s scheduling of its Luzia American tour is so poorly-timed that it’s nearly offensive. The producers couldn’t have known, could they? On the one hand, there’s the appreciation of Mexico’s song, dance, and natural resources. On the other, there’s the fact that ICE is indefinitely detaining immigrants as well as asylum seekers near the Mexican border. It’s deporting LEGAL residents across the US. It had been separating families because it could. “But why does light entertainment have to be dragged through politics? It’s just a show!” Because the political is personal, my friends. There are immigrants living in Boston who are at risk of deportation as I type. We, as artists and audience members, can’t forget the fascist actions of the the President because it’s convenient. We must be better. Continue reading

Jun 27

Laura Neill’s “DIVAS”

The ensemble

Presented by OperaHub in collaboration with DIVA Museum
Written by Laura Neill
Produced and Stage Directed by Adrienne Boris
Music Directed and Collaborative Piano by Patricia Au
Starring Chelsea Beatty, Kathryn McKellar, Lindsay Conrad, Glorivy Arroyo, and Christie Lee Gibson

June 21 through 30, 2018
Boston Center for the Arts
527 Tremont Street, Boston
OperaHub on Facebook

Reviewed by Bishop C. Knight

(South End, Boston, Massachusetts) DIVAS is a new play by the writer and educator Laura Neill.  It is being performed for the rest of this week in a black box at the BCA.  On the Sunday I attended, the black box was very warm. The man sitting next to me repeatedly wiped the sweat trickling down his brow, and half the audience was skimming through their programs, while the other half fanned their perspiring faces.  The small theatre’s high temperature didn’t seem to bother most of the patrons, who had either greying or thoroughly whitened hair. OperaHub’s noble mission is “to present high-caliber, affordable, and accessible classical music to a wide community of music and art lovers,” but looking around the audience, it was easy to remember that the classical music community remains mostly white and older. Continue reading

Jun 25

BeBe Winans was “Born for This”

Presented by ArtsEmerson
Original Music and lyrics by BeBe Winans
Book by Charles Randolph-Wright, BeBe Winans and Lisa D’Amour
Directed by Charles Randolph-Wright
Choreographed by Warren Adams
Orchestrations, Arrangements, & Music Direction by Steven Jamail
Starring Milton Craig Nealy, Kirsten Wyatt, Phillip Brandon, Matthew Griffin, and Donald Webber, Jr.

June 15 through July 15, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA

Reviewed by Bishop C. Knight

(Downtown Boston, MA)  Born for This was the musical biography of soul gospel musician Benjamin “Bebe” Winans, a Detroit native who began his career releasing albums with his sister Priscilla “CeCe” Winans from 1984 through 1996.  In 1989, BeBe won a Grammy for Best Male Soul Gospel Performance. In 1997, he signed with Atlantic Records and released his first of seven solo albums. That same year, BeBe delivered the international hit “I Wanna Be The Only One,” which featured British soul trio Eternal and topped the UK Singles chart in May 1997.  Throughout his career, Bebe has collaborated other Grammy award winning R&B vocalists – such as Stephanie Mills, Whitney Houston, and Stevie Wonder.
Continue reading

Jun 21

Blog Update: Nondiscrimination/Anti-Harassment Policy

[Updated 6/21/2018]
The New England Theatre Geek (NETG) is an arts blog committed to maintaining a constructive and supportive environment for its readers and its staff. The following harassment policy is in support of our commitment for a more compassionate and respectful arts community. NETG may, from time to time, revise this policy at its discretion without notice:

No individual, whether a NETG employee, audience member, subject of a published critique, production crew or adjacent individual, should be subjected to any unwelcome conduct that is or should be known to be offensive because of gender, race, age, religion, ethnicity, immigration status, disability, sexual orientation or gender identity and/or expression. This policy extends to interaction in person as well as all interactions online. NETG will make reasonable efforts to ensure that the actions of its employees are free from harassment. Should a harassment claim be made, NETG will take appropriate corrective action.

Employees of the NETG are held to a high standard of constructive criticism. Performance critiques, reviews, interviews or op eds will be limited to production elements and the theatre experience of a given performance. Articles written for NETG will disinclude reviews or critiques based on an individual’s gender, race, age, religion, ethnicity, immigration status, disability, sexual orientation or gender identity and/or expression. This policy element may only be revoked on the occasion that an employee directly quotes an artist.

NETG employees are consultants that work directly with New England arts companies to create online journalism. The NETG expects that its colleagues and readers will extend the same respect to employees both online and in person. NETG will not tolerate harassment of any kind either on the New England Theatre Geek online blog, Facebook pages (including the Admiral Kittypants Facebook page), or in person. NETG is within its rights to revoke, suspend and/or permanently ban any person, company or entity from participating in some or all related activities, with or without expressed cause.

When alleged harassment is reported, NETG will investigate the incident at its own discretion. There will be no retaliation against an individual who has or reported harassment, or who has cooperated with any investigation of harassment. Those found guilty of misconduct will find their relationship with NETGsuspended.

Lastly, it is NETG policy to believe victims. Victims are invited to submit claims anonymously or otherwise to blognetheatregeek at gmail dot com. Actions to correct and prevent further misconduct will be performed at the discretion of the victim with input from NETG leadership.

Jun 14

Don’t Expect the Movie: “Dirty Dancing: The Classic Story On Stage”

Craven and Courts. Photo by Jeremy Daniel.

Presented by Boch Center
By Eleanor Bergstein
Music supervising and orchestrations by Conrad Helfrich
Choreography by Michele Lynch
Original choreography by Kate Champion
Directed by Sarna Lapine

June 13 – 17, 2018
Shubert Theatre
Boston, MA
Dirty Dancing tour on Facebook

Review by Kitty Drexel

(Boston, MA) Dirty Dancing: The Classic Story On Stage is a great production for professional-dance enthusiasts who enjoyed Dirty Dancing the movie but have no particular emotional connection to it. Diehard movie fans may feel put out by Eleanor Bergstein’s script upgrades. Musical aficionados may snark at the “acting” going on onstage. Anybody ready for some good time media nostalgia will enjoy themselves. Continue reading

Jun 11

“A Chorus Line” as a Period Piece

Wahle as Zach with Ensemble. Photo by Herb Philpott.

Presented by Reagle Music Theatre of Greater Boston
Conceived and Originally Directed and Choreographed by Michael Bennett
Book by James Kirkwood and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Originally Co-Choreographed by Bob Avian
Direction; Recreation of the Original Choreography by Leslie Woodies
Music direction by Dan Rodriguez
Assistant Director/Assistant Choreographer – Lauren Gemelli

June 7 through 17, 2018
Reagle Music Theatre of Greater Boston
617 Lexington St., Waltham, MA 02452
Reagle on Facebook

Reviewed by Bishop C. Knight

(Waltham, Massachusetts) I had never seen A Chorus Line so, for readers who are unfamiliar with this 1975 Broadway musical about life in show biz, please let me provide a brief summary.  On a bare stage, a group of dancers bring their headshots and personal histories to an audition where they share their birth names, stage names, birthdays, and ages, as well as their most formative life experiences.  There was a tough boy from the Bronx, another guy from a big Italian family, a saucy woman who flirted with the director, and fifteen more performers – all with large and extremely memorable personalities. Continue reading

Jun 11

#Gamergate, Too: “The Nether”

Photo by Jake Scaltreto

Presented by Flat Earth Theatre
By Jennifer Haley
Directed by Sarah Gazdowicz

June 8 – 23, 2018
The Mosesian Center for the Arts
321 Arsenal Street, Watertown, MA, 02472
Flat Earth on Facebook

Review by Kitty Drexel

Trigger warnings: pedophilia, sexual abuse, implied physical violence, predatory grooming

(Watertown, MA) Flat Earth’s production is expectedly excellent but it isn’t enjoyable. Well actually, The Nether is about ethics in gaming journalism. It’s a political metaphor for gamer identity protection. Just kidding: It’s about abusive communities on the internet and the people who dwell in them. Identity protection and “ethics” are smoke screens for heinous behavior in the name of free speech and implausible deniability. #yesallwomen Continue reading

Jun 08

Saving Boston One Turtle at a Time: “Martha’s (b)Rainstorm”

Photo by Paul Fox

Presented by Fresh Ink Theatre
Written by John J King
Directed by Stephanie LeBolt
In collaboration with the Boston Public Library Playwright-in-Residence program and part of the Push Project Residency at Boston Center for the Arts

June 7 – 15, 2018
Boston Center for the Arts
Boston, MA
Fresh Ink on Facebook

Review by Kitty Drexel

Warning: Parts of this play require audience interaction. If that isn’t your thing, sit in the back.

(Boston, MA) Martha’s (b)Rainstorm: A Boston Fairytale pays homage to our fair city through Native myth, pop culture references, and pseudoscience. It tackles the very real threat of climate change on our Massachusetts shores through democratic process. Fresh Ink’s production is still in its nascent stage but it a beautiful show bursting with possibility.

Continue reading

Jun 07

Ready for “A Piece of My Heart”

Photo credit: Nile Scott Photos

Presented by Wellesley Repertory Theatre
Written by Shirley Lauro
Suggested by the book by Kevin Walker
Directed by Nora Hussey
Starring in the sensational ensemble:  Victoria Georgia, Marge Dunn, Ariela Nazar-Rosen, Sarah Lord, Jenna Lea Scott, Andres Lyman, Danny Bolton, and Alan White

May 31 through June 24, 2018
Wellesley Repertory Theatre
The Ruth Nagel Jones Theatre
106 Central St, Wellesley, MA
WRT on Facebook

Review by Bishop C. Knight

(Wellesley, Massachusetts) A Piece of My Heart is a drama about five nurses and one singer who voluntarily travel to Vietnam for one year during the Second Indochina War.  This cast of patriots did a terrific job recreating the emotional bonds of friendship that form between those in war zones. Continue reading