Dec 11

A More Accurate Dickensian Christmas: “A Christmas Carol”

Presented by The Nora Theatre Company
By Charles Dickens
Adapted and directed by Debra Wise
Choreography by Susan Dribble
Dramaturgy by Siobahn Caroll & Iris Smith-d’Agincourt

Nov. 24 – Dec. 31, 2017
Central Square Theater
Cambridge, MA
CST on Facebook

Review by Kitty Drexel

(Cambridge, MA) Modern-day London is as much of a melting pot of cultures as New York City. In Dickens’s Victorian London, immigrants from all over Europe flocked to England. Right now, London is a thickly settled, racially diverse city with citizens representing nearly every country and continent in the world. Then just as now, immigrants from non-European countries did travel about the globe. If Shakespeare can devise a play about an Black officer in the Venetian army, then it’s conceivable that Indians dwelt among the working class 250 years later. That the Nora Theater’s A Christmas Carol incorporates music and dance from outside the England’s stereotypical whiteness is less surprising than it is a refreshing example of reclaiming history. Continue reading

Dec 11

Honestly and Wonderfully: “She Loves Me”

The cast of “She Loves Me.” Photo by Maggie Hall.

Presented by Greater Boston Stage Company
Book Written by Joe Masteroff
Music Originally by Jerry Bock
Lyrics by Sheldon Harnick
Directed by Ilyse Robbins
Music directed by Matthew Stern

November 24th through December 23rd, 2017
Greater Boston Stage Company on Facebook
395 Main St, Stoneham, Massachusetts 02180

Review with Bishop C. Knight

(Stoneham, Massachusetts) An adaptation of the 1937 play Parfumerie by Hungarian playwright Miklós László, She Loves Me is set in a perfume shop where the entire staff pauses to sing in unison “Pleeeease doooo call again” to every departing customer.  In a broad sense, this is one of those comedies defined by the positive space of its set; meaning that the characters’ workspace and workspace culture were as much part of the musical as the characters’ dialogue and songs.  She Loves Me is evocative of other comedies reliant on their sets, like Cheers and Seinfeld which respectively wouldn’t be what they are without Sammy’s Boston bar and Jerry’s apartment building. Continue reading

Dec 11

A Lonely Old Man and His “Christmas Carol”

Rebecca White and Joel Colodner; Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
Based on the novel by Charles Dickens
Stage adaptation by Tony Brown
Directed by Megan Sandberg-Zakian

November 29 thru December 24, 2017
Merrimack Repertory Theatre on Facebook
132 Warren Street, Lowell, MA  01852

Reviewed by Bishop C. Knight

(Lowell, Massachusetts)  Megan Sandberg-Zakian’s production needed a larger cast.  Three hard-working actors struggled to carry this Christmas story, which Charles Dickens populated with nine very diverse characters.  These actors paced the small stage quickly switching between accents and affectations, to communicate to the audience that they were presenting a different personality, and it ended up being an evening of too much talk.  At one point when my eyes were glazing over, I asked myself if I were in a comfortable lull or if I was just bored.  Then during intermission, I overheard a fellow patron say that she hoped she did not fall asleep during the second act.  So I had my answer: She and I were just bored. Continue reading

Dec 07

Quorum Boston Presents: Two Winter Concerts

Quorum Boston
Presents
Two Winter Concerts
December 14 & 15, 7:30PM
Lorraine Fitzmaurice, music director
Inti Figgis-Vizueta, composer-in-residence

http://quorumboston.com
Quorum Boston on Facebook

Winter 2017: Quorum Boston welcomes all to our Winter Concert, featuring works by Francis Poulenc, Hildegard von Bingen, and Benjamin Britten along with a world premiere by Allston composer Inti Figgis-Vizueta. Music director Lorraine Fitzmaurice invites you to let the music of many voices lead you in an exploration of duality, silence and embodiment in the Holiday Season.

At a glance:
December 14, 8pm, doors open at 7:30
At the Josephine A. Fiorentino Community Center
123 Antwerp St, Allston, MA 02134
Donations collected for future LGBTQ programing at the Community Center.
​The event on Facebook: https://www.facebook.com/events/729339420589243/

December 15, 8pm, doors open at 7:30
At the Cambridge Friend’s Meeting House
5 Longfellow Park, Cambridge, MA 02138
Tickets sold online HERE or at the door: $20 General Admission; $10 Student/Low Income; children under 8 free!
The event on Facebook: https://www.facebook.com/events/149086095816247/

For more information, please visit the Quorum Boston website http://quorumboston.com

Our Mission:
We are an LGBTQ vocal ensemble celebrating our musical heritage and future through thoughtful programming, public engagement, and local artistic collaborations. Quorum Boston is an auditioned chamber choir of 20 singers. We perform classical music, from the medieval era through new works. However, in addition to being a musical ensemble, Quorum Boston serves as a gathering of LGBTQ musicians in the city of Boston. The queer experience is one in which community plays a uniquely vital role. Creative initiatives are member-lead, and this flexibility allows the ensemble to evolve to suit the needs of the community. Quorum Boston creates a space for dialogue, music, scholarship, and art to flourish in this great city.

Queen’s Note:
We elected a thin-skinned Nazi to the office of the President who is turning our “democracy” into a fascist, totalitarian oligarchy dominated by the 1%. Trump is a monster. His policies, when he names them, are destructive. His narcissistic behavior is more so.

Congressional “negotiators” released a spending bill that saves the National Endowment for the Arts, the National Endowment for Humanities, and National Public Radio until September at which time, the President and his impotent cronies may still cut arts funding. It is ever important to remain vigilant. And, for the love of all that’s sacred, keep creating. If you need help, ask for it. Our existence is our resistance. May the force be with you. – KD

Dec 06

There’s No Remedy for Fascism: “Man of La Mancha”

The cast; photo by Andrew Brilliant / Brilliant Pictures.

Presented by New Rep Theatre
Based on the novel by Miguel de Cervantes Saavedra
Book by Dale Wasserman
Music by Mitch Leigh
Lyrics by Joe Darion
Original production staged by Albert Marre
Directed by Antonio Ocampo-Guzman
Music direction by David Reiffel
Movement direction by Judith Chaffee

Dec. 1 – 24, 2017
Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472
New Rep on Facebook

Review by Kitty Drexel

(Watertown, MA) There were children in attendance the night I saw this production. Please note that while no one is ever undressed and strong language is avoided, MoLM does approach adult themes. Parents unwilling to discuss why a cowardly group of adult men with rage issues would rape a woman because their feelings were hurt should not bring their kids to this musical. Kids the answer is: they do it because they can.

New Rep’s production of Man of La Mancha is excellent. Get your tickets right now. Continue reading

Dec 04

Do Better: “Nurse Play”

Photo from Exiled Theatre’s Facebook page.

Presented by Exiled Theatre
By James Wilkinson
Directed by Joe Juknievich
Movement direction by Kayleigh Kane

Dec. 1 – 17, 2017
Boston Playwrights’ Theatre
Boston, MA
Exiled Theatre on Facebook

Review by Kitty Drexel

(Boston, MA) The days of casting the able-bodied to play a disabled person are nearly at an end. We aren’t there yet. While it is unacceptable to cast a white person to play a person of color, it is still marginally acceptable to cast an abled person in the role of a disabled character. Boston has many working actors that identify as seeing impaired. Should a theatre decide to cast an abled person in the role of a disabled character, it behooves the theatre to make it abundantly clear to the audience/disabled community that great pains were taken to either cast from the disabled community, or that the disabled community representative was consulted in the production of the play. Anything less is offensive. Continue reading

Nov 28

Love Can’t Afford to be Afraid: “Tartuffe”

Presented by the Huntington Theatre Co.
By Moliere
Translated by Ranjit Bolt
Directed by Peter DuBois
Choreography by Daniel Pelzig
Original music by Peter Golub
Fight direction by Ted Hewlett

Nov. 10 – Dec. 10, 2017
Avenue of the Arts
Huntington Avenue Theatre
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) If you haven’t seen #metoo then it’s likely you’ve been under a proverbial rock. Female and male victims of sexual assault rallied their cry in solidarity with the women accusing Harvey Weinstein of years of criminal misconduct. Weinstein is a pig enabled by others so focused on their own careers/pocketbooks that they wouldn’t stop him. Whether intentional or not, the Huntingington’s Tartuffe is a reflection of the news cycle. In our own backyard, Berklee School of Music harbored rapist professors. “Good” men can’t seem to keep their hands to themselves.   Continue reading

Nov 27

Utterly Enchanting: “The Perils of Mr. Punch”

Presented by Modern Time Theater
Puppeteers Rose Friedman & Justin Lander
Modern Times Theater Website

November 24th thru 26th, 2017
Puppet Showplace Theater, 32 Station St.
Brookline, Massachusetts 02445
Puppet Showplace on Facebook

Reviewed by Bishop C. Knight

(Brookline Village, Massachusetts) The puppeteer spouses Rose Friedman and Justin Lander are as lovely as their puppets and, in particular, Justin Lander’s sense of humor was utterly enchanting.  At one point during their opening act, Lander intimated to a kiddo at the front of the audience, “You owe me an ice cream sundae.”  A few minutes later during this musical skit, Lander told kids and presumably their parents that he was holding “one of the many instruments you can make out of old washing equipment.”  For cornballs like myself who thoroughly enjoy observational comedy,  statements like that are a hoot! Continue reading

Nov 27

A Broadway Revival of “The Color Purple”

Presented by the Boch Center 
Book Written by Alice Walker
Musical Adapted by Marsha Norman
Music by Brenda Russell and Allee Willis

November 21st – December 3rd, 2017
Church up in Shubert Theatre
Boston, MA
The Color Purple on Facebook

Reviewed by Bishop C. Knight

“I believe…as I believe that the sun has risen: not only because I see it, but because by it I see everything else.”  -C.S. Lewis

(Downtown Boston, Massachusetts) Dear stars and dear trees:  For all of my life, I’d been closeted about my consumption of musicals.  But after witnessing the musical revival of Alice Walker’s The Color Purple, Celie and Sophie have officially folded me into musical theatre, and I want to stay swaddled in the feeling of this lively genre.  I can tell I am swooning over this Broadway show the way all firsts captivate you – your first kiss, your first live music concert, your first adult job, and your first Broadway musical.    Continue reading

Nov 20

Adapt or Perish: “3Sisters”

The sisters Prozorov. Photo by Stratton McCrady

Presented by the Suffolk University Theatre Dept.
Inspired by the play by Anton Chekhov
Adapted and directed by Robert Kropf

Nov. 16-19, 2017
Modern Theatre
Boston, MA 02111
Modern Theatre on Facebook

Review by Kitty Drexel

(Boston, MA) Script adaptations are like staged, audience-ready fanfiction. In a Boston Sunday Globe article by Sandy MacDonald from August 2017, director and writer Robert Kropf explained that he adapts works to bypass the laws preventing him (and anyone) from making edits. The laws are frustrating but necessary to protect a playwright’s work. If the author is extremely dead, such as Anton Chekhov, it’s difficult to know what his original intentions for a work were without thoroughly researching first. Continue reading