Mar 05

Driving Mr. Daisy: “The White Card”

Karen Pittman and Daniel Gerroll in The White Card. Photo: Gretjen Helene Photography; Charlotte manages Charles’ microaggressions.

Presented by ArtsEmerson with the American Repertory Theatre
By Claudia Rankin
Directed by Diane Paulus
Dramaturgy by P. Carl

Feb. 24 – April 1, 2018
Emerson Paramount Center
Robert J. Orchard Stage
Boston, MA
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Reviews by Kitty Drexel and Noelani Kamelamela

(Boston, MA) The White Card is a conversation starter for those unused to discussing race at length. It’s for those who think we live in a post-racial society, the kind of person who resents the dialogue because there are “bigger problems” to fix. Other attributes include denying racism because they have imaginary Black friends, thinking “all lives matter,” and feeling threatened when any indication of their own culpability within society’s systemic racism. Those who have regular discussions on race, inequalities and the struggles for justice will have their work affirmed. Continue reading

Feb 26

Show Up and Shut Up: “An Education in Prudence”

with Christa Brown, Caitlin Gjerdrum, Tenneh Sillah, Shana Elizabeth Jackson, Mary O’Donnell, Kevin Paquette, Jon Vellante & Regine Vital; photo by Matt McKee Photography.

Presented by Open Theatre Project
By Stefan Lanfer
Directed by Pascale Florestal
Inspired by the historical research of Beth Miller

Feb. 9 – 24, 2018
St. John’s Church
Jamaica Plain, MA
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“Grant me chastity and constancy, but do not grant it yet.” Saint Augustine of Hippo

Review by Kitty Drexel

(Jamaica Plain, MA) OTP’s An Education in Prudence sold out its run. If you missed the readings, the workshops, or the performances, then the joke’s on you. Do yourself a favor and donate to OTP so they can create more important works. Prudence deserves, at the very least, a performance in Canterbury, CT. They’ll need our help to get there. Continue reading

Feb 22

Presenting the Black Female Experience in America is a Revolutionary Act: “for colored girls who have considered suicide/ when the rainbow is enuf”

Photography by Roberto Mighty; From left: Verna Hampton, Kerline Desir, Thomika Marie Bridwell, Dayenne CB Walters, Karimah Williams, Tonasia Jones. Not pictured: Ciera-Sade Wade.

Presented by Praxis Stage
By Ntozake Shange
Directed by Dayenne CB Walters
Choreography by W. Lola Remy

Feb.15 – 25, 2018
Hibernian Hall
Boston, MA
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Review by Noelani Kamelamela

(Boston, MA) When theatre is about lifting up oppressed voices, it is a revolutionary act.  Praxis Stage’s production of “for colored girls who have considered suicide/ when the rainbow is enuf” during Black History Month qualifies.  I recommend that locals go and see this production if they can.  Although “for colored girls . . .” is done regularly with student casts, such as the production at Boston College in 2014, it is inspiring to see a range of ages authentically represented in this show.  I will also mention that the space in Hibernian Hall is accessible, which is not always a possibility for theatre companies in the Boston area. Continue reading

Feb 22

A Queer Bildnungsroman “Torrey Pines”

Presented by ArtsEmerson 
Torrey Pines
Directed by Clyde Petersen
Animated by Clyde Petersen & Chris Looney
Original music recorded in collaboration with Kimya Dawson and Chris Walla (Death Cab for Cutie)

Feb. 14 – 17, 2018
Jackie Liebergott Black Box Theatre
Boston, MA
ArtsEmerson on Facebook

ArtsEmerson presented a lovely set of screenings of “Torrey Pines” with a live band and live foley.  A stop motion film about a young adolescent’s experiences, the lead in the film was also the lead in the band which played, Your Heart Breaks.  The Seattle band has been touring with this movie since its premiere in 2016.  It is wonderful that this movie was brought to Boston, especially since there are few art pieces with trans creators at the helm. Continue reading

Feb 20

World Music Concert: Presenting Carla Bruni


Presented by the World Music/CrashArts

Thursday, 15 February 2018 ONLY
Berklee Performance Center
136 Massachusetts Avenue
Carla Bruni on Facebook

Reviewed by Bishop C. Knight

(Boston, MA) As a vocalist Carla Bruni had an effortless delivery, and she was best crooning at a mellow level, which any close listener of Bruni’s albums would already know.  Her voice was much fuller and sultrier at a slow pace, which conveyed more genuine feelings that the audience sensed and responded to with thundery clapping.  Program notes provided by World Music/CrashARTS prepared the audience for a coup de foudre, the French term for falling in love at first sight, trying to ready everyone for a moody and emotional evening of intimate ballads.  Ultimately, as anticipated, this was a performance for romantics to attend the week of Valentine’s Day; a concert presenting new songs from Carla Bruni’s latest album called “French Touch.” Continue reading

Feb 18

The Benefits of Inflection: “A Winter Gathering of New Music & Multimedia Performance”

From “Picture This.” Veronica Anastasio Wiseman, Adara Meyers, and Blair Nodelman with baggage.

Presented by Sleeping Weazel
Co-produced by Charlotte Meehan and Adara Meyers

Feb. 15 – 26, 2018
Plaza Black Box Theatre
Boston Center for the Arts
539 Tremont St
Boston, MA
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Review by Kitty Drexel

(Boston, MA) A Winter Gathering of New Music & Multimedia Performance is an intimate multimedia salon theatre experience. It’s a concert with dramatic sketches. It’s a lot of things including unusual, fun and experimental. Continue reading

Feb 12

45 Proposes Withdrawing Federal Funding for PBS, NPR & NEA

Please see The Hill for the recent article about the President’s dastardly proposal to cut funding to the Public Broadcasting Station (PBS) and National Public Radio (NPR).

Article by Joe Concha: http://thehill.com/homenews/media/373434-trump-proposes-eliminating-federal-funding-for-pbs-npr 

Here is information on a proposal to withdraw funding from the National Endowment for the Arts (NEA).
Article 1:  http://www.artsactionfund.org/news/entry/white_house_releases_fy_2019_budget_request_to_congress
Article 2:  http://www.artsactionfund.org/news/entry/arts_action_fund_statement_on_the_presidents_fy2019_budget_proposal

NPR, PBS and the NEA are vital resources for everyone living in the US. Cutting funding would impact the US budget only minimally. This is largely a demoralizing gesture to indicate how 45 presides as a fascist demagogue. Don’t let this tactic work.

Feb 12

See the Movie First: Disney’s “Beauty and the Beast”

Presented by Wheelock Family Theatre
Book by Linda Woolverton
Music by Alan Menken
Lyrics by Howard Ashman & Tim Rice
Directed by Jane Staab
Music direction by Steven Bergman
Choreography by Laurel Conrad

Feb. 2 – March 4, 2018
Feb. 25 & March 2, ASL and audio-described
Wheelock College; Boston Campus
200 The Riverway
Boston, MA 02215
WFT on Facebook

Review by Kitty Drexel

“Men are afraid that women will laugh at them. Women are afraid that men will kill them.” ― attributed to Margaret Atwood.

(Boston, MA) Disney’s Beauty and the Beast (DBatB) is beloved in all its forms. The 2017 film with Emma Watson, Dan Stevens, Luke Evans, Emma Thompson, and a vastly underutilized Audra McDonald, is a charming retelling with updates to make it more palatable for contemporary audiences. The 1994 musical adaptation of the 1991 film is not. The original Disney movie was notable for its strides in animation technology, but not for its intersectionally feminist portrayal of accepting others for their differences. Unfortunately for Wheelock Family Theatre, this problematic musical hasn’t received the update treatment. In some ways, it’s worse that the 1991 film. Continue reading

Feb 09

LADYSMITH BLACK MAMBAZO: Sunday, February 11, 3pm

Boston, MA — World Music/CRASHarts presents Ladysmith Black Mambazo on Sunday, February 11, 3pm at Sanders Theater, 45 Quincy St., Cambridge. Tickets are $48, $37, $32, and $28, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at www.WorldMusic.org.
(Cambridge, MA) With the power of gospel and the precision of Broadway, Ladysmith Black Mambazo is the undisputed king of mbube, South African a cappella singing. The group came together in the early 1960s and continues to thrill audiences around the world with its strong, proud melodies harmonized in layers of call and response.

Continue reading

Feb 08

Rooted and Roots-less: “KNYUM”

Photo by Meghan Moore.

 

Presented by Merrimack Repertory Theatre
Written by Vichet Chum
Directed by KJ Sanchez

Venue: 50 East Merrimack Street
Lowell, MA
January 10 – February 4, 2018
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) We owe our individual existences to thousands of coincidences in history, but our identities are forged through careful curation. Many find their identities come preformed for them, whether
they like it or not, but some, like second-generation immigrants, must sort early in life through
conflicting information and cultural influences to find who they are. Continue reading