Boston, MA — We all know that one toxic person who refuses to go away: they show up everywhere, you grew up together, they were hired when the company first started, etc. No one in your circle wants to get singled out by kicking them to the curb. Instead, everyone brines in their own contempt because confronting Toxic Tilly might upset the barely tolerable status quo. Boston Playwrights’ Theatre’s Deal Me Out directly addresses the harm they do. Continue reading →
Presented by Huntington Theatre Company Resident Direction / Choreography by Carisa Barreca
Original Direction / Head Writing by Carly Heffernan
Original Music & Sound Design by Mary Mahoney
Music Direction & Sound Design by Jacob Shuda
Stage Managing by William Collins
Boston, MA — I am woman, hear me roar… with laughter? She the People is fun, high-energy, and, in its best moments, a cathartic release of female frustrations. At its least effective, it is as on the nose as the opening sentence of this review, and narrow in its vision. Though not as radical as one might expect or hope for, it nevertheless presents an entertaining piece of political bubblegum pop to chew on. Continue reading →
Content warnings: This production includes the smoking of cocoa shell cigarettes (100% nicotine-free). It contains themes of drug use, drug addiction, alcoholism, and homelessness.
Trigger warnings: racial and gender microaggressions, intentional bigotry, sexism, racism, graphic violence, implied drug use, exploitation of a disabled person, and Republican politics
The Huntington Theatre Company website says that those who are interested in more information should please reach out to Ticketing Services at 617 266 0800.
Critique by Kitty Drexel
Boston, MA — Lynn Nottage’s Sweat won the 2017 Pulitzer Prize for Drama. After reading in in 2017 and seeing it live last night, it is not difficult to understand why. Sweat balances gender, race, and class discrimination issues like a well-crafted dagger. This art represents the struggling people of Reading, PA that Nottage interviewed to write her play. It gives insight into the dangers of unchecked greed while commenting on the political events that provoked into a capitalist fury. Sweat has you in the palm of its metaphorical hand… And then it drops you on your ass. Continue reading →
Photo by Nile Scott Studios; The March women in “Little Women.”
Presented by Wheelock Family Theater at Boston University:/ Music by Jason Howland Lyrics by Mindi Dickstein Book by Allan Knee Based on the Book, “Little Women,” by Louisa May Alcott Directed by Nick Vargas Music Directed by Jon Goldberg Choreography by Laurel Conrad
Boston, MA — Like anybody who grew up with an overactive imagination and an abundance of energy, I have fond memories of exploring fantastical worlds as a kid. My mum used to transform her bed into a space ship, her bedroom, an alien planet. A whir and a hum and we were off, her narration painting the room around us into a whole new galaxy.Continue reading →
Wellesley, MA — The set for boom is a tank reminiscent of a gallery or museum exhibit, with assorted instruments set to the left. As it starts, Stephanie Clayman’s (“Barbara”) crosses the stage in a jumpsuit and overcoat. Shortly thereafter, Nicholas Yenson ( “Jules”) and Chloe Nosan (“Jo”) robotically take to the stage, arranged as an underground bunker. Continue reading →
Boston, MA — Wolf Play made me so angry I wanted to punch a philosopher. There is so much going wrong in Wolf Play. Good people do not sell or purchase children from the internet. They do immediately contact child services when they discover parents attempting to sell their adopted child. They do contact organizations working on behalf of exploited children. They do not attempt to liberate a child on their own because the US’s messed up legal system thinks that LGBTQ+ adults aren’t fit to raise kids. I know it’s pretend but it’s based on fact. The adults caught up in these actions are telling themselves that they are still good people. They are not. Continue reading →
Presented by Underground Railway Theater
By Kate Hamill
From the novel by William Makepeace Thackeray
Directed by David R. Gammons
Fight coordination by Victor Ventricelli
Dialect coaching by Erika Bailey
Dramaturgy by Hilary Rappaprt
Cambridge, MA — William Makepeace* Thackeray’s Vanity Fair postdates Voltaire’s Candide by almost 100 years. Kate Hamill’s Vanity Fair now at Central Square Theater compares strongly to the famed Bernstein operetta. One could expect the human race to have evolved to squabble over different intersocial problems after nearly a century. One would be wrong. Continue reading →
Boston, MA — When directed to their seats, audience members were asked to stay clear of the stage. Set in-the-round, the four seating sections surrounded a square with an off-center lamp post and brick. Soon the direction became clear as Kadahj Bennett (Moses) and Hubens “Bobby” Cius (Kitch) took to the stage in the pre-show moments, with interactions that foreshadowed the events of the play. Continue reading →
Presented by American Repertory Theatre By Emily Mann Directed by Diane Paulus The cast includes Patricia Kalember as Gloria Steinem with Gabrielle Beckford, Joanna Glushak, Patrena Murray, Erika Stone, Brenda Withers, and Eunice Wong. Rachel Cognata is the swing.
“People say ‘beware!’ But I don’t care The words are just Rules and regulations to me, me” – “Gloria” by Patti Smith
Cambridge, MA — Gloria Steinem is creating the world she wants to see. She is a multi-generational, intersectional feminist activist, an unflinching journalist, and a courageous journalist. Steinem is kind, compassionate, persistent, patient, and she wants a better world for all of us. The human population is damn lucky to have her fighting on our side. She is one of my personal heroes.
Gloria: A Life by Emily Mann invites us to participate in the events of Steinem’s life as the unfold onstage. A performance feels like watching the text of Steinem’s My Life On the Road leap off the page. (The book is great! I highly recommend it.) Both are about Steinem’s personal life and career. The greatest difference between Mann’s play and the book is that the play invites the audience into Steinem’s head. Steinem is no longer at a distance. We’re allowed to celebrate and grieve with her in realtime. Continue reading →
Cast of Hair. Andrew Brilliant/Brilliant Pictures.
Presented by New Rep Theatre
Book & Lyrics by Gerome Ragni and James Rado
Music by Galt MacDermot
Directed and choreographed by Rachel Bertone
Music direction by Dan Rodriguez
Intimacy direction by Angie Jepson
Dramaturgy by Emily White
Jan 26- Feb 23, 2020
Open Caption services will be provided on Saturday, 2/8 during the 3:00pm performance.
MainStage Theater Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472
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Content Warning: This production contains strong language, frequent references to sex and illicit substances, and brief nudity. Recommended for ages 18+.
Critique by Kitty Drexel
Watertown, MA — Hair is the only time I’ve been (purposefully) naked onstage. I have fond memories of performing in Counter-Productions Theatre Company’s Hair in 2010. Getting naked as an expression of civil protest was just one of the perks of joining their cast. Continue reading →