Mar 15

Fear Isn’t Logical: “The Humans”

Photo by Julieta Cervantes

Presented by Boch Center and the Roundabout Theatre Company
By Stephen Karam
Directed by Joe Mantello

Shubert Theatre
Boston, MA
Boch Center on Facebook

Review by Kitty Drexel

(Boston, MA) The Humans is a play about fear and the ways we humans navigate them. Brigid(Daisy Egan) and Rich (Luis Vega) are hosting Thanksgiving in their first adult apartment in Manhattan. Sister Aimee (Therese Plaehn) has recently broken up with the love of her life. Parents, Deirdre (Pamela Reed) and Erik (Richard Thomas) have brought grandma Momo (Lauren Klein). Regardless of their troubles, everyone is determined to have a nice time. Continue reading

Mar 06

Laughing Together to Confront Suicide Stigma: “Every Brilliant Thing”

Krstansky with audience members. Those happy faces tell you all you need to know. Maggie Hall Photography

Presented by SpeakEasy Stage Company
By Duncan MacMillan
With Jonny Donahoe
Directed by Marianna Bassham
Featuring Adrianne Krstansky

March 21 – 31, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) Every Brilliant Thing is a story about a woman’s appreciation for living as told through a long list of joys. Audience participation is nearly mandatory. Adrianne Krstansky is so welcoming that volunteering is fun. The Calderwood Pavilion is a safer space for an hour.   Continue reading

Mar 05

It’s Time to Talk About White on White Crime: “Ripe Frenzy”


Left to right: Veronika Duerr, Stacy Fischer, Samantha Richert. Photo by Kalman Zabarsky. It’s a strange cruelty to photograph actors from below.

Presented by NewRep Theatre and Boston University College of Fine Arts
By Jennifer Barclay
Directed by Bridget Kathleen O’Leary

Feb. 24 – March 11, 2018
BU College of Fine Arts
Studio ONE
Boston, MA
NewRep on Facebook

Review by Kitty Drexel

Trigger warnings: references to gun violence, references to animal abuse, references to violent behavior, references to suicide, stalking. NewRep/BCAP don’t include trigger warnings and they should. 

(Boston, MA) The people who commit monstrous wrongs are still people. The man who murdered 17 in the recent Florida tragedy took an Uber to get to the school. After, he went to Walmart, bought a drink at Subway and ate at McDonald’s. He was arrested as he walked out on his own (a common occurrence for white shooters). In Ripe Frenzy, a similar tragedy is told from the perspective of a mother who lived through the event. It is possible to cherish a monster even as he commits horrendous acts. Continue reading

Feb 26

Show Up and Shut Up: “An Education in Prudence”

with Christa Brown, Caitlin Gjerdrum, Tenneh Sillah, Shana Elizabeth Jackson, Mary O’Donnell, Kevin Paquette, Jon Vellante & Regine Vital; photo by Matt McKee Photography.

Presented by Open Theatre Project
By Stefan Lanfer
Directed by Pascale Florestal
Inspired by the historical research of Beth Miller

Feb. 9 – 24, 2018
St. John’s Church
Jamaica Plain, MA
OTP on Facebook

“Grant me chastity and constancy, but do not grant it yet.” Saint Augustine of Hippo

Review by Kitty Drexel

(Jamaica Plain, MA) OTP’s An Education in Prudence sold out its run. If you missed the readings, the workshops, or the performances, then the joke’s on you. Do yourself a favor and donate to OTP so they can create more important works. Prudence deserves, at the very least, a performance in Canterbury, CT. They’ll need our help to get there. Continue reading

Feb 18

The Benefits of Inflection: “A Winter Gathering of New Music & Multimedia Performance”

From “Picture This.” Veronica Anastasio Wiseman, Adara Meyers, and Blair Nodelman with baggage.

Presented by Sleeping Weazel
Co-produced by Charlotte Meehan and Adara Meyers

Feb. 15 – 26, 2018
Plaza Black Box Theatre
Boston Center for the Arts
539 Tremont St
Boston, MA
Sleeping Weazel on Facebook

Review by Kitty Drexel

(Boston, MA) A Winter Gathering of New Music & Multimedia Performance is an intimate multimedia salon theatre experience. It’s a concert with dramatic sketches. It’s a lot of things including unusual, fun and experimental. Continue reading

Feb 12

45 Proposes Withdrawing Federal Funding for PBS, NPR & NEA

Please see The Hill for the recent article about the President’s dastardly proposal to cut funding to the Public Broadcasting Station (PBS) and National Public Radio (NPR).

Article by Joe Concha: 

Here is information on a proposal to withdraw funding from the National Endowment for the Arts (NEA).
Article 1:
Article 2:

NPR, PBS and the NEA are vital resources for everyone living in the US. Cutting funding would impact the US budget only minimally. This is largely a demoralizing gesture to indicate how 45 presides as a fascist demagogue. Don’t let this tactic work.

Feb 12

See the Movie First: Disney’s “Beauty and the Beast”

Presented by Wheelock Family Theatre
Book by Linda Woolverton
Music by Alan Menken
Lyrics by Howard Ashman & Tim Rice
Directed by Jane Staab
Music direction by Steven Bergman
Choreography by Laurel Conrad

Feb. 2 – March 4, 2018
Feb. 25 & March 2, ASL and audio-described
Wheelock College; Boston Campus
200 The Riverway
Boston, MA 02215
WFT on Facebook

Review by Kitty Drexel

“Men are afraid that women will laugh at them. Women are afraid that men will kill them.” ― attributed to Margaret Atwood.

(Boston, MA) Disney’s Beauty and the Beast (DBatB) is beloved in all its forms. The 2017 film with Emma Watson, Dan Stevens, Luke Evans, Emma Thompson, and a vastly underutilized Audra McDonald, is a charming retelling with updates to make it more palatable for contemporary audiences. The 1994 musical adaptation of the 1991 film is not. The original Disney movie was notable for its strides in animation technology, but not for its intersectionally feminist portrayal of accepting others for their differences. Unfortunately for Wheelock Family Theatre, this problematic musical hasn’t received the update treatment. In some ways, it’s worse that the 1991 film. Continue reading

Feb 09

LADYSMITH BLACK MAMBAZO: Sunday, February 11, 3pm

Boston, MA — World Music/CRASHarts presents Ladysmith Black Mambazo on Sunday, February 11, 3pm at Sanders Theater, 45 Quincy St., Cambridge. Tickets are $48, $37, $32, and $28, reserved seating. For tickets and information call World Music/CRASHarts at (617) 876-4275 or buy online at
(Cambridge, MA) With the power of gospel and the precision of Broadway, Ladysmith Black Mambazo is the undisputed king of mbube, South African a cappella singing. The group came together in the early 1960s and continues to thrill audiences around the world with its strong, proud melodies harmonized in layers of call and response.

Continue reading

Jan 29

Justice for Jerrod and Regina: “Hype Man”

Presented by Company One Theatre
By Idris Goodwin
Directed by Shawn LaCount
Music direction & beat making by Kadahj Bennett
Dramaturgy by Jessie Baxter, Tatiana Isabel Gil
Choreography by Misha Shields

Jan 26 – Feb 24, 2018
Boston Center for the Arts
Plaza Theatre
Boston, MA
C1 on Facebook

Review by Kitty Drexel

(Boston, MA) The prep work done for Hype Man is intensely impressive. From the dramaturgy work by Baxter and Gil, beat making staging/choreography performed in chorus with the sound engineering by Debra Marcus, the combined efforts of the cast and crew of are not to be taken lightly. A lot of it looks deceptively simple. It isn’t. That it does speaks greatly of the craft hours that went into this production. Continue reading

Jan 26

Anything But Typical: “Irresistible”

LAB cover photo on Facebook

Presented by Liars and Believers
Directed by Jason Slavick
A list of collaborators and other info is HERE

January 24, 2018 One Night Only
Sonia at the Middle East
10 Brookline St
Cambridge, MA
LAB on Facebook

Review by Kitty Drexel

(Cambridge, MA) Irresistible is Liars & Believers most recent, most experimental collabortive project to date. It is incredibly important, when considering the expected outcome of experiments, to remember that the majority of experiments fail. Failure does not negate the significance of the experiment. Rather, it gives the technician an opportunity to understand what didn’t work. Failure can be good.     Continue reading