Krystal Hernandez and Johanna Carlisle-Zepeda – Photo by Evgenia Eliseeva
Presented by Company One Theatre and American Repertory Theatre
Book & lyrics by Quiara Alegria Hudes
Music & lyrics by Erin McKeown
Directed by Summer L. Williams
Music direction by David Coleman
Movement direction by Mayra Hernandez
Dramaturgy by Noe Montez
(Cambridge, MA) Miss You Like Hell is a very special show that approaches the indigenous, female experience from an approachable angle. It is easy to enjoy this production (more so than its individualparts). It’s main characters are expressed as trustworthy humans who are deserving of our compassion because they need it, not because they’ve earned it. Audiences from all backgrounds should see this production. We need free-flowingcompassion more than ever. Continue reading →
Trigger warnings: penis, simulated pot smoking, heavy moaning
It’s January and chances are that you (or your acquaintances) are experiencing an influx of athletic practitioners in your studio of choice. For example, at my own neighborhood ashtanga yoga studio, January 1 meant that the floor became overwhelmed with novices and their wholesome, divot-free mats. Small Mouth Sounds(SMS) captures that awkward group consciousness of baby-yogis talking first “did I make a huge mistake?” steps towards enlightenment. An enlightened mind is not obtained overnight. The journey is schadenfreude for the audience. Continue reading →
(New York, NY/Somerville, MA) On occasion, the New England Theatre Geek will review newly published plays. Miss You Like Hell is a musical about an mother/daughter road trip. Mary Jane is a loving insight into compassionate primary caregivers. Uncle Vanya is a piece of classic dramatic literature that places the significance of the #metoo movement within an historical context. Continue reading →
(Boston, MA) Winter People and playwright Laura Neill aren’t taking any of your establishment bullshit. This play challenges how we view play production. It takes great risk with even greater success. It is well written and should be viewed by as many developing and established artists as possible. It breaks rules and shows us why these traditional rules are should be broken. Continue reading →
(Watertown, MA) 1776 is a quirky, innuendo-laced musical about Boston’s part in the US’s bid for independence. New Rep gives us a fun production that is more timely than it is educational. This musical might be based on historical facts but this production brings new momentum to current events. Continue reading →
(Boston, MA) The CBS television special A Charlie Brown Christmas, which premiered in 1965, has long been a holiday favorite of mine. Before I understood its sophisticate themes or even its dialogue, the adorable cartoons, slow jazz, and children’s voices were instinctively and irresistibly soothing. Decades later, Charlie Brown’s dark horse demeanor and romantic ideals still hold up as a paragon of optimism in a world that makes it so easy become disenchanted and give up our hopes and dreams.
(Boston, MA) In the Forest, She Grew Fangs twists the Little Red Riding Hood cautionary tale about the dangers of strange men into a different cautionary tale about the dangers of female mental health. Fans of horror theatre may find a lot to enjoy in this production. Intersectional feminists might not. ITFSGF explores the modern young woman’s psyche as she comes of age. It does so through the lens of bullying culture and a little light stabbing. Continue reading →
Presented by Puppet Showplace Theater Created by Tarish “Jeghetto” Pipkins Musical score by Shana Tucker Eulogy written and narrated by Tommy Noonan Puppeteers: John Reagan, Elbert Joseph, Scotty Swan, Brenda Ray, Roxanna Myhrum, Tarish Pipkins Tech by Brad Shur
Trigger warnings: gunshots, graphic images of violence, wypipo fuckery
(Brookline, MA) The United States has an historic problem of white violence against people of color that stretches to today. Anyone looking for proof need only search today’s newspaper. Just Another Lynching: An American Horror Story reminds us with shocking clarity just how little things have changed for People of Color in the US.Continue reading →
Provisional ballotsensure that New England voters are not excluded from the voting process due to an administrative error. They provide a fail-safe mechanism for voters who arrive at the polls on Election Day and whose eligibility to vote is uncertain. You have the right to a provisional ballot! (except in New Hampshire where they don’t have them.)
While I have your attention!
Do you need govt. assisted healthcare through the American Healthcare Act? Open enrollment is Thursday, November 1, 2018, to Saturday, December 15, 2018. The current administration is attempting to undermine your right to healthcare under current law. Thwart them by sharing this information and the following website. https://www.healthcare.gov/get-coverage/
Queen’s Note: When you hit the polls on November 6, please take into account that Charlie Baker vetoed the arts budget in July 2018. It was the fourth time he’d done so. If you consider the arts one of your causes, additionally consider Baker’s cowardly actions when you vote.