May 22

Geeks Read Books: TCG Play Reviews

(Somerville, MA/NYC) Occasionally the New England Theatre Geek is invited to review plays. Theatre Communications Group (TCG) provides gratis paperback copies to NETG in exchange for objective reviews. The opinions stated here are not shared by TCG and are the author’s own. Continue reading

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May 17

Uncle Sam is a Benevolent Master. Bator: ALLEGIANCE

The cast. Photo credit: Nile Scott Studios

Presented by SpeakEasy Stage Company
Book by Marc Acito, Jay Kuo, and Lorenzo Thione
Music and lyrics by Jay Kuo
Directed by Paul Daigneault
Music direction by Matthew Stern
Choreography by Ilyse Robbins
Traditional Japanese dance choreography by Kendyl Yokoyama

May 4 – June 2, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

The New England Theatre Geek believes that productions about people of color should be critiques by people of color. Allegiance was attended by both Noelani Kamelamela and Kitty Drexel. The editorial response by Kamelamela gives insight into personal histories of the Japanese-American internment camps. Drexel gives a performance critique. If a story doesn’t include us at all levels then it isn’t really about us.

Response by Noelani Kamelamela

(Boston, MA) After bringing an acclaimed version of Kander & Ebb’s The Scottsboro Boys to Boston last year, Speakeasy Stage Company presents Allegiance, a two hour long musical that explores the unjust imprisonment of Japanese Americans in the US at the tail end of World War II.  It is important for us to tell these stories, not stories of victory, but tales of survival in difficult circumstances. Ignorance, more than the steady drumbeat of white supremacy, separates people far more than a border wall ever can. Continue reading

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May 16

Play It Again Sam: “Trouble in Tahiti and Arias & Barcarolles”

Sam and Dinah (Marcus DeLoach and Heather Johnson) robotically repeat their morning routine. Photo: Liza Voll

Presented by Boston Lyric Opera
Music & Libretto by Leonard Bernstein
Stage directed by David Schweizer
Music direction by David Angus
Dramaturgy by John Conklin

May 11-20, 2018
DCR Steriti Memorial Rink
561 Commercial Street, Boston, MA
BLO on Facebook
Review by Kitty Drexel

After Bernstein’s performance at the White House in 1960, President Eisenhower remarked, “You know, I liked that last piece you played: it’s got a theme. I like music with a theme, not all them arias and barcarolles.” quote taken from leonardbernstein.com. Eisenhower was a bit imperceptive.

(Boston, MA) Trouble in Tahiti and Arias & Barcarolles are presented by the BLO in one continuous operetta subtitled, “Sam and Dinah Say Goodnight (Scenes From A Marriage).” It is a “new reimagining” of Bernstein’s works which abbreviates Tahiti and merges the reduced scoring directly into Arias & Barcarolles. They are not performed individually as suggested by BLO’s marketing materials. The performance runs about 90 minutes. Continue reading

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May 14

Quorum Boston presents “The Gay Spring”

Boston is super gay!

Quorum Boston is a local LGBTQ vocal ensemble. We program music almost exclusively by queer composers, with the goal of combating the erasure of queerness from canonical composers and amplifying the voices of living composers.

This concert explores themes of love, spring, and water. It features the world premiere of Upallay, a piece by inti figgis-vizuetta, our Resident Composer. Other works included in our program are Britten’s “Heaven Haven,” Barber’s “To be sung on the Water,” Cage’s “Litany for the Whale,” Mari Valverde’s “En la noche entraremos,” a rare choral work by Tchaikovsky, and several of Hildegard von Bingen’s chants.

Come enjoy the gay spring with us!
Performance Schedule:
May 14, 2018
8PM
Josephine A. Fiorentino Community Center
123 Antwerp Street, Boston, Massachusetts 02134
Free!
Collected donations go to LGBTQ+ programming at the Josephine A. Fiorentino Community Center in Lower Allston.

Or,

May 19, 2018
8PM
First Church Somerville
89 College Ave, Somerville, Massachusetts 02144
Tickets:
Suggested Donation: $20
Student/Low Income: $10
No one turned away: Free if you can’t pay.

Both performance venues are accessible to disabled patrons. Rehearsals are too! Interested in joining Quorum Boston? Connect with us HERE.

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May 08

Fear Not the Creative Mind: “The Women Who Mapped the Stars”

Sarah Newhouse as Annie Jump Cannon, Christine Power as Antonia Maury, Becca A. Lewis as Williamina Fleming and Sarah Oakes Muirhead as Henrietta Swan Leavitt. (Courtesy A.R. Sinclair Photography)

Presented by The Nora Theatre Company
By Joyce Van Dyke
Directed by Jessica Ernst

April 19 – May 20, 2018
Central Square Theater
Cambridge, MA
CST on Facebook

Review by Kitty Drexel

“Now, there was a time/ when they used to say,
that behind ev’ry great man/ there had to be a great woman.
But oh, in these times of change/ you know that it’s no longer true.
So we’re comin’ out of the kitchen/ ’cause there’s something we forgot to say to you.
We say, Sisters are doin’ it for themselves”
-The Eurythmics with Aretha Franklin, “Sisters Are Doin’ It For Themselves”

(Cambridge, MA) It’s been a good few years for female scientists. Sally Ride came out posthumously in 2012. Hidden Figures rocked the box office in 2016/2017. Dorothy Vaughan, Mary Jackson, Katherine Goble/Johnson and the other human computers are finally receiving their due accolades. Women are entering STEM fields at increasing rates. Local company, Flat Earth Theatre produced Lauren Gunderson’s Silent Sky in March 2017. The Nora Theatre Company is playing The Women Who Mapped the Stars right now. There are many more successes, but it won’t be enough until women and other minorities receive the equal success as men. Continue reading

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May 07

She Will Cut You: TOP GIRLS

Sophia Ramos, Carmen M. Herlihy, Paula Plum, Kiara Pichardo, and Carmen Zilles; Photo: T. Charles Erickson,

Presented by Huntington Theatre Company
By Caryl Churchill
Directed by Liesl Tommy
Dramaturgy by Phaedra Michelle Scott
Original music & sound design by Broken Chord

April 20 – May, 2018
Huntington Theater
Avenue of the Arts
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) Congrats to the Huntington for finally get that permanent ramp set up.

Top Girls is a feminist play by Caryl Churchill. It has a good script. It’s a good play for women. It isn’t Caryl Churchill’s only feminist play. It isn’t the only feminist play for a cast of women. There are others out there waiting to be produced, and yet, the New England theatre community loves this show. So much so that it’s been produced three times in the Boston-area alone in the past four years. The Kilroy’s List was supposed to end the ad nauseum repeats.   Continue reading

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Apr 20

It’s a Great Cake. A Bride-Cake. Mine: “Old New Borrowed Blue”

Celeste Godin as Havisham; photo by Nile Scott Shots.

Presented by MetroWest Opera
Conducted by Brendon Shapiro
Stage directed by Cassandra Lovering

Miss Havisham’s Wedding Night
Libretto by Jon Olon-Scrymgeour
Music by Dominick Argento

The Beautiful Bridegroom
Music and libretto by Dan Shore

April 19 – 21, 2018
Plaza Theatre
Boston Center for the Arts
Boston, MA
MetroWest on Facebook

Review by Kitty Drexel

(Boston, MA) Many an opera is devoted to women’s pre and post connubial anxieties. With all of the riches for women, one must ask where are the men?  In Miss Havisham’s Wedding Night Dickens’ spinster is an anti-heroine reliving a decades old tragedy. In The Beautiful Bridegroom, a Lady, her daughters and maid all wish for wedded bliss. If weddings are such fun, there should be operas from the giddy perspective of tenors in tuxes and basses in vestments. A person is supposed to like the person they marry. For all its progress, opera has further to go.   

Continue reading

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Apr 17

Real Hopes and Real Dreams: “The Rosenbergs (An Opera)”

Church and Gibson; Kalman Zabarsky, Photographer

Presented by Boston Playwrights’ Theatre
Score by Joachim Holbek
Libretto by Rhea Leman
Music direction by Cristi Catt
Stage direction by Dmitry Troyanovsky
Dramaturgy by Magda Romanska

April 12 – 22, 2018
BPT
Boston, MA
BPT on Facebook

April 27-29, 2018
Brandeis University
Spingold Theater
415 South Street
Waltham, MA 02453

Review by Kitty Drexel

(Boston, MAEthel and Julius Rosenberg were accused of delivering crucial information on the creation of the atomic bomb to the USSR in 1953. This case, considered one of the most infamous spy cases in US history, validated HUAC and contributed to the country-wide paranoia known as the Red Scare. Such attacks on communist affiliates is similar to the current presidential administration’s attacks on socialism. The Rosenbergs (An Opera) considers the couple accused of treasonous espionage. It proves that the American government and the people it claims to serve have changed very little in the last 65 years. Continue reading

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Apr 15

Predator in Our Midst

Evan Gambardella posted this in his Facebook page. Al Chase is a predator and repeat sexual offender. We condemn his actions and demand his removal from all public seats. We believe you Evan!

Al’s apologizers, including the IRNE Awards Committee, have a lot to answer for.

https://www.facebook.com/evan.gambardella/posts/10155450046845753

#metoo

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Apr 12

Donation Accounts Added to NETG!

       

The New England Theatre Geek has new accounts with Patreon and Ko-Fi! If you’ve enjoyed reading the critiques, reviews and opinion editorials on the site, please donate. Your donations go towards paying our Blog Master Tech Wiz, and towards arts related expenses for the blog.

Our very first patron is Ken Raeburn. On behalf of the New England Theatre Geek staff, thank you Ken!

Best Wishes in Gratitude,
Kitty, Queen Geek

 

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