Nov 15

Geeks Read Books: TCG Plays by Women in 2018

(New York, NY/Somerville, MA) On occasion, the New England Theatre Geek will review newly published plays. Below are reviews for Pipeline by Dominique Morisseau, Let Me Down Easy by Anna Deavere Smith, and Cost of Living by Martyna Majok. All books are available via the TCG website Continue reading

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Nov 09

Save Corner Store Caroline a Seat: “Just Another Lynching”

Jeghetto Interview – Just Another Lynching from Puppet Showplace Theater on Vimeo.

Presented by Puppet Showplace Theater
Created by Tarish “Jeghetto” Pipkins
Musical score by Shana Tucker
Eulogy written and narrated by Tommy Noonan
Puppeteers: John Reagan, Elbert Joseph, Scotty Swan, Brenda Ray, Roxanna Myhrum, Tarish Pipkins
Tech by Brad Shur

Nov. 8 & 9, 2018
Puppet Showplace Theater
Brookline, MA
PST on Facebook

Critique by Kitty Drexel

Trigger warnings: gunshots, graphic images of violence, wypipo fuckery 

(Brookline, MA) The United States has an historic problem of white violence against people of color that stretches to today. Anyone looking for proof need only search today’s newspaper. Just Another Lynching: An American Horror Story reminds us with shocking clarity just how little things have changed for People of Color in the US. Continue reading

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Oct 24

Early Voting/Voting for the 2018 Midterm Elections

Your voice is important! Learn about early voting in Massachusetts  here: http://www.sec.state.ma.us/earlyvotingweb/earlyvotingsearch.aspx

For our friends outside of MA, here are other resources:
– Here is a USA.gov website that defines the elections but is otherwise unhelpfulhttps://www.usa.gov/midterm-state-and-local-elections#item-213832
– Here is a website that will lead you to your state elections website: https://www.usa.gov/election-office

Can’t vote early? Here is a link that will take you through the steps of discovering your options: https://www.usa.gov/election-office

Provisional ballots ensure that New England voters are not excluded from the voting process due to an administrative error. They provide a fail-safe mechanism for voters who arrive at the polls on Election Day and whose eligibility to vote is uncertain. You have the right to a provisional ballot! (except in New Hampshire where they don’t have them.)

While I have your attention!
Do you need govt. assisted healthcare through the American Healthcare Act? Open enrollment is Thursday, November 1, 2018, to Saturday, December 15, 2018. The current administration is attempting to undermine your right to healthcare under current law. Thwart them by sharing this information and the following website. https://www.healthcare.gov/get-coverage/


Queen’s Note: When you hit the polls on November 6, please take into account that Charlie Baker vetoed the arts budget in July 2018. It was the fourth time he’d done so. If you consider the arts one of your causes, additionally consider Baker’s cowardly actions when you vote.

Source Samples are here:
http://www.massculturalcouncil.org/news/FY19_budget_final.asp
https://www.masslive.com/politics/index.ssf/2015/11/gov_charlie_baker_vetoes_perce.html
http://www.wbur.org/artery/2016/07/22/governor-baker-arts-funding-cuts
https://www.boston.com/news/politics/2018/01/24/gov-baker-to-file-budget-blueprint-on-heels-of-annual-address

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Oct 19

Casseroles of Ashes: “The Tragic Ecstasy of Girlhood”

Danielle Palmer, Amanda Figueroa, Stephanie Castillo (foreground, clockwise from left), Tatiana Chavez (background). Photograph By Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Kira Rockwell
Directed by Leila Ghaemi

Oct. 11 – 21, 2018
BPT
949 Commonwealth Ave
Boston, MA
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Any social worker can tell you that the foster system is broken. Wards of the State are just as vulnerable as foster kids, but at the very least they get to socialize with each other in a relatively consistent environment. The Tragic Ecstasy of Girlhood takes a look at family dynamics within State government enforced boundaries and the impossible odds girls face as they grow into womanhood. It’s a miracle any of us come into adulthood with our sanity intact. Continue reading

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Oct 15

Ratched Isn’t Bossy; She’s the Boss: “One Flew Over The Cuckoo’s Nest”

Nurse Ratched and McMurphy spar. Mary Dennis Photography.

Presented by Theatre Uncorked
By Dale Wasserman
Based on the novel by Ken Kesey
Directed by Bobbie Steinbach

Oct. 13, 2018
3:30pm and 7:30pm
Martin Jewett Hall
First Church Cambridge
11 Garden St
Cambridge, MA
Theatre Uncorked on Facebook

Critique by Kitty Drexel

(Cambridge, MA) One Flew Over the Cuckoo’s Nest the play is a different beast from One Flew Over the Cuckoo’s Nest the novel. The novel is directly influenced by author Ken Kesey’s experiences as an orderly at a mental health facility in California. The novel was written amidst the Civil Rights movement and is a direct response to the deinstitutionalization movement. It is imperative that and audience understand the stark differences between care expectations between the 60’s and today. One Flew Over the Cuckoo’s Nest the novel is a heavy read. The play as staged by Theatre Uncorked could be viewed by nearly anyone. Continue reading

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Oct 14

Netflix and Fringe: A Fireside Chat with Theatre on Fire

Photo from a TOF production. Theatre On Fire Presents “FireSide Chat: Tell Us What You Want” on October 17, 7-8PM

The first of many FireSide Chats with the new Theatre On Fire company! This enriching, moderated cyberspace discussion with Theatre on Fire company members and you, the patrons, will center on how our small theater company can be everything that it should, especially given that it’s pretty easy now for people to just stay home and watch Netflix and whatnot.

What was your favorite thing a theater company ever did for you as an audience? We want to know. Least favorite? We want to know that too. What would you like to see from us in the next few months? We want to know that always.

To take part, go to patreon.com/theatreonfire, make sure you’re signed up at any level (even $2!), and watch for our posts there beginning at 7:00.

“FireSide Chat: Tell Us What You Want”
Hosts: Darren Evans, Kitty Drexel, Carl Danielson
October 17, 2018
7:00-8:00 PM
Attend online: patreon.com/theatreonfire

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Oct 11

Frankenstein was the Monster: “Frankenstein”

Produced by The Nora Theatre Company & Underground Railway Theater; A Catalyst Collaborative@MIT Production; Design by Bird Graphics.

Presented by Central Square Theater
Produced by The Nora Theatre Company & Underground Railway Theater
By Nick Dear
From the novel by Mary Shelley
Directed by David R. Gammons
Dramaturgy by Hilary Rappaport
Ensemble: Remo Airaldi, Omar Robinson, John Kuntz, Ashley Risteen, David Keohane, Debra Wise

Oct. 4 – Nov. 4, 2018
Central Square Theater
Cambridge, MA
CST on Facebook

Trigger warning: rape, violence, body horror, strobe effects, spoilers

Critique by Kitty Drexel

(Cambridge, MA) Prometheus stole fire from Mount Olympus and gave it to mankind. For his indiscretion, Zeus condemned the Titan to an eternity of epic liver failure (a complication of eagle hunger). Shelley’s novel Frankenstein; or, The Modern Prometheus warns a relatively modern audience not to play with fire lest one get burned. It plays out similarly in contemporary Halloween favorites such as The Rocky Horror Show and Prometheus that frustrating movie by Ridley Scott. It takes new form as Central Square Theater’s current production. As long as there is science, there will be humans poking around where they shouldn’t be poking. Continue reading

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Oct 09

How I Learned to Stop Worrying and Love Uranium: “Delicate Particle Logic”

Photos by Jake Scaltreto; Christine Power as Lise Meitner, Barbara Douglass as Edith Hahn. Blanket babies are the easiest babies.

Presented by Flat Earth Theatre Company
By Jennifer Blackmer
Directed by Betsy S. Goldman
Dramaturgy by Regine Vital  
Violence choreography by Cassie Chapados  
Dance choreography by Meghan Hornblower  
Language consultation by Allison Olivia Choat  
Artistic ASL direction by Elbert Joseph

September 28th – October 13th, 2018
ASL-Interpreted Performance: October 13th at 8pm
The Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA
Flat Earth on Facebook

Trigger warning: One character is willingly committed to an asylum, misandry

Critique by Kitty Drexel

“Science and art both relentlessly pursue truth and meaning. In the past, scientific and medical procedures were performed in front of witnesses, audiences, if you will, who were able to verify the truth of what took place. For me, science and art were never at odds, and part of my overall goal as an artist is to get audiences to understand that. We still think of science and art as two separate cultures, but they’re more alike than most people realize.”

  • Flat Earth Theatre interview with Jennifer Blackmer

(Watertown, MA) Jennifer Blackmer crams a lot into two hours of theatre. Delicate Particle Logic (DPL) tells the story of how Otto Hahn stole nuclear fission from Lise Meitner. He committed war crimes for the Nazis in the name of “chemistry,” and claimed the Nobel Prize in 1944… Wait, I’m getting ahead of myself. DPL is about Otto Hahn’s work-wife, Meitner, his home-wife, Edith Junghans Hahn, and their imaginary friendship. Edith and Meitner’s performance of emotional and physical labor on behalf of a man holding more respect for his work than for his partners. Between the science and the toxic masculinity, there is art: glorious, painful, epiphanic art. Continue reading

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Oct 01

Cripping Up and Other Indignities: “PermaDeath”


Presented by White Snake Projects
Dan Visconti – Composer
Cerise Lim Jacobs – Creator and Librettist
Pirate Epstein – Co-Librettist
Cori Ellison – Dramaturg

September 27–29, 2018
Emerson/Cutler Majestic Theatre
219 Tremont Street in Downtown Boston

Critique by Kitty Drexel

(Boston, MA) I had such high hopes for PermaDeath. It is a forward thinking libretto and score but its ablism, racism, and homophobia are disappointing. That this opera is problematic, is an understatement. Continue reading

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Sep 24

Casual Disregard for Our Mutual Humanity: “The Niceties”

Look who’s teaching now. Lisa Banes and Jordan Boatman. Photo: T. Charles Erickson. 

Presented by Huntington Theatre Company
By Eleanor Burgess
Directed by Kimberly Senior
Original music and sound design by Elisheba Ittoop

Aug. 31 – Oct. 6, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) The Niceties is a play about primary sources. It’s about the writers of white history, and white history’s casualties. It’s about speaking effectively and effective listening. It’s about race and the people who decide what is and isn’t racist behavior. It’s about attempting to be a good person while being good to other people. It’s about an impetuous Black student who’s had enough of excuses from a white professor, and an egotistical white professor who’s forgotten how to teach. There are no winner; there’s only complication. Continue reading

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