May 25

Business As Usual: “The Plague”

The cast of Praxis Stage’s THE PLAGUE (left to right): Dawn Davis, Danny Mourino, Steve Auger, Michael Rodriguez, and Dayenne C. Byron Walters.

Presented by Praxis Stage
After La Peste by Albert Camus
Adapted by Neil Bartlett
Directed by Daniel Boudreau

May 23 – 27, 2018
Boston Playwrights’ Theatre
Boston, MA
Praxis on Facebook

Review by Kitty Drexel

“And they answered, “Five gold tumors and five gold mice corresponding to the number of Philistine rulers, since there was one plague for both you[a] and your rulers. 5 Make images of your tumors and of your mice that are destroying the land. Give glory to Israel’s God, and perhaps He will stop oppressing you,[b] your gods, and your land.”
1 Samuel 6:4-5, Internet Bible

“”Brownie, you’re doing a heckuva job” President George W. Bush in response to Michael Brown’s failure to provide basic relief services to the victims of Hurricane Katrina, 2005.

(Boston, MA) History is not taught because educators are sadists with penchants for boring their victims into pliancy. Rather, not just for that. Taught history is meant to remind each generation of what previous generations have done; how they have succeeded and, more importantly, to prevent them from similar failures. The Plague reinforces our need to learn from history now because we will repeat it. We always do.   Continue reading

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May 19

Poverty is Not an Indication of Criminality: “Jesus Hopped the A Train”

Photo credit: Alex Aroyan — with Danny Mourino, Dawn Davis, Harry Garo and Daniel Boudreau.

Presented by Praxis Stage
By Stephen Adly Guirgis
Directed by Dayenne C. Byron Walters & Daniel Boudreau

May 4 – 21, 2017
Dorchester Art Project
Dorchester, MA (across from the Field’s Corner T stop)
DAP on Facebook

Review by Kitty Drexel

(Dorchester, MA) The law isn’t interested in justice. It’s purpose is to execute “due process” as cheaply and swiftly as possible. It is historically, contemporarily, and immediately evident that the law performs based on the golden rule: he with the most gold (and the whitest skin) rules. Poverty means that an innocent man can spend the rest of his life in prison for a crime he didn’t commit. People of color get fucked by the legal system regularly. Praxis Stage’s Jesus Hopped the A Train isn’t fiction. It’s non-fiction utilizing fiction to blast unfortunate truths. Continue reading

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Jan 23

They Will Try to Tell You that Fighting Is Pointless: INCIDENT AT VICY

Photography by Alex Aroyan — with Alexander Castillo-Nuñez, Jake Athyal, Danny Mourino, Nathan Johnson, Floyd Richardson, Steve Auger.

Presented by Praxis Stage
An Anti-Inaugural Event
Written by Arthur Miller
Directed by Hatem Adell and Daniel Boudreau
Fight choreography by Nathan Johnson

Jan. 19 – 27, 2017
Inner Sanctum
1127 Harrison Ave MA
Boston, Massachusetts 02119
Praxis Stage on Facebook

Review by Kitty Drexel

(Boston, MA) Praxis Stage perfectly sums up what it is we liberals are so damned scared of in Incident at Vichy. This incredibly quotable, direly prescient play by Arthur Miller engages intelligent, easily transferable dialogue to summarize the Holocaust. Adell and Boudreau’s production make the events of Incident at Vichy alarmingly apparent that Trump’s American is bound to repeat history’s atrocities.    Continue reading

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Dec 08

“Distant Neighbors” and Close Encounters

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Sheldon Brown (Adams) & Louise Hamill (Talia). Photo by E. Milanovich Photography

Presented by Fresh Ink Theatre
Written by Patrick Gabridge
Directed by Liz Fenstermaker

December 5 – 13, 2014
Boston Playwrights Theatre
949 Commonwealth Avenue
Boston, MA
Fresh Ink on Facebook

Review by Gillian Daniels

Fresh Ink Theatre’s Distant Neighbors hits at the heart of what the best science fiction is about: people reacting to technological advancement.  If you read (or watch the film adaption of) Jurassic Park, you’re not just consuming entertainment to see how people create dinosaurs, but how people react to creating dinosaurs.  Similarly, the characters of Distant Neighbors react to a change in an intimate environment.  Here, however, the source of upheaval is the wing of an apparent spacecraft that comes crashing down into the backyards of Adams (Sheldon Brown), Talia (Louise Hamill), and Griffin (Daniel Boudreau), three neighbors who know nothing about each other.  It’s a wonderful starting point for a story about intimacy and paranoia, but I’m not sure it pans out well.

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