Dec 04

“Luminarium In Concert” Playing December 6 & 7

Presented by Luminarium Dance Company
December 6 & 7, 2019
Multicultural Arts Center
41 Second Street
Cambridge MA
Luminarium on Facebook
Tickets starting at $18

Announcing Luminarium’s 2019 Feature Production

LUMINARIUM IN CONCERT

(Cambridge, MA) Luminarium Dance Company triumphantly ends its 2019 Season with its feature production LUMINARIUM IN CONCERT—a melding of contemporary, Odissi, and unique lighting that catapults live performance to a whole new level. Venture into Luminarium’s world of movement and light where fanciful animals are brought to life through shadow-play; witness the exhilaration of combat sport beyond the ring; sink into the luscious imagery of a new screendance film; and delight in an amusing and provocative examination of “self,” all in a night’s work.

LUMINARIUM IN CONCERT features Company Members Jessica Chang, Devon Colton, Melenie Diarbekirian, Merli V. Guerra, Amy Mastrangelo, Katie McGrail, and Jennifer Roberts, and Satellite Company Members Victoria Kreutzer and Karina McKenna.

DECEMBER 6 & 7 @ 8PM
Multicultural Arts Center, 41 Second Street, Cambridge MA.

RUN TIME
Roughly one hour, including intermission.

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Nov 26

Be Old Until You Are Young: “Quixote Nuevo”

Presented by the Huntington Theatre Company in association with Hartford Stage and Alley Theatre
A reimagining of Don Quixote by Miguel de Cervantes
By Octavio Solis
Directed by KJ Sanchez
Compositions and sound design by David R. Molina
Other compositions by Eduardo Robledo
Music direction by Jesse Sanchez
Fight direction by Ted Hewlett
Vocal and dialect coaching by Robert Ramirez
Dramaturgy by J. Sebastián Alberdi

Nov. 15 – Dec. 8, 2019
HUNTINGTON AVENUE THEATRE, 264 HUNTINGTON AVENUE
Huntington on Facebook

Critique by Kitty Drexel

(Boston, MA) It’s only three days until Thanksgiving! So let me take this opportunity to remind you, dearest reader, that the very land you stand on was stolen by colonizers from Native American tribes. Quixote Nuevo takes place on the Mexican-American border. The US is currently keeping the children of immigrants in cages at that border. Their parents aren’t much better off. When you see this production, and you should because it is excellent, please consider the role colonizers and their progeny (us) have played in putting the land’s indigenous peoples behind bars. Continue reading

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Nov 19

Forge Theater Lab presents “Chasing the Ghost,” December 7 – 14, 2019


CHASING THE GHOST
A New Play by Ashley Lauren Rogers
Presented by Forge Theater Lab
Directed by Samantha deManbey
Dramaturgy by Natalie Scott

December 7, 13, and 14 at 8:00 PM
December 8 at 2:00 PM
December 12 at 6:30 PM (Pay What You Can)

Wallace Theater for Performing Arts
McKay Building at Fitchburg State University

67 Rindge Road, Fitchburg, MA
$15 General / $5 Students & Seniors (60+)
Buy tickets online or pay cash at the door

About the Play: Kurt, a vlogger in the early days of YouTube who used to scream about video games, is married to Patty, a struggling vampire romance author. While Kurt has left that life behind him, anger and all, their relationship will be put to the test when one night he is visited by a shadow person…who won’t stop tickling his feet.

​This play is not recommended for children under 14 because of profanity and disturbing situations.

Featuring Charles Amaral, Noah Dawson, Amy DeMar-DuBois, Brittany Messuri, Leeann Monat, Austin Swallow, and Cheyenne Winley. Lighting design by Phillip T. Smith.

Chasing the Ghost is made possible by a generous donation from show sponsor Justin Nelson.

More information about the artists and the production can be found at https://www.theforgetheaterlab.org/chasing-the-ghost.html.

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Dec 10

Identities on a Spectrum: “Winter People”

Photograph By Kalman Zabarsky; there wasn’t a cast photo available. Mondragon was left out of the reel altogether. Strange.  

Presented by Boston Playwrights’ Theatre
By Laura Neill
Directed by Avital Shira
Fight choreography by Jessica Scout Malone
Dramaturgy by Cayenne Douglass and Jordyn Stoessel

December 6-16, 2018
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Winter People and playwright Laura Neill aren’t taking any of your establishment bullshit. This play challenges how we view play production. It takes great risk with even greater success. It is well written and should be viewed by as many developing and established artists as possible. It breaks rules and shows us why these traditional rules are should be broken. Continue reading

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Dec 07

An Inalienable Right for Some: “1776”

Photo by Andy Brilliant/Brilliant Photography

Presented by New Rep Theatre
Music and lyrics by Sherman Edwards
Book by Peter Stone
Co-directed by Austin Pendleton and Kelli Edwards
Music direction by Todd C. Gordon
Choreography by Kelli Edwards

Nov. 30 – Dec. 30, 2018
Mainstage Theater
Mosesian Center for the Arts
Watertown, MA
New Rep on Facebook

Critique by Kitty Drexel

Trigger warnings: systemic racism, sexism, bracingly tight pleather pants

(Watertown, MA) 1776 is a quirky, innuendo-laced musical about Boston’s part in the US’s bid for independence. New Rep gives us a fun production that is more timely than it is educational. This musical might be based on historical facts but this production brings new momentum to current events. Continue reading

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Dec 04

“Twelfth Night” Thrums with Life

L to R: Sarah Gazdowicz (OIivia), Charlotte Kinder (Viola); Photo Credit: Sharman Altshuler

Presented by Moonbox Productions
Written by William Shakespeare
Directed by Allison Olivia Choat

Nov 25 – Dec 29, 2018
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) There are productions of Shakespeare that are focused on reciting the text rather than acting it out. I understand the temptation. Maybe it’s the rhythm, maybe it’s the Bard’s reputation as, well, THE BARD, but sometimes theater groups seem to engage with Shakespeare’s comedy as a text to worship rather than a story to tell, even with a comedy like Twelfth Night. I’m happy to say Moonbox Production not only engages with the high emotions, cartoonish confusion, and whacky consequences of the comical cross-dressing romance but celebrates the story and its jokes with delight. Continue reading

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Nov 19

Lived A Girl Trapped: “In the Forest, She Grew Fangs”

Photo by Tenneh Sillah. With Kira Compton and Branwyn Ritchie.

Presented by Also Known As Theatre
By Stephen Spotswood
Directed by Kelly Smith
Movement design by Jessica Stout Malone

Nov. 16 – Dec. 2, 2018
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
AKAT on Facebook

Critique by Kitty Drexel

(Boston, MA) In the Forest, She Grew Fangs twists the Little Red Riding Hood cautionary tale about the dangers of strange men into a different cautionary tale about the dangers of female mental health. Fans of horror theatre may find a lot to enjoy in this production. Intersectional feminists might not. ITFSGF explores the modern young woman’s psyche as she comes of age. It does so through the lens of bullying culture and a little light stabbing. Continue reading

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Dec 11

A Lonely Old Man and His “Christmas Carol”

Rebecca White and Joel Colodner; Photo by Meghan Moore

Presented by Merrimack Repertory Theatre
Based on the novel by Charles Dickens
Stage adaptation by Tony Brown
Directed by Megan Sandberg-Zakian

November 29 thru December 24, 2017
Merrimack Repertory Theatre on Facebook
132 Warren Street, Lowell, MA  01852

Reviewed by Bishop C. Knight

(Lowell, Massachusetts)  Megan Sandberg-Zakian’s production needed a larger cast.  Three hard-working actors struggled to carry this Christmas story, which Charles Dickens populated with nine very diverse characters.  These actors paced the small stage quickly switching between accents and affectations, to communicate to the audience that they were presenting a different personality, and it ended up being an evening of too much talk.  At one point when my eyes were glazing over, I asked myself if I were in a comfortable lull or if I was just bored.  Then during intermission, I overheard a fellow patron say that she hoped she did not fall asleep during the second act.  So I had my answer: She and I were just bored. Continue reading

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Dec 04

Do Better: “Nurse Play”

Photo from Exiled Theatre’s Facebook page.

Presented by Exiled Theatre
By James Wilkinson
Directed by Joe Juknievich
Movement direction by Kayleigh Kane

Dec. 1 – 17, 2017
Boston Playwrights’ Theatre
Boston, MA
Exiled Theatre on Facebook

Review by Kitty Drexel

(Boston, MA) The days of casting the able-bodied to play a disabled person are nearly at an end. We aren’t there yet. While it is unacceptable to cast a white person to play a person of color, it is still marginally acceptable to cast an abled person in the role of a disabled character. Boston has many working actors that identify as seeing impaired. Should a theatre decide to cast an abled person in the role of a disabled character, it behooves the theatre to make it abundantly clear to the audience/disabled community that great pains were taken to either cast from the disabled community, or that the disabled community representative was consulted in the production of the play. Anything less is offensive. Continue reading

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Nov 28

Love Can’t Afford to be Afraid: “Tartuffe”

Presented by the Huntington Theatre Co.
By Moliere
Translated by Ranjit Bolt
Directed by Peter DuBois
Choreography by Daniel Pelzig
Original music by Peter Golub
Fight direction by Ted Hewlett

Nov. 10 – Dec. 10, 2017
Avenue of the Arts
Huntington Avenue Theatre
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

(Boston, MA) If you haven’t seen #metoo then it’s likely you’ve been under a proverbial rock. Female and male victims of sexual assault rallied their cry in solidarity with the women accusing Harvey Weinstein of years of criminal misconduct. Weinstein is a pig enabled by others so focused on their own careers/pocketbooks that they wouldn’t stop him. Whether intentional or not, the Huntingington’s Tartuffe is a reflection of the news cycle. In our own backyard, Berklee School of Music harbored rapist professors. “Good” men can’t seem to keep their hands to themselves.   Continue reading

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