Tag Archives: The Huntington

Apr 15

Hell Hath No Fury: “Don’t Eat the Mangos”

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Left to right: Evelyn Howe, Jessica Pimentel, Yesenia Iglesias; photo by Marc J. Franklin.

Written by Ricardo Pérez González
Directed by David Mendizábal
Featuring: Jessica Pimentel, Yesenia Iglesias, Evelyn Howe, Susanna Guzmán, José Ramón Rosario
Voice of Radio: José C. Massó III
Fight Director and Intimacy Coach: Ted Hewlett

March 26 – April 27, 2025
The Huntington Calderwood
527 Tremont Street. Boston, MA 02116

Content warnings: Don’t Eat the Mangos includes frank discussion of past sexual assault, incest, and traumatic forced abortion. The play includes depictions of patriarchal control in a family setting, at-home end-of-life care, and violent suffocation. There is a brief discussion of suicide and the inclusion of homophobic and sexist slurs.

This play is performed in English and Spanish. 

BOSTON — After the first seeing the striking mango tree (designed by Tanya Orellana with rising sunlight designed by Cha See) burdened with tangibly ripe fruit next to a cozily busy cottage, the audience hears the silence-splitting call of the Puerto Rican coquí frog. (I’ve never been to P.R., but I’ve heard the coquí’s invasive rant from inside my family’s home on Big Island, Hawai’i enough times to recognize the frog’s plaintive call for nonrecreational booty even in my nightmares.) 

The sound design by Jake Rodriguez layers the persistent morning call of coquís under the clanging of daily housework in Don’t Eat the Mangos’ first moments. Shortly after the first lines of dialogue, a ringing bell joins the coquís call. These sounds, with director David Mendizábal’s staging, plus the tense character work between the actors, indicate that something is not right in this house.  Continue reading →

Feb 25

You Are Simply Made Perfect: “The Grove”

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The cast of The Huntington’s production of Mfoniso Udofia’s The Grove, directed by Awoye Timpo; photo by Marc J. Franklin.

Play two of the Ufot Family Cycle
Presented by The Huntington
Written By Mfoniso Udofia
Directed by Awoye Timpo

February 7 – March 9, 2025
The Huntington Calderwood
527 Tremont St. 
Boston, MA 02116

Critique by Kitty Drexel

BOSTON — The Grove is a play about being female, queer, and Black in a world that derides persons who persist in those identities. It follows Adiaha Ufot (Abigail C Onwunali returning in a tour de force performance) as she bargains with herself, her Ancestors, and her family to justify her existence. This is the triumphant second play in the Ufot Family Cycle by Mfoniso Udofia which runs at the Calderwood Pavilion in Boston through March 9. 

If you didn’t see Sojourners, the first play in the Ufot Family Cycle, here is a recap video graciously provided by The Huntington.

Attendees won’t need to have seen Sojourners to enjoy The Grove as The Grove stands on its own dramatic, design, and direction excellence, but knowing about Sojourners will help patrons understand the trajectories of the recurring Nigerian-American characters Abasiama (Patrice Johnson Chevannes who leads with quiet bravery) and Disciple’s (Joshua Olumide as the terrifyingly unhinged patriarch). Both have changed since we last met them: Abasiama has found success in STEM after earning her college degree and born three more children. Disciple is an adjunct professor who now displays obsessive narcissistic personality traits: sleep deprivation, financial abuse, gaslighting. Their home is a veritable warzone for their children Adiaha, Toyoima (Aisha Wura Akorede) and Ekong (Amani Kojo). Continue reading →

Nov 26

A Peek Inside the Funhouse of Our Minds: “Mindplay”

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“Mindplay” photo by Chris Ruggiero.

Presented by the Huntington Theatre Company
Created by Vinny DePonto
Written by Vinny DePonto and Josh Koenigsberg
Director – Andrew Neisler
Scenic Design – Sibyl Wickersheimer
Lighting Design – Christopher Bowser
Sound Design – Kathy Ruvuna
Composer – Alex Harris

November 13 – December 1, 2024
Calderwood Pavilion
527 Tremont Street,
Boston, MA 02115

Critique by Craig Idlebrook

1.5 hours with no intermission

May be too intense for younger children

BOSTON — Towards the beginning of the intriguing one-man show Mindplay, mentalist Vinny DePonto was frank with the audience, telling them that the mind was easily manipulatable, and that he was good at doing it. DePonto was true to his word, as he mesmerized the audience with his quiet charm, sharp memory, and his apparent gift to read minds. However, the mentalist later attempted to mix frankness with artifice when he chose to tell his own story with a dazzling stage display as a prop, and this momentarily threatened to break the show’s spell. It may have been his greatest trick to still create a captivating theatrical experience despite this misstep. Continue reading →

Nov 11

This Place Must Yield Something Good: “Sojourners”

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Abigail C. Onwunali, Asha Basha Duniani in Sojourners; photo by Marc J. Franklin.

Presented by The Huntington 
Written by Mfoniso Udofia
Directed by Dawn M. Simmons
Dramaturgy by Christine Mok
Voice and dialect coaching by Dawn-Elin Fraser
Fight Director & Intimacy Coaching by Brian C Green
Featuring: Asha Basha Duniani, Nomè SiDone, Abigail C. Onwunali, Joshua Olumide 

Oct. 31 – Dec. 1, 2024
The Huntington Theatre
264 Huntington Ave. 
Boston, MA 02115

Critique by Kitty Drexel

BOSTON — Wednesday, November 6 was a lot. It should have been an occasion for much rejoicing. I can’t have been the only person who expected- whether innocently or obtusely- to celebrate the first female president of color as Boston celebrated Sojourners, the first play of Mfoniso Udofia’s Ufot Cycle at The Huntington. Instead, my heart was in my stomach and between my teeth. I am terrified for my friends, my found family, my community and our children’s children. May they forgive us. 

But, let history remember: We did celebrate Sojourners! Our community gathered at 264 Huntington Ave to rightly praise Udofia, Dawn M Simmons, their cast, crew, production staff, and community leaders for the beginning of a most intrepid, two-year project – to stage and witness Udofia’s complete Ufot Cycle as a unified city of great theatremakers and artists. (A list of involved companies is HERE.) 

Mayor Michelle Wu proclaimed Nov. 6 Mfoniso Udofia Day in Boston before the play started. There was cheering from the swankily dressed crowd. It was a happy moment before a gorgeous play that capped a sad day for the history books.  Continue reading →

Oct 13

Controlled Chaos: “Nassim”

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Jared Bowen in “Nassim.” Photo credit: Mike Ritter.

Presented by The Huntington
Written and Performed by Nassim Soleimanpour
With a different local, featured artist for each performance
Directed by Omar Elerian

October 4 – October 27, 2024
The Huntington Calderwood
527 Tremont St. Boston, MA 02116

The digital playbill

Review by Noe Kamelamela

BOSTON — I consume a decent amount of theatre every two weeks, and I go primarily because I enjoy the audiences in Boston. Even when I occasionally go to the movies or a concert, I sit in an active, mostly respectful crowd. To me, Boston folks seem sedate and also cheerful at most shows. I suspect that is because they are sitting down and not driving a car at the time. It is rare that we, the patrons, disrupt the proceedings. It’s also rare to be asked or expected to engage with anyone onstage. Nassim is a mainstage show where an audience member should expect regular interaction.

The Huntington’s synopsis: “Each night a different VIP performs, while the script waits unseen in a sealed box…Nassim is toured globally and is translated and performed in the native language of each country.”

We are introduced to our mainstage entertainer who then must meet the playwright. Once they have truly met despite language and cultural barriers, they both work together to tell a story in the playwright’s native tongue, with mixed success depending on the performance’s audience. It felt more that we were all part of the show, but it was not just performance art, rather it was the ritual of theatre that included us and our input. Continue reading →

Sep 22

Morality Makes No Difference Legally: “Leopoldstadt”

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The cast of The Huntington’s production of Tom Stoppard’s “Leopoldstadt,” photo Liza Voll. Projection design by Yuki Izumihara.

Presented by The Huntington
Produced in association with Shakespeare Theatre Company
Written by Tom Stoppard
Directed by Carey Perloff
Fight Director and Intimacy Consultant: Jesse Hinson
Movement director: Daniel Pelzig
Dialect Coach: Lee Nishri-Howitt
Dramaturgy by Charles Haugland and Drew Lichtenberg
Digital Playbill

September 12 – October 13, 2024
The Huntington Theatre
264 Huntington Ave. 
Boston, MA 02115

Approximate run time: 2 hours and 20 minutes, plus one 15-minute  intermission.

Article by Kitty Drexel

BOSTON — The Huntington presents Tom Stoppard’s Leopoldstadt at 264 Huntington Avenue in Boston. Leopoldstadt is a two-act play that dissects the scarring consequences of Vienna’s existing early 20th-century anti-semitism and later genocide of its Jewish citizens during WWII on one extended family. It plays through October 13. 

Writing this response to Wednesday night’s performance has been difficult. Leopoldstadt is a powerful play. Its cast performs brilliantly. Director Perloff gives this epic play life and believability. I wept bitterly during Act 1 and Act 2.  Continue reading →

May 25

The Art of Making a Practical Thing Pretty: “Toni Stone”

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Jennifer Mogbock as Toni Stone; Photograph © T Charles Erickson

Presented by The Huntington
Written and Directed by Lydia R. Diamond
Inspired by Curveball: The Remarkable True Story of Toni Stone by Martha Ackmann
Choreography by Ebony Williams
Dramaturgy by Charles Haugland
Fight direction and intimacy choreography by Ted Hewlett
Vocal coaching by Kim James Bey

May 17 – June 16, 2024
Blackout Performance: June 11, 7 pm
Open Caption Performance: 6/4 at 7:30 pm
ASL Performance: 6/7 at 8 pm
Audio Described Performance: 6/15 at 2:30 pm
Huntington Theatre 
264 Huntington Ave
Boston, MA 02115

2 hours and 20 minutes including intermission

Content Advisories: Toni Stone contains flashing lights, the use of herbal cigarettes, strong themes of racism and misogyny, and discussions of sexual violence. 

Critique by Kitty Drexel

BOSTON, Mass. — Lydia R Diamond’s Toni Stone had a triumphant opening on Wednesday, May 22. The Huntington took America’s pastime, the culture of and for the masses, into art for those who can afford a ticket. Toni Stone plays at The Huntington through June 16. It is available for pay-what-you-wish digital streaming HERE.

I’m a bespectacled geek made for comfort, not speed with an avid distaste for projectiles in all forms. I loathed gym class in school. Every New England summer, it felt like the world opened its heart and screen doors for Spring Training. I couldn’t wait for it to be over.  Continue reading →

Feb 18

You Don’t Have to Apologize for Existing: “John Proctor is the Villain”

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Left to right: Brianna Martinez, Jules Talbot, Victoria Omoregie, Haley Wong in John Proctor is the Villain; directed by Margot Bordelon; photo by T. Charles Erickson

Presented by The Huntington
By Kimberly Belflower
Directed by Margot Bordelon
Dramaturgy by Lauren Halvorsen
Choreography by Victoria L Awkward 
Fight and Intimacy Direction by Jessica Scout Malone
Voice and dialect coaching by Christine Hamel

February 8 – March 10, 2024
The Huntington @ Calderwood/BCA
527 Tremont St. 
Boston, MA 02116

Review by Kitty Drexel

BOSTON, Mass. — It’s simple: believe girls. Believe women. Believe femme non-binary persons. Believe gender-expansive people who don’t fit your idea of how a person should look. Believe our stories. We don’t want fame. We want due process.  

The Huntington’s John Proctor is the Villain running through March 10 at the BCA is an age-old story of victim blaming and abuser protection.  Four teen girls (Brianna Martinez, Victoria Omoregie, Jules Talbot, and Haley Wong) are coming of age in post-#MeToo Appalachia. The four best friends and their bro classmates (Maanav Aryan Goyal, Benjamin Izaak) are taught by the school’s coolest homeroom teacher, Mr. Smith (Japhet Balaban), and new counselor Ms. Gallagher (Olivia Hebert).  Continue reading →

Feb 01

Come Cough: “Stand Up If You’re Here Tonight”

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Jim Ortlieb; photo by Nile Hawver

Presented by The Huntington 
A new play by John Kolvenbach
Featuring Jim Ortlieb and Melisa Pereya

January 20 – March 23, 2024
Huntington Theatre
Maso Studio 
264 Huntington Ave
Boston, MA

Seating is general admission. Arrive early!

Article by Kitty Drexel

BOSTON, Mass. — Stand Up If You’re Here Tonight, by John Kovenback, is running through March 23 at The Huntington and stars Jim Ortlieb as Man. It’s now playing in the Maso Studion at The Huntington’s 264 Huntington Ave space in Boston. Melisa Pereya plays a featured role.  

Attendees, please note: Maso Studio is reached by walking past the front doors of The Hunting, walking down a back alley, and through a backdoor of the building. The alley may have a car in it. The pavement is rough. If you need accessible access, please contact The Huntington staff for more information. Continue reading →

Dec 01

Times When Even the Rain Smells Confusing: “The Heart Sellers”

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Jenna Agbayani and Judy Song; photo T Charles Erickson.

Presented by The Huntington
By Lloyd Suh
Directed by May Adrales
Sound Design and Original Music by Fabian Obispo
Dramaturgy by Christine Mok
Dialect coaching by Joy Lanceta Coronel
Starring Jenna Agbayani and Judy Song
Featuring Matt Goldstein as the Radio DJ voiceover

Tuesday, November 21 – Saturday, December 23, 2023
Calderwood Pavilion at the BCA 
527 Tremont St.
Boston, MA 02116

Review by Kitty Drexel

BOSTON — The Huntington presents The Heart Sellers by Lloyd Suh at the Calderwood Pavilion at the BCA now through December 23. It is directed by May Adrales with original music by Fabian Obispo. It stars Jenna Agbayani and Judy Song and features Matt Goldstein as the Radio DJ. 

It is Thanksgiving 1973. Pres. Richard Nixon told the Associated Press that he wasn’t a crook. Henry Kissinger started his term as Secretary of State. A Charlie Brown Thanksgiving premiered on CBS. Millions of families celebrate the holiday with loved ones over turkey and congested driving conditions. 

We meet new friends Luna (Jenna Agbayani) and Jane (Judy Song) as they sit together for the first time. Their husbands are working during the holiday at the same hospital in different departments. Luna saw Jane in the grocery store, recognized a kindred spirit, and invited her over to cook Luna’s first turkey.  Continue reading →