Trigger warnings: pedophilia, sexual abuse, implied physical violence, predatory grooming
(Watertown, MA) Flat Earth’s production is expectedly excellent but it isn’t enjoyable. Well actually, The Nether is about ethics in gaming journalism. It’s a political metaphor for gamer identity protection. Just kidding: It’s about abusive communities on the internet and the people who dwell in them. Identity protection and “ethics” are smoke screens for heinous behavior in the name of free speech and implausible deniability. #yesallwomenContinue reading →
ONE WEEK LEFT: March 26th @ 7:30pm; March 29th @ 8pm; March 30th @ 8pm; March 31st @ 8pm The Black Box at the Mosesian Center for the Arts, 321 Arsenal St., Watertown, Massachusetts 02472 From the MBTA — take the Red Line to Central Square in Cambridge; then take the 70 or the 70A bus.
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Review by Bishop C. Knight
(Watertown, MA) I could provide an enthusiastic review for every aspect of this play. I will start with a nod to costuming.Continue reading →
(Watertown, MA) Set in 1946 among the rumble of post-war Holland, The Bakelite Masterpiece immerses you in the days leading up to the trial of forger Han Van Meergeren. Awaiting trial for charges of conspiracy with the Nazis, Van Meergeren protests his innocence to the formidable Resistance Officer Geert Piller. Based on true events, this captivating moral drama gives voice to a nation struggling to rebuild itself as it emerges from the clutches of fascism.Continue reading →
The cast; photo by Andrew Brilliant / Brilliant Pictures.
Presented by New Rep Theatre
Based on the novel by Miguel de Cervantes Saavedra Book by Dale Wasserman Music by Mitch Leigh Lyrics by Joe Darion Original production staged by Albert Marre Directed by Antonio Ocampo-Guzman Music direction by David Reiffel Movement direction by Judith Chaffee
(Watertown, MA) There were children in attendance the night I saw this production. Please note that while no one is ever undressed and strong language is avoided, MoLM does approach adult themes. Parents unwilling to discuss why a cowardly group of adult men with rage issues would rape a woman because their feelings were hurt should not bring their kids to this musical. Kids the answer is: theydo itbecausetheycan.
New Rep’s production of Man of La Mancha is excellent. Get your tickets right now. Continue reading →
(Watertown, MA) A Bright Room Called Day transports us back to a sitting room in 1930s Germany, inhabited my minor actors, eccentric filmmakers and artists. This bohemian gaggle of comrades band together in the early 1930s through their love of Communism, Art and Revolution. As 1933 marches on, the world around them darkens and the sitting room becomes their last refuge from Hitler’s rule.Continue reading →
(Watertown, MA) Golda’s Balcony tells the story of Israel’s creation through the eyes of one of its most influential authors, Golda Meir – the state’s first and only female Prime Minister. The play follows Golda from her idealistic youth standing on soapboxes in Milwaukee preaching Zionism, up until one fateful night in the Yom Kippur War in 1973. Continue reading →
(Watertown, MA) The impact that women have had in shaping our view of the world is so profound and infinite it could fill the sky. Often, their significance is overlooked, but it’s lovely seeing these roles brought to light in the arts. In its New England premiere production, Flat Earth Theatre brings to life the love, loss, and feminism of Lauren Gunderson’s Silent Sky. Continue reading →
Matthew Stern (piano), Carla Martinez, Brad Daniel Peloquin, Jake Murphy, Christine Hamel in “Brecht on Brecht” (photo: Andrew Brilliant/Brilliant Pictures)
Presented by New Rep Theatre Prophetic Portraits: Exploring history at the level of the individual By Bertolt Brecht Arranged by George Tabori from various translations Co-Produced with Boston Center for American Performance Directed by Jim Petosa Music direction by Matthew Stern
(Watertown, MA) Bertolt Brecht was a selfish, arrogant, exceedingly charismatic dick. He was also a “genius” thanks to the help of collaborators such as Elisabeth Hauptmann and Kurt Weill. Brecht did not support them. He could turn a phrase, though. Continue reading →
Photo by Andrew Brilliant / Brilliant Pictures; The cast of Fiddler on the Roof.
Presented by New Rep Theatre Based on the stories of Sholem Aleichem By special permission of Arnold Perl Book by Joseph Stein Music by Jerry Bock Lyrics by Sheldon Harnick Directed by Austin Pendleton Music direction by Wade Russo Choreographed by Kelli Edwards
Trigger warning: Patriarchy, arranged marriage, lack of personhood
Review by Kitty Drexel
New Rep’s Fiddler On the Roof is an extraordinary production… With one not inconsiderable snag. Largely, the performances in this show are spectacular. This production doesn’t make up for New Rep’s lackluster musicals but it certainly resets the standard for its productions. The cast and crew have delivered to us something very special with this Fiddler. Continue reading →
(Watertown, MA) My charming date to New Rep’s Regular Singing described the show as “a play about white people having white feelings about JFK’s assassination” for two hours with no intermission. She continued, “this play isn’t discussing anything new or political.” It barely breaches JFK’s assassination, or singing, for that matter. My lovely, astute companion may have been harsh in her description but she’s not wrong. Continue reading →