Dec 04

“Twelfth Night” Thrums with Life

L to R: Sarah Gazdowicz (OIivia), Charlotte Kinder (Viola); Photo Credit: Sharman Altshuler

Presented by Moonbox Productions
Written by William Shakespeare
Directed by Allison Olivia Choat

Nov 25 – Dec 29, 2018
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) There are productions of Shakespeare that are focused on reciting the text rather than acting it out. I understand the temptation. Maybe it’s the rhythm, maybe it’s the Bard’s reputation as, well, THE BARD, but sometimes theater groups seem to engage with Shakespeare’s comedy as a text to worship rather than a story to tell, even with a comedy like Twelfth Night. I’m happy to say Moonbox Production not only engages with the high emotions, cartoonish confusion, and whacky consequences of the comical cross-dressing romance but celebrates the story and its jokes with delight. Continue reading

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Dec 03

Castaway Caught in Colonialist Fantasy in “Shipwrecked!”

Presented by Moonbox Productions
Written by Donald Margulies
Original music composed and performed by Dan Rodriguez and the repertory cast
Directed by Allison Olivia Choat

Nov 25 – Dec 29
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Moonbox Productions on Facebook

Review by Gillian Daniels

(Boston, MA) Halfway through Shipwrecked! An Entertainment, when Louis de Rougemont (Kevin Cirone)–a real person who claimed to have been stranded in the Pacific in his 1899 serial-turned-book–lives on an unspecified island in a carefree existence with an unspecified, idealized indigenous people who variously refer to him as “chief” or “god,” I thought I’d be writing a very different review. But the lively depiction of a “man-eating octopus” and “flying wombats” early in the show should have tipped me off. This is a narrative that pokes holes in itself, a comedy-drama, a man using a survivor’s unlikely colonialist narrative to build his self-worth, and a story about the stories we tell ourselves to feel better. Continue reading

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Nov 06

“Peter and the Starcatcher,” and Vote Yes on 3!

With Lindsay Eagle, Robert Benton Orzalli, Michael John Ciszewski, Lauren Elias, Joey Cletis Pelletier, Molly Kimmerling, Claire Koenig and Bob Mussett. Picture by Tim Gurczak.

Produced by Hub Theatre of Boston
Written by Rick Elice
Music by Wayne Barker
Based on the novel by Dave Barry and Ridley Pearson
Directed by Sarah GazdowiczNovember 2 – 17, 2018
First Church of Boston
66 Marlborough Street
Boston, MA 02116

Hub on Facebook

Review by Diana Lu

(Boston, MA) Peter and the Starcatcher is a reimagined origin story for Peter Pan. Before he was the boy who wouldn’t grow up, Peter was an orphan with no name, no friends, and no home. Robbed of their childhoods, Peter and his fellow lost boys are sold to the treacherous, orphan-hating captain of The Neverland, Bill Slank. Slank has stolen Queen Victoria’s treasure trunk and left a decoy in its place on HMS The Wasp. Also aboard The Neverland is Molly Aster, daughter of The Wasp’s captain, righteous and patriotic Lord Leonard Aster. The Asters are revealed to be more than imperial apologists when a band of pirates capture The Wasp and sail for Neverland’s stolen treasure. The adventure lands everyone on Mollusk Island, inhabited by a tribe of English-hating Italian chefs, allowing Peter to discover who he truly is and where he belongs.
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Jun 11

#Gamergate, Too: “The Nether”

Photo by Jake Scaltreto

Presented by Flat Earth Theatre
By Jennifer Haley
Directed by Sarah Gazdowicz

June 8 – 23, 2018
The Mosesian Center for the Arts
321 Arsenal Street, Watertown, MA, 02472
Flat Earth on Facebook

Review by Kitty Drexel

Trigger warnings: pedophilia, sexual abuse, implied physical violence, predatory grooming

(Watertown, MA) Flat Earth’s production is expectedly excellent but it isn’t enjoyable. Well actually, The Nether is about ethics in gaming journalism. It’s a political metaphor for gamer identity protection. Just kidding: It’s about abusive communities on the internet and the people who dwell in them. Identity protection and “ethics” are smoke screens for heinous behavior in the name of free speech and implausible deniability. #yesallwomen Continue reading

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Jun 15

Don’t Choke on Your Spotted Dick: “Penny Penniworth: A Story of Great Good Fortune”


Presented by Titanic Theatre Company
Written by Chris Weikel
Directed by Sarah Gazdowicz

June 8 – 25, 2017
Central Square Theater Studio
450 Massachusetts Avenue
Cambridge, Massachusetts 02139
Titanic on Facebook

Review by Kitty Drexel

(Cambridge, MATitanic Theatre Company’s Penny Penniworth: A Story of Great Good Fortune can be described as a summer panto minus the music, but plus a heaping spoonful of innuendo. It’s a swift, good time for adults who love classic literature (so long as they can take a joke), and refreshing summer theatre.    Continue reading

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Jan 31

“The Princess and the Pea”: A Fairytale Political Drama

“Three Plot Twists”: Sarah J. Mann as Prince Percy, James Sims as Mick Motley, Matthew Woods as Captain Brightside; photo credit: imaginary beasts.

Presented by imaginary beasts
Written by The Ensemble
Based on the fairytale by Hans Christian Andersen
Directed by Matthew Woods

January 14 – February 4, 2017
Plaza Black Box Theatre at the Boston Center for the Arts
539 Tremont Street, Boston MA
Boston, MA 02116
imaginary beasts on Facebook

Review by Travis Manni

(Boston, MA) In this uncertain and tumultuous political climate, the arts are a fantastic medium to fight back. While this often applies to theatre, I must admit I was surprised that imaginary beasts’ production of The Princess and the Pea used the kid’s show to make a mockery of our current state of affairs. But it was effing brilliant. Continue reading

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Jan 10

Wasted on “A Midsummer Night’s Dream”

Photo credit: Lara Woolfson

Presented by Magnificent Bastard Productions
Based on the play by William Shakespeare

Reviewed on January 7, 2017
The Rockwell
255 Elm Street
Somerville, MA
Magnificent Bastard Productions on Facebook

Review by Travis Manni

(Somerville, MA) There’s nothing quite as dazzling as experiencing theatre, the Shakespearean kind no less, under the hazy glow of stage lights as a soft buzz starts to settle in. While I chose not to partake in the highly encouraged consumption of alcohol, I figured my flu-like-symptoms-inducing hangover was enough of a qualifier to get me in the mood for Magnificent Bastard Productions Shit-faced Shakespeare performance of A Midsummer Night’s Dream. And to top it off, the entire audience had the privilege of playing witness to the company’s first ever sex-swapped show. Continue reading

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Dec 01

“A Palpable Hit”: Fight! Fight! Fight!

Photo credit: Timothy John Smith

Photo credit: Timothy John Smith

Presented by The Gunpowder Plot & Cambridge Historical Tours
From the works of William Shakespeare
Directed by Gabriel Kuttner, Daniel Berger-Jones & Sarah Gazdowicz

November 25-December 11, 2016
Durrell Theatre
Cambridge YMCA
820 Massachusetts Avenue
Cambridge Historical Tours on Facebook

Review by Travis Manni

(Cambridge, MA) Everybody knows that the events leading up to any action sequence, while often necessary, can feel boring and overlong. Sometimes you just want to skip to the good stuff and watch everybody fight or use their superpowers to kick some serious ass. While Shakespeare often preferred battles with swords, though one could argue his battles of wit are just as exhilarating, what made his scenes of confrontation so mesmerizing was the use of tension, and The Gunpowder Plot’s production of A Palpable Hit: Shakespeare Fight Night sure knew how to tap into this. Continue reading

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Jan 19

Somewhere Over, Under, in Front of, Behind the Rainbow: “The Wonderful Wizard of Oz”

Photo credit: Diane Anton

Photo credit: Diane Anton; the cast stepping out

Presented by imaginary beasts 
Written and Directed by Matthew Woods
Based on the Oz novels of L. Frank Baum

January 9-30, 2016
imaginary beasts on Facebook
BCA Plaza Black Box Black Box Theatre
Boston, MA

Review by Noelani Kamelamela

(Boston, MAPlaying fast and loose with both Oz canon and popular culture, imaginary beasts returns to the marvelous lands and characters L. Frank Baum created to amuse and entertain children at the turn of the century in Winter Panto 2016:  The Wonderful Wizard of Oz.  People unfamiliar with the pantomime tradition should not come expecting a regular play, or the musical version of the show, or even a rundown of all of Baum’s Oz books.  Rather, it’s a rollicking variety of scenes that parodies both the source and contemporary mores. Continue reading

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Oct 14

Hysterics of “Polish Joke” are no Joke

photo credit: Evgenia Eliseeva

photo credit: Evgenia Eliseeva

Presented by Titanic Theatre Company
By David Ives
Directed by Sarah Gazdowicz

October 8-18, 2015
CST Studio at the Central Square Theatre
Titanic Theatre Company on Facebook

Review by Travis Manni

(Cambridge, MA) I’ve never been overwhelmed with the desire to make the spontaneous, probably unreasonably rash, decision to move to another country just from watching a play. But I’ll be damned if I wasn’t ready to catch the next red-eye to Poland after witnessing the Titanic Theatre Company’s production of Polish Joke. Continue reading

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