Apr 30

Love is Everyone: “Until the Flood”

Maiesha McQueen in Until the Flood. Photo: Kathy Wittman

Presented by Merrimack Repertory Theatre 
By Dael Orlandersmith
Directed by Timothy Douglas
Original music by Lindsay Jones
Film by Kathy Wittman
Performed with excellence by Maiesha McQueen

April 17 to May 2, 2021
Via video-on-demand only
TICKETS
MRT on Facebook

MRT’s Content Alert: Based on real events, Until the Flood includes references to racism, bigotry, prejudice, and off-stage violence. The play contains strong adult content/language, including racial slurs. Recommended for ages 16 and older.

Critique by Kitty Drexel

STREAMING — The US police keep killing Black people. On Wednesday, April 28 a Collin County, Texas medical examiner ruled Marvin Scott III’s death a homicide. That was last night. Ma’Khia Bryant was killed by police on April 22. Derek Chauvin was convicted of killing George Floyd on April 20. Nearly a year after the murder took place. Breonna Taylor, Ahmaud Arbery, Aleah Jenkins, Tamir Rice, Michael Brown: I could go on and on. It’s no wonder that human rights lawyers from around the world have called for an investigation of the international criminal court into the systematic murder of Black people in the US. 

Until the Flood is a one-woman show about the stories we tell with our lives. On August 9, 2014 Darren Wilson, a white police officer shot and killed Michael Brown, an African American teenager in Ferguson, Missouri. In response to the murder, Dael Orlandersmith interviewed Black and white people, compiled their stories and created this play. We are witness to a spectrum of views. Each monologue takes the viewer closer to Michael Brown and the events that formed the Black Lives Movement. Continue reading

Apr 06

Keep Going, She Said: “The Catastrophist”

The Catastrophist TEASER from Marin Theatre Company on Vimeo.
Presented by Trinity Repertory Company
Coproduced by Marin Theatre Company and Round House Theatre
Written by Lauren M. Gunderson
Based on the life of virologist Nathan Wolfe
Directed by Jasson Mindakis
Performed by William DeMeritt

March 18 – May 31, 2021 
Trinity Rep and other theaters are streaming this production to their audiences in collaboration with the Marin Theatre Company and Round House Theatre.
Trinity Rep on social media: @trinityrepertorycompany

Critique by Kitty Drexel

STREAMING — Actor William DeMeritt is not virologist Nathan Wolfe. DeMeritt plays Wolfe with startling humanity, humor, and confidence. DeMeritt and Wolfe look similar in appearance: they both have medium complexions, curly kinks in their hair, and tall statures. Lest one falls into the trap of assuming that an actor is their character, we must establish that these two men are not the same person. DeMeritt only plays a virologist on screen.  Continue reading

Mar 20

A Spanish/English Duel: “Romeo & Julieta”

The first kiss. Gorgeous artwork by Eric Davila.

ROMEO Y JULIETA
Presented by The Public Theater
By William Shakespeare
Adapted by Saheem Ali & Ricardo Pérez González
Based on the Spanish Translation by Alfredo Michel Modenessi
Directed by Saheem Ali
Bilingual podcast to be presented in partnership with WNYC Studios
Featuring Carlo Albán (Benvolio), Karina Arroyave (Apothecary), Erick Betancourt (Abram), Michael Braugher(Balthasar), Carlos Carrasco (Lord Montague), Juan Castano (Romeo), Ivonne Coll (Nurse), John J. Concado(Peter), Hiram Delgado (Tybalt), Guillermo Diaz (Gregory), Sarah Nina Hayon (Lady Montague), Kevin Herrera(Ensemble), Modesto Lacen (Prince Escalus/Capulet’s Cousin), Florencia Lozano (Capulet), Irene Sofia Lucio(Mercutio), Keren Lugo (Sister Joan), Benjamin Luis McCracken (Paris’s Page), Julio Monge (Friar Lawrence), Javier Muñoz (Paris), Lupita Nyong’o (Julieta), and David Zayas (Sampson).

Available to stream 
The Public Theater
425 Lafayette Street
(at Astor Place)
New York, NY 10003
Public Theatre on Facebook

Critique by Kitty Drexel

Disclaimer: Romeo Y Julieta is an audio recording. It does not include video.

PODCAST ETHER — There’s always one theatre company or other doing Shakespeare. Take your pick: community, fringe, professional – someone, somewhere is producing a four-hundred-year-old play for an audience absolutely arm-wavingly, script humpingly horny for The Bard. I don’t get it. 

I don’t hate Shakespeare but I don’t get the hype either. His plays are performed so often – as intended and in experimental styles. No matter how a theatre dresses them up, they’re still the same stories. I think it gets old. Others strongly disagree. 

What is it about this dead poetry dude who hasn’t had a new idea in centuries that appeals so strongly to my fellow theatre practitioners? I don’t have to understand Shakespeare-mania to critique Shakespeare’s plays but understanding the obsession helps me interact with that population. Understanding a creator’s intentions is part of a critic’s gig.   Continue reading

Mar 17

A Review in Which the Magic Tricks Aren’t Described: “The Conjurors’ Club”

Geoff Kanick performs in ‘The Conjurors’ Club.’ Photo courtesy of A.R.T.

Presented by American Repertory Theatre
Created by Vinny DePonto and Geoff Kanick
Original Music by Alex Harris
Voiceover work by Artist Isuri Wijesundara
Opening Video by Gabe Jacobs
Video Voiceover by Isabela Salgado
Technical Consultancy by Joshua Samuels
Web Design by Eleanor Philips
Zoom Wizardry by Alycia Marucci and Sumner Ellsworth
Scenic/Background Consultancy by Heather Morris
Costume Consultancy by Alma Reyes Burgos
Lighting Consultancy by Joseph Lorenzen
Digital Systems Programming by Justin Paice & Michael Policare

March 12 – April 11, 2021
A virtual event
Stream HERE
Follow @TheConjurorsClub on social media

Disclaimer: This review contains minor spoilers. 

Critique by Kitty Drexel

ZOOM — The Conjurors’ Club starts long before the Zoom room opens with a brown 8.5 x 11 envelope with a stamp from Jean Eugene’s Fine Watches. This envelope arrives within another envelope from the American Repertory Theatre. Don’t open it! Its contents are a surprise. Continue reading

Mar 16

Another Day, Another Destiny: “Winter Panto 2021: The Panto Games”

Tributes in the Arena. Photo credit imaginary beasts.

Presented by imaginary beasts 
Directed by Matthew Woods 
Written by Matthew Woods & Noah Simes 
Costumes: Cotton Talbot-Minkin 
Visual Design & Illustration: Lillian P.H. Kology 
Production Stage Management: Sophia Nora Giordano 
Video Editing & Design: Sophia Nora Giordano 
Technical Direction: Bob Mussett 
Puppet Design & Construction: Sophia Nora Giordano & Jamie Semel 
Cast: Michael Chodos, Laura Detweiler, Molly Kimmerling, Catherine Luciani, Tara Harbert,  Colin McIntire, Amy Meyer, Bob Mussett, Elizabeth Owens, Jill Rogati, Kiki Samko, Jamie  Semel, Noah Simes, Derek Smith, Jennifer Taschereau, and Matthew Woods with Sara Kenney  and Hannah Uher 

March 13, 14, 20 at 4:00 pm ET and March 19 at 7:30 pm ET on Zoom 
New show added! March 21 at 4 pm!
Tickets: imaginarybeasts.eventbrite.com 
All tickets are Pay What You Wish with a $0 minimum
imaginary beasts on Facebook 

Review by Kitty Drexel

ZOOM — The imaginary beasts yearly panto is a Massachusetts theatre institution. It doesn’t feel like wintertime without it! So thank goodness the beasties rallied and produced their February family-show in March.  Continue reading

Mar 12

This Just In: “Home Office: Season 2” & “Mr. Parent”

Home Office
Created & Written by John J King & Ramona Rose King
A J-RexPlays Production
Quick, Fun & Dirty, for the People
www.J-RexPlays.com
Venmo: @JRexPlays

Review by Kitty Drexel

ASTORIA , NY — Creators and Boston community members John J. King and Ramona Rose King moved to New York City! During a pandemic! Home Office: Season Two follows their adventures in their new city. They find work, new friends, and opportunities all within a two-block radius. 

A summary from YouTube: Home Office returns for a second season, following Mona and Jonathan as the couple moves to New York City mid-pandemic and struggles to get jobs, forge friendships, and take on their most collaborative project yet.

The second season is brief. It’s five episodes. The first season was was twelve. The stakes are higher but the circumstances are just as twee. Watch them navigate their relationship in a minuscule Astoria apartment without killing each other. As John says in episode three, “It’s nice!”

Also available to stream:

Mr. Parent presented by Theaterworks Hartford 
Based on stories from Maurice Parent
Playwright: Melinda Lopez
Conceived with and directed by Megan Sandberg-Zakian
Video Multimedia Production Jared Mezzocchi
Associate Video Editor Katerina Vitaly
ASL Video Editor Cassandra Saulski
Audio Mix/Mastering Matt Berky, Massive Productions

Streaming On Demand
March 7— 26, 2021
Hartford, CT 
Theaterworks of Facebook

Feb 24

Semaphore Flags of Tension: “Solitaire Suite”

Presented by Hub Theatre Company of Boston
Written by Trent England 
Directed by Daniel Bourque
Stage management by  Madeline Hartrich
and Kelsey Whipple
Sound Design by Kyle Lampe
​Digital Design by Justin Lahue

Feb 20 – Feb 27 2021
Youtube Presentation
Boston, MA 02116
Hub on Facebook

Critique by Kitty Drexel

YOUTUBE — Anxiety is a feminist issue. Women are told they are too emotional, too sensitive, and too fragile. Our responses to stimuli are so criticized that we disbelieve our own experiences. We distrust our own instincts – no matter how perceptive. 

Believing women is the basis for the #MeToo movement. Trust women, we say. The message should carry a caveat to emphasize that society must grant women the benefit of the doubt in all situations. Believe us when we’ve been assaulted and at other times, too. Believe us all the time.  

Hub Theatre premiered Solitaire Suite by Trent England on February 20. Marty Mason is Celeste, a conscientious mother on a car ride with her husband Pete (Cristhian Mancinas) and their son, Tiger (Michael Lin). Celeste tells the viewer about how her family came across an unidentified flying object on their way home from retrieving Tiger from a failed sleepover. The family follows the UFO and has an unexpected engagement with the unknown.    Continue reading

Oct 09

Upstaged By A Wandering Mouse: “Fannie Lou Hamer: This Little Light”


Presented by Central Square Theatre 
In partnership with City of Cambridge Citizens’ Committee on Civic Unity & YWCA Cambridge.
Written and performed by Dr. Billie Jean Young 

October 7, 2020, at 7PM
A virtual event over Zoom 

Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
CST on Facebook

Critique by Kitty Drexel

ZOOM/Cambridge, MA — Central Square Theatre’s presentation of Fannie Lou Hamer: This Little Light was a hot and sticky mess. This event didn’t have technical difficulties; it had technical catastrophes. An evening that should have been about civil rights warrior Hamer was rife with distractions instead. 

The audience was told at the beginning of the event that Dr. Young wouldn’t be able to perform for us that evening but that a recording of her performance would be played. While this was unfortunate, we could sympathize with Dr. Young. Her body is her instrument and instruments can be fickle. The Women’s Vote Centennial Panel would continue as scheduled.  Continue reading

Sep 09

The pandemic isn’t over just because you’re over it: Player’s Ring Theatre Reopens

Player’s Ring building; performances are indoors

Produced by the Player’s Ring Theatre
An original play by Irene Kelleher
With Emily Karel
Directed by Peter Josephson
Presented by Glass Dove Productions

October 2 – 11, 2020
105 Marcy Street
Portsmouth, NH 03801
Player’s Ring on Facebook 

Critique by Kitty Drexel

Portsmouth, NH — According to an email press release from Player’s Ring Theatre in New Hampshire sent on September 8, the company will open its doors to the public beginning on October 2 for its production of Mary and Me by Irene Kelleher.

The company closed its doors in March due to the pandemic. It is reopening for live performance after making adjustments for audience safety. These include a new air handling and ventilation system, reduced capacity, social distancing at six feet, a health check at the door, and a mandatory mask policy.

The theater seats 75 patrons at capacity but only 33 seats are for sale to ticketholders. Only bottled drinks will be for sale. Seat assignments will be allocated by the Player’s Ring box office.

Production manager Margherita Giacobbi said in the press release, “Our number one priority in our decision to reopen has been the safety of our artists, volunteers, and audiences. We are following all State and CDC guidelines to ensure a safer environment (emphasis mine).”

Continue reading

Aug 25

Make the World Better: “I Now Pronounce You Lucy Stone”

Image via http://www.judithkalaora.com/i-now-pronounce-you-lucy-stone.html. Kalaora looked as luminous during the performance as she does here. 

Presented by History at Play’s Pay-Per-Hap program
Researched, written, produced and performed by Judith Kalaora
Music by Deborah Goss
Friday, August 21, 7:30 – 9 PM

Livestreamed on Facebook
History At Play on Facebook
An Upcoming Schedule of Performances

Critique by Kitty Drexel

Apologies to Judith Kalaora and the History At Play team for the tardiness of this post – we were without internet for five days and unable to post this review. 

FACEBOOK LIVE — The one-woman show, I Now Pronounce You Lucy Stone, began with a light, off-camera folk song performance minutes before 7:30 PM on August 21. Stone’s (Judith Kalaora) vibrant, full-bodied voice was heard as she puttered just offstage. As we learned, she had a lot to prepare for. MA native Lucy Stone fought for women’s right to vote in the 1840s. She nearly did it too. Unfortunately for all female-identifying individuals, women would have to wait another 80 years before wringing the privilege from men’s totalitarian grasp.  Continue reading