Apr 06

Streamed Content to Prevent COVID-19 Brain Drain: April 2020 and All is Weird

Dear Readers,

Here is the latest list with online community happenings and be-ins.

Zoombombing is a threat. Please keep yourselves safe by implementing security measures against these fuckboi trolls.

Articles for context:
The Verge,”Zoom adds new security and privacy measures to prevent Zoombombing.”
The New York Times, “‘Zoombombing’ Becomes a Dangerous Organized Effort.”
Buzzfeed News, “Here Are 8 Quick Tips To Keep You From Getting “Zoombombed” By Trolls”

Keep washing your hands, stay at home, and know that you are necessary and loved,
Kitty Drexel
Queen of the New England Theatre Geeks

Boston Theater Marathon XXII: Special Zoom Edition – Boston Playwrights’ Theatre offers features free readings of ten-minute plays by New England playwrights in collaboration with New England theatres, via Zoom, April 1-May 17. They are excellent!

Central Square Theater – Central Square Theater is extending its online run of Pipeline! It’s available to watch until April 12. Get your TICKETS before it’s too late! 

HowlRound has oodles of online content by theatremakers to watch and it is FREE, whether streamed or recorded. Please go to the site for details. 

John J King/J-Rex Plays created a music video called, (Who Needs) Pants?! Featuring special guest star Ramona Rose King. 

Liars & Believers – LAB is sharing The Huns: a radio play by Peter Papadopoulos. Directed and edited by Jason Slavick. The Huns is twelve minutes long and the silliness we need in these dire times. 

Luminarium  Dance Company– Artistic Director Merli V. Guerra’s The One I Keep (2013), performed by long-time company member Jessica Chang, is now available to watch online via YouTube. 

New England New Play Alliance – New Play Alliance has a newsletter with information on local New England playwrights, podcasts, online events, and giveaways! Subscribe HERE.

Rockettes Dance Class: The Radio City Rockettes offer live dance classes on Instagram every week beginning on April 2 at 12PM EST. Additional classes will take place on successive Thursdays at noon. 

Trinity Repertory Theatre – Rhode Island’s Tony Award-winning theater is generating digital content and creating virtual events and classes, so that “the show goes on.” Content is being delivered through its social media channels and is aggregated at 

*Registration for all adult and kid’s classes and/or the knitting circle can be found HERE

*Streaming of the movie I Am A Seagull by directors Brian Mertes, Melissa Kievmanis, and The Chekhov Project is available to steam until April 15 by clicking HERE.

*Virtual tickets are available here for a streamed version of Asolo Rep’s production of Into the Breeches!, which had its world premiere at Trinity Rep in 2018. Available through April 14.

TCG (Theatre Communications Group) – TCG has assembled resources relating to Coronavirus and has held a Webinar that you can access here. Dispatches From Quarantine will be a quick-response way for theatre folks to share thoughts, feelings, griefs, hopes, and strategies for getting through this fraught and disorienting moment.

WGBH, ArtsEmerson, Huntington Theatre Company – WGBH will present a special broadcast of Mala, a poignant drama written and performed by local playwright and performer Melinda Lopez. This award-winning play will air on WGBH 2 and YouTube TV on Thursday, April 9 at 9 p.m.

Following the broadcast, ArtsEmerson will host a pre-recorded online conversation between playwright/performer Melinda Lopez and director David Dower at ArtsEmersonBlog.org.  

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Mar 30

Streamed Content to Prevent Brain Drain, Continued: Don’t Reach Out and Touch Someone

Dearest Readers;

Below is a continuation of last week’s list. New England area theatre companies are keeping busy. And so should you! Many of the opportunities from last week are still active and thriving. Please check those links.

Keep washing your damn hands, getting enough exercize, Zooming your friends. Stay home.

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks

Apollinaire Theatre Company – ATC hosts Apollinaire at Home! It’s a free online play & film script reading gathering! Apollinaire at Home is hosted by your Apollinaire favorites, and the cast includes You!! Readings for the week are posted on Apollinaire’s main page on Tuesday evening/ Wednesday morning. Readings will be Thursday, Friday, and Saturday evenings at 7:30, and Sunday “matinee” at 3:00.

Bonnie Duncan and the Gottabees – For children of all ages, Bonnie Duncan & the Gottabees give you a few moments out of your (crowded!) day where you can enjoy being together as a family with puppets and music. A familiar, underpants-stealing-squirrel makes a cameo. 

Boston Theater Marathon XXII: Special Zoom Edition – Boston Playwrights’ Theatre (BPT) presents “Boston Theater Marathon XXII: Special Zoom  Edition,” featuring ten-minute plays written by New England playwrights and presented by New England theatres via the video conferencing tool Zoom, April 1-May 17. Readings will begin each day at 12 noon and will last approximately 15-minutes. Audiences will need to download the free Zoom app to participate, and it is recommended they call in a few minutes before “curtain” time.

Central Square Theater Central Square Theater has made available for streaming a video recording of its acclaimed production of PIPELINE. The recording is available today through April 5, 2020. Details on how patrons may purchase access the recording is included. TICKETS.

CompanyOne – C1 has its new C1 “New Work #socialdistancing Community” form. Please drop your ideas there. Company One Theatre is postponing the remaining productions of Season 21, Clare Barron’s Dance Nation and Inda Craig-Galván’s Black Super Hero Magic Mama. Both productions will shift to 2021 and become part of Season 22.

Upcoming from C1: Resident playwright Kirsten Greenidge is launching a series of online Open Writes. Kirsten will hold space for folx who want a communal, but quiet, energy to support their writing. The first is scheduled for Saturday April 11 (time tbd), and will be co-hosted with David Valdes. C1 will send out a formal announcement with a video link as the date approaches. Please watch the C1 website for updates.

Post-Meridian Radio Players – PMRP makes available “The Mysterious Traveler” on their Soundcloud for listening.  They ask that you please enjoy this thrilling story of the gentleman thief, Arsene Lupin. Auditions with PMRP’s summer will be announced on their website. 

The Umbrella Arts –  The Umbrella Arts Gallery has provided wider virtual access to exhibitions from their three gallery spaces at The Umbrella. 

  • Aperture: The annual group show featuring more than fifty Studio Artists, viewable as a 360 Virtual Tour, and with works available for purchase through Artcld. 
  • One Day I Will Walk Into The Umbrella: The Black Box Gallery exhibition of drawings created by Justin P. Douglass while incarcerated in Concord and in Norfolk. 
  • Gallery 3: An exhibition of mixed media works by Cynthia Katz. 
  • #TBT: Just Added Lyle Lovett Video – As we continue to digitize various Umbrella programming, we’re pleased to share for the first time a video excerpt of last fall’s amazing benefit concert by Lyle Lovett. The video was wonderfully produced with high-quality sound by video professional and Umbrella volunteer, Bob Greim. 

The Multicultural Arts Center – The Multicultural Arts Center has created a virtual gallery for Cambridge students, teachers, parents, and community members to showcase its K-8 Young Artist exhibition. 

TC Squared – In response to the COVID-19 novel coronavirus pandemic, TC Squared has launched a new online reading series: VOLUME UP Virtual Play Readings. Videos can be found on its YouTube channel.  Facebook and Twitter has the most up-to-date info.

Exquisite.

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Mar 23

Book Release and Online Event:”There Must Be Happy Endings” by Megan Sandberg-Zakian is Released Today!

There Must Be Happy Endings: On Theatre of Optimism & Honesty
By Megan Sandberg-Zakian
Published by The 3rd Thing Press
Olympia, 2020
Available on Kickstarter with a $24.00 pledge
Paperback, 230 pages

LIVE ONLINE EVENT!
Megan Sandberg-Zakian in conversation with Melinda Lopez
March 23, 2020, 4:00 pm – 6:00 pm
Free on the HowlRound website! More info below.
Event on
Facebook

Review by Kitty Drexel

“An ending doesn’t have to be happy to be satisfying. A good ending, happy or not, draws a line around the experience of story hearing and telling. It picks the story up, holds it in its hands, and offers it out, whole. It gives us the opportunity for a collective breath. A good ending is honest: a boundary we can feel, the knowledgable edge of a reliable container. It is a ritual threshold between story and not-story.” 

— Megan Sandberg-Zakian, “There Must Be Happy Endings,” There Must Be Happy Endings: On Theatre of Optimism & Honesty, 2020.

Somerville, Mass — There Must Be Happy Endings by Megan Sandberg-Zakian is an exploration in the personal dramaturgy of the mind and spirit. In her first book of essays, the author takes a deep dive into the works that have made a lasting impression upon her. They are an extension of her need to share stories through theatre. Whether by quoting Homer, The Dark Knight or Annie, these essays draw the reader into the author’s personal story by circumnavigating the landscape of the greater western narrative. She tells us why happy ends are important and why they are especially important to her. Her title essay isn’t demanding sappy closure but commanding a divine right to culminate our narratives with an end to the suffering within them.  Continue reading

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Mar 11

Interview with Composer Erin McKeown, Composer of “Miss You Like Hell” Playing at Wilbury Theatre Group

Photo of Erin McKeown by Jo Chattman

Miss You Like Hell
Presented by Wilbury Theatre Group
Book & lyrics by Quiara Alegría Hudes
​Music & lyrics by Erin McKeown
Directed by ​Don Mays
Music direction by ​Matt Requintina

​March 5 – 29, 2020
The Wilbury Theatre Group
40 Sonoma Court
Providence, RI 02909
Wilbury on Facebook

Erin McKeown in Concert:
Saturday March 14
7p doors, 8p show
The Good Will Engine Company
41 Central St, Providence, RI 02907
Jocie Adams supports
TICKETS for Erin McKeown in Concert

Interview conducted by Kitty Drexel

Providence, MA — Composer and lyricist Erin McKeown graciously agreed to answer interview questions ahead of her post-performance talkback after the March 13, 7:30PM performance of Miss You Like Hell at the Wilbury Theatre Group. We are grateful that she took the time to connect with us about performances, her career, and upcoming projects!

This interview has been edited for clarity, grammar, and length.

Queen Geek: March 2, 2020 was Super Tuesday. What parts of “Miss You Like Hell” do you find the most rewarding or cathartic in this political climate?

Erin McKeown: I find the witness to the audience extremely rewarding. It’s their catharsis that really feels good to me. I need to watch art that other people made in order to experience catharsis. I can’t feel my own catharsis with something I made. But I do really find it wonderful to watch. Continue reading

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Mar 03

Grow to Live: “The Children”

Paula Plum, Karen McDonald, Tyrees Allen. Photo by Maggie Hall Photography.

Presented by SpeakEasy Stage Company
By Lucy Kirkwood
Directed by Bryn Boice
Fight & intimacy consulting from Jessica Scout Malone

Feb. 28 – March 28, 2020
Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Critique by Kitty Drexel

“You have a choice, don’t you, exactly, at our age which is that you slow down, melt into your slippers, start ordering front fastening bras out of Sunday supplements, or you make a committed choice to keep moving you know because you have to think: This is not the end of our lives but a new and exciting chapter.” – Hazel, The Children by Lucy Kirkwood

Boston, MA — Science fiction is about how humans interact with each other and the world amidst scientific and/or technological changes. Without getting into the nitty-gritty details of what is and isn’t science fiction, The Children is science fiction theatre. It has a lot to offer to everyone: science fiction enthusiasts will see themselves represented on the stage; science fiction cynics will see scientists as people. Everyone will see a great play by Lucy Kirkwood. Continue reading

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Feb 24

Don’t Feed the Troll: “Deal Me Out”

Photo by Stratton McCrady; Rachel Belleman, Matthew Bretschneider, Hannah Beebe, Dev Blair, Caleb Cedrone

Presented by Boston Playwrights’ Theatre
Written by MJ Halberstadt
Directed by Shana Gozansky
Dramaturgy by Ally Sass

February 13 to March 1, 2020
Boston Playwrights’ Theatre
949 Commonwealth Ave, Boston, MA 02215
BPT on Facebook
Critique by Kitty Drexel

Boston, MA — We all know that one toxic person who refuses to go away: they show up everywhere, you grew up together, they were hired when the company first started, etc. No one in your circle wants to get singled out by kicking them to the curb. Instead, everyone brines in their own contempt because confronting Toxic Tilly might upset the barely tolerable status quo. Boston Playwrights’ Theatre’s Deal Me Out directly addresses the harm they do. Continue reading

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Feb 07

Pride & Shame Are Brothers: “Sweat”

Presented by Huntington Theatre Company
By Lynn Nottage
Directed by Kimberleigh Senior
Original music & sound design by Pornchanok Kanchanabanca
Fight direction by Ted Hewlett

Jan. 31 – March 1, 2020
Huntington Avenue Theatre
Boston, MA
Huntington Theatre Co on Facebook

Content warnings: This production includes the smoking of cocoa shell cigarettes (100% nicotine-free). It contains themes of drug use, drug addiction, alcoholism, and homelessness.

Trigger warnings: racial and gender microaggressions, intentional bigotry, sexism, racism, graphic violence, implied drug use, exploitation of a disabled person, and Republican politics

The Huntington Theatre Company website says that those who are interested in more information should please reach out to Ticketing Services at 617 266 0800.

Critique by Kitty Drexel

Boston, MA — Lynn Nottage’s Sweat won the 2017 Pulitzer Prize for Drama. After reading in in 2017 and seeing it live last night, it is not difficult to understand why. Sweat balances gender, race, and class discrimination issues like a well-crafted dagger. This art represents the struggling people of Reading, PA that Nottage interviewed to write her play. It gives insight into the dangers of unchecked greed while commenting on the political events that provoked into a capitalist fury. Sweat has you in the palm of its metaphorical hand… And then it drops you on your ass. Continue reading

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Feb 04

Children Are People: “Wolf Play”

L-R_ Inés de la Cruz, Minh-Anh Day, Greg Maraio, Adrian Peguero; Photo by Andrew James Wang.

Presented by Company One
By Hansol Jung
Directed by Summer L. Williams
Dramaturgy by Ilana M. Brownstein
Fight choreography by Jessica Scout Malone
Boxing consultations by Kimberleigh A. Holman

January 30 – February 29, 2020
Boston Public Library
Rabb Hall
Central Library in Copley Square
Boston, MA
C1 on Facebook

All Tickets are Pay-What-You-Want

Critique by Kitty Drexel

SPOILER ALERT

Trigger warnings: child abuse, physical violence, bigotry

Boston, MA — Wolf Play made me so angry I wanted to punch a philosopher. There is so much going wrong in Wolf Play. Good people do not sell or purchase children from the internet. They do immediately contact child services when they discover parents attempting to sell their adopted child. They do contact organizations working on behalf of exploited children. They do not attempt to liberate a child on their own because the US’s messed up legal system thinks that LGBTQ+ adults aren’t fit to raise kids. I know it’s pretend but it’s based on fact. The adults caught up in these actions are telling themselves that they are still good people. They are not. Continue reading

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Jan 31

Extraordinary Acts of Intersectional Feminism: “Gloria: A Life”

Presented by American Repertory Theatre
By Emily Mann
Directed by Diane Paulus
The cast includes Patricia Kalember as Gloria Steinem with Gabrielle Beckford, Joanna Glushak, Patrena Murray, Erika Stone, Brenda Withers, and Eunice Wong. Rachel Cognata is the swing.

January 24 – March 1, 2020
Loeb Drama Center
Cambridge, MA 
ART on Facebook

Critique by Kitty Drexel

People say ‘beware!’
But I don’t care
The words are just
Rules and regulations to me, me”
 “Gloria” by Patti Smith

Cambridge, MA — Gloria Steinem is creating the world she wants to see. She is a multi-generational, intersectional feminist activist, an unflinching journalist, and a courageous journalist. Steinem is kind, compassionate, persistent, patient, and she wants a better world for all of us. The human population is damn lucky to have her fighting on our side. She is one of my personal heroes. 

Gloria: A Life by Emily Mann invites us to participate in the events of Steinem’s life as the unfold onstage. A performance feels like watching the text of Steinem’s My Life On the Road leap off the page. (The book is great! I highly recommend it.) Both are about Steinem’s personal life and career. The greatest difference between Mann’s play and the book is that the play invites the audience into Steinem’s head. Steinem is no longer at a distance. We’re allowed to celebrate and grieve with her in realtime.    Continue reading

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Jan 24

“The Shadow Whose Prey The Hunter Becomes”

Presented by ArtsEmerson
Created by Back to Back Theatre, Australia
Authored by Michael Chan, Mark Deans, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben
Directed by Bruce Gladwin
Composed by Luke Howard Trio – Daniel Farrugia, Luke Howard, Jonathon Zion
Performed by Michael Chan, Simon Laherty, Sarah Mainwaring, Scott Price

Jan. 23–26, 2020
Emerson Paramount Center’s Jackie Liebergott Black Box
559 Washington Street
Boston, MA 02111
ArtsEmerson on Facebook 

Critique by Kitty Drexel

Boston, MA —  One of the ignoble truths of living as a disabled person is that people stare. People stare at us because we’re different. They stare because they can. Performance is one way that disabled people wrestle back control. We get to choose when people stare at us. It is liberating.

In Back to Back Theatre’s The Shadow Whose Prey The Hunter Becomes, the disabled cast wants you to stare so they can stare back. And when they do, they do not flinch. I’d wager good money that Thursday night’s audience has never had their gaze turned back on them. Witnessing this was deliciously rewarding. Continue reading

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