Sep 16

Have Pitch, Will Podcast: New Radio Drama for the Pandemic-Age

Orson Welles, 1938. Shown in rehearsal, standing, center background: director Orson Welles; seated, right: composer Bernard Herrmann NB: directing his Mercury Theatre of the Air troupe, such as created panic on the CBS radio broadcast of The War of the Worlds, October 30, 1938

Article by Kitty Drexel

The pandemic has sparked a greater interest in radio drama.

In May, the New York Times shared a great article by Alexis Soloski that named multiple Broadway podcast radio shows called “For Your Ears Only: Broadway’s New Stage Is a Mic.” It references the Great Depression (as we head into another recession), quotes recording actors like James Monroe Iglehart, and then details their podcast projects.

Kelli O’Hara, Annaleigh Ashford, Iglehart, and others answer pertinent questions such as “How do you develop a character using just your voice?” Their answers are excellent advice to actors making podcast theatre during the pandemic. It’s a good read. Continue reading

Jun 15

Streamed Content to Prevent COVID-19 Brain Drain: BIPOC Lives Continue to Matter

Dear Readers,

The New England Theatre Geek believes that BIPOC Lives will continue to matter when it’s no longer popular to mass media or convenient to white people.

As the weeks go by, we will share resources as we are made aware of them to them. StageSource has a brilliant anti-racism list. Check it out HERE.

Resources for Anti-Racist Action May-June 2020 – “This list was sourced from countless activists and information sharers. We thank you. It was created to support action and organizing for white-identified folks within the artEquity alumni network, so some resources speak specifically to white folks. However, EVERYONE is welcomed to utilize and share anything that is useful to your actions and organizing.” (quoted from the document)

BIPOC Lives Matter
Trans Lives Matter
LGBTQIA+ Lives Matter
Immigrant Lives Matter

You are loved; you are necessary; your art matters to us.

Resist. Resist. Resist.
All my love,
Kitty
Queen of the New England Theatre Geeks

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/


Front Porch Collective 
Black Composer Minature Challenge presented by Castle of our Skins
Friday June 19 @ 12:00 PM | via Instagram Live
Composer Shannon Shea will be presenting the world premiere of “Hannah Elias II” performed by Castle of our Skins Executive & Artistic Director and violaist Ashleigh Gordon on the COOS Facebook and Instagram at noon. Part of their weekly 30-second Black Composer Miniature Challenge, be sure to tune in on time…or you might miss it!

Juneteenth: A Community Celebration
presented by BAMS Fest & Museum of Fine Arts, Boston
Friday June 19 @ 4:00 – 7:00 PM | via Facebook Live & YouTube
Join BAMS Fest for the MFA’s annual (virtual) Juneteenth celebration to honor the contributions of Black creatives, scholars, and artists to the City of Boston. We have curated two amazing artists, Debo Ray and DJ Where’s Nasty to to celebrate all things Black and joyful.

Fresh Ink Theatre — Presents a digital reading of  MAIDEN VOYAGE. Written by Cayenne Douglass. Directed by Liz Fenstermaker
Available online, June 8 – 14, 2020.
REGISTER to view the performance
In solidarity with the Black Lives Matter movement, we will be donating 50% of the proceeds from the reading through June 14th to two organizations: Violence in Boston and Black and Pink. Thank you for joining us in supporting these organizations, and for championing new work by local writers during this time of social distancing!

Liars & Believers — Macbeth Trailer by Liars & Believers Amid isolation, dislocation, and digital absorbtion… desire and ethic, madness and reason tear each other apart.
This is Shakespeare’s classic tragedy – TODAY.
Using social distance and the tools at hand, we’ve reimagined theatre in Pandemia! We’ve broken this 5-act tragedy into short weekly episodes.

Luminarium Dance — This week’s TEN4TEN performance takes viewers back to Luminarium’s 2014 feature production The Sleeprunner, which transformed the Multicultural Arts Center space into a dynamic dream world for a two-week sold-out run. Sensical to quirky, humorous to dark, come engage in a full night’s journey told through dance, with gorgeous costumes designed by Sueann Leung.

To Sleep! from K Allen Holman on Vimeo.

Newton Theatre CompanyAll About Eve, written by Joseph L. Mankiewicz, Thursday, June 25th at 8 PM.  $10.00
Directed by Melissa Bernstein
Log on at 7:45 PM for piano entertainment by local musician Neil Miller
Register for the Performance

Public Displays of Motion: Stones to Rainbows Duet Dialogues — Monthly Cocktail Hour Chat tomorrow June 16 from 6:30-8pm. With Lady BOS Productions, KAIROS Dance Theater, and Public Displays of Motion. 
www.publicdisplaysofmotion.com
www.kairosdancetheater.org
www.ladybosproductions.com

Puppet Showplace Theater — Puppet Showplace Theater is excited to announce a new grant and virtual summer residency program for Black puppeteers and artists working in the field of puppetry. Inquiries from interested applicants across the U.S. are welcome. The deadline to apply is June 27th. 
APPLY 
5 selected artists will receive $1,000 grants to support the research and development of original puppetry projects during summer 2020. Puppet Showplace Theater will facilitate community-building among members of the grantee cohort and will create opportunities for artists to support and learn from each other while sharing works in progress. The residency will conclude with an invited virtual public sharing of the work or work-in-progress.

SpeakEasy Stage Company and the Front Porch Arts Collective They invite you to join SpeakEasy for a panel called “2020: Black and Male in America – A Conversation Continued,” on Tuesday, June 16 at 5:00pm. The panel will be available to watch live on SpeakEasy’s Facebook page
The panel will include:

  • Kadahj Bennett (Winner of the Elliot Norton Award for Best Actor for his Performance as Moses in Pass Over)
  • Thaddeus Miles (Director of Community Services, MassHousing)
  • Maurice Emmanuel Parent (Executive Director, The Front Porch Arts Collective)
  • Dr. Emmett G. Price III (Professor of Worship, Church & Culture, Gordon-Conwell Theological Seminary)

Moderated by Gary Bailey (Assistant Dean of Community Engagement and Social Justice, Simmons College).

Elsewhere, on the Internet:
Sideshow Theatre: Tilikum returns for one night only.
Friday, June 19, 7pm CDT
Streaming everywhere

May 19

Streamed Content to Prevent COVID-19 Brain Drain: Can You Smell What the Pollen is Cooking?

Dear Readers,

The theatre community exploded over the weekend! There’s enough content here to keep you busy for weeks. Please stream responsibly.

All our love from six feet away,
Kitty
Queen of the New England Theatre Geeks

Let us know if we missed something! Email us at blognetheatregeek@gmail.com or find us on our social media pages.
Twitter: https://twitter.com/netheatregeek
Facebook: https://www.facebook.com/NewEnglandTheatreGeek/

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Apollinaire Theatre Company — Apollinaire at Home announces the special event: Queer Soup’s Mal Malme and The Invasion of Pleasure Valley. Queer Soup Theater’s Mal Malme and members of the original cast of The Invasion of Pleasure Valley join Apollinaire at Home next Thursday, May 21st to revisit their early campy hit.

ArtsEmerson — ArtsEmerson is thrilled to announce that renowned musician, composer, producer, and activist Toshi Reagon is launching Parable Path Boston, based on the tenets of Octavia E. Butler’s novel The Parable of the Sower. Parable Path Boston will kick-off on Friday evening, May 22 with a one-night-only streaming event, the centerpiece of which is a full presentation of Octavia E. Butler’s Parable of the Sower: The Concert Experience.
To access any or all of the May 22 online events, please visit ParablePathBoston.com.

Central Square Theater — “ART IS OUR ACTIVISM – Online Series,” is a series of online play readings, Central Conversations, and educational programs specifically designed to engage audiences in a conversation for the here and now.
Wild Goose Dreams
By Hansol Jung. Directed by Debra Wise
Monday, May 18 at 7PM on Facebook Live! 
Presented by Underground Railway at Central Square Theater

A Conversation with Sherry Turkle & Sarah Shin
Thursday, May 21 at 7PM on Zoom & Facebook Live!
Join Dr. Sherry Turkle, a researcher of human relationships with technology, and Sarah Shin, a co-founder of Asian American Theatre Artists of Boston, for a conversation about Wild Goose Dreams. Dr. Turkle will discuss how technology supports and inhibits connection in the play, while Ms. Shin will speak to the Korean cultural aspects.

Much Ado About Nothing
By William Shakespeare. Directed by Eric Tucker
Monday, May 25 at 6PM on Zoom & Facebook Live!
Presented by Bedlam

The Phlebotemists
By Ella Ford. Directed by Cassie Chapados.
Monday, June 29 at 7PM on Facebook Live!
Presented by The Nora at Central Square Theater

Classic Stage Company — Classic Conversations continues on CSC’s Facebook page every Thursday at 6PM. Follow and Subscribe to watch every premiere Thursdays at 6pm.
Tony Nominee, Ethan Slater, Thurs. May 21 at 6pm, Spongebob Squarepants, Fosse/Verdon
Steven Pasquale, Thurs. May 28 at 6pm, The Bridges of Madison Country, American Son
Bianca Horn, Thurs. June 4 at 6pm, The Great Comet, The Awesome 80s Prom

Luminarium Dance Company — Luminarium continues to present its TEN4TEN Performance Series celebrating its tenth anniversary season with curated shows every two weeks, highlighting its award-winning repertory spanning 2010 to present. This week’s online performance features early examples of Luminarium Dance Company’s interdisciplinary take on community engagement. Enjoy choreographic collaborations that go “beyond dance” with the New England Quilt Museum (2013) and the Eric Carle Museum of Picture Book Art (2015).

Luminarium Dance Company & Monkeyhouse are thrilled to produce the seventh 24-Hour ChoreoFest!
TRI-STATE CHOREOFEST
SATURDAY, MAY 23
12-8pm: Live-streamed creation period & interviews
8pm: Live-streamed performance

Liars & Believers — LAB presents Ted & Marie by Joy Besozzi. It is live on its Pandemic Play page.
Coming Up: LAB has 3 shows in the pipeline, a big project gearing up, and a new experiment percolating.Plus several friends are creating shows and doing concerts. As long as this goes on, we’ll keep making art and sharing with you great things we find.

Merrimack Repertory Theatre —  Merrimack Repertory Theatre’s professional training program for high school students, the MRT Young Company, goes virtual this year with classes online from 9 a.m. to 3 p.m. for three weeks, July 13-31. Renowned Chicago educator, director, and actor Robert Cornelius returns to lead the intensive.
The rate is $450 per person for the full course. Past Young Company participants may register for only $350. To register, visit www.mrt.org/youngcompany or call the Box Office at 978-654-4678. The program requires a laptop or tablet and internet access; if needed, MRT will provide technical support for any student.

Open Theatre Project — Week 3 of the OTP Community Write. On Monday, featured playwright Nick Malakhow chose “Communication/Miscommunication” and “New Rituals” to inspire our community’s writing this week.  Performed by Alissa Cordeiro, Erik McGowan, Dave DiLillo, and Tasha Matthews.
PANDEMIC-MONUIM by Bob Williams with Dave DiLillo
Home Not Alone by Judith Black with Tasha Matthews
Talk To You by Nick Malakhow with Alissa Cordeiro & Erik McGowan

Puppet Showplace Theater The Hatchery: Virtual Project Night
Wednesday, May 27 | 6:30 – 8:30 pm
FREE Virtual “Drop-in” Event – Donations Welcome
Join Resident Artist Sarah Nolen for Puppet Showplace Theater’s first-ever digital Hatchery!

Silverthorne Theater Company — Silverthorne Theater Company presents Days of Possibilities by Rich Orloff. Streaming now-June 4. <iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/WXc9WmKAjXc” frameborder=”0″ allow=”accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture” allowfullscreen></iframe>

SpeakEasy Stage Company — Beginning Wednesday, May 20 at 5PM, is a five-week half-hour series offering an insider’s guide to the five shows making up SpeakEasy’s 2020-2021 Season, which is also the company’s 30th Anniversary year. Those interested can join by tuning into SpeakEasy’s Facebook page for each live 30-minute Q&A session. The schedule of shows and artists is as follows:
Once On This Island – Wednesday, May 20, 5:00-5:30pm; Artists present: Director Pascale Florestal, Music Director David Freeman Coleman
People, Places & Things – Wednesday, May 27, 5:00-5:30pm – Artists present: Director David R. Gammons, Actress Marianna Bassham, Actor John Kuntz
Slave Play – Wednesday, June 3, 5:00-5:30pm; Artist present: Director Tiffany Nichole Greene
Bright Star – Wednesday, June 10, 5:00-5:30pm; Artists present: Director Paul Daigneault, Actress Laura Marie Duncan, Choreographer Misha Shields, Music Director Eli Schildekraut
The Inheritance – Wednesday, June 17, 5:00-5:30pm; Artist present: Director Paul Daigneault

Announcing the SpeakEasy Play Discussion Club –  a weekly discussion surrounding some of today’s most exciting scripts! Join SpeakEasy staff and artists for an online conversation about the play’s major themes and impact on the American theatre canon.For this series of plays, the theme is Celebrating Contemporary Female Voices:
WEEK ONE:
Introduction Session or “Play Reading 101: A How-To Guide”
An optional resource for those interested in the tips and tricks of play reading!
Thursday, May 21 from 5:00 – 5:30pm (Sign Up Here)
WEEK TWO:
Cost of Living by Martyna Majok
Thursday, May 28 from 5:30 – 6:30pm (Sign Up Here)
WEEK THREE:
Cambodian Rock Band by Lauren Yee
Thursday, June 4 from 5:30 – 6:30pm (Sign Up Here)
WEEK FOUR:
DIASPORA! by Phaedra Michelle Scott
Developed through SpeakEasy’s The Boston Project
Thursday, June 11 from 5:30 – 6:30 (Sign Up Here)
WEEK FIVE:
Wild Goose Dreams by Hansol Jung
Thursday, June 18 from 5:30 – 6:30pm (Sign Up Here)

Elsewhere, on the internet:
What’s streaming: https://www.theatermania.com/new-york-city-theater/news/whats-streaming-the-1998-theatrical-version-of-cat_90994.html?utm_source=newsletter&utm_medium=email&utm_campaign=14may2020

Radio theatre podcasts: https://broadwaypodcastnetwork.com/podcast/dracula-a-comedy-of-terrors/%MCEPASTEBIN%

Gillian Anderson’s, Streetcar: https://www.theatermania.com/new-york-city-theater/news/gillian-anderson-streetcar-tom-hiddleston-coriolan_90974.html?utm_source=newsletter&utm_medium=email&utm_campaign=14may2020

Mar 03

Grow to Live: “The Children”

Paula Plum, Karen McDonald, Tyrees Allen. Photo by Maggie Hall Photography.

Presented by SpeakEasy Stage Company
By Lucy Kirkwood
Directed by Bryn Boice
Fight & intimacy consulting from Jessica Scout Malone

Feb. 28 – March 28, 2020
Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Critique by Kitty Drexel

“You have a choice, don’t you, exactly, at our age which is that you slow down, melt into your slippers, start ordering front fastening bras out of Sunday supplements, or you make a committed choice to keep moving you know because you have to think: This is not the end of our lives but a new and exciting chapter.” – Hazel, The Children by Lucy Kirkwood

Boston, MA — Science fiction is about how humans interact with each other and the world amidst scientific and/or technological changes. Without getting into the nitty-gritty details of what is and isn’t science fiction, The Children is science fiction theatre. It has a lot to offer to everyone: science fiction enthusiasts will see themselves represented on the stage; science fiction cynics will see scientists as people. Everyone will see a great play by Lucy Kirkwood. Continue reading

Feb 03

“Pass Over”: Repetition and Resonance

The cast at a friendly picnic. The cops were called. Photo by Nile Scott Studio.

Presented by SpeakEasy Stage Company
Written by Antoinette Nwandu
Directed by Monica White Ndounou
With Kadahj Bennett, Hubens “Bobby” Cius, Lewis D. Wheeler

January 3 – Feb. 2, 2020
Calderwood Pavilion at the Boston Center for the Arts
SpeakEasy on Facebook
The Front Porch on Facebook

Review by Shiyanbade Animashaun

Boston, MA — When directed to their seats, audience members were asked to stay clear of the stage. Set in-the-round, the four seating sections surrounded a square with an off-center lamp post and brick. Soon the direction became clear as Kadahj Bennett (Moses) and Hubens “Bobby” Cius (Kitch) took to the stage in the pre-show moments, with interactions that foreshadowed the events of the play. Continue reading

Jan 17

Calling the Police Over a Picnic:”Pass Over”

Photo by Nile Scott Studios; Lewis D. Wheeler, Kadahj Bennett, Hubens “Bobby” Cius

Presented by SpeakEasy Stage Co. with The Front Porch Arts Collective
By Antoinette Nwandu
Directed by Monica White Ndounou
Fight choreography by Brandon G. Green
Movement coaching by Mila Thigpen
Dramaturgy by Pascale Florestal

January 3 – Feb. 2, 2020
Calderwood Pavilion at the Boston Center for the Arts
SpeakEasy on Facebook
The Front Porch on Facebook

Critique by Kitty Drexel

Trigger warning: white guilt, language, fuck the police

(Boston, MA) The sheer volume of what one must understand as true regardless of personal belief in order to not merely understand but thoroughly digest Antoinette Nwandu’s Pass Over at SpeakEasy Stage is overwhelming. The role that white people play in perpetuating racism’s systemic horrorshow machinations against Black people (and all people of color) is astounding.

Here is a list of links containing basic concepts that could be helpful. 

  • It is not the responsibility of Black people to explain racism or to convince white people that it exists. 
  • Being nice isn’t the same as not being racist. Racist people are nice all of the time. Nice people are racist all the time.
  • Black friends won’t make a white person less racist. Dismantling internalized racism requires a lifetime of work.  
  • It should go without saying that Black people want equality. They don’t want to reverse their treatment at the hands of white people back onto white people. 
  • Racism is about power. Reverse racism doesn’t exist. 
  • White people have to stop taking personally Black resistance to oppression.  
  • All of this information is a Google search away. 

Continue reading

Sep 25

Rhythms of Humanity: “Choir Boy”

The cast in “Choir Boy.” Photo by Nile Scott Studios.

Presented by SpeakEasy Stage Company
By Tarell Alvin McCraney
Directed by Maurice Emmanuel Parent
Musical Direction by David Freeman Coleman
Choreography by Yewande Odetoyinbo and Ruka White

Sept. 13 – Oct. 12, 2019
Stanford Calderwood Pavilion at the Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Shiyanbade Animashaun

(Boston, MA) Choir Boy opens on a sole figure, David (Dwayne P. Mitchell), a student at the elite Charles R. Drew Prep School. He looks into the audience with intent as he begins to step dance. It is deliberate, slow and unaccompanied. The routine then increases in intensity and volume as more students appear. They flank the audience, on their way to the stage, with percussive dancing and chanting. Among the students, I noticed Bobby Marrow (Malik Mitchell) right away. He often seemed moments away from breaking into a joyous smile, mirroring my own.  Continue reading

Jan 08

Awkwardness is Part of the Process: “Small Mouth Sounds”

All photos by Nile Scott Studios. The cast. Digesting.

Presented by SpeakEasy Stage Company
By Bess Wohl
Directed by M. Bevin O’Gara

Jan. 4 – Feb. 2, 2019
Boston Center for the Arts
The Calderwood Pavilion Boston, MA
SpeakEasy on Facebook

This critique has been updated from its previous posting. The update includes corrections and clarifications. (1/31/19 KD)

Critique by Kitty Drexel

Trigger warnings: penis, simulated pot smoking, heavy moaning

It’s January and chances are that you (or your acquaintances) are experiencing an influx of athletic practitioners in your studio of choice. For example, at my own neighborhood ashtanga yoga studio, January 1 meant that the floor became overwhelmed with novices and their wholesome, divot-free mats. Small Mouth Sounds(SMS) captures that awkward group consciousness of baby-yogis talking first “did I make a huge mistake?” steps towards enlightenment. An enlightened mind is not obtained overnight. The journey is schadenfreude for the audience. Continue reading

Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading

Mar 06

Laughing Together to Confront Suicide Stigma: “Every Brilliant Thing”

Krstansky with audience members. Those happy faces tell you all you need to know. Maggie Hall Photography

Presented by SpeakEasy Stage Company
By Duncan MacMillan
With Jonny Donahoe
Directed by Marianna Bassham
Featuring Adrianne Krstansky

March 21 – 31, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MA) Every Brilliant Thing is a story about a woman’s appreciation for living as told through a long list of joys. Audience participation is nearly mandatory. Adrianne Krstansky is so welcoming that volunteering is fun. The Calderwood Pavilion is a safer space for an hour.   Continue reading