Nerds! James Ricardo Milord, Daniel Rios, Jr., Alison Yueming Qu, Kortney Adams, and Lindsey McWhorter, and Karina Beleno Carney in “Young Nerds of Color”. Photo: Nile Scott Studios.
Presented by Underground Railway Theater The Brit d’Arbeloff Catalyst Collaborative@MIT Production Arranged by Melinda Lopez Directed by Dawn M. Simmons Original music by Nona Hendryx Dramaturgy by Des Bennett Featuring: Kortney Adams(she/her), Karina Beleno Carney (she/her), Lindsey McWhorter (she/her), James Ricardo Milord (he/him), Daniel Rios, Jr. (he/him), Alison Yueming Qu (she/they)
Please note: People of Color (POC) is a term used in Young Nerds of Color to describe people of Asian, Black, Native, Hispanic and Latino descent. It is not being used because white people are uncomfortable saying “Black.” They might also be that.
Running Time: 90 minutes, no intermission.
Critique by Kitty Drexel
A Note from Noelani Kamelamela is below.
Cambridge, Mass. — My wonderful partner is scientist of color (a note from them below). An adult nerd of color, if you will. They work at MIT. Seeing MIT through their eyes, knowing their experiences made watching Young Nerds of Color easier to believe and harder to endure. Young Nerds of Color is fun! It’s also chock full of difficult truths. Continue reading →
BOSTON — Theatreworks Hartford streamed a version of Mr. Parent in March 2021. The Lyric’s live, in-person production is a different beast from TheatreWorks Hartford. While both versions tell the same story, the current production of Mr. Parent at The Lyric evolved for the stage.
Maurice Emmanuel Parent is compassionate, generous, kind, and funny as Hell in Mr. Parent. The play’s story begins in New York City. Parent is a wide-eyed theatre professional seeking his fortune on Broadway and beyond when his agent sends him to Boston to audition for Angels in America. He gets the gig.
A miserable union salary and 2006 Boston rent prices force Parent to find a second job. He becomes a cluster substitute teacher in a Boston public school. His cluster-job was a clusterfuck of joys and frustrations. Continue reading →
Home Office Created & Written by John J King & Ramona Rose King A J-RexPlays Production Quick, Fun & Dirty, for the People www.J-RexPlays.com Venmo: @JRexPlays
Review by Kitty Drexel
ASTORIA , NY — Creators and Boston community members John J. King and Ramona Rose King moved to New York City! During a pandemic! Home Office: Season Two follows their adventures in their new city. They find work, new friends, and opportunities all within a two-block radius.
A summary from YouTube: Home Office returns for a second season, following Mona and Jonathan as the couple moves to New York City mid-pandemic and struggles to get jobs, forge friendships, and take on their most collaborative project yet.
The second season is brief. It’s five episodes. The first season was was twelve. The stakes are higher but the circumstances are just as twee. Watch them navigate their relationship in a minuscule Astoria apartment without killing each other. As John says in episode three, “It’s nice!”
Also available to stream:
Mr. Parent presented by Theaterworks Hartford Based on stories from Maurice Parent Playwright: Melinda Lopez Conceived with and directed by Megan Sandberg-Zakian Video Multimedia Production Jared Mezzocchi Associate Video Editor Katerina Vitaly ASL Video Editor Cassandra Saulski Audio Mix/Mastering Matt Berky, Massive Productions
Presented by the Huntington Theatre Company Dream Boston: A New Series of Audio Plays The 54th in ’22 by Kirsten Greenidge McKim by Brenda Withers Overture by Kate Snodgrass By the Rude Bridge by Melinda Lopez
Online now for free on the Huntington Theatre website
Huntington on Facebook, Twitter Please remember to donate! Donate now so theatre can still exist later.
Critique by Noelani Kamelamela
STREAMING – I appreciate theatre makers using online platforms to present pre-recorded work or livestream theatrical content. In these times, when it is prudent for people not to be in theatres or congregating outdoors for a concert, the creation of work that can be digested at home or even on a lunch break is a political act beyond taking general responsibility for the health and welfare of a community by cancelling in person productions.
Dream Boston is easy to digest in four separate audio plays and can be listened to with an internet connection on someone’s phone for less than ten minute stretches. The playwrights and the directors for Dream Boston are women. Continue reading →
Here is the latest list with online community happenings and be-ins.
Zoombombing is a threat. Please keep yourselves safe by implementing security measures against these fuckboi trolls.
Articles for context: The Verge,”Zoom adds new security and privacy measures to prevent Zoombombing.” The New York Times, “‘Zoombombing’ Becomes a Dangerous Organized Effort.” Buzzfeed News, “Here Are 8 Quick Tips To Keep You From Getting “Zoombombed” By Trolls”
Keep washing your hands, stay at home, and know that you are necessary and loved,
Queen of the New England Theatre Geeks
Rockettes Dance Class: The Radio City Rockettes offer live dance classes on Instagram every week beginning on April 2 at 12PM EST. Additional classes will take place on successive Thursdays at noon.
Trinity Repertory Theatre – Rhode Island’s Tony Award-winning theater is generating digital content and creating virtual events and classes, so that “the show goes on.” Content is being delivered through its social media channels and is aggregated at
*Registration for all adult and kid’s classes and/or the knitting circlecan be found HERE.
*Streaming of the movie I Am A Seagull by directors Brian Mertes, Melissa Kievmanis, and The Chekhov Project is available to steam until April 15 by clicking HERE.
*Virtual tickets are available here for a streamed version of Asolo Rep’s production of Into the Breeches!, which had its world premiere at Trinity Rep in 2018. Available through April 14.
WGBH, ArtsEmerson, Huntington Theatre Company – WGBH will present a special broadcast of Mala, a poignant drama written and performed by local playwright and performer Melinda Lopez. This award-winning play will air on WGBH 2 and YouTube TV on Thursday, April 9 at 9 p.m.
Following the broadcast, ArtsEmerson will host a pre-recorded online conversation between playwright/performer Melinda Lopez and director David Dower at ArtsEmersonBlog.org.
There Must Be Happy Endings: On Theatre of Optimism & Honesty By Megan Sandberg-Zakian Published by The 3rd Thing Press Olympia, 2020 Available on Kickstarter with a $24.00 pledge Paperback, 230 pages
LIVE ONLINE EVENT! Megan Sandberg-Zakian in conversation with Melinda Lopez March 23, 2020, 4:00 pm – 6:00 pm Free on the HowlRound website! More info below.
Event on Facebook
Review by Kitty Drexel
“An ending doesn’t have to be happy to be satisfying. A good ending, happy or not, draws a line around the experience of story hearing and telling. It picks the story up, holds it in its hands, and offers it out, whole. It gives us the opportunity for a collective breath. A good ending is honest: a boundary we can feel, the knowledgable edge of a reliable container. It is a ritual threshold between story and not-story.”
— Megan Sandberg-Zakian, “There Must Be Happy Endings,” There Must Be Happy Endings: On Theatre of Optimism & Honesty, 2020.
Somerville, Mass — There Must Be Happy Endings by Megan Sandberg-Zakian is an exploration in the personal dramaturgy of the mind and spirit. In her first book of essays, the author takes a deep dive into the works that have made a lasting impression upon her. They are an extension of her need to share stories through theatre. Whether by quoting Homer, The Dark Knight or Annie, these essays draw the reader into the author’s personal story by circumnavigating the landscape of the greater western narrative. She tells us why happy ends are important and why they are especially important to her. Her title essay isn’t demanding sappy closure but commanding a divine right to culminate our narratives with an end to the suffering within them. Continue reading →
Presented by the Huntington Theatre Company Adapted and translated by Melinda Lopez Based on the play by Ferderico Garcia Lorca Directed by Melia Bensussen Original music by Mark Bennett Choreography by Misha Shields Fight direction and intimacy direction by Claire Warden & Ted Hewlett
Trigger warnings: sexual acts, hallucinations & mental illness
(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child.Continue reading →
“’Mala’ means ‘bad.’ Not that you have done something bad, but that you are, in your core, bad.” – Melinda Lopez, from Mala
Mala By Melinda Lopez Narrated by Melinda Lopez Length: 1 hr and 17 mins Regular price: $6.95
Review by Kitty Drexel
Melinda Lopez’s one-woman show, Mala is now available on Audible. The New England Theatre Geek previously critiqued Mala on January 26, 2018 and November 5, 2016. The New England Theatre Geek was given a download of Mala in exchange for this review.
Audible is an app by Amazon that can be downloaded to phone or other internet accessible device. Mala can be purchased through the Audible app or through Amazon. Audible plays the narrated book or script while other apps are in use or on its own. Mala has naturally occurring pauses between scenes that will allow the listener to enjoy at their own pace.
Lopez narrates Mala with her usual candor and charisma. This recording gives her storytelling the NPR treatment: her consonants are crisp, her timbre lilting. It’s as if Lopez is speaking directly into your ear. This recording sounds like a private performance. It hits the heart like a live production. If you loved the stage play and also enjoy listening to recorded books and plays, Mala will be treat for your ears and heart.
Please note: The passages of Mala originally in Spanish are retained and not translated into English. Monolingual listeners should fire up an online translator for the full experience.
Audible members will be able to enjoy listening to Mala for free during the month of February as part of the company’s Originals Member Benefit. Previous theatrical productions that have released on Audible for millions of listeners globally include Girls & Boys(Carey Mulligan), Harry Clarke (Billy Crudup), Feeding the Dragon (Sharon Washington), and After Anatevka (Alexandra Silber), all of which have been Audible bestsellers.
About the Author and Performer
Melinda Lopez is the playwright-in-residence at the Huntington Theatre Continue reading →
(Boston, MA) “Dying doesn’t make you wise,” says Melinda Lopez, describing the death of her tough, stubborn mother. “Dying doesn’t make you generous.” The words could serve as the thesis of Mala, a story of a loyal daughter processing guilt and bitterness over the death of her elderly parents. Baked into the subject matter is a grim but gentle humor, one that picks at the coat of polish usually applied to recollections of the grieving process. Lopez’s pain, here, is visceral and true, not some softly lit movie set.Continue reading →
March 3-April 1, 2017
539 Tremont Street
Boston, MA 02116
SpeakEasy Stage Company on Facebook
Review by Travis Manni
(Boston, MA) While I try not to make a habit of going to see religious shows, there’s something about the themes of religion that is compelling. They bring people together and allow them to question anything from faith and love to forgiveness and existence. And while playwright Heidi Schreck’s Grand Concourse manages to tackle all of these, what’s captivating about the show is that it does so without forcing religious concepts. Continue reading →