Aug 03

10 Minute Stretch Breaks: “Dream Boston”

Presented by the Huntington Theatre Company
Dream Boston: A New Series of Audio Plays
The 54th in ’22 by Kirsten Greenidge
McKim by Brenda Withers
Overture by Kate Snodgrass
By the Rude Bridge by Melinda Lopez

Online now for free on the Huntington Theatre website
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Critique by Noelani Kamelamela

STREAMING – I appreciate theatre makers using online platforms to present pre-recorded work or livestream theatrical content. In these times, when it is prudent for people not to be in theatres or congregating outdoors for a concert, the creation of work that can be digested at home or even on a lunch break is a political act beyond taking general responsibility for the health and welfare of a community by cancelling in person productions.

Dream Boston is easy to digest in four separate audio plays and can be listened to with an internet connection on someone’s phone for less than ten minute stretches.  The playwrights and the directors for Dream Boston are women. Continue reading

Jan 31

Extraordinary Acts of Intersectional Feminism: “Gloria: A Life”

Presented by American Repertory Theatre
By Emily Mann
Directed by Diane Paulus
The cast includes Patricia Kalember as Gloria Steinem with Gabrielle Beckford, Joanna Glushak, Patrena Murray, Erika Stone, Brenda Withers, and Eunice Wong. Rachel Cognata is the swing.

January 24 – March 1, 2020
Loeb Drama Center
Cambridge, MA 
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Critique by Kitty Drexel

People say ‘beware!’
But I don’t care
The words are just
Rules and regulations to me, me”
 “Gloria” by Patti Smith

Cambridge, MA — Gloria Steinem is creating the world she wants to see. She is a multi-generational, intersectional feminist activist, an unflinching journalist, and a courageous journalist. Steinem is kind, compassionate, persistent, patient, and she wants a better world for all of us. The human population is damn lucky to have her fighting on our side. She is one of my personal heroes. 

Gloria: A Life by Emily Mann invites us to participate in the events of Steinem’s life as the unfold onstage. A performance feels like watching the text of Steinem’s My Life On the Road leap off the page. (The book is great! I highly recommend it.) Both are about Steinem’s personal life and career. The greatest difference between Mann’s play and the book is that the play invites the audience into Steinem’s head. Steinem is no longer at a distance. We’re allowed to celebrate and grieve with her in realtime.    Continue reading