Geoff Kanick performs in ‘The Conjurors’ Club.’ Photo courtesy of A.R.T.
Presented by American Repertory Theatre Created by Vinny DePonto and Geoff Kanick Original Music by Alex Harris Voiceover work by Artist Isuri Wijesundara Opening Video by Gabe Jacobs Video Voiceover by Isabela Salgado Technical Consultancy by Joshua Samuels Web Design by Eleanor Philips Zoom Wizardry by Alycia Marucci and Sumner Ellsworth Scenic/Background Consultancy by Heather Morris Costume Consultancy by Alma Reyes Burgos Lighting Consultancy by Joseph Lorenzen Digital Systems Programming by Justin Paice & Michael Policare
ZOOM — The Conjurors’ Club starts long before the Zoom room opens with a brown 8.5 x 11 envelope with a stamp from Jean Eugene’s Fine Watches. This envelope arrives within another envelope from the American Repertory Theatre. Don’t open it! Its contents are a surprise.Continue reading →
Phase 4: Large venues (arenas, stadiums, night clubs—in process of defining large venues)
All our love from six feet away,
Queen of the New England Theatre Geeks
P.S. This post is a late due to mental health/personal reasons. It is important that we take care of ourselves at all times but especially now. Life is stressful for all manner of reasons. It’s okay not to do the thing, all of the things, or any of the things. It is okay not to be productive. Our health must come first.
American Repertory Theatre — American Repertory Theater at Harvard University announces upcoming free virtual conversations and events. Conversations are open to the general public, though advanced RSVPs are required. 1776 IN DIALOGUE TONIGHT—Tuesday, May 26 at 6PM
With Diane Paulus, director of 1776; Timothy Patrick McCarthy, Professor of History and Literature at Harvard University’s Graduate School of Education and Core Faculty at the Carr Center for Human Rights Policy at the John F. Kennedy School of Government; and Oneika Phillips from the cast of 1776. Register for 1776 in Dialogue here
CITIZENSHIP 1776 – 2026: APPROACHING 250 YEARS OF THE UNITED STATES OF AMERICA
Monday, June 1 at 4PM
With Annette Gordon-Reed, Charles Warren Professor of American Legal History at Harvard Law School; Professor of History in the Faculty of Arts and Sciences at Harvard University
As we approach the 250th anniversary of the founding of the United States of America, it is worthwhile to consider what it means to be a citizen of the country that was created in 1776. Harvard Professor Annette Gordon-Reed explores the questions of how citizenship is expressed in this modern context, how we kept the republic, and what might the future hold for our republic. Register for Citizenship 1776 – 2026 here.
THE SHOW MUST GO SEAN
Tuesday, June 4 at 6:30PM
The 2020 Tony Awards were postponed, but the celebration goes on! Join A.R.T. for The Show Must Go Sean, a special Tonys-themed trivia night hosted Broadway aficionado and A.R.T.’s Assistant Director of Membership and Donor Relations, Sean Cummings. Bring a team of your favorite theater enthusiasts for an interactive evening of merriment and multimedia trivia—teams of any size and participants of all ages and knowledge levels are welcome! Register for The Show Must Go Sean here.
LUNCH WITH LUNSFORD
The A.R.T continues its Lunch with Lunsford series with guests announced for the month of June. Hosted by Artistic Producer Mark Lunsford, the Tuesday noontime webinar features curated conversations with artists in A.R.T.’s orbit, followed by interactive audience Q&A. Learn more and RSVP for Lunch with Lunsford here.
Apollinaire Theatre Company — Apollinaire Theatre is excited to invite you to join us for Apollinaire at Home, a free online play & film script reading gathering! Apollinaire at Home is hosted by your Apollinaire favorites, and the cast includes You. Readings will be Thursday, Friday, and Saturday evenings at 7:30, and Sunday “matinee” at 3:00.
We’ll post the schedule for each week at the beginning of the week (check on Tuesday afternoon or Wednesday morning).
A New Normal: A Zoom play by David Perkinson — Written by David Perkison, A New Normal is a dryly comic look at 3 friends trying to cope during the pandemic. A one act performance recorded entirely in one take using Zoom recording software. Follow the YouTube link to watch!
Presented by American Repertory Theatre By Emily Mann Directed by Diane Paulus The cast includes Patricia Kalember as Gloria Steinem with Gabrielle Beckford, Joanna Glushak, Patrena Murray, Erika Stone, Brenda Withers, and Eunice Wong. Rachel Cognata is the swing.
“People say ‘beware!’ But I don’t care The words are just Rules and regulations to me, me” – “Gloria” by Patti Smith
Cambridge, MA — Gloria Steinem is creating the world she wants to see. She is a multi-generational, intersectional feminist activist, an unflinching journalist, and a courageous journalist. Steinem is kind, compassionate, persistent, patient, and she wants a better world for all of us. The human population is damn lucky to have her fighting on our side. She is one of my personal heroes.
Gloria: A Life by Emily Mann invites us to participate in the events of Steinem’s life as the unfold onstage. A performance feels like watching the text of Steinem’s My Life On the Road leap off the page. (The book is great! I highly recommend it.) Both are about Steinem’s personal life and career. The greatest difference between Mann’s play and the book is that the play invites the audience into Steinem’s head. Steinem is no longer at a distance. We’re allowed to celebrate and grieve with her in realtime. Continue reading →
Presented by American Repertory Theater Music, Lyrics, Book, and Orchestrations by Dave Malloy
Based on Moby-Dick by Herman Melville
Music Direction and Supervision by Or Matias
Choreography by Chanel DaSilva
Developed with and Directed by Rachel Chavkin
(Cambridge, MA) Moby-Dick, as director Rachel Chavkin said when talking about multihyphenate writer Dave Malloy, attempts to formally “capture Melville’s eclecticism”. The novel Moby-Dick has a chapter as a play, another as a poem, and wraps the tale of an ill-fated drive for vengeance alongside descriptions of whale types, and the many ways one can prepare and eat a whale. Continue reading →
NOV 14 – 16 at Hibernian Hall 184 Dudley Street
Roxbury, MA 02119 NOV 20 – 24 at The Ex (Loeb Drama Center)
64 Brattle Street
Cambridge, MA 02138
Review by Shiyanbade Animashaun
(Roxbury/Cambridge, MA) In its initial moments, What to Send Up When It Goes Down declares itself as a ritual for Black people. Acknowledging the non-Black people in the audience it welcomes all others, with a clear request that all partakers be respectful. Even before it began, I knew the performance would tackle important issues that I resonate with, but the play was surprisingly evocative for the larger audience as well.Continue reading →
Trigger warning: sexual abuse of a minor, gas lighting, female objectification
(Cambridge, MA) Six is catchy like Hamilton. They have similar harmonic elements; both borrow heavily from popular music formats. Unlike Hamilton, Six lends its female characters depth beyond the deeds of a man. The women of six will be remembered for more than a shared husband. They’ll be remembered for living and their shared husband. Continue reading →
February 26 – March 17, 2019 ASL Interpreted performances: Wednesday, March 13 at 7:30PM and Sunday, March 17 at 2PM Open Captioned performances: Thursday, March 14 at 7:30PM and Saturday, March 16 at 2PM Audio Described performances: Friday, March 15 at 7:30PM and Saturday, March 16 at 2PM Loeb Drama Center Cambridge, MA ART on Facebook
Review by Diana Lu
(Cambridge, MA) Neil Armstrong was the first man on the moon and everyone in the world knows his name. Young Jean Lee was the first Asian female playwright on Broadway, and that is all she’s known as: “Asian female playwright”. Even in headlines about her work, white newspapers didn’t bother to print her name. Most people don’t know her name, including Asian women outside of theater. Let’s face it. White people like white plays, and the occasional token, minstrel show. Continue reading →
A Conversation with “Endlings” Playwright Celine Song
Presented by American Repertory Theatre
By Celine Song
Directed by Sammi Cannold
February 1 – March 17, 2019
ASL Interpreted performances: Wednesday, March 13 at 7:30PM and Sunday, March 17 at 2PM
Open Captioned performances: Thursday, March 14 at 7:30PM and Saturday, March 16 at 2PM
Audio Described performances: Friday, March 15 at 7:30PM and Saturday, March 16 at 2PM Loeb Drama Center
7till8 Wetsuits on Facebook
OpEd and interview by Diana Lu
They are sometimes called “Korean mermaids,” and sometimes “sea women,” or haenyeo. The female free divers of Jeju Island are the last keepers of a centuries-old tradition of ocean floor fishing, one that created a unique matrilineal craft and matriarchal economy. In the 1960s, there were more than 26,000 haenyeo. Today there are less than 4,500. Nearly all are over 50 years old, with few young women interested in replacing them. It is difficult, dangerous work, diving without oxygen, wearing lead weights for up to two minutes at a time. About nine haenyeo a year are lost to the sea. Continue reading →
(Boston, MA) The White Card is a conversation starter for those unused to discussing race at length. It’s for those who think we live in a post-racial society, the kind of person who resents the dialogue because there are “bigger problems” to fix. Other attributes include denying racism because they have imaginary Black friends, thinking “all lives matter,” and feeling threatened when any indication of their own culpability within society’s systemic racism. Those who have regular discussions on race, inequalities and the struggles for justice will have their work affirmed.Continue reading →
Krystina Alabado (Holly), Lincoln Clauss (Bobby), Perry Sherman (Will), and Ken Clark (Zak) shut out the world in Burn All Night. Photo: Evgenia Eliseeva.
Presented by the American Repertory Theatre Book and lyrics by Andy Mientus Music by Van Hughes, Nicholas LaGrasta, Brett Moses Directed by Jenny Koons Choreographed by Sam Pinkleton Music supervision & vocal arrangements by Cian McCarthy
(Cambridge, MA) At first glance, Burn All Night is pretty impressive. It has a fancy pedigree in director Koons and creator Mientus. Teen Commandments wrote the score. For those who enjoy pop, they’re on Spotify and worth a listen. Choreographer Sam Pinkleton also worked on Natasha, Pierre & The Great Comet of 1812. The production was not as impressive as its credits.Continue reading →