Feb 19

You Are Worth More Than Mere Survival: “The Manic Monologues”

“The Manic Monologues” cast; Photography: Nikolai Alexander, FPoint Productions

Presented by Moonbox Productions
Part of the Turning the Tide Project
By Zachary Burton and Elisa Hofmeister
Directed by Brad Reinking
Turning the Tide Director: Kara Crumrine
Mental health production consultant: Sara Burd
Featuring: Ethan DePuy, Cristhian Mancinas-Garcia, Liza Giangrande, Katie Kendrick, Mal Malme, Cidalia Santos

February 16 – 25, 2024
Arrow St Arts
2 Arrow Street
Studio
Cambridge, MA 02138

Audio Described Performance:
Saturday, February 24 at 8:00 pm

ASL Interpreted Performances:
Friday, February 23 at 8:00 pm
Saturday, February 24 at 3:00 pm
Saturday, February 24 at 8:00 pm
Sunday, February 25 at 3:00 pm

Captioned Performances:
All Manic Monologues performances will feature open captioning.
Running Time: 110 minutes, no intermission, includes a community conversation

Review by Kitty Drexel

Please note: The Manic Monologues has themes of emotional violence and self-harm. The stories are true but not necessarily true for the actor performing the monologue. Attendees should consider their own needs and triggers when attending. 

CAMBRIDGE, Mass. —  The Manic Monologues is a play/community discussion in the tradition of The Vagina Monologues by V (formerly Eve Ensler). It is a series of monologues and one-sided dialogues about mental illness written and performed to disrupt the stigma and shame surrounding mental illnesses such as bipolar disorder, obsessive-compulsive disorder, schizophrenia, autism, depression, anxiety disorders, and others.  Continue reading

Oct 16

Mischief and Devil’s Work: “Sweeney Todd” at Arrow Street Arts

Davron Monroe and Joy Clark. Photo Credit: chelcymariephotography

Presented by Moonbox Productions
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler
From an Adaptation by Christopher Bond
Originally Directed on Broadway by Harold Prince
Directed by Ryan Mardesich
Choreography by Joy Clark
Music Directed by Dan Ryan
Fight choreography by Margaret Clark
Dramaturgy by Courtney Elkin Mohler

Oct. 13 – Nov. 5, 2023
Arrow Street Arts
2 Arrow Street
Cambridge, MA 02138
Audio Described Performances:
Sunday, October 29 at 3:00 pm &
Saturday, November 4 at 8:00 pm
Post-Show Talkbacks:
Sunday, October 22 with Director Ryan Mardesich and Music Director Dan Ryan

Content Advisory: Murder, Cannibalism, Sexual Assault, Gunshots, Violence.

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Moonbox Productions welcomes audiences back to 2 Arrow Street with its inaugural production of Sondheim and Wheeler’s Sweeney Todd: The Demon Barber of Fleet Street. Performances run now through Nov. 5 in Cambridge.

Arrow Street Arts resides in the renovated space of what was once the A.R.T.’s Club Oberon (RIP). Moonbox stripped the location of its dark aesthetic and replaced it with bright, white paint The better to showcase cast information, and Moonbox’s production partner, the New England Innocence Project Continue reading

Jul 02

The Party Begins: “Once Upon a Carnival – Act I Workshop Performance”

Presented by Moonbox Productions as part of the Boston New Works Festival 2023
ONCE UPON A CARNIVAL is written by Angele Maraj & Brianna Pierre
Directed by Shania Pahuja
Music Directed by Harrison Acosta
2nd Annual Boston New Works Festival

June 22 – June 26, 2023
The Boston Center For The Arts
The Plaza Theatre
527 Tremont Street
Boston, MA

Moonbox Productions on Facebook
Follow the development of Once Upon a Carnival on Instagram

Note: The reviewer knows one of the writers of the production.

Review by Gillian Daniels

BOSTON, MASS – A show that is half done is a show that is difficult to review, but though Once Upon a Carnival is still in its workshopping stage, it’s complete in its sense of joy and cultural complexity. Bhavan (played with churlish realism and charming eagerness by Marshall Romano) is our American, teenage hero. He’s a boy brought to his mother’s home country of Trinidad and then descended upon by relatives (and family friends who might as well be relatives) in a chaotic welcome that, to a young man used to the standoffish city of New York, is completely over-whelming.  Continue reading

Jun 23

Knife’s Edge of Infinite Possibility: Boston New Works Festival and “SWAN”

Presented by Moonbox Productions as part of the Boston New Works Festival 2023
SWAN is written by Sophie Kim
Directed by Kai Chao

June 22 – June 25, 2023
The Boston Center For The Arts
Stanford Calderwood Pavilion
527 Tremont Street
Boston, MA

2 hours with 1 intermission

Review by Kitty Drexel

UPDATE: A previous edit of this review had misspelled  Vivian Liu-Somers’ name. It has been corrected.

BOSTON, Mass. — It is never too late to become who you are. This grammatically incorrect* but philosophically accurate statement rings true for the protagonists of SWAN currently playing as part of Moonbox’s second annual Boston New Works Festival at the BCA. Age, gender, dayjob, etc. should be incidental factors in one’s ongoing search for identity.  Continue reading

Dec 21

Art is a Gateway Drug to Realness: “Passing Strange”

The cast getting down. Photo Credit: Nikolai Alexander

Presented by Moonbox Productions
Written by Stew with collaborator Heidi Rodewald
Orchestrations by Heidi Rodewald
Directed by Arthur Gomez
Music direction by Julius LaFlamme
Choreography by Elmer Martinez 
Intimacy consulting by Olivia Dumain 
Band: Miles Ahlstrom, Hector Saint-Hilaire, Sahil Warsi

12/10/21 – 1/1/22
South End / Calderwood Pavilion at the BCA
Boston, MA
Moonbox on Facebook

Critique by Kitty Drexel

BOSTON – I was today years old when I realized that “Lucy in the Sky with Diamonds” is an bacronym for LSD, the psychedelic drug made famous by Harvard Professor Timothy Leary. It took watching Moonbox Productions’ Passing Strange on Saturday afternoon to figure it out. Several hours and a weak tea later, I realized I was a total square. Continue reading

Oct 16

Everything And More; or, Why My Ex is Straight Now: “The Rocky Horror Show”

Richard O’Brien’s THE ROCKY HORROR SHOW / MOONBOX PRODUCTIONS 2021
Photography: Molly Shoemaker

Presented by Moonbox Productions
Music, lyrics and book by Richard O’Brien
Directed by David Lucey
Music Directed by Mindy Cimini
Choreography by Daniel Forest Sullivan
Dramaturgy by Allison Olivia Choat

October 16 – 31, 2021
Oct. 23 & 24 @ 7PM (ASL Interpreted Performance)
Fri 10/29 8pm (Audio Described Performance)
“The Lab” 
25 Brattle Street
Cambridge MA 02138
Moonbox on Facebook

Please note: Masks and either Proof of Vaccination/Negative PCR Covid Test Results (within 72 hours) are REQUIRED for entry. Thank you for helping us keep everyone safe!

Tickets are General Admission with Pay-What-You-Can* Seating available at the box office prior to each performance.

Content warning: Language, SEXual content, and fabulous drag queens across the gender spectrum

Review by Kitty Drexel

Cambridge, MA — The Rocky Horror Show at The Lab in Harvard Square is everything Rocky Horror could be during these COVID-times and more. Its energy is electric. The cast is damn brilliant. The band is brilliant. Every single person involved in the preview on Friday night knows how to get down (and get back up again). 

Moonbox’s The Rocky Horror Show will cure what ails you – removing the cause but not the symptom. The Lab is awash in bisexual lighting when you enter; we were all lit up in pinks, purple and subtle blues. Gobos twirled above our heads as we sat in rows facing the audience. OMGs, it was so much fun!  Continue reading

Aug 20

14 Greater-Boston Theatres Announce Proof of Vaccination and Mask Requirements

Article by Kitty Drexel

  • Proof of vaccination or a Negative COVID-19 test is required
  • Masks must be worn
  • New survey results show majority of arts goers support these measures
  • Bindle, a digital vaccine record app, is free. http://www.joinbindle.com/people

BOSTON — Fourteen theatre companies in the Greater Boston area will require proof of vaccination or negative COVID-19 test for all artists, staff members, and audiences as live, indoor performances resume for the 2021/2022 season, said a press release dated August 19. Masks are also required. 

The list of participating theatres is below.

The press release said that these policies begin immediately and remain valid through October 31. Policies are per CDC guidelines and will be reevaluated as COVID-19 pandemic evolves. 

“Proof of vaccination may include showing either a vaccination card, a photo of the card, or a digital vaccine record (through an app such as Bindle at www.joinbindle.com/people),” said the press release. Audience members without proof of vaccination will be required to show proof of a recent negative COVID test before entering.

Individual theatres will list specific protocols and guidelines on their websites. At this time, New England Theatre Geek has received protocol updates from the Huntington Theatre Company, SpeakEasy Stage Company, and Central Square Theater in addition to the joint press release from the fourteen theatres. 

The New England Theatre Geek eagerly awaits updates from other New England performing institutions. “We are reluctant to attend or review indoor performances by organizations that do not enact similar protocols and safety measures,” said Queen Geek Kitty Drexel. 

“Our primary mission is to support our theatre community. We cannot do that if organizations aren’t first taking the necessary steps to protect their staff, crew and casts. Audience members can’t make informed decisions if they aren’t assured the community’s health is a priority.”  

The June 2021 results of the ArtsBoston Audience Outlook Monitor survey said that 73% of audiences plan to resume indoor performances by Sept 2021. Audience Outlook Monitor is a longitudinal survey to keep tabs on arts attendees thoughts, concerns and intentions as the pandemic and the state’s reopening guidelines evolve, said ArtsBoston.com.

The 14 theatre joint press release said that the most recent round of Audience Outlook Monitor survey data (collected August 9 – 13, 202) found that 80% of respondents indicated that proof of vaccination would make them more likely to attend indoor events. 50% said that proof of vaccination or negative COVID test is a prerequisite for their attendance. 98% of respondents reported being fully vaccinated or planning to do so. 

Theatres in New York City, Washington, DC, and Chicago have established similar policies requiring proof of vaccination or a negative COVID test and mask wearing.

It is good practice to stay home if experiencing COVID symptoms on the day of the performance. Common symptoms include fever or chills, cough, shortness of breath or difficulty breathing, muscle or body aches, new loss of taste or smell. 

PARTICIPATING THEATRES:
Actors’ Shakespeare Project*
American Repertory Theater (ART)
Boston Playwrights’ Theatre*
Central Square Theater*
The Front Porch Arts Collective
The Gamm Theatre*
Gloucester Stage Company*
Greater Boston Stage Company*
The Huntington Theatre Company 
Martha’s Vineyard Playhouse*
Merrimack Repertory Theatre
Moonbox Productions
SpeakEasy Stage Company*
Wellesley Repertory Theatre*
 *Member of New England Area Theaters (NEAT), an association of midsize theatres

Dec 17

An Apocalyptic “Parade”

Presented by Moonbox Productions
Music and Lyrics by Jason Robert Brown
Book by Alfred Uhry
Directed by Jason Modica
Music direction by Catherine Stornetta
Choreography by Kira Troilo
Costume Design by Chelsea Kerl
Set Design by Lindsay Genevieve Fuori
Lighting Design by Steve Shack

Performance dates: Dec 15 – Dec 28, 2019
Calderwood Pavilion at the BCA, Roberts Theatre, 527 Tremont St., Boston: 
Facebook link

Review by Chloé Cunha

(Boston, MA) “Where will you stand when the flood comes?” An angry mob asks the ominous question, and Parade gives little comfort in its answer. Moonbox Production’s staging offers an apocalyptic vision of the past and present, with little optimism for the future. It’s a dizzying tale well-told, but the bleakness it offers may be tough to swallow in the present day when hope feels increasingly scarce. Continue reading

Oct 23

An Unabashedly Queer Celebration: “The Rocky Horror Show”

L to R: Jaclyn Chylinski (Phantom), Carly Grayson (Janet), Alexander Boyle (Brad) and Alex Jacobs (Narrator); Photograph: Sharman Altshuler.

Presented by Moonbox Productions 
Music, Lyrics and Book by Richard O’Brien
Directed by David Lucey
Music direction by Mindy Cimini
Choreography by Dan Sullivan
Costume Design by David Lucey
Set Design by Cameron McEachern
Lighting Design by Sam J. Biondolillo

Performance dates: Oct 18 – Nov 2, 2019
25 Brattle St, Cambridge MA
Facebook link: https://www.facebook.com/MoonboxProductions/

Review by Chloé Cunha

(Cambridge, MA) As a lifelong Cambridge resident, I remember when the Harvard Square Theatre closed. Like many, I was deeply saddened by the loss of this cinema treasure, where I had spent many a day and night watching some fantastic– and truly terrible– movies. More specifically, it was painful for the loss of the weekly screenings of the Rocky Horror Picture Show, which had been an institution since 1984. Continue reading

Apr 22

Sometimes God Eats People: “Caroline or Change”


L to R: Pier Lamia Porter* as “The Washing Machine”, Davron S. Monroe* as “The Dryer” and Yewande Odetoyinbo* as “Caroline Thibodeaux” ; Photograph: Sharman Altshuler

Presented by Moonbox Productions
Book and lyrics by Tony Kushner
Score by Jeanine Tesori
Directed by Allison Olivia Choat
Music directed by Dan Rodriguez
Choreography by Yewande Odetoyinbo

April 20 – May 11, 2019
The Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
Moonbox on Facebook

Critique by Kitty Drexel

(Boston, MA) It isn’t true that money can’t buy happiness. Science, as dressed in commercially digestible articles from Time or Entrepreneur, told us in 2017 that happiness begins at an income that covers payment of non-negotiable needs such as food, rent, and other expenses. That amount was approximated between $50,000 – $75,000. Anything less or more than fiscal solvency lowers our quality of life. Minimum wage is still $7.25. And the 1% wonder why the 99% are angry all the time.   

Caroline or Change is about a poor, Black woman raising four kids on her own in 1963 at the peak of the Civil Rights movement in Louisiana. She’s a maid in the Gellman household where she makes $30 a week (roughly $250/week in 2019) and it’s not enough. Caroline Thibodeaux (Yewande Odetoyinbo) isn’t paid enough to deal with any of the nonsense like throws at her but she does it anyway.  Continue reading