L to R: Jaclyn Chylinski (Phantom), Carly Grayson (Janet), Alexander Boyle (Brad) and Alex Jacobs (Narrator); Photograph: Sharman Altshuler.
Presented by Moonbox Productions Music, Lyrics and Book by Richard O’Brien Directed by David Lucey Music direction by Mindy Cimini Choreography by Dan Sullivan Costume Design by David Lucey Set Design by Cameron McEachern Lighting Design by Sam J. Biondolillo
(Cambridge, MA) As a lifelong Cambridge resident, I remember when the Harvard Square Theatre closed. Like many, I was deeply saddened by the loss of this cinema treasure, where I had spent many a day and night watching some fantastic– and truly terrible– movies. More specifically, it was painful for the loss of the weekly screenings of the Rocky Horror Picture Show, which had been an institution since 1984.Continue reading →
(Boston, MA) It isn’t true that money can’t buy happiness. Science, as dressed in commercially digestible articles from Time or Entrepreneur, told us in 2017 that happiness begins at an income that covers payment of non-negotiable needs such as food, rent, and other expenses. That amount was approximated between $50,000 – $75,000. Anything less or more than fiscal solvency lowers our quality of life. Minimum wage is still $7.25. And the 1% wonder why the 99% are angry all the time.
Caroline or Change is about a poor, Black woman raising four kids on her own in 1963 at the peak of the Civil Rights movement in Louisiana. She’s a maid in the Gellman household where she makes $30 a week (roughly $250/week in 2019) and it’s not enough. Caroline Thibodeaux (Yewande Odetoyinbo) isn’t paid enough to deal with any of the nonsense like throws at her but she does it anyway. Continue reading →
L to R: Sarah Gazdowicz (OIivia), Charlotte Kinder (Viola); Photo Credit: Sharman Altshuler
Presented by Moonbox Productions Written by William Shakespeare Directed by Allison Olivia Choat
Nov 25 – Dec 29, 2018 Boston Center for the Arts Plaza Theatre 539 Tremont Street Boston, MA 02116 Moonbox Productions on Facebook
Review by Gillian Daniels
(Boston, MA) There are productions of Shakespeare that are focused on reciting the text rather than acting it out. I understand the temptation. Maybe it’s the rhythm, maybe it’s the Bard’s reputation as, well, THE BARD, but sometimes theater groups seem to engage with Shakespeare’s comedy as a text to worship rather than a story to tell, even with a comedy like Twelfth Night. I’m happy to say Moonbox Production not only engages with the high emotions, cartoonish confusion, and whacky consequences of the comical cross-dressing romance but celebrates the story and its jokes with delight.Continue reading →
(Boston, MA) Halfway through Shipwrecked! An Entertainment, when Louis de Rougemont (Kevin Cirone)–a real person who claimed to have been stranded in the Pacific in his 1899 serial-turned-book–lives on an unspecified island in a carefree existence with an unspecified, idealized indigenous people who variously refer to him as “chief” or “god,” I thought I’d be writing a very different review. But the lively depiction of a “man-eating octopus” and “flying wombats” early in the show should have tipped me off. This is a narrative that pokes holes in itself, a comedy-drama, a man using a survivor’s unlikely colonialist narrative to build his self-worth, and a story about the stories we tell ourselves to feel better.Continue reading →
Shonna Cirone (Charity Barnum), Todd Yard (PT Barnum), Dan Prior (Ensemble) and company; Photograph by Earl Christie Photography.
Presented by MoonBox Productions
Music by Cy Coleman
Lyrics by Michael Stewart
Book by Mark Bramble
Directed and Choreographed by Rachel Bertone
Musical Direction by Dan Rodriguez
Circus Arts/Aerial Choreography by Ellen Waylonis
(Boston, MA) There’s hardly a figure in American History with a life more colorful than showman and notorious Humbug Phineas Taylor Barnum. The exaggerations and theatrical tall-tales that are hallmark of Musical Theatre find no palette more suited than the true facts of P.T.’s exploits. It’s therefore small wonder that these exploits became a musical in 1980 (titled, appropriately, Barnum). What is astounding is the fact that Moonbox was able to match the schmaltz and pizzazz require to bring a true eighties style musical to light and life in full vibrant color at the BCA. Continue reading →
(Boston, MA) Moonbox’s Amadeus is a delightful tragedy. Tragic because Mozart dies. Also tragic because playwright Shaffer likes to hear his own words spoken aloud. It’s made a delight by the elegant, classically lined staging by Choat, and the performances from the cast. Continue reading →
Presented by Moonbox Productions
Music and Lyrics by Michael John LaChiusa
Book by Michael John LaChiusa and George C. Wolfe
Based on the poem by Joseph Moncure March
Directed and choreographed by Rachel Bertone
Music direction by Dan Rodriguez
Orchestration by Bruce Coughlin
(Boston, MA) Moonbox Production’s The Wild Party is a tight, gin-moist package of cruelty, casual racism and light kink. It’s a domestic violence fairy tale of grotesque proportions, and sexy as fuck. Everyone over the age of 18 should see it. The subject might be naughty but its methods are mesmerizing.Continue reading →
Ticket sales benefit Summer Search. Please visit their site and learn more.
(Boston, MA) At first blush, Neil Simon’s Barefoot in the Park appears to be a fluffy romcom with about as much depth as the Frog Pond during a late-August drought. Upon closer inspection, it could be perceived as a satire addressing the impossible expectations placed on 1960’s newly-wed couples. I know it’s a stretch. Bear with me for a second. Continue reading →
Presented by Moonbox Productions
Music & lyrics By Stephen Sondheim
Book by George Furth
Orchestrations by Jonathan Tunick
Directed by Allison Olivia Choat
Music directed by Dan Rodriguez
Super fun choreography by Rachel Bertone
(Boston) They say that Stephen Sondheim is one of those composers that people either love or hate. I disagree. There is so much in his catalogue that there could easily be something for everyone. Company, like Sondheim himself, is one of those shows that people have decided others love or hate. Again, I disagree. There are many moments in Company that are golden. Some are not. Depending how much one enjoys Sondheim (or not) opinion fluctuates greatly. This production by Moonbox has several golden moments that I feel reflect the truths Sondheim sharing in his musical. Other moments are not so effective. Continue reading →
A musical based on the actual life experience of composer William Finn. This engaging and fast-paced musical by the author of Falsettos and The 25th Annual Putnam County Spelling Bee recounts the life-changing experience of fictional composer, Gordon Schwinn. Barely enduring a frustrating job working on a children’s TV show, Gordon suffers a sudden life-threatening brain disorder which sends him into emergency surgery. The tumultuous, comical and surreal ordeal that engulfs Gordon and those closest to him — his mother, partner and publicist — teaches everyone, especially Gordon, something profound about what is truly important in life, and in love.