Apr 12

Women Gone Wild: “Beasts” at BPT

Clara Francesca, Caroline Emily Calkins; Photos by Stratton McCrady

Presented by Boston Playwrights’ Theatre
by Cayenne Douglass
Directed by Kelly Galvin
Fight choreography by Ryan Winkles
Online Playbill 

April 7-17, 2022
Boston Playwrights’ Theatre
949 Commonwealth Ave.
Boston, MA 02215

Review by Kitty Drexel

BOSTON — There is nothing more hardcore than birthing a baby (sorry BASE jumpers). It’s not “the most beautiful thing I’ve ever experienced” as my own father put it. Babies are metal AF. 

Just like many other XXXtreme tasks, delivering and rearing a baby doesn’t come naturally to many mothers. Maternal instincts require hard work: research, doctor visits, mommy groups, prenatal yoga, therapy, emotional and physical labor. Beasts by Cayenne Douglass explores the psyche of pregnancy. It takes a deep dive into what it means to be gestating a human parasite.  Continue reading

Mar 10

Geeks Review Books: “Boston Theatre Marathon XXIII: Special Zoom Edition Anthology”

Boston Theatre Marathon XXIII: Special Zoom Edition Anthology
Boston Playwrights’ Theatre
Edited by Kate Snodgrass, Artistic Director
Smith & Kraus, Inc
Softcover, 340 pages
ISBN: 9781575259611
Copyright 2021
$20.00
Purchase the Anthology 

Review by Kitty Drexel

BOSTON — Boston Theatre Marathon XXIII: Special Zoom Edition Anthology is the physical manifestation of the 23rd Annual Boston Theatre Marathon on Zoom. #BTMXXIIIelectricZOOMaloo 

The Boston Theatre Marathon was live and in-person until COVID-19 struck the Earth like a biblical pestilence. Years 2020 and 2021 were over Zoom. This anthology puts the magic and the mystery of 2021’s plays in one book.

From the Boston Playwrights’ Theatre website: “For more than two decades, the Boston Theater Marathon has brought together playwrights, directors, and theatre companies in an effort to foster collaboration between artists and producers.  Continue reading

Dec 16

The WASPs are Not OK: “Incels and Other Myths”

Photo by Stratton McCrady: Matthew Swain, Julien Tornelli, Fady Demian.

Presented by Boston Playwrights’ Theatre 
Written By Ally Sass
Directed by Erica Terpening-Romeo
A BU New Play initiative production
Produced by Boston Playwrights’ Theatre and the Boston University College of Fine Arts School of Theatre

December 2-12, 2021
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Review by Diana Lu

BOSTON — Incels and Other Myths invites the audience into the world of massive multiplayer online gaming and the Lord of the Flies corners of the internet, where misogyny has even less consequences than in the physical world. Elaine (Allison Blaize), a mythology teacher at an all-girls high school, and her precocious but awkward son Avery (Aidan Close) play the historical fantasy game, “Oracle.” In “Oracle,” they try on highly gendered, performative personas and encounter friends and monsters that help them get in touch with integral parts of themselves they couldn’t face in real life. Continue reading

Oct 23

It Was the 90s: “Lorena: A Tabloid Epic”

Presented by Boston Playwrights’ Theatre 
By Eliana Pipes
Directed by Erica Terpening-Romeo
The digital program 

Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Content advisory: Because it follows Lorena Bobbitt’s case, this play contains descriptions (not depictions) of sexual assault and domestic violence. A strobe light is also used in the performance.

Review by Kitty Drexel

BOSTON — Lorena: A Tabloid Epic by Eliana Pipes re-examines the public spectacle that was the 1993 Bobbitt trial. Lorena (Bobbitt) Gallo’s voice wasn’t heard then. It takes center stage now. 

The 90s were a mess. One of the biggest messes was the Bobbitt trial. Lorena Bobbitt was a young Ecuadorian immigrant woman living in Virginia who survived years of abuse from her husband. One night, after she was raped again, Bobbitt cut off her husband’s penis with a kitchen knife while he slept upstairs. The tabloids (talk shows, trashy magazines, new media, and other outlets) could only focus on what she did to John, not on her story.  Continue reading

Aug 20

14 Greater-Boston Theatres Announce Proof of Vaccination and Mask Requirements

Article by Kitty Drexel

  • Proof of vaccination or a Negative COVID-19 test is required
  • Masks must be worn
  • New survey results show majority of arts goers support these measures
  • Bindle, a digital vaccine record app, is free. http://www.joinbindle.com/people

BOSTON — Fourteen theatre companies in the Greater Boston area will require proof of vaccination or negative COVID-19 test for all artists, staff members, and audiences as live, indoor performances resume for the 2021/2022 season, said a press release dated August 19. Masks are also required. 

The list of participating theatres is below.

The press release said that these policies begin immediately and remain valid through October 31. Policies are per CDC guidelines and will be reevaluated as COVID-19 pandemic evolves. 

“Proof of vaccination may include showing either a vaccination card, a photo of the card, or a digital vaccine record (through an app such as Bindle at www.joinbindle.com/people),” said the press release. Audience members without proof of vaccination will be required to show proof of a recent negative COVID test before entering.

Individual theatres will list specific protocols and guidelines on their websites. At this time, New England Theatre Geek has received protocol updates from the Huntington Theatre Company, SpeakEasy Stage Company, and Central Square Theater in addition to the joint press release from the fourteen theatres. 

The New England Theatre Geek eagerly awaits updates from other New England performing institutions. “We are reluctant to attend or review indoor performances by organizations that do not enact similar protocols and safety measures,” said Queen Geek Kitty Drexel. 

“Our primary mission is to support our theatre community. We cannot do that if organizations aren’t first taking the necessary steps to protect their staff, crew and casts. Audience members can’t make informed decisions if they aren’t assured the community’s health is a priority.”  

The June 2021 results of the ArtsBoston Audience Outlook Monitor survey said that 73% of audiences plan to resume indoor performances by Sept 2021. Audience Outlook Monitor is a longitudinal survey to keep tabs on arts attendees thoughts, concerns and intentions as the pandemic and the state’s reopening guidelines evolve, said ArtsBoston.com.

The 14 theatre joint press release said that the most recent round of Audience Outlook Monitor survey data (collected August 9 – 13, 202) found that 80% of respondents indicated that proof of vaccination would make them more likely to attend indoor events. 50% said that proof of vaccination or negative COVID test is a prerequisite for their attendance. 98% of respondents reported being fully vaccinated or planning to do so. 

Theatres in New York City, Washington, DC, and Chicago have established similar policies requiring proof of vaccination or a negative COVID test and mask wearing.

It is good practice to stay home if experiencing COVID symptoms on the day of the performance. Common symptoms include fever or chills, cough, shortness of breath or difficulty breathing, muscle or body aches, new loss of taste or smell. 

PARTICIPATING THEATRES:
Actors’ Shakespeare Project*
American Repertory Theater (ART)
Boston Playwrights’ Theatre*
Central Square Theater*
The Front Porch Arts Collective
The Gamm Theatre*
Gloucester Stage Company*
Greater Boston Stage Company*
The Huntington Theatre Company 
Martha’s Vineyard Playhouse*
Merrimack Repertory Theatre
Moonbox Productions
SpeakEasy Stage Company*
Wellesley Repertory Theatre*
 *Member of New England Area Theaters (NEAT), an association of midsize theatres

Feb 24

Don’t Feed the Troll: “Deal Me Out”

Photo by Stratton McCrady; Rachel Belleman, Matthew Bretschneider, Hannah Beebe, Dev Blair, Caleb Cedrone

Presented by Boston Playwrights’ Theatre
Written by MJ Halberstadt
Directed by Shana Gozansky
Dramaturgy by Ally Sass

February 13 to March 1, 2020
Boston Playwrights’ Theatre
949 Commonwealth Ave, Boston, MA 02215
BPT on Facebook
Critique by Kitty Drexel

Boston, MA — We all know that one toxic person who refuses to go away: they show up everywhere, you grew up together, they were hired when the company first started, etc. No one in your circle wants to get singled out by kicking them to the curb. Instead, everyone brines in their own contempt because confronting Toxic Tilly might upset the barely tolerable status quo. Boston Playwrights’ Theatre’s Deal Me Out directly addresses the harm they do. Continue reading

Oct 01

Your Fave is Fanfiction: “The Book Club Play”

Becca A. Lewis, Sean Patrick Gibbons, Greg Maraio (with Pepto Bismol), Rachel Cognata; photo by Stratton McCrady.

Presented by Boston Playwrights’ Theatre
By Karen Zacarias
Directed by Shana Gozansky
Dramaturgy by Caity-Shea Violette

Sept. 26 – Oct. 13, 2019
Boston Playwrights’ Theatre 
Boston, MA
BPT on Facebook

“We need to make books cool again. If you go home with somebody and they don’t have books, don’t fuck them.”
John Waters

Critique by Kitty Drexel

(Boston, MA) The pop culture obsessions of today are the classics of tomorrow: 50 Shades of Grey is Twilight fanfiction; the Twilight Saga is influenced by Wuthering Heights; Wuthering Heights was controversial in its day for its critical examination of religious hypocrisy, and class inequality within the gothic fiction genre. If the cultural narrative in response to a book shows us who we are as a society, then The Book Club Play at Boston Playwrights’ Theatre shows us that book snobs are insecure secret-hiders.  Continue reading

May 06

One World, Many Stories: “The Earthroom”

Photo by Paul Fox.

Presented by Fresh Ink Theatre
Written by Marge Buckley
Directed by Rebecca Bradshaw
Fight choreography by Omar Robinson
Dramaturgy by Sarah Schnebly

May 3-18, 2019
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink on Facebook

Critique by Kitty Drexel

Disclaimer: I auditioned for this production, and was not cast. It is my opinion that only a jackass would allow rejection, a natural process of auditioning, to taint their review.

(Boston, MA) Playwright Marge Buckley has a unique aptitude to balance quirky comedy with human truths. Her science fiction play The Earth Room merges family dynamics with interplanetary conquest with urban planning. It all bounces off the larger issue of mental health avoidance. Human beings may colonize Mars; they may even invent the holodeck, but they will still be inherently guided by human nature.   Continue reading

Dec 10

Identities on a Spectrum: “Winter People”

Photograph By Kalman Zabarsky; there wasn’t a cast photo available. Mondragon was left out of the reel altogether. Strange.  

Presented by Boston Playwrights’ Theatre
By Laura Neill
Directed by Avital Shira
Fight choreography by Jessica Scout Malone
Dramaturgy by Cayenne Douglass and Jordyn Stoessel

December 6-16, 2018
BPT
949 Commonwealth Avenue
Boston, MA 02215
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Winter People and playwright Laura Neill aren’t taking any of your establishment bullshit. This play challenges how we view play production. It takes great risk with even greater success. It is well written and should be viewed by as many developing and established artists as possible. It breaks rules and shows us why these traditional rules are should be broken. Continue reading

Oct 19

Casseroles of Ashes: “The Tragic Ecstasy of Girlhood”

Danielle Palmer, Amanda Figueroa, Stephanie Castillo (foreground, clockwise from left), Tatiana Chavez (background). Photograph By Kalman Zabarsky

Presented by Boston Playwrights’ Theatre
By Kira Rockwell
Directed by Leila Ghaemi

Oct. 11 – 21, 2018
BPT
949 Commonwealth Ave
Boston, MA
BPT on Facebook

Critique by Kitty Drexel

(Boston, MA) Any social worker can tell you that the foster system is broken. Wards of the State are just as vulnerable as foster kids, but at the very least they get to socialize with each other in a relatively consistent environment. The Tragic Ecstasy of Girlhood takes a look at family dynamics within State government enforced boundaries and the impossible odds girls face as they grow into womanhood. It’s a miracle any of us come into adulthood with our sanity intact. Continue reading