May 20

You’re Very Cute When You Say ‘Snacks’: A Virtual Presentation of “Eyes Shut. Door Open.”

A virtual presentation over Zoom 
May 18, 2020, 7:30PM
A fundraiser and awareness campaign for The Phoenix Sober Community
Please donate to the campaign HERE

Written by Cassie M. Seinuk
Directed by Christopher Randolph
Sound design by Patrick Greene
Turner played by Michael Underhill
Johanna played by Melissa deJesus
Palmer played by Eliott Purcell
Stage Directions by Alex Leondedis

Critique by Kitty Drexel

ZOOM — I reviewed Eyes Shut. Door Open. four years ago at Warehouse XI in Somerville, MA. This response to the May 18 reading does not supersede the 2016 critique. It exists in addition to it. It is critical to examine theatre’s adaptation to online performance.

One of the new rules of Zooming is to make your bed. If you insist on streaming from your bedroom, make your bed. Anyone watching you is already judging you on your household aesthetics (or lack thereof). Inviting viewers into your bedroom means sharing an intimate part of you. They will imagine you in that naughtily unmade bed. They will see your unwashed sheets and rumpled comforter and judge your hygiene. Better to make your bed than to feed the trolls. Never feed the trolls.

Speaking of rules. Necessity is forcing actors to develop new techniques for online streaming. Monday’s performance of Eyes Shut. Door Open revealed some mighty useful technical skills in its performers and sound technician. There was a lot to learn from this reading. Continue reading

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May 08

Plague and Pestilence are the Same Thing, Really: “Oedipus the King

Image via https://www.facebook.com/TheaterOfWar

Oedipus the King
Presented by Theater of War Productions, New York City Public Advocate Jumaane Williams, and Brooklyn Public Library.
Written by Sophocles
Translated, directed and facilitated by Bryan Doerries, artistic director

Thursday, May 7, 2020, @ 7PM
A Virtual, Free Event Via Zoom

Critique by Kitty Drexel

New York City — “This translation is bananas,” said my Thursday night viewing companion in response to Bryan Doerries’ translation of Oedipus the King presented by Theatre of War Productions on May 7. Indeed, Doerries’ colloquialized translation of Oedipus was nontraditional. Thursday night’s live performance in three parts maneuvered the classical text between conventional expectation and contemporary acting styles. Sometimes it successfully drew parallels from Ancient Greece (429 B.C.E) to modern culture. Other times, modern vernacular against the theatre practices of Ancient Greece. Continue reading

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