(Lowell, MA) As a father of an adopted child, I often wonder how I will guide my son through the emotional stages of thinking about his origin story. I picture many long, earnest, possibly tear-filled conversations that will be good for us to go through, but certainly not entertaining. In Little Orphan Danny, wiseass rock singer Dan Finnerty decided to tell his own story of adoption, and it’s indeed a tearjerker of a musical. My eyes were wet and my ribs were sore from laughing so hard. Continue reading →
Cover design by Rodrigo Corral Studio/Alvaro Dominguez
Reviews by Kitty Drexel
Theatre Communications Group (TCG) recently released plays, Evening at the Talk House by Wallace Shawn, Ripcord by David Lindsay-Abaire, and The Motherfucker with the Hat by Stephen Adley Guirgis. These books were offered in exchange for an objective, unbiased review. They were all pretty good. Two of the three will appeal more to Boston-area actors and theatre than the other. I’ll let you guess which ones are which. Continue reading →
Unbiased reviews for plays are written in exchange for hard copies. Theatre Communications Group has kindly forwarded Three Sisters by Chekhov and adapted by Tracy Letts, and Marjorie Prime by Jordan Harrison to The New England Theatre Geek.
Summary from the TCG website: “In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a ‘simple life’.”Continue reading →
(NY, NY) I cannot take seriously any play that describes its lead female role as “intimidatingly bright” in its character description. It’s the kind of description that communicates to any intelligent reader that the the playwright has no business writing “strong female characters.” I read the rest, but my heart wasn’t in it. Continue reading →
SOMETHING ROTTEN! Conceived by Karey Kirkpatrick and Wayne Kirkpatrick Book by Karey Kirkpatrick and John O’Farrell Music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick Directed and choreographed by Casey Nicholaw Music directed by Phil Reno
(New York, NY) It is a perk and a privilege to write complimentary reviews for people I know or used to know in a different life. There’s a certain joy in spinning a glowing critique for someone who deserves it. My joy is incalculably multiplied when done for a personal acquaintance. It’s best if it’s a surprise. It’s even better if it’s a special occasion. Continue reading →
Oct. 28, 2016 at 9PM and 10:30PM 16 Gramercy Park South New York, NY 10003 The Players on Facebook “Live From 16 Gramercy Park” concert series on Playbill
Review by Kitty Drexel
A special thank you to Joe Gehring for securing tickets to the event and a private tour of The Players (which was super cool).
(New York, NY) Over the weekend, I had the privilege of catching one of two intimate concerts performed by Alice Ripley at The Players social club in NYC. They are the first in a new series called “Live From 16 Gramercy Park.” Ms. Ripley sang a fine set of her own songs and performed, to great applause, a set of musical theatre repertoire. With a 10:30PM start time, It was a glorious (and late) night. Continue reading →
John by Annie Baker Published by TCG (NYC) in June 2016 $14.95 paperback $30.00 hardcover www.tcg.org
Review by Kitty Drexel
I was given a gratis copy of John by TCG in return for my review. My opinions are my own. Anyone who thinks otherwise can fight me.
TCG summarizes the play thusly, “the week after Thanksgiving. A Bed & Breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.” The truth is much creepier than that.
Elias and Jenny are traveling through Gettysburg on a mini-vacation. They are a textbook example of pre-breakup behaviors: they don’t value each other’s struggles or input. They are distant to the point of unintentional neglect. They are staying at Mertis’ freezing cold bed and breakfast. Mertis has awkward boundaries. She doesn’t read between the lines. Neither do they. As the play unfolds, the couple is forced to confront their self-absorbed assumptions regarding each other. Everything and nothing is a metaphor for their experiences. Continue reading →
Review of The Book of Grace by Suzan-Lori Parks Published by Theatre Communications Group (TCG) New York, NY $14.95
Review by Kitty Drexel
The Book of Grace is a three-person drama set in rural Texas near the Mexican/American border. Grace is a kind-hearted waitress who stubbornly believes in hope and the human capacity for good. She invites her step-son Buddy home to reunite with his father, Vet. Vet is an honored border security guard obsessed with the wall with abusive tendencies. Buddy is the adult-son, military dropout that Vet abandoned for a new life with Grace. While all three search for common ground, Vet’s unforgivable sins surface to haunt their new lives. The Book of Grace is a companion piece to Parks’ Topdog/Underdog.Continue reading →