Presented by the Huntington Theatre Company Adapted and translated by Melinda Lopez Based on the play by Ferderico Garcia Lorca Directed by Melia Bensussen Original music by Mark Bennett Choreography by Misha Shields Fight direction and intimacy direction by Claire Warden & Ted Hewlett
Trigger warnings: sexual acts, hallucinations & mental illness
(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child.Continue reading →
Presented by Huntington Theatre Company in a co-production with Center Theatre Group By Paula Vogel Directed by Rebecca Taichman Choreography by David Dorfman Fight direction by Rick Sordelet Compositions by Lisa Gutkin and Aaron Halva
“Heterosexuality is not normal, it’s just common.” – Dorothy Parker
(Boston, MA) God is a terrible excuse to hurt another person. Yet, religion has been used since time immemorial to justify slavery, mass murder, and other cruelties. Paula Vogel’s Indecent is testimony to the historical squashing of nonheterosexual relationships for the greater good. It is reprehensibly incomprehensible that our love is still considered so immoral that heterosexual society vainly dooms LGBTQ+ individuals to irreparable harm in God’s name. Religion didn’t fail the LGBTQ+ community. Humanity failed. Continue reading →
(Boston, MA) Holy crap, go see Spamilton. Seriously, I mean it this time: go see Spamilton. Parody musicals aren’t for everyone but almost everyone loved Hamilton and Spamilton takes all of the great parts of Hamilton and makes them funny on purpose. Spamilton is a good laugh – even for the people who hate Hamilton.
(Boston, MA) The Niceties is a play about primary sources. It’s about the writers of white history, and white history’s casualties. It’s about speaking effectively and effective listening. It’s about race and the people who decide what is and isn’t racist behavior. It’s about attempting to be a good person while being good to other people. It’s about an impetuous Black student who’s had enough of excuses from a white professor, and an egotistical white professor who’s forgotten how to teach. There are no winner; there’s only complication.Continue reading →
(Boston, MA) Congrats to the Huntington for finally get that permanent ramp set up.
Top Girls is a feminist play by Caryl Churchill. Ithas a good script. It’s a good play for women. It isn’t Caryl Churchill’s only feminist play. It isn’t the only feminist play for a cast of women. There are others out there waiting to be produced, and yet, the New England theatre community loves this show. So much so that it’s been produced three times in the Boston-area alone in the past four years. The Kilroy’s List was supposed to end the ad nauseum repeats. Continue reading →
(Boston, MA) “Dying doesn’t make you wise,” says Melinda Lopez, describing the death of her tough, stubborn mother. “Dying doesn’t make you generous.” The words could serve as the thesis of Mala, a story of a loyal daughter processing guilt and bitterness over the death of her elderly parents. Baked into the subject matter is a grim but gentle humor, one that picks at the coat of polish usually applied to recollections of the grieving process. Lopez’s pain, here, is visceral and true, not some softly lit movie set.Continue reading →
(Boston, MA) If you haven’t seen #metoo then it’s likely you’ve been under a proverbial rock. Female and male victims of sexual assault rallied their cry in solidarity with the women accusing Harvey Weinstein of years of criminal misconduct. Weinstein is a pig enabled by others so focused on their own careers/pocketbooks that they wouldn’t stop him. Whether intentional or not, the Huntingington’s Tartuffe is a reflection of the news cycle. In our own backyard, Berklee School of Music harbored rapist professors. “Good” men can’t seem to keep their hands to themselves. Continue reading →
(Boston, Massachusetts) Sometimes friends party together, and sometimes friends talk about sex, and sometimes friends will live together. Some friends from Massachusetts lovingly label each other as fellow Massholes, and there is nothing like the spark of instantaneous friendship when two strangers come from the same homeland. A Guide for the Homesick is about two Bostonians abroad whose paths converge, who get drunk together, who discuss sex, have sex, and who share a holiday affair that neither will ever forget.Continue reading →
Presented by Huntington Theatre Co.
By David Lindsay-Abaire
Directed by Jessica Stone
Original music by Mark Bennett
Choreography by Misha Shields
May 26 – June 25, 2017 South End
Calderwood Pavilion of the Arts
Huntington on Facebook
Review by Kitty Drexel
(Boston, MA) Times are not good right now in America. It’s hard being a freedom loving, feminist, liberal during a reign of political terror. Thank goodness there’s escapist theatre that warms the heart and only lightly pings the brain. Ripcord at the Huntington Theatre is just such a show. It isn’t high art. It isn’t activist art. It is a reminder that none of us are free until we’re all free.Continue reading →
(Boston, MA) Emasculation is something a man allows himself to feel. He can prevent emasculation by choosing not to feel that way. He can choose not to let society’s BS gender roles impact his self-definition of manhood. Flip the script: change how you think to change how you feel.Continue reading →