Nov 17

Science, History, & Humanity: “The Half-Life of Marie Curie”

Produced by The Nora@Central Square Theater
A Catalyst Collaborative@MIT Production
Written by Lauren Gunderson
Directed by Bryn Boice
Dramaturgy by Julie-Anne Whitney
Voice & text direction by Christine Hamel 
Starring Lee Mikeska Gardner & Debra Wise

November 11 –  December 12, 2021
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
CST on Facebook

Digital streaming: The digital stream of The Half-Life of Marie Curie is available from November 28 to December 26, 2021. 

Review by Kitty Drexel

Cambridge, Mass. — The Half-Life of Marie Curie presented by The Nora Theatre Company is a platonic love story between two adult scientists separated by distance and their fields. It’s a show to see with your best friend. It is warmly written and bravely acted. 

In the summer of 1912, two-time Nobel Prize winner Marie Curie (Lee Mikeska Gardner) hermited herself with friend and confidant Hertha Aryton (Debra Wise who entered wig first), renowned mechanical engineer. Curie was hounded by pigeonous journalists for daring to love in her widowhood. Aryton opened her seaside home to Curie and her daughters. They spoke of science, nature, womanhood, and many other things.   Continue reading

Feb 24

Semaphore Flags of Tension: “Solitaire Suite”

Presented by Hub Theatre Company of Boston
Written by Trent England 
Directed by Daniel Bourque
Stage management by  Madeline Hartrich
and Kelsey Whipple
Sound Design by Kyle Lampe
​Digital Design by Justin Lahue

Feb 20 – Feb 27 2021
Youtube Presentation
Boston, MA 02116
Hub on Facebook

Critique by Kitty Drexel

YOUTUBE — Anxiety is a feminist issue. Women are told they are too emotional, too sensitive, and too fragile. Our responses to stimuli are so criticized that we disbelieve our own experiences. We distrust our own instincts – no matter how perceptive. 

Believing women is the basis for the #MeToo movement. Trust women, we say. The message should carry a caveat to emphasize that society must grant women the benefit of the doubt in all situations. Believe us when we’ve been assaulted and at other times, too. Believe us all the time.  

Hub Theatre premiered Solitaire Suite by Trent England on February 20. Marty Mason is Celeste, a conscientious mother on a car ride with her husband Pete (Cristhian Mancinas) and their son, Tiger (Michael Lin). Celeste tells the viewer about how her family came across an unidentified flying object on their way home from retrieving Tiger from a failed sleepover. The family follows the UFO and has an unexpected engagement with the unknown.    Continue reading

Feb 24

Distracted by T-Rex: “She the People”

Presented by Huntington Theatre Company
Resident Direction / Choreography by Carisa Barreca
Original Direction / Head Writing by Carly Heffernan
Original Music & Sound Design by Mary Mahoney
Music Direction & Sound Design by Jacob Shuda
Stage Managing by William Collins

Performance dates: Feb 18 – Mar 8
Calderwood Pavilion at the BCA
527 Tremont St., Boston:
Facebook link

Review by Chloé Cunha

Boston, MA — I am woman, hear me roar… with laughter? She the People is fun, high-energy, and, in its best moments, a cathartic release of female frustrations. At its least effective, it is as on the nose as the opening sentence of this review, and narrow in its vision. Though not as radical as one might expect or hope for, it nevertheless presents an entertaining piece of political bubblegum pop to chew on. Continue reading

Aug 27

Riffs, Shimmies, Herstory: “Six”

Anna of Cleves (Brittney Mack, at center) performs “Get Down” in SIX, written by Toby Marlow and Lucy Moss and directed by Lucy Moss and Jamie Armitage.
Photo: Liz Lauren

Presented by the American Repertory Theatre
By Toby Marlow and Lucy Moss
Direction by Lucy Moss and Jamie Armitage
Music direction by Roberta Duchak
Choreography by Carrie-Anne Ingrouille 

Aug. 21 – Sept. 29, 2019
The Loeb Drama Center
64 Brattle Street
Cambridge MA 02138
A.R.T. on Facebook 

Critique by Kitty Drexel

Trigger warning: sexual abuse of a minor, gas lighting, female objectification

(Cambridge, MA) Six is catchy like Hamilton. They have similar harmonic elements; both borrow heavily from popular music formats. Unlike Hamilton, Six lends its female characters depth beyond the deeds of a man. The women of six will be remembered for more than a shared husband. They’ll be remembered for living and their shared husband.  Continue reading

May 10

“La Llorona”: Myth, Music, and Motherhood

Photo by Paul Fox

Presented by Fresh Ink Theatre
By Cecelia Raker
Directed by Stephanie LeBolt
Music Composition by Geraldine Barney

May 5-20, 2017
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink Theatre on Facebook and Twitter

Review by Travis Manni

(Boston, MA) Mythologies can become difficult to trace and define as stories change from generation to generation. In a Fresh Ink Theatre premier production, playwright Cecelia Raker attempts to give life to the myth of a mourning mother in the multi-genre, multicultural play La Llorona. Continue reading

Mar 18

“Silent Sky”: Fearless Feminism in the 19th Century

Photo credit: Jake Scaltreto

Presented by Flat Earth Theatre
By Lauren Gunderson
Directed by Dori A. Robinson

March 10-25, 2017
The Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472

Review by Travis Manni

(Watertown, MA) The impact that women have had in shaping our view of the world is so profound and infinite it could fill the sky. Often, their significance is overlooked, but it’s lovely seeing these roles brought to light in the arts. In its New England premiere production, Flat Earth Theatre brings to life the love, loss, and feminism of Lauren Gunderson’s Silent Sky. Continue reading

Feb 14

Deja Vu All Over Again: “I, Snowflake”

The cast; photo discovered on Anthem Theatre Co’s Facebook page.

Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice

Feb. 10 – 11, 2017
BU Dance Theatre
915 Commonwealth Ave
Boston, MA
Anthem on Facebook

Review by Kitty Drexel

Trigger Warnings: Adult themes, gunshot sound effect, feminism

(Boston, MA) Bless you, Merriam-Webster. On January, 29, 2017 at 6:32PM, the hero in charge of the Dictionary’s Twitter account posted this lovely article on the slang origins of “snowflake.”  The article’s existence implies that the social movement currently applying this term to liberals are doing so incorrectly. Similarly Anthem Theatre Company strikes back at detractors with a timely, necessary production of I, Snowflake: A Post-election Reaction. Continue reading

Nov 02

Shakespeare Wins, The End: SOMETHING ROTTEN!

SOMETHING ROTTEN!
Conceived by Karey Kirkpatrick and Wayne Kirkpatrick
Book by Karey Kirkpatrick and John O’Farrell
Music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick
Directed and choreographed by Casey Nicholaw
Music directed  by Phil Reno

Now through January 1, 2017
St. James Theatre, a Jujiamcyn Theater
246 W. 44th Street
New York, NY
(Between 7th & 8th Avenues)
Something Rotten! On Facebook

Review by Kitty Drexel

(New York, NYIt is a perk and a privilege to write complimentary reviews for people I know or used to know in a different life. There’s a certain joy in spinning a glowing critique for someone who deserves it. My joy is incalculably multiplied when done for a personal acquaintance. It’s best if it’s a surprise. It’s even better if it’s a special occasion. Continue reading

Oct 25

Feminism is the Radical Theory that Women are People: “Revolt. She Said. Revolt Again”

Presented by Company One Theatre
Written by Alice Birch
Directed by Summer L. Williams
Dramaturgy by Jessie Baxter
Compositions by Allyssa Jones
Choreography by Misha Shields

October 21 – November 19, 2016
Plaza Theatre, Boston Center for the Arts
Boston, MA
C1 on Facebook

Post-Show Chats Following Every Thursday Performance

Review by Kitty Drexel

(Boston, MA) Revolt. She Said. Revolt Again. is what one gets if feminist theory, on trend “feminist” media marketing, Hollywood, and the theatre are whirled in a blender until lumpy but delicious. Add speed and tequila, to taste. It’s wild but it’s solid. Feminist scholars will love it. Those new to feminism may not fully grasp the nuances but should attend for educational and entertainment purposes. MRAs will hate it because they lack a sense of humor. People seeking a stronger male voice can go to any of the other theatre in town. Continue reading

May 20

On Behalf of Women’s Bodies: IN THE BODY OF THE WORLD

Photo Evgenia Eliseeva.

Photo Evgenia Eliseeva. Ensler transcends. 

Presented by the American Repertory Theater
Written and performed by Eve Ensler
Directed by Diane Paulus

May 10 – 29, 2016
Loeb Drama Center
64 Brattle Street
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: nudity not for the purpose of female objectification, implied drug use, graphic depictions of violence and cruelty, raw feminism

(Cambridge, MA) Our iPads, tablets, game consoles, phones and anything else that requires processed natural minerals and metals are the by-products of systematic rape. This is an oversimplified statement but it is true. The ongoing conflict in the Democratic Republic of the Congo and complications within the mineral supply chain means that conflict minerals end up in everyday items. The computer I’m using to write this review likely has conflict minerals in it. The device you’re using to read this review likely has conflict minerals in it. By not pushing for a transparent mineral supply chain, we are aiding the conflict in the Congo. By not taking an active stance, we are telling the companies like Apple, Microsoft, Google, etc. that we approve of their trade dealings with companies that don’t require transparency. As ignorant consumers, we are part of them problem.   Continue reading