Feb 24

Distracted by T-Rex: “She the People”

Presented by Huntington Theatre Company
Resident Direction / Choreography by Carisa Barreca
Original Direction / Head Writing by Carly Heffernan
Original Music & Sound Design by Mary Mahoney
Music Direction & Sound Design by Jacob Shuda
Stage Managing by William Collins

Performance dates: Feb 18 – Mar 8
Calderwood Pavilion at the BCA
527 Tremont St., Boston:
Facebook link

Review by Chloé Cunha

Boston, MA — I am woman, hear me roar… with laughter? She the People is fun, high-energy, and, in its best moments, a cathartic release of female frustrations. At its least effective, it is as on the nose as the opening sentence of this review, and narrow in its vision. Though not as radical as one might expect or hope for, it nevertheless presents an entertaining piece of political bubblegum pop to chew on. Continue reading

Aug 27

Riffs, Shimmies, Herstory: “Six”

Anna of Cleves (Brittney Mack, at center) performs “Get Down” in SIX, written by Toby Marlow and Lucy Moss and directed by Lucy Moss and Jamie Armitage.
Photo: Liz Lauren

Presented by the American Repertory Theatre
By Toby Marlow and Lucy Moss
Direction by Lucy Moss and Jamie Armitage
Music direction by Roberta Duchak
Choreography by Carrie-Anne Ingrouille 

Aug. 21 – Sept. 29, 2019
The Loeb Drama Center
64 Brattle Street
Cambridge MA 02138
A.R.T. on Facebook 

Critique by Kitty Drexel

Trigger warning: sexual abuse of a minor, gas lighting, female objectification

(Cambridge, MA) Six is catchy like Hamilton. They have similar harmonic elements; both borrow heavily from popular music formats. Unlike Hamilton, Six lends its female characters depth beyond the deeds of a man. The women of six will be remembered for more than a shared husband. They’ll be remembered for living and their shared husband.  Continue reading

May 10

“La Llorona”: Myth, Music, and Motherhood

Photo by Paul Fox

Presented by Fresh Ink Theatre
By Cecelia Raker
Directed by Stephanie LeBolt
Music Composition by Geraldine Barney

May 5-20, 2017
Boston Playwrights’ Theatre
949 Commonwealth Avenue
Boston, MA 02215
Fresh Ink Theatre on Facebook and Twitter

Review by Travis Manni

(Boston, MA) Mythologies can become difficult to trace and define as stories change from generation to generation. In a Fresh Ink Theatre premier production, playwright Cecelia Raker attempts to give life to the myth of a mourning mother in the multi-genre, multicultural play La Llorona. Continue reading

Mar 18

“Silent Sky”: Fearless Feminism in the 19th Century

Photo credit: Jake Scaltreto

Presented by Flat Earth Theatre
By Lauren Gunderson
Directed by Dori A. Robinson

March 10-25, 2017
The Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472

Review by Travis Manni

(Watertown, MA) The impact that women have had in shaping our view of the world is so profound and infinite it could fill the sky. Often, their significance is overlooked, but it’s lovely seeing these roles brought to light in the arts. In its New England premiere production, Flat Earth Theatre brings to life the love, loss, and feminism of Lauren Gunderson’s Silent Sky. Continue reading

Feb 14

Deja Vu All Over Again: “I, Snowflake”

The cast; photo discovered on Anthem Theatre Co’s Facebook page.

Devised and presented by Anthem Theatre Company
Conceived, written and directed by Bryn Boice

Feb. 10 – 11, 2017
BU Dance Theatre
915 Commonwealth Ave
Boston, MA
Anthem on Facebook

Review by Kitty Drexel

Trigger Warnings: Adult themes, gunshot sound effect, feminism

(Boston, MA) Bless you, Merriam-Webster. On January, 29, 2017 at 6:32PM, the hero in charge of the Dictionary’s Twitter account posted this lovely article on the slang origins of “snowflake.”  The article’s existence implies that the social movement currently applying this term to liberals are doing so incorrectly. Similarly Anthem Theatre Company strikes back at detractors with a timely, necessary production of I, Snowflake: A Post-election Reaction. Continue reading

Nov 02

Shakespeare Wins, The End: SOMETHING ROTTEN!

SOMETHING ROTTEN!
Conceived by Karey Kirkpatrick and Wayne Kirkpatrick
Book by Karey Kirkpatrick and John O’Farrell
Music and lyrics by Wayne Kirkpatrick and Karey Kirkpatrick
Directed and choreographed by Casey Nicholaw
Music directed  by Phil Reno

Now through January 1, 2017
St. James Theatre, a Jujiamcyn Theater
246 W. 44th Street
New York, NY
(Between 7th & 8th Avenues)
Something Rotten! On Facebook

Review by Kitty Drexel

(New York, NYIt is a perk and a privilege to write complimentary reviews for people I know or used to know in a different life. There’s a certain joy in spinning a glowing critique for someone who deserves it. My joy is incalculably multiplied when done for a personal acquaintance. It’s best if it’s a surprise. It’s even better if it’s a special occasion. Continue reading

Oct 25

Feminism is the Radical Theory that Women are People: “Revolt. She Said. Revolt Again”

Presented by Company One Theatre
Written by Alice Birch
Directed by Summer L. Williams
Dramaturgy by Jessie Baxter
Compositions by Allyssa Jones
Choreography by Misha Shields

October 21 – November 19, 2016
Plaza Theatre, Boston Center for the Arts
Boston, MA
C1 on Facebook

Post-Show Chats Following Every Thursday Performance

Review by Kitty Drexel

(Boston, MA) Revolt. She Said. Revolt Again. is what one gets if feminist theory, on trend “feminist” media marketing, Hollywood, and the theatre are whirled in a blender until lumpy but delicious. Add speed and tequila, to taste. It’s wild but it’s solid. Feminist scholars will love it. Those new to feminism may not fully grasp the nuances but should attend for educational and entertainment purposes. MRAs will hate it because they lack a sense of humor. People seeking a stronger male voice can go to any of the other theatre in town. Continue reading

May 20

On Behalf of Women’s Bodies: IN THE BODY OF THE WORLD

Photo Evgenia Eliseeva.

Photo Evgenia Eliseeva. Ensler transcends. 

Presented by the American Repertory Theater
Written and performed by Eve Ensler
Directed by Diane Paulus

May 10 – 29, 2016
Loeb Drama Center
64 Brattle Street
Cambridge, MA
ART on Facebook

Review by Kitty Drexel

Trigger warnings: nudity not for the purpose of female objectification, implied drug use, graphic depictions of violence and cruelty, raw feminism

(Cambridge, MA) Our iPads, tablets, game consoles, phones and anything else that requires processed natural minerals and metals are the by-products of systematic rape. This is an oversimplified statement but it is true. The ongoing conflict in the Democratic Republic of the Congo and complications within the mineral supply chain means that conflict minerals end up in everyday items. The computer I’m using to write this review likely has conflict minerals in it. The device you’re using to read this review likely has conflict minerals in it. By not pushing for a transparent mineral supply chain, we are aiding the conflict in the Congo. By not taking an active stance, we are telling the companies like Apple, Microsoft, Google, etc. that we approve of their trade dealings with companies that don’t require transparency. As ignorant consumers, we are part of them problem.   Continue reading

Apr 19

Bedroom Games and War Crimes in Terrifying “Threesome”


Presented by Apollinaire Theatre Company
by Yussef El Guindi
Directed by Danielle Fauteux Jacques

April 8-May 7, 2016
Chelsea Theatre Works
189 Winnisimmet St., Chelsea.
Apollinaire on Facebook

Review by Gillian Daniels

(Chelsea, MA) Leila (Alison Meirowitz McCarthy) and Rashid (Mauro Canepa) are introduced to the audience in their pajamas as self-styled intellectuals, struggling to be distant from their emotions. They’re Egyptian-Americans who open the play conversing like an editorial on gender politics, feminism, and cultural differences. Then comes in Doug (Geoff Van Wyck), the photographer they have invited into their bedroom for a sexual adventure. He’s blunt, cheerful, and thoroughly naked. He is the chaotic element that opens them up to the insecurities that run deep through their relationship. His attitudes don’t represent some enlightened, Western view as a cure-all to their squeamishness, however. No, Doug has his own insecurities he’s bringing in, too. What begins as an adult comic drama ends as a dark exploration of the political and personal. Continue reading

Nov 03

Appropriating the Habits of Rabbits: “Casa Valentina”

Presented by SpeakEasy Stage Company
Written by Harvey Fierstein
Directed by Scott Edminston

Oct. 24 – Nov. Nov. 28, 2015
Stanford Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

(Boston, MACasa Valentina is about men who relax by appropriating women’s culture,  and feminine identity. This cutting play by Harvey Fierstein examines the subversive transvestite subculture of the mid-1950’s. According to the healthily robust dramaturgy notes by Maureen Dezell, men would don wigs, hose and dresses to enjoy a quaint weekend in the Catskills. These men unwind from their rigid gender roles with a tube of lipstick and a stiff drink amidst the glory of the New York state. Suffice to say, this is not a production for conservative types with traditional notions of what is or is not acceptable behavior for men. Tread wisely. Continue reading