ZOOM — Working towards a future for Black creative spaces that foster exploration, community, and liberation, Black Spatial Relics (BSR) hosts their second annual convening in celebration of their five-year anniversary. Running February 23rd to February 27th, the Black Spatial Relics Annual Convening is free and open to the public.
At its February 25th session, Black Spatial Relics presented three workshops hosted by 2020 BSR artists-in-residence Danielle Deadwyler and Ada Pinkston, and guest artist Angel Edwards.
In the first workshop, Deadwyler shared her documentary busitopen. Exploring Black womanhood and motherhood through the lives of four Black women, Deadwyler juxtaposed the repetition of sound, movement, and various historic images of working class Black women. Through each woman’s relationship to labor and love, Deadwyler focused on the practices of recollection, ritual, and their significance. Continue reading →
ZOOM — Rooted in Movement is a two-part trans boxing series that creates a safe space for beginners and advanced folks to explore boxing while being in community with LGBTQIA+ members and other participants.Continue reading →
Presented by Hub Theatre Company of Boston Written by Trent England Directed by Daniel Bourque Stage management by Madeline Hartrich and Kelsey Whipple Sound Design by Kyle Lampe Digital Design by Justin Lahue
Feb 20 – Feb 27 2021 Youtube Presentation Boston, MA 02116 Hub on Facebook
Critique by Kitty Drexel
YOUTUBE — Anxiety is a feminist issue. Women are told they are too emotional, too sensitive, and too fragile. Our responses to stimuli are so criticized that we disbelieve our own experiences. We distrust our own instincts – no matter how perceptive.
Believing women is the basis for the #MeToo movement. Trust women, we say. The message should carry a caveat to emphasize that society must grant women the benefit of the doubt in all situations. Believe us when we’ve been assaulted and at other times, too. Believe us all the time.
Hub Theatre premiered Solitaire Suite by Trent England on February 20. Marty Mason is Celeste, a conscientious mother on a car ride with her husband Pete (Cristhian Mancinas) and their son, Tiger (Michael Lin). Celeste tells the viewer about how her family came across an unidentified flying object on their way home from retrieving Tiger from a failed sleepover. The family follows the UFO and has an unexpected engagement with the unknown. Continue reading →
Presented by Company One Theatre Plays written by Inda Craig-Galván, Francisca Da Silveira, and Idris Goodwin Directed by Pascale Florestal, India Nicole Burton, Sarah Shin Dramaturgy by Elena Morris, Jessica Scout Malone, Ilana M. Brownstein Featuring Adrian Peguero, Ireon Roach, Mal Malme, Micah Rosegrant and Regine Vital For participant bios, action steps, and additional resources, visit our website at https://companyone.org/remaking-america
YOUTUBE — Using their platform to bring awareness to issues that impact Bostonians amid the coronavirus, Company One presented Remaking America: An Inaugural Message to the New Administration on January 26.
A night filled with art and conversation, C1 presented three commissioned short plays by Surge Lab playwrights, Inda Craig-Galván, Francisca Da Silveira, and Idris Goodwin; all who focused their plays on issues on access to housing, mental health, and education. An address to the new Biden-Harris administration, it is with the utmost importance that they acknowledge these issues affected by the pandemic and recent events. Continue reading →
Presented by Liars & Believers and Moonbox Productions Written by Rachel Wiese (To Bed To Bed & Vasalisa the Blessed) and Jesse Garlick (Malka and the Behema) Directed by Jason Slavick Costume Design by Kendra Bell Featuring Music by Veronica Barron, Singer Mali, and Carols Odria Video Editing by Sam Powell Zoom Mastery by Cynthia Hu
ZOOM – In winter, spring is a fairy tale. That sounds pretty ridiculous, what with empirical data suggesting, yes, the northern hemisphere will tilt once again toward the sun. If you, like me, are on the East Coast in January, though, it’s going to be a while, and what with the current horror of a plague ravaging the country, this winter is particularly bleak. The usual comforts of gathering indoors with friends and family are not as available to us as they have been in the past. So, why not unite with one another through the power of sharing stories? Continue reading →
The Race presented by the Wilbury Theatre Group By Mark Binder Directed by Brien Lang Original music by Nikita Zabinski Featuring Jim O’Brien, Rodney Eric López, and Jennifer Mischley January 15 -31, 2021 Performances via Zoom Tickets
Shrike Written by Erin Lerch Directed by Josh Glenn-Kayden Sunday, January 24 and Sunday, February 7 at 2PM Performances via Zoom Tickets
Review by Kitty Drexel
ZOOM — Over the weekend, we took in two New England productions. The Wilbury Theatre Group presents an interactive mindbender: The Race runs now through January 31. Fresh Ink Theatre presents readings for feedback of Shrike. Its next performance is on Sunday, February 7 at 2PM.
Geek staff writer Gillian Daniels previously wrote about The Race HERE. Her response is accurate, thoughtful. There is not much more to add since Daniels’ review captures the experience so well. Folx that enjoyed Arlekin Players Theatre’s State vs. Natasha Baninawill enjoy The Race. Continue reading →
Ahmadinejad in the stage version of “Disclaimer.” Photography by Maria Baranova.
Presented by the The Public Theater The Under the Radar Festival Written by Tara Ahmadinejad Created by Piehole Co-directed by Tara Ahmadinejad and Jeff Wood Dramaturgy by Heidi Davis Performed by Tara Ahmadinejad with Hassan Nazari-Robati with special guests Other credits
January 11 – January 17, 2021 Via the Public Theater YouTube channel Public Theater on Facebook
My sincere apologies to The Public and to Piehole for this review’s tardiness. Personal tragedy prevented me from completing my review in a timely manner.
Review by Kitty Drexel
Disclaimer: This LIVE in-Zoom event contains propaganda, vague promises of Persian food, minimally invasive audience participation, and (gasp) MURDER.
ZOOM — Piehole’s Disclaimer is a new work only in that it has never been performed over Zoom. It lived onstage last year for the 2020 Under the Radar Festival in New York City. It was workshopped in 2019.
Disclaimer is a live-cooking tutorial over Zoom. Chef Nargis (Tara Ahmadinejad) and Sous chef “juuls are cuul” Hassan (Hassan Nazari-Robati) teach their audience to make Sabzi Polo, a yummy sounding Iranian rice dish made with butter, dried fenugreek leaves, garlic, saffron, and other ingredients. Our chef tells us about Iranian family life, culture, and plunges down a rabbithole of Iranian/US politics as she cooks.
The cooking doesn’t go as intended. Chef Nargis is distracted by the state of Iran’s tenuous relationship with the US despite Hassan’s gentle yet insistent redirecting back to the recipe. Nargis is worried that the US will go to war with Iran. It is never the politicians who make war who suffer. No, it is the people of the land who pay the price when demagogues play King. Continue reading →
Presented by the Public Theater A part of the Under the Radar Festival By Whitney White and Peter Mark Kendall Directed and Produced by Taibi Magar & Tyler Dobrowsky Original text and music, Whitney White and Peter Mark Kendall Director of photography: Jess Coles Editing by Josiah Davis, Lowell Thomas Sound design by Broken Chord, Lee Kinney
January 6, 7:00PM – January 17, 11:59 PM EST The Public Theater on YouTube New York, NY 10003 Public Theater on Facebook
Review by Kitty Drexel
YouTube – The emotional violence inherent in White & Kendall’s pandemic-diary, fringe film Capusule reminds me of the car crash scene from 1975’s Mahagony. Diana Ross and Anthony Perkins (of Psycho fame) star in this movie about haute fashion, modeling and the heart’s desires. Perkins, a narcissistic photographer with mommy-issues, crashes a cherry red convertible into a construction site with the incomparable Ross and he in it. She, our hero, eventually leaves Perkins and her promising career for a politician played by Billy Dee Williams. The writing in this movie is not clever.
“To Bed To Bed” & Vasalisa The Blessed” written by Rachel Wiese “Malka and the Behema” written by Jesse Garlick Directed by Jason Slavick Costume design by Kendra Bell Puppet design by Faye Dupras Shadow puppet design by Rebecca Lehrhoff Mask design by Becca Jewett Video editing by Sam Powell Original music by Carlos Odria Featuring: Rachel Wiese, Rebecca Lehrhoff, Glen Moore, Jesse Garlick, Cynthia Hu, Carlos Odria, Singer Mali
EMAIL — The good, creative folks at Liars & Believers held two preview workshops of their upcoming production Beyond a Winter’s Day on December 17 and 20. They generously answered some questions over email about their work, the pandemic, and their hopes for the New Year. Please keep reading for responses.
Thank you Jason, Jesse, Glen, Cynthia, Rebecca, and Rachel! We look forward to Beyond A Winter’s Day in January. We hope all of your New Year wishes are liberated into being with bright joy, cheer and grace.
Queen Geek:Please talk about your role in the show.
Jason – I’m Jason Slavick, the Artistic Director of Liars & Believers, and the director of the show. I provide the guiding vision for the whole project and I shape each individual element. I’m much like a conductor in an orchestra. The individual artists play their parts, but I shape the tempo, the tone, and the overall feel. I try to create opportunities for the other artists to express themselves. And I try to help them do their best work. My biggest job is to make sure you in the audience feel engaged and understand what’s going on.
Jesse- I’m Jesse Garlick, an artistic associate with Liars & Believers as well as being the company’s director of education. I wrote Malka and the Behema as well as performing with the puppets in the piece. I also perform in the final piece, To Bed To Bed, as Rabbit. And lastly I play Stanislov in the interstitial pieces.
Glen- I’m Glen Moore an artistic associate with Liars & Believers. I helped to devise and build content for the original production of “A Story Beyond” which was the inspiration for this online version. In this zoom production I play the storyteller Fargus, perform puppetry in the story Malka and the Beheyma, and lastly I don the mask of Bear in the story To Bed To Bed.
Cynthia – I’m Cynthia I am the zoom master of the show. I control all the tech behind what you see and make sure “the magic” happens on time. Outside of the show I’m an actor and I’m pursuing my MFA in acting at The Actors Studio Drama School.
Rebecca- I’m Rebecca Lehrhoff, an Artistic Associate with Liars & Believers. I’ve worked with the company since 2014. I helped devise the content for both “Beyond A Winter’s Day” as well as the original 2018 production the show is inspired by, “A Story beyond.” In addition to playing Mishka and the mole, I designed, created and performed (along with Rachel Wiese) the shadow puppetry for Vassilisa the Blessed.
Rachel- And I’m Rachel Wiese, an Artistic Associate with LAB. I worked on writing and devising the original “A Story Beyond” and performed as Isabel in that production. For Beyond a Winter’s Day, I again portrayed Isabel as well as Condor and puppeteered (along with Becca) Vasalisa the Blessed. I wrote Vasalisa the Blessed and To Bed, To Bed. I had lots of fun scouting the location for To Bed, To Bed which we shot on Worcester Trust Land near my home in Worcester, MA. Continue reading →
ZOOM — Have you ever had the wild urge to play a first-person shooter and hefting a gun that ends the lives of digital characters? No? What about being granted the power to give or take away their livelihood? With The Race, a piece workshopped earlier this month by The Wilbury Theatre Group, you’re given almost all the abilities of a faceless tribunal to do just that! It’s an engaging work of theater constructed to utilize Zoom. It’s also difficult, upsetting, and timely.Continue reading →