Jan 12

Lose Your American Appetite for War: “Disclaimer” at Under the Radar 2021

Ahmadinejad in the stage version of “Disclaimer.” Photography by Maria Baranova.

Presented by the The Public Theater 
The Under the Radar Festival
Written by Tara Ahmadinejad
Created by Piehole
Co-directed by Tara Ahmadinejad and Jeff Wood
Dramaturgy by Heidi Davis
Performed by Tara Ahmadinejad with Hassan Nazari-Robati with special guests
Other credits

January 11 – January 17, 2021
Via the Public Theater YouTube channel
Public Theater on Facebook

My sincere apologies to The Public and to Piehole for this review’s tardiness. Personal tragedy prevented me from completing my review in a timely manner. 

Review by Kitty Drexel

Disclaimer: This LIVE in-Zoom event contains propaganda, vague promises of Persian food, minimally invasive audience participation, and (gasp) MURDER.

ZOOM — Piehole’s Disclaimer is a new work only in that it has never been performed over Zoom. It lived onstage last year for the 2020 Under the Radar Festival in New York City. It was workshopped in 2019.

Disclaimer is a live-cooking tutorial over Zoom. Chef Nargis (Tara Ahmadinejad) and Sous chef “juuls are cuul” Hassan (Hassan Nazari-Robati) teach their audience to make Sabzi Polo, a yummy sounding Iranian rice dish made with butter, dried fenugreek leaves, garlic, saffron, and other ingredients. Our chef tells us about Iranian family life, culture, and plunges down a rabbithole of Iranian/US politics as she cooks. 

The cooking doesn’t go as intended. Chef Nargis is distracted by the state of Iran’s tenuous relationship with the US despite Hassan’s gentle yet insistent redirecting back to the recipe. Nargis is worried that the US will go to war with Iran. It is never the politicians who make war who suffer. No, it is the people of the land who pay the price when demagogues play King Continue reading

Jan 09

Into the Grey Space: “Capsule” at the Under the Radar Festival

Presented by the Public Theater
A part of the Under the Radar Festival 
By Whitney White and Peter Mark Kendall 
Directed and Produced by Taibi Magar & Tyler Dobrowsky
Original text and music, Whitney White and Peter Mark Kendall
Director of photography: Jess Coles
Editing by Josiah Davis, Lowell Thomas
Sound design by Broken Chord, Lee Kinney

January 6, 7:00PM – January 17, 11:59 PM EST
The Public Theater on YouTube
New York, NY 10003
Public Theater on Facebook

Review by Kitty Drexel

YouTube – The emotional violence inherent in White & Kendall’s pandemic-diary, fringe film Capusule reminds me of the car crash scene from 1975’s Mahagony. Diana Ross and Anthony Perkins (of Psycho fame) star in this movie about haute fashion, modeling and the heart’s desires. Perkins, a narcissistic photographer with mommy-issues, crashes a cherry red convertible into a construction site with the incomparable Ross and he in it. She, our hero, eventually leaves Perkins and her promising career for a politician played by Billy Dee Williams. The writing in this movie is not clever. 

Continue reading

Dec 27

An Interview with Liars & Believers About Their Upcoming Project, “Beyond A Winter’s Day”


“To Bed To Bed” & Vasalisa The Blessed” written by Rachel Wiese
“Malka and the Behema” written by Jesse Garlick
Directed by Jason Slavick
Costume design by Kendra Bell
Puppet design by Faye Dupras
Shadow puppet design by Rebecca Lehrhoff
Mask design by Becca Jewett
Video editing by Sam Powell
Original music by Carlos Odria
Featuring: Rachel Wiese, Rebecca Lehrhoff, Glen Moore, Jesse Garlick, Cynthia Hu, Carlos Odria, Singer Mali

More information about their upcoming performances in January will be available via the LAB website: https://www.liarsandbelievers.com/show/beyondawintersday/

Interview by Kitty Drexel

EMAIL — The good, creative folks at Liars & Believers held two preview workshops of their upcoming production Beyond a Winter’s Day on December 17 and 20. They generously answered some questions over email about their work, the pandemic, and their hopes for the New Year. Please keep reading for responses. 

Thank you Jason, Jesse, Glen, Cynthia, Rebecca, and Rachel! We look forward to Beyond A Winter’s Day in January. We hope all of your New Year wishes are liberated into being with bright joy, cheer and grace.

———————-

Queen Geek: Please talk about your role in the show.  

Jason – I’m Jason Slavick, the Artistic Director of Liars & Believers, and the director of the show. I provide the guiding vision for the whole project and I shape each individual element. I’m much like a conductor in an orchestra. The individual artists play their parts, but I shape the tempo, the tone, and the overall feel. I try to create opportunities for the other artists to express themselves. And I try to help them do their best work. My biggest job is to make sure you in the audience feel engaged and understand what’s going on.

Jesse- I’m Jesse Garlick, an artistic associate with Liars & Believers as well as being the company’s director of education. I wrote Malka and the Behema as well as performing with the puppets in the piece. I also perform in the final piece, To Bed To Bed, as Rabbit. And lastly I play Stanislov in the interstitial pieces.   

Glen- I’m Glen Moore an artistic associate with Liars & Believers. I helped to devise and build content for the original production of “A Story Beyond” which was the inspiration for this online version. In this zoom production I play the storyteller Fargus, perform puppetry in the story Malka and the Beheyma, and lastly I don the mask of Bear in the story To Bed To Bed. 

Cynthia – I’m Cynthia I am the zoom master of the show. I control all the tech behind what you see and make sure “the magic” happens on time. Outside of the show I’m an actor and I’m pursuing my MFA in acting at The Actors Studio Drama School.

Rebecca- I’m Rebecca Lehrhoff, an Artistic Associate with Liars & Believers. I’ve worked with the company since 2014. I helped devise the content for both “Beyond A Winter’s Day” as well as the original 2018 production the show is inspired by, “A Story beyond.” In addition to playing Mishka and the mole, I designed, created and performed (along with Rachel Wiese) the shadow puppetry for Vassilisa the Blessed.

Rachel- And I’m Rachel Wiese, an Artistic Associate with LAB. I worked on writing and devising the original “A Story Beyond” and performed as Isabel in that production. For Beyond a Winter’s Day, I again portrayed Isabel as well as Condor and puppeteered (along with Becca) Vasalisa the Blessed. I wrote Vasalisa the Blessed and To Bed, To Bed. I had lots of fun scouting the location for To Bed, To Bed which we shot on Worcester Trust Land near my home in Worcester, MA.  Continue reading

Dec 15

“The Race” Plays with Interactivity and Corporate Dystopia

Workshop Presented by The Wilbury Theatre Group
Written by Mark Binder
Directed by Brien Lang
Original Music by Nikita Zabinski
Stage Management by Shoshana Adler

December 4 & 6, 2020
Live on Zoom
Facebook

Review by Gillian Daniels

ZOOM — Have you ever had the wild urge to play a first-person shooter and hefting a gun that ends the lives of digital characters? No? What about being granted the power to give or take away their livelihood? With The Race, a piece workshopped earlier this month by The Wilbury Theatre Group, you’re given almost all the abilities of a faceless tribunal to do just that! It’s an engaging work of theater constructed to utilize Zoom. It’s also difficult, upsetting, and timely. Continue reading

Dec 14

Tweeting Truth to Power: How Far Has Cyrus Come?


Presented by Fort Point Theatre Channel and Boston Cultural Council
By Cyrus McQueen

Tuesday, Dec 1, 2020, 7 PM
Streamed Live via Youtube
Boston Cultural Council on Facebook
FPTC on Facebook

Review by Diana Lu

YOUTUBE–Cyrus McQueen used to be just your everyday standup comedian of Last Comic Standing fame. In the Age of Trump, he’s also become Twitter-famous as a cultural critic, offering race and politics analyses and wisecracks 280 characters at a time. He’s developed his experiences over the last four years into a first book, Tweeting Truth to Power: Chronicling our Caustic Politics, Crazed Times, & The Great Black & White Divide, which is supposed to be equal parts memoir and political discourse. Continue reading