“Grant me chastity and constancy, but do not grant it yet.” Saint Augustine of Hippo
Review by Kitty Drexel
(Jamaica Plain, MA) OTP’s An Education in Prudence sold out its run. If you missed the readings, the workshops, or the performances, then the joke’s on you. Do yourself a favor and donate to OTP so they can create more important works. Prudence deserves, at the very least, a performance in Canterbury, CT. They’ll need our help to get there.Continue reading →
Presented by SpeakEasy Stage Co.
Book by Richard Greenberg
Music by Scott Frankel
Lyrics by Michael Korie
Based on the Focus Features/Vulcan Production Motion Picture, Written & Directed by Todd Haynes
Directed by Scott Edmiston
Musical Direction by Steven Bergman
Choreography by David Connolly
(Boston, MA) In 1957, Betty Friedan conducted a survey of Smith College graduates to celebrate their 15th anniversary. When she discovered that many of her contemporaries were deeply unhappy, she expanded her research to include other US suburban housewives. She continued her research into psychology and other social sciences. Her studies found a “problem that has no name,” a depression among women despite their ensured physical and emotional comforts. A life revolving around marriage and children was deeply unfulfilling.
This study and her corresponding writings were the basis for The Feminine Mystique, a book that sparked the second-wave of feminism. Published in 1963, it has played an influential part in assuring a modern woman’s right to equality. Women who work outside of the home owe a large part of their freedoms to Friedan and the women who worked with her. Friedan began her survey the same year that Far From Heaven begins. Continue reading →
(Boston) Loosely based on Shakespeare’s The Tempest, Charlie Sussman (Ken Baltin) is turning 75 and his entire family has come to celebrate with him at his Connecticut beach house to celebrate in The Sussman Variations. His son Jonathan (Steven Barkhimer) has a paper on The Tempest to write that will put his career on the world map. His daughter Janey (Erin Cole) has a big secret to share with the family and is afraid that they won’t share her happiness. Deirdre (Laura Latreille) needs to practice for her international tour and attempts to keep the peace. Granddaughter Miranda (Lauren Thomas) is on house arrest until she writes her college essay. Margery (Cheryl McMahon), Charlie’s wife, wants to throw a party that will reunite the family despite their differences. Each family member suffers under the weight of familial expectations, frustrated with the conflict of whom they are and whom they supposed they should be. Continue reading →
McCaela Donovan and members of the company in a scene from the SpeakEasy Stage Company production of THE DROWSY CHAPERONE, running May 6 - June 5 at the Stanford Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street in Boston’s South End. Tix/Info: 617-933-8600 or www.SpeakEasyStage.com. Photo: Stratton McCrady.
Since my students are graduating this week and then I’m off to New York, here’s one more week of what’s happening around this area. When I am back, I will share my reviews of the shows I’ve seen in New York; also, I hope to have articles for you on my obsession with Next to Normal and the Opera 101 piece that I have been planning. (unless otherwise noted (POE @trinityrep), I do not know the quality of the productions, but find something you might enjoy and go see some theatre this weekend!)
From the start of the Antony and Cleopatra, Kate’s performance is filled with passion and abandon. Running in bare-footed with a sword, anyone who has seen many of Ms. Mulgrew’s performances realizes this is not the calm, controlled persona of Kathryn Janeway, Elizabeth Seton, or Janet Eldridge. Cleopatra is a woman who is one of the most powerful rulers in the world and yet is controlled by her lustful appetite for a man who can never be completely hers: Antony. Her strength and vulnerability are played out in her faithfulness to Antony and her jealousy of Antony’s wives. Her performance evokes lust, humor, rage, sensuality, and pathos that compel you to be drawn into her plight. The energy that she puts into her performance meets and sometimes exceeds some of the soldiers and dancers and does not stop until the snake kills her. With the wildness of her character combined with a beautiful long flowing wig and voluptuous costumes, she appears more youthful and free than some of her roles from twenty years ago (if only we all could “youth-en” in that way!). I hope we continue to get to see her versatility as the years go on. As for the actress herself, Ms. Mulgrew was extremely gracious after running around for three hours to take the time to sign my program and allow me to thank her for her magnificent performance as well as her previous work. Continue reading →