May 16

Play It Again Sam: “Trouble in Tahiti and Arias & Barcarolles”

Sam and Dinah (Marcus DeLoach and Heather Johnson) robotically repeat their morning routine. Photo: Liza Voll

Presented by Boston Lyric Opera
Music & Libretto by Leonard Bernstein
Stage directed by David Schweizer
Music direction by David Angus
Dramaturgy by John Conklin

May 11-20, 2018
DCR Steriti Memorial Rink
561 Commercial Street, Boston, MA
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Review by Kitty Drexel

After Bernstein’s performance at the White House in 1960, President Eisenhower remarked, “You know, I liked that last piece you played: it’s got a theme. I like music with a theme, not all them arias and barcarolles.” quote taken from leonardbernstein.com. Eisenhower was a bit imperceptive.

(Boston, MA) Trouble in Tahiti and Arias & Barcarolles are presented by the BLO in one continuous operetta subtitled, “Sam and Dinah Say Goodnight (Scenes From A Marriage).” It is a “new reimagining” of Bernstein’s works which abbreviates Tahiti and merges the reduced scoring directly into Arias & Barcarolles. They are not performed individually as suggested by BLO’s marketing materials. The performance runs about 90 minutes. Continue reading

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Sep 19

Pretty to Watch, Messy to Contemplate: FAR FROM HEAVEN

Craig Bailey/Perspective Photo. Look at those costumes!

Craig Bailey/Perspective Photo.

Presented by SpeakEasy Stage Co.
Book by Richard Greenberg
Music by Scott Frankel
Lyrics by Michael Korie
Based on the Focus Features/Vulcan Production Motion Picture, Written & Directed by Todd Haynes

Directed by Scott Edmiston
Musical Direction by Steven Bergman
Choreography by David Connolly

Sept. 12 – Oct. 11, 2014
Stanford Calderwood Pavilion
Boston Center for the Arts
527 Tremont Street in Boston’s South End
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Review by Kitty Drexel

(Boston, MA) In 1957, Betty Friedan conducted a survey of Smith College graduates to celebrate their 15th anniversary. When she discovered that many of her contemporaries were deeply unhappy, she expanded her research to include other US suburban housewives. She continued her research into psychology and other social sciences. Her studies found a “problem that has no name,” a depression among women despite their ensured physical and emotional comforts. A life revolving around marriage and children was deeply unfulfilling.

This study and her corresponding writings were the basis for The Feminine Mystique, a book that sparked the second-wave of feminism. Published in 1963, it has played an influential part in assuring a modern woman’s right to equality. Women who work outside of the home owe a large part of their freedoms to Friedan and the women who worked with her. Friedan began her survey the same year that Far From Heaven begins. Continue reading

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