Presented by ArtsEmerson Created by Toshi Reagon and Bernice Johnson Reagon Co-Directed by Eric Ting & Signe V. Harriday Music and Lyrics by Toshi Reagon and Bernice Johnson Reagon Music Direction by Toshi Reagon Choreography by Millicent Johnnie Movement Director: Yasmine Lee Performed by Marie Tatti Aqeel, Alina Carson, Helga Davis, Kyle Garvin, Jared Wayne Gladly, Toussaint Jeanlouis, Karma Mayet Johnson, Morley Kamen, Alexandra Koi, Josette Newsam, Shelley Nicole, Toshi Reagon, Noah Virgile, Evie Schuckman Orchestra Monique Brooks Roberts, Zach Brown, Bobby Burke, Fred Cash, Jr., Chogyi, Matt Graff Orchestra: Monique Brooks Roberts, Zach Brown, Bobby Burke, Fred Cash, Jr., Chogyi, Matt Graff
April 21 – 24, 2022 Open Captioning: Fri, April 22 @ 8:00 PM American Sign Language: Sun April, 24 @ 2:00 PM Emerson Cutler Majestic Theatre 219 Tremont Street Boston, MA 02116
Recommended for Ages 13+
Running Time: 120 minutes, no intermission
Please Note: Proof of vaccination or a negative test is required for entry
Critique by Kitty Drexel
“All that you touch
All that you Change
The only lasting truth
Is Change.” Earthseed, Lauren Olamina in The Parable of the Sower
BOSTON, Mass. — The audience was small on Thursday night but grateful. We’d waited over two years to see Toshi Reagon’s Octavia E. Butler’s The Parable of the Sower. The air was palpable with anticipation. We had each other to talk to and other excited conversations to easedrop on. When the theatre held the house lights for an extra 20 minutes to allow late audience members to straggle in, we were okay with it.
When the lights finally dimmed to signal the start of the show, a hush fell over us. Finally, after all this waiting, it was time for church.
Octavia E. Butler’s The Parable of the Sower is an opera adapted by Toshi Reagon and Bernice Johnson Reagon from the Afro-futurist science fiction writer Octavia E. Butler’s novel The Parable of the Sower. The ArtsEmerson website says it is “a genre-defying, modern congregational opera that celebrates two centuries of Black music.” Continue reading →
Presented by ArtsEmerson Written & performed by Travis Alabanza Produced by Hackney Showroom Directed by Sam Curtis Lindsay Movement by Nando Messias Dramaturgy by Nina Lyndon
April 13 – 23, 2022 Jackie Liebergott Black Box Theater Boston, MA ArtsEmerson on Facebook
Review by Noe Kamelamela
Content warning: gender-based violence and transphobia are discussed in this review and also in BURGERZ.
BOSTON, Mass. –In the time before the COVID pandemic started here in the States, the danger of being visibly queer felt risky and fun to me, heading to the strip mall eager to anger gender essentialists a bit like poking caged bears, a way to appease my past teenaged, quieter, closeted self. I was armed with keen attention to exits and entrances, always ready to leave. I would relate scenes to friends about children asking me what it was to be different. Or people – rude people, very rude – being weird to me about what bathroom I went to, regardless of whatever I wore or which bathroom I used it was always wrong.Continue reading →
Presented by ArtsEmerson and Sleeping Weasel Written by Charlotte Meehan Directed by Tara Brooke Watkins Choreographed by Peter DiMuro Videography by Lee Francois Original composition “Alone Together” by Kirsten Volness
Live: March 12 – March 27, 2022 Streamed: April 1 – 10, 2022 Emerson Paramount Center Jackie Liebergott Black Box 559 Washington Street Boston, MA 02111
Review by Kitty Drexel
BOSTON, Mass. — Everyday Life and Other Odds and Ends by Charlotte Meehan is about people. People are confusing, leaky, wonderful, breakable creatures capable of great love and harrowing despair.
This play is also about disability. We are introduced to Meehan’s characters and their relationships, and then we learn about their relationships to Parkinson’s Disease. People with disabilities are human first so it is right that we learn the world of the play in this order.
In Everyday Life and Other Odds and Ends, three imperfect couples navigate their relationships. We watch them live with Parkinson’s Disease. The persons with PD are surviving. The caretakers are too. Survival means something different to each couple. We learn what survival means at the same time they do. Continue reading →
White Rabbit Red Rabbit Presented by ArtsEmerson Written by Nassim Soleimanpour/Iran Performance viewed on Dec. 7, 7:30 PM Dec. 7 – 12, 2021 Virtual Performance via Zoom Program playbill ArtsEmerson on Facebook
ArtsEmerson Age Recommendation: 14+. We understand that certain types of content could trigger past traumatic experiences for some viewers. Please be aware that this production contains scenes discussing suicide.
ArtsEmerson Accessibility: White Rabbit Red Rabbit will feature live captions throughout the performance.
Review by Kitty Drexel
ZOOM — White Rabbit Red Rabbit is not a production to be enjoyed. It is to be endured. It behooves everyone with the means to watch to endure White Rabbit Red Rabbit.Continue reading →
AE Production Program featuring leadership team bios, a synopsis of the performance, and the full list of staff, artist and creative team credits for the production.
Originally presented via Miami Light Project Sept. 28 – Oct. 25, 2020. It is the longest running theatre play on the world wide web.
Review by Kitty Drexel
Virtual Boston, Mass — New England Theatre Geek reviewed Zoo Motel on October 14, 2020. The Quarantine was a dark time that produced some dark writing. Our ridiculously written review can be read here.
We were interested in seeing Zoo Motel again to see if it had updated since its 2020 run. Its creators have taken this show to audiences all over the world: Stockholm, Madrid, Perth, London, and now Boston. We can say that Zoo Motel still inspires wonder and awe.Continue reading →
Presented by ArtsEmerson Director: Christiane Jatahy Adaptation of Miss Julie by August Strindberg Performed by: Julia Bernat and Rodrigo de Odé Performed in the film: Tatiana Tiburcio Music: Rodrigo Marçal Photography: David Pacheco Camera Live: Paulo Camacho Video Technician: Felipe Norkus In Portuguese with English subtitles
Ages 18+, Performance contains mature content, nudity, and intense sexual situations with an implied minor.
This is the warning under an arrow on ArtsEmerson’s Julia page:
“We understand that certain types of content could trigger past traumatic experiences for some viewers. Please be aware that this production contains scenes depicting sexual violence, racialized verbal abuse, racial slurs, allusions to suicide, and animal cruelty.”
This warning should not be hidden to the side. It should be somewhere obvious so no one will miss it.
ON-DEMAND — I’ve been recovering from PTSD triggered by Julia since watching ArtsEmerson’s premiere on Tuesday. Actions in the play depict violent sexual relations between two consenting individuals. I am a survivor of sexual violence, but I’ve never been triggered by a theatrical production to a degree like this before. I thought I was okay to watch Julia. I was wrong. Survivors, please protect yourself.
I’m not special; many women are survivors of violence. We must factor potential violence into our everyday decisions to protect ourselves from further harm. We never know if we’re being too cautious or not cautious enough. We learn from a young age – through the malevolent actions of others or by making irrevocable mistakes – that we must take special care not to be caught off guard. Julia is the visual, multimedia story of a young woman as she learns this lesson the hard way. Continue reading →
Apollinaire Theatre Company — Apollinaire at Home announces the special event: Queer Soup’s Mal Malme and The Invasion of Pleasure Valley. Queer Soup Theater’s Mal Malme and members of the original cast of The Invasion of Pleasure Valley join Apollinaire at Home next Thursday, May 21st to revisit their early campy hit.
ArtsEmerson — ArtsEmerson is thrilled to announce that renowned musician, composer, producer, and activist Toshi Reagon is launching Parable Path Boston, based on the tenets of Octavia E. Butler’s novel The Parable of the Sower. Parable Path Boston will kick-off on Friday evening, May 22 with a one-night-only streaming event, the centerpiece of which is a full presentation of Octavia E. Butler’s Parable of the Sower: The Concert Experience.
To access any or all of the May 22 online events, please visit ParablePathBoston.com.
Central Square Theater — “ART IS OUR ACTIVISM – Online Series,” is a series of online play readings, Central Conversations, and educational programs specifically designed to engage audiences in a conversation for the here and now. Wild Goose Dreams
By Hansol Jung. Directed by Debra Wise Monday, May 18 at 7PM on Facebook Live! Presented by Underground Railway at Central Square Theater
A Conversation with Sherry Turkle & Sarah Shin Thursday, May 21 at 7PM on Zoom & Facebook Live!
Join Dr. Sherry Turkle, a researcher of human relationships with technology, and Sarah Shin, a co-founder of Asian American Theatre Artists of Boston, for a conversation about Wild Goose Dreams. Dr. Turkle will discuss how technology supports and inhibits connection in the play, while Ms. Shin will speak to the Korean cultural aspects.
Much Ado About Nothing
By William Shakespeare. Directed by Eric Tucker Monday, May 25 at 6PM on Zoom & Facebook Live! Presented by Bedlam
By Ella Ford. Directed by Cassie Chapados. Monday, June 29 at 7PM on Facebook Live! Presented by The Nora at Central Square Theater
Classic Stage Company — Classic Conversations continues on CSC’s Facebook page every Thursday at 6PM. Follow and Subscribe to watch every premiere Thursdays at 6pm.
Tony Nominee, Ethan Slater, Thurs. May 21 at 6pm, Spongebob Squarepants, Fosse/Verdon
Steven Pasquale, Thurs. May 28 at 6pm, The Bridges of Madison Country, American Son
Bianca Horn, Thurs. June 4 at 6pm, The Great Comet, The Awesome 80s Prom
Luminarium Dance Company — Luminarium continues to present its TEN4TEN Performance Series celebrating its tenth anniversary season with curated shows every two weeks, highlighting its award-winning repertory spanning 2010 to present. This week’s online performance features early examples of Luminarium Dance Company’s interdisciplinary take on community engagement. Enjoy choreographic collaborations that go “beyond dance” with the New England Quilt Museum (2013) and the Eric Carle Museum of Picture Book Art (2015).
Luminarium Dance Company & Monkeyhouse are thrilled to produce the seventh 24-Hour ChoreoFest!
SATURDAY, MAY 23
12-8pm: Live-streamed creation period & interviews
8pm: Live-streamed performance
Liars & Believers — LAB presents Ted & Marie by Joy Besozzi. It is live on its Pandemic Play page.
Coming Up: LAB has 3 shows in the pipeline, a big project gearing up, and a new experiment percolating.Plus several friends are creating shows and doing concerts. As long as this goes on, we’ll keep making art and sharing with you great things we find.
Merrimack Repertory Theatre — Merrimack Repertory Theatre’s professional training program for high school students, the MRT Young Company, goes virtual this year with classes online from 9 a.m. to 3 p.m. for three weeks, July 13-31. Renowned Chicago educator, director, and actor Robert Cornelius returns to lead the intensive.
The rate is $450 per person for the full course. Past Young Company participants may register for only $350. To register, visit www.mrt.org/youngcompany or call the Box Office at 978-654-4678. The program requires a laptop or tablet and internet access; if needed, MRT will provide technical support for any student.
Open Theatre Project — Week 3 of the OTP Community Write. On Monday, featured playwright Nick Malakhow chose “Communication/Miscommunication” and “New Rituals” to inspire our community’s writing this week. Performed by Alissa Cordeiro, Erik McGowan, Dave DiLillo, and Tasha Matthews. PANDEMIC-MONUIM by Bob Williams with Dave DiLillo Home Not Alone by Judith Black with Tasha Matthews Talk To You by Nick Malakhow with Alissa Cordeiro & Erik McGowan
Silverthorne Theater Company — Silverthorne Theater Company presents Days of Possibilities by Rich Orloff. Streaming now-June 4. <iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/WXc9WmKAjXc” frameborder=”0″ allow=”accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture” allowfullscreen></iframe>
SpeakEasy Stage Company — Beginning Wednesday, May 20 at 5PM, is a five-week half-hour series offering an insider’s guide to the five shows making up SpeakEasy’s 2020-2021 Season, which is also the company’s 30th Anniversary year. Those interested can join by tuning into SpeakEasy’s Facebook page for each live 30-minute Q&A session. The schedule of shows and artists is as follows: Once On This Island – Wednesday, May 20, 5:00-5:30pm; Artists present: Director Pascale Florestal, Music Director David Freeman Coleman People, Places & Things – Wednesday, May 27, 5:00-5:30pm – Artists present: Director David R. Gammons, Actress Marianna Bassham, Actor John Kuntz Slave Play – Wednesday, June 3, 5:00-5:30pm; Artist present: Director Tiffany Nichole Greene Bright Star – Wednesday, June 10, 5:00-5:30pm; Artists present: Director Paul Daigneault, Actress Laura Marie Duncan, Choreographer Misha Shields, Music Director Eli Schildekraut The Inheritance – Wednesday, June 17, 5:00-5:30pm; Artist present: Director Paul Daigneault
Announcing the SpeakEasy Play Discussion Club – a weekly discussion surrounding some of today’s most exciting scripts! Join SpeakEasy staff and artists for an online conversation about the play’s major themes and impact on the American theatre canon.For this series of plays, the theme is Celebrating Contemporary Female Voices:
Introduction Session or “Play Reading 101: A How-To Guide” An optional resource for those interested in the tips and tricks of play reading!
Thursday, May 21 from 5:00 – 5:30pm (Sign Up Here)
WEEK TWO: Cost of Living by Martyna Majok
Thursday, May 28 from 5:30 – 6:30pm (Sign Up Here)
WEEK THREE: Cambodian Rock Band by Lauren Yee
Thursday, June 4 from 5:30 – 6:30pm (Sign Up Here)
WEEK FOUR: DIASPORA! by Phaedra Michelle Scott
Developed through SpeakEasy’s The Boston Project
Thursday, June 11 from 5:30 – 6:30 (Sign Up Here)
WEEK FIVE: Wild Goose Dreams by Hansol Jung
Thursday, June 18 from 5:30 – 6:30pm (Sign Up Here)
ArtsEmerson – The Together Apart series presents Sequence 8. Sequence 8 from The 7 Fingers will be available to view from April 13-27, 2020. From the ArtsEmerson website:
“Contemporary circus arts require the utmost faith in your fellow performers. When it comes down to it, your life is quite literally in their hands. The lessons we, as the audience, learn from circus take on a new importance in light of our current circumstances; while we cannot physically hold each other, we prop each other up through zoom calls with family and friends, encouraging text messages, and sharing a common knowledge that by acting together, we help each other. We care for each other deeply, standing together by standing apart.”
Flat Earth Theatre – Coming to Facebook Live, their new radio play Fine-Tuned Universe by A. Lehrmitt will stream weekly on Saturday nights at 7 P.M. from April 25th – May 30th. Each week brings a new 20-minute chapter. Fine-Tuned Universe: a radio play by A. Lehrmitt. Directed by Jake Scaltreto Saturdays, April 25th – May 30th, 7pm EST, Streaming on Facebook Live Featuring: Juliet Bowler, Kristen Heider, James Hayward, Chris Chiampa, Melissa de Jesus and Liz Salazar. With sound design by James Rossi
Homesick Play Project and Sparkhaven Theatre present a performance of Nosferatu, The Vampyrby M Sloth Levine with original music by Alissa Voth. HowlRound TV network at howlround.tv on Thursday 30 April 2020 at 3:30 p.m. PDT (San Francisco, UTC-7) / 5:30 p.m. CDT (Chicago, UTC-5) / 6:30 p.m. EDT (New York, UTC-4).
HOWL Shakespeare – HOWL Shakespeare presents their first livestreamed event! Over a dozen of the Boston area’s boldest young Shakespeare performers performing a Socially Distanced reading of A MIDSUMMER NIGHT’S DREAM.
This reading is to raise money for Massachusetts General Hospital’s efforts to fight COVID-19. Don’t want to wait to donate? Donate to MGH here: https://tinyurl.com/HowlMSND Send us a screenshot of your donation receipt and we’ll give you a shout-out in the livestream
From Our Homes to Yours – Everything Possible – Boston Gay Men’s Chorus
(Our eyes are leaking.)
Huntington at Home – Huntington @ Home is a series of new programs to connect with our audiences right now and includes:
Sign up for Huntington @ Home and receive a phone call from a Huntington artist or staff member. Choose for a staff member to deliver a short monologue from a past Huntington production or have a discussion with a member of the Huntington’s acclaimed production team about how the theatre created one of your favorite plays or musicals. We want to do our part by sharing our collective love of theatre and storytelling on a personal level.”
MassCreative – Every Friday at 9:45AM, MassCreative will host a 15-minute COVID-19 Virtual Policy & Action Update to help you make sense of what Congress and the MA Legislature are doing to strengthen the social and economic safety net during this public health emergency. Their goal “is to keep these webinars short, sweet, and to the point.” REGISTER
MassMouth – “Live shows may be postponed, but this is still a good time to continue improving your storytelling skills. Join our online events, including coaching sessions, webinars and virtual classes. Learn more below HERE.”
Craft your story. Tuesday, April 28th. 7:30 ET. – Each story featured on Stories from the Stage is unique, but the principles behind a good piece are universal. Explore key story elements and hear about the experience of a former teller, Cecilla Viveiros. Free. Massmouth will share the World Channel registration link with the community shortly.
Story workshop. Sunday, May 3rd. 4:30pm ET. – One of the best ways to improve a story is to share it with others and get their feedback. In this workshop, exchange a story with five other participants and one of Massmouth’s coaches. Hear what they love about your piece, as well as their ideas for improvement. Free. Register online.
Story workshop. Sunday, May 17th. 4:30pm ET. – One of the best ways to improve a story is to share it with others and get their feedback. In this workshop, exchange a story with five other participants and one of Massmouth’s coaches. Hear what they love about your piece, as well as their ideas for improvement. Free. Register online.
Museum of Science – ArtsBoston has a super convenient list of sites to access the Museum of Science online.
New Repertory Theatre — NEW! In the Wings Artist Salon Series Presented by Artistic Director, Michael J. Bobbitt. Head over to New Rep’s Facebook page on Sundays at 2:00 for a live panel. Host Michael J. Bobbitt will be joined each week by local artists, to discuss the state of theatre post-COVID-19. This week: Boston area Playwrights
The Hatchery: Virtual Project Night/ Tuesday, April 21 | 6:30 – 8:30 pm. FREE Virtual “Drop-in” Event – Donations Welcome – Join Resident Artist Sarah Nolen for Puppet Showplace Theater’s first-ever digital Hatchery! Now, from the comfort of your home or studio, connect with fellow puppeteers and puppet-curious artists in a low-stress Zoom Room setting. Participants can share and discuss project ideas, works-in-progress, and strategies for creative resilience during a pandemic. Join for all or part of the time!
April 30 – Next Live Performance! – Celebrate the power of DIY theater in miniature! In early April, the amazing artists of Great Small Works gathered Toy theater practitioners from all over the world the world to share original short shows, many of which were created in response to the present circumstances. All performances are still available to watch, and a new festival is coming April 30th. Don’t have time to watch two full nights? Check out Resident Artist Sarah Nolen’s performance “Don’t Stop the Pot!” on Day 2 at 1:41:35.
Faye Dupras’ new children’s series, Cozy Corner(It has a catchy theme song and puppets!)
GAME NIGHT! Online Improv Playground Apr 25, 2020 to Apr 25, 2020
ONLINE! Let’s come together, all ages and abilities, to play using skills and techniques from the world of Improvisation.
Civil Discourse Society: The Art of Persuasion– Apr 30, 2020 to May 28, 2020 ONLINE! Join our newest club! Civil Discourse Society is for mastering the art of persuasion. Consider the language you use, and your approach to truly activating dialogue in your private and public.
All our love from six feet away,
Kitty, Queen of the New England Theatre Geeks
And now my eyes are leaking.
Apollinaire Theatre Company – Apollinaire Play Lab Families announces that it will be hosting free virtual theater and games classes taught on Zoom./ Nos da mucho gusto informarles que vamos a ofrecer una serie de clases gratuitas en línea en teatro y juegos para niños on Zoom.
ArtsEmerson – ArtsEmerson’s Together Apart will give audiences access to offer high-quality archival videos and unique opportunities to hear from the artists behind them. This series will also include two town hall conversations with artistic director David Dower and executive director David C. Howse.
Boston Underground Film Festival BUFF-o-Stream – A collection of feature films from previous editions of BUFF, from BUFF alumni, and/or films in the spirit of BUFF, streaming on a platform near you. (Looks to be horror. If that’s your thing, you do you and enjoy! I’m not willing to investigate more because I’m not a fan of horror. -Kitty)
Fresh Ink Theatre – Fresh Ink announces the Homesick Play Project. “Homesick Play Project is a virtual space for new play development filling the vacuum of opportunity created by the COVID-19 crisis. Homesick produces virtual, pop-up readings and performances of new work at all stages of development through digital, in-process workshops and performances of plays, providing a platform to cultivate an audience, feedback, and artistic fellowship.” Go to THIS Google doc to sign up.
HowlRound – HowlRound has new streaming content coming to the site!
Monday 13 April 2020 – Tlaloc Rivas presents Latinx Superfriends Playwriting Hour livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv beginning Monday 13 April 2020 at 3pm EDT (New York) / 2 p.m. CDT (Chicago) / 1 p.m. MDT (Denver) / 12 p.m. PDT (Los Angeles).
Tuesday 14 April 2020 – Playwright Lauren Gunderson presents a conversation Dramaturgs + Playwrights – Lauren and Martine Greene-Rogers talk livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 14 April 2020 at 12 p.m. PDT (San Francisco, UTC-7) / 2 p.m. CDT (Chicago, UTC-5) / 3 p.m. EDT (New York, UTC-4).
Friday 17 April 2020 – Playwright Lauren Gunderson presents a conversation Directors + Playwrights – Lauren talks with Evren Odcikin livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Friday 17 April 2020 at 2 p.m. PDT (San Francisco, UTC-7) / 4 p.m. CDT (Chicago, UTC-5) / 5 p.m. EDT (New York, UTC-4).
Thursday 16 April 2020 – Playwright Lauren Gunderson presents a conversation Theatre Journalist + Playwright – Lauren talks with Diep Tran livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Thursday 16 April 2020 at 11 a.m. PDT (San Francisco, UTC-7) / 1 p.m. CDT (Chicago, UTC-5) / 2 p.m. EDT (New York, UTC-4).
Friday 17 April 2020 – La MaMa and CultureHub present Downtown Variety livestreaming on the global, commons-based peer produced HowlRound TV network at howlround.tv on Friday 17 April 2020 at 5 p.m. PDT (San Francisco, UTC-7) / 7 p.m. CDT (Chicago, UTC-5) / 8 p.m. EDT (New York, UTC-4).
ImprovBoston has online content: Mainstage, Family Show and “The ImprovBoston Baking Challenge with Gwen Coburn & Julie Snyder.” Please go to IB Live! for scheduling and content info.
Juventas New Music Ensemble at Online/Virtual Space – Stay Home with Juventas: 11 Wednesdays Evenings, 10 Musicians Who Love You, Hope, Light and Beauty in a difficult time. Juventas musicians invite you to join us Wednesday evenings for live-streamed solo performances from our homes. Go to THIS WEBSITE at 8PM on Wednesday evening to attend a concert.
Museum of Fine Arts, Boston (MFA) at Online/Virtual Space– Discover Basquiat and the Hip-Hop Generation online: View a slideshow and listen to the accompanying playlist at mfaboston.org. Starting Saturday, April 4, the MFA will take a week-long deep dive into the artworks and history of Basquiat and his post-graffiti peers, guided by exhibition co-curators Liz Munsell and Greg Tate.
WonderSpark Puppets – Free streaming content on Facebook Live with options to donate or purchase merchandise. Crafts (4pm Weekdays / 10am Weekends EST). Live Puppet Show (Fridays 11am EST)
Paper Heart Projects – Brad Shur of Paper Heart Puppets has launched a series of puppet craft videos making creative use of minimal supplies.
Chat with Audrey Duck – Audrey Duck, as seen on Mr. Rogers’ Neighborhood, is available to Skype-chat with kids (age 3-8). Audrey and her puppeteer Susan Linn will be available Mon, Wed & Fri between 4 and 5 pm EST. Email Audreydduck@gmail.com to set up a 10 minute slot.
Make-A-Monkey Craft – Make your own monkey with this fun finger puppet activity inspired by resident teaching artist Honey Goodenough’s “Sock Monkey Circus.” Print the template, color in your monkey, cut out the figure, hole-punch the circles, and use your fingers for legs.
Presented by ArtsEmerson Created by Back to Back Theatre, Australia Authored by Michael Chan, Mark Deans, Bruce Gladwin, Simon Laherty, Sarah Mainwaring, Scott Price, Sonia Teuben Directed by Bruce Gladwin Composed by Luke Howard Trio – Daniel Farrugia, Luke Howard, Jonathon Zion Performed by Michael Chan, Simon Laherty, Sarah Mainwaring, Scott Price
Boston, MA — One of the ignoble truths of living as a disabled person is that people stare. People stare at us because we’re different. They stare because they can. Performance is one way that disabled people wrestle back control. We get to choose when people stare at us. It is liberating.
In Back to Back Theatre’s The Shadow Whose Prey The Hunter Becomes, the disabled cast wants you to stare so they can stare back. And when they do, they do not flinch. I’d wager good money that Thursday night’s audience has never had their gaze turned back on them. Witnessing this was deliciously rewarding. Continue reading →