Presented in concert by Odyssey Opera
Composed by Camille Saint-Saëns
Libretto by Léonce Détroyat and Armand Silvestre
Gil Rose, conductor
Version prepared with assistance from Hugh Macdonald
Supertitles provided by Danielle Sinclair
(Boston, MA) The year is 1521. Henry VIII (Michael Chioldi) rules England with unhinged fury. The chorus announces that Henry is about to behead the Duke of Buckingham, once a beloved best friend. It is a grave foreshadowing of Anne Boleyn’s infamous fate. The chorus pleads, “please, can someone save us from this mad tyrant?” Continue reading →
Saturday, Sept. 7, 2019
Doors at 7:30 p.m., Show at 8 p.m. Tickets are $22
Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA 02116
Featuring the talents of Geeks Diana Lu and Shiyanbade Animashaun!
They’re back again! Mark your calendars for the return of The Intersection. Come to the South End on Saturday, September 7 for a night of comedy!
Come witness the baddest comedians, poets, sketch artists, and improvisers create community on stage while making you laugh! The Intersection is produced by creatives of color from across the Boston area.
Doors open at 7:30 pm. Show at 8:00 pm.
F.U.N. – Fierce Urgency of Now: Energizing Young Professionals of Color to Unlock Boston’s Promise
What is the Fierce Urgency of Now Festival?
A five-day series of events hosted by local businesses and organizations geared at highlighting the experiences, challenges, and opportunities for young professionals of color in our city with the ultimate goal of creating community. With more than 30 events scheduled, you can plan to learn, connect, and have fun all week long, while also lending your voice to change. Join us September 4-8 to help make Boston more inclusive for all.Why are we involved in F.U.N.?
With half of the workforce in Boston being classified as millennials, and nearly half of millennials in Greater Boston being people of color, we know that the business community must play a key role in improving the city’s image and increasing access and opportunities to attract and retain talent. Retention of young people of color is of critical importance to our future as a region.
F.U.N. is for you: young professionals and young professional of color looking to build community and gain allies.
(Boston, Mass.) My program calls Masquerade a “verse drama.” That’s about the most pretentious thing I’ve ever seen. Even Shakespeare just wrote “plays.” Other reviewers keep comparing this 19thcentury Russian romantic play to Shakespeare’s Othello. I’m sure writer Mikhail Lermontov filched his basic plot points from The Bard, but the similarities end there. Continue reading →
(Boston, MA) A hip hop musical play, Vietgone is Qui Nguyen’s new rom-com style re-telling of his parents’ love story. Though it’s presented as “a story about falling in love, not a story about war”, it very much is also a story about the Vietnam War, its devastating consequences, and the dignity and fortitude of its survivors. As a play, it’s well-written, at times hilarious, at times, heartbreaking. Continue reading →
(Boston, MA) American Moor is a masterpiece of a one-man show. Written and performed by accomplished actor Keith Hamilton Cobb, the 90 minute monologue portrays the interior narrative of an overqualified black actor as he goes through yet another disheartening audition to play Shakespeare’s Othello for yet another clueless white Director (Josh Tyson). The descriptive prowess of Cobb’s blow-by-blow detail plays out like The Old Man and the Sea. His impressive acting chops create some of the most intense, emotionally raw, and true to life moments I’ve ever seen on any stage, including The Globe Theater in London. Continue reading →
(Watertown, MA)Cardboard Piano is a two-part sociopolitical drama. The first act portrays a young love affair between Chris, a missionary’s daughter (Marge Dunn), and Adiel (Rachel Cognata), a Ugandan teenager, and how it was torn apart by senseless homophobia and war violence. The second act sees the daughter return to Uganda 15 years later to find the man who killed her lover (Michael Ofori/Marc Pierre) reviving her father’s church and continuing to oppress his young, queer congregants. Continue reading →
February 26 – March 17, 2019 ASL Interpreted performances: Wednesday, March 13 at 7:30PM and Sunday, March 17 at 2PM Open Captioned performances: Thursday, March 14 at 7:30PM and Saturday, March 16 at 2PM Audio Described performances: Friday, March 15 at 7:30PM and Saturday, March 16 at 2PM Loeb Drama Center Cambridge, MA ART on Facebook
Review by Diana Lu
(Cambridge, MA) Neil Armstrong was the first man on the moon and everyone in the world knows his name. Young Jean Lee was the first Asian female playwright on Broadway, and that is all she’s known as: “Asian female playwright”. Even in headlines about her work, white newspapers didn’t bother to print her name. Most people don’t know her name, including Asian women outside of theater. Let’s face it. White people like white plays, and the occasional token, minstrel show. Continue reading →
Presented by ArtsEmerson Direction and Choreography by Raphaëlle Boitel Artistic Collaboration, Set and Light Design by Tristan Baudoin Original Soundtrack and Sound Design by Arthur Bison Costumes by Lilou Hérin Rigging, Machinery and Set Design by Nicolas Lourdelle
(Boston, MA) When Angels Fall melds dance, aerial circus, slapstick humor, cinematic visual arts and more to weave a fantastical tale of fallen angels (or humans) trying to make sense of their harsh dystopian landscape and their places within (or without) it. As a synthesis of disparate disciplines, director and choreographer Raphaëlle Boitel has crafted a truly original new performance art, and this is a major artistic accomplishment in and of itself.
(Cambridge, MA) Central Square Theatre hosts New York City’s Bedlam Theatre Company in their revamped version of Pygmalion, by George Bernard Shaw. This is the classic story of English phonetician Henry Higgins (Eric Tucker) discovering and training working class waif Eliza Doolittle (Vaishnavi Sharma) on the speech and manners of a proper English lady, to the ultimate folly of both. Bedlam’s new interpretation returns to Shaw’s original feminist conception of Eliza and Henry’s fraught relationship and also changes the Doolittle family to Indian immigrants, ostensibly to reflect modern day issues of gender, class, and immigration in the US. It was a very well done production, and I’m sure there will be many reviews which praise all its various technical merits. This review isn’t one of them. Continue reading →
A Conversation with “Endlings” Playwright Celine Song
Presented by American Repertory Theatre
By Celine Song
Directed by Sammi Cannold
February 1 – March 17, 2019
ASL Interpreted performances: Wednesday, March 13 at 7:30PM and Sunday, March 17 at 2PM
Open Captioned performances: Thursday, March 14 at 7:30PM and Saturday, March 16 at 2PM
Audio Described performances: Friday, March 15 at 7:30PM and Saturday, March 16 at 2PM Loeb Drama Center
7till8 Wetsuits on Facebook
OpEd and interview by Diana Lu
They are sometimes called “Korean mermaids,” and sometimes “sea women,” or haenyeo. The female free divers of Jeju Island are the last keepers of a centuries-old tradition of ocean floor fishing, one that created a unique matrilineal craft and matriarchal economy. In the 1960s, there were more than 26,000 haenyeo. Today there are less than 4,500. Nearly all are over 50 years old, with few young women interested in replacing them. It is difficult, dangerous work, diving without oxygen, wearing lead weights for up to two minutes at a time. About nine haenyeo a year are lost to the sea. Continue reading →