Jan 02

“Two Mile Hollow,” Or White People, We Need to Talk About Colorism

Presented by Apollinaire Theatre Company
Written by Leah Nanako Winkler
Directed by Danielle Fauteux Jacques

Dec 21, 2018 – Jan 20, 2019
Chelsea Theatre Works
189 Winnisimmet St
Chelsea, MA 02150
Apollinaire Theatre Company on Facebook

Review by Diana Lu

(Chelsea, MA) Thanksgiving day. Generic WASP family, The Donnelly’s, converges on Two Mile Hollow, a family beach house. Younger son, Joshua, and daughter, Mary, are expecting drama with mother Blythe, but none are expecting older son Christopher to bring his “assistant,” Charlotte, especially not an “assistant”…OF COLOR. On this stormy night, secrets are spilled, social hierarchies are upended, and only one may leave with their self-esteem unscathed. Continue reading

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Dec 10

Ethos of Old World fables: “A Story Beyond”

Presented by Liars & Believers
Written by Jason Slavick and Rachel Wiese
Music and Lyrics by Nathan Leigh
Directed by Jason Slavick and Faye Dupras

Dec 6 – Dec 22, 2018
Boston Center for the Arts Plaza Theatre
539 Tremont Street
Boston, MA 02116
Liars & Believers on Facebook

Review by Diana Lu 

(Boston, MA) A Story Beyond is a reimagined fable inspired by various European folklores. This new musical tells the story of a young girl, Maya, who makes a dangerous and fantastical journey to figure out how to save her village from a dark cloud that threatens to turn everyone she loves into lead. Maya’s story is told through puppets, shadow puppets, mask theatre, and a two-person band. Other folk tales are interwoven with the main plot like a Spokane. Continue reading

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Nov 19

“WET: A DACAmented Journey.” A Lucid Dreamer Speaks.


Presented by ArtsEmerson
Produced by Cara Mía Theatre & Ignite/Arts Dallas
Written and Performed by Alex Alpharaoh
Directed by Brisa Areli Muñoz

November 8-25, 2018
Emerson Paramount Center
Boston, MA    02111
ArtsEmerson on Facebook

Review by Diana Lu

(Boston, MA) Alex Alpharaoh’s one-man show is a captivating fusion of poetry and play. Alpharaoh transforms from character to character, suspense to comic relief with shape-shifter ease, never missing a stanza as he leads the audience through his onstage persona, Anner’s, ceaseless real-life struggles as an undocumented person in the US. Even traveling to see his dying grandfather for the first and last time is a life-threatening ordeal. It’s not life-or-death, but life as you know it-or-an undiscovered country certainly feels like comparable stakes. Continue reading

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Nov 06

“Peter and the Starcatcher,” and Vote Yes on 3!

With Lindsay Eagle, Robert Benton Orzalli, Michael John Ciszewski, Lauren Elias, Joey Cletis Pelletier, Molly Kimmerling, Claire Koenig and Bob Mussett. Picture by Tim Gurczak.

Produced by Hub Theatre of Boston
Written by Rick Elice
Music by Wayne Barker
Based on the novel by Dave Barry and Ridley Pearson
Directed by Sarah GazdowiczNovember 2 – 17, 2018
First Church of Boston
66 Marlborough Street
Boston, MA 02116

Hub on Facebook

Review by Diana Lu

(Boston, MA) Peter and the Starcatcher is a reimagined origin story for Peter Pan. Before he was the boy who wouldn’t grow up, Peter was an orphan with no name, no friends, and no home. Robbed of their childhoods, Peter and his fellow lost boys are sold to the treacherous, orphan-hating captain of The Neverland, Bill Slank. Slank has stolen Queen Victoria’s treasure trunk and left a decoy in its place on HMS The Wasp. Also aboard The Neverland is Molly Aster, daughter of The Wasp’s captain, righteous and patriotic Lord Leonard Aster. The Asters are revealed to be more than imperial apologists when a band of pirates capture The Wasp and sail for Neverland’s stolen treasure. The adventure lands everyone on Mollusk Island, inhabited by a tribe of English-hating Italian chefs, allowing Peter to discover who he truly is and where he belongs.
Continue reading

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Oct 29

Songs of Ice and Fire: “Brother Nat”

Presented by The Boston Foundation
Book and Lyrics by Jabari Asim and Liana Asim
Music by Allyssa Jones
Music Director Damien Sneed

October 25, 2018
Emerson Paramount Center
Robert J. Orange Stage
559 Washington Street
Boston, MA  02111
Brother Nat on Facebook

Critique by Diana Lu

(Boston, MA) American history is black history, is slave history. It is a history that demonstrates the deepest stoicism and power of humanity. Beaten and chained, stripped of everything, Black American slaves formed communities tighter than blood, turned lifetimes of suffering into exquisite song, and used song to rise above, revolt against injustice, and redeem all humanity. Nat Turner’s Rebellion was a point of inflection in our nation’s story, which swung the course of history toward freedom and salvation. A grand opera is needed to deliver this epic. No other medium could do justice.  Continue reading

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Oct 23

50 Shades of Complicity: “We Will Not Be Silent”

L to R – Conor Proft and Sarah Oakes Muirhead; Photo by Andy Brilliant/Brilliant Pictures.

Presented by New Repertory Theatre
By David Meyers
Directed by Jim Petosa

October 13—November 4, 2018
The Dorothy and Charles Mosesian Center for the Arts
321 Arsenal St
Watertown, MA 02472
New Rep on Facebook

Review by Diana Lu

(Watertown, MA) We Will Not Be Silent revisits the true story of Sophie (Sarah Oakes Muirhead) and Hans (Conor Proft) Scholl, German student dissidents in Nazi Germany executed for attempting to mount a nonviolent resistance movement in 1942. Post-WWII, Germany vindicated the Scholl siblings and lionized their sacrifice as a symbol of great stoicism and bravery. Continue reading

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Oct 16

“Barber of Seville”: Not A Useless Precaution

The cast; photo by Liza Voll Photography.

Presented by Boston Lyric Opera
Score by Gioachino Rossini
Libretto by Cesare Sterbini
Conductor David Angus
Stage Director Rosetta Cucchi

October 12 – 21, 2018
Emerson Cutler Majestic Theater
219 Tremont Street
Boston, MA  02116
BLO on Facebook

Review by Diana Lu
(Boston, MA) The Barber of Seville, or The Useless Precaution, remains one of the most well-known pieces of classical music in the modern world, and for good reason. The score sparkles and gambols, flickering from one indelible motif to the next. The libretto tells the universally appealing story of youth counterculture fighting for love and sticking it to the man. Continue reading

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Oct 02

“Meet Fred,” No Strings Attached!


Presented by Puppet Showplace Theater
By Hijinx Theatre in association with Blind SumMiT
Directed by Ben Pettitt-Wade
Fred theme music by Jonathan Dunn
Puppetry dramaturgy by Tom Espina & Giulia Innocenti

Sept. 28-30, 2018
Plaza Theatre
Boston Center for the Arts
Boston, MA
Puppet Showplace on Facebook
Hijinx on Facebook

Review by Diana Lu

(Boston, MA) In Meet Fred, three-man puppetry meets meta-theater meets sociopolitical satire meets disabilities awareness. All this was beautifully woven together with tight storytelling, sharp humor, and arresting visuals. The result is one of the most engaging, funny, and touching theater experiences you will ever have. Continue reading

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Sep 24

“Vicuña” or not “Vicuña,” That is the Question

(L to R) Evelyn Holley, Srin Chakravorty, Steve Auger, Arthur Barlas, and Jaime Hernandez in Zeitgeist Stage Company’s production of Vicuña. Photo by Joel Benjamin.

Presented by Zeitgeist Stage Company 
By Jon Robin Baitz
Directed by David J. Miller

September 14th – October 6th, 2018
Plaza Black Box Theater
Boston Center for the Arts
539 Tremont St
Boston, MA
Zeitgeist on Facebook

Review by Diana Lu

(Boston, MA) In Vicuña, the year is 2016, and Amir, a young Iranian-American tailor’s apprentice, gets thrown into the world of national politics when Kurt Seaman, the loose cannon business tycoon-turned underdog presidential candidate, drops in to order a special suit (made of fine vicuña wool) for his third debate against an unnamed female opponent. Caught between virtue and duty, flirting with Seamen’s daughter Ivanka—er, I mean Srilanka—and disaster, Amir must decide whether to make the suit and betray everything he believes in, or refuse and let his family and closest friends suffer the consequences of denying this powerful and dangerous man. Continue reading

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Sep 07

Bodega Presents: The Intersection @ District Hall, Boston

Bodega Presents: The Intersection
Sun, September 23, 2018
7:00 PM – 9:00 PM EDT
$21.00

District Hall
75 Northern Avenue
Boston, MA 02210

Doors open at 7:00 pm. Show at 7:30 pm. Come by for some #FUNinBOS !
Somebody tell Permit Patty and BBQ Becky it’s going down in District Hall! Bodega has curated the most fearless and funniest performers in Boston for one night only. If you stay rooting for everybody Black, then this is the place to to The Intersection at District Hall in the Seaport for a night of comedy completely comprised of Boston creatives of color. Comedians, and improvisers will nourish your spirit and have you laughing until you snort. We promise.

Standups include Tooky Kavanagh, Reece Cotton and Sarah Francis.

The Intersection is part of the six day FUN festival hosted by the Greater Boston Chamber of Commerce and City Awake. For more ways to join the conversation and celebration of Boston’s Millennials of Color visit the festival site. Venue sponsored by the good folks at District Hall. Dinner and drinks available on-site at Gather restaurant.

FAQ: What are my transportation/parking options?
District Hall is closest to the MBTA Courthouse stop on the Silver Line. There are a number of bike racks available by the Seaport Boulevard entrance. In addition, DH is located right next to the Seaport Square station on the Hubway bikeshare network. If you drive in, there are a number of parking lots in the area: Pilgrim Parking – One Marina Park Drive Garage; LAZ Parking – Watermark Seaport; One Seaport Parking Garage.

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