Tuesday, Dec 1, 2020, 7 PM Streamed Live via Youtube Boston Cultural Council on Facebook FPTC on Facebook
Review by Diana Lu
YOUTUBE–Cyrus McQueen used to be just your everyday standup comedian of Last Comic Standing fame. In the Age of Trump, he’s also become Twitter-famous as a cultural critic, offering race and politics analyses and wisecracks 280 characters at a time. He’s developed his experiences over the last four years into a first book, Tweeting Truth to Power: Chronicling our Caustic Politics, Crazed Times, & The Great Black & White Divide, which is supposed to be equal parts memoir and political discourse.Continue reading →
ZOOM/HOWLROUND — Let’s be clear: Waiting For Kim Lee is not a play; it’s a rant, forced into a dialogue. I hate it when people screech from the steps of a soapbox and call it art (David Mamet* comes to mind). I also hate the superficial media representation-discussion that seems to be the only thing Asian American artists ever talk about.
That was fine in 2016, but right now, we’re dying of COVID-19 at higher rates than the national average and getting hate-crimed for America’s pathetic epidemic response. We’re struggling to keep our businesses afloat, and protesting for our right to exist, and for Black lives. Complaining about parents and how many auditions you’re getting right now seem like outdated and out of touch problems.
It would be one thing if Waiting for Kim Lee had anything especially insightful or new to say about it, but this play just recycles the same few talking points that have already been rehashed by every Buzzfeed article for the last five years. Not only are they stale, but they are also narrow-minded and miss the point. Continue reading →
DIANA: So, Michael, I recently saw you in a Zoom reading of a local play (Wild Goose Dreams by Hansol Jung) in Boston and you’re such a fun, playful actor. What are your upcoming projects?
MICHAEL: The big one is Lucky Grandma. We premiered the movie at Tribeca, which was really my first part in the lead cast in a movie. And that was pretty exciting. The premiere was really successful at Tribeca and we went to LA and London and Macau and it did really well. Continue reading →
Royal Court Theatre
10 May — 15 June, 2019
London SW1W 8AS
Directed by Priscilla Jackman
Sydney Theatre Company
24 October — 9 November, 2019
Lennox Theatre, Riverside Parramatta
New South Wales, Australia
Directed by Desdemona Chiang
November 6 — December 15, 2019
Milton Theatre, 1501 14th St NW
Washington, DC 20005
Interview by Diana Lu
DL: Can you tell us about yourself, how you became a playwright, where you got the idea for your play White Pearl?
FK: I am half Thai, half Australian. I grew up between Thailand and Philippines and then moved to Australia when I was quite young. My whole life has been spent as a global citizen in the broader international community with lots of other ex-pats, lots of like immigrant kids. I’ve always been really interested in global culture, and in 2016 when I started writing this play, I saw that a bunch of ads for skin whitening companies, a lot of them Thai ads, were going viral on my news feed. Continue reading →
Presented in concert by Odyssey Opera
Composed by Camille Saint-Saëns
Libretto by Léonce Détroyat and Armand Silvestre
Gil Rose, conductor
Version prepared with assistance from Hugh Macdonald
Supertitles provided by Danielle Sinclair
(Boston, MA) The year is 1521. Henry VIII (Michael Chioldi) rules England with unhinged fury. The chorus announces that Henry is about to behead the Duke of Buckingham, once a beloved best friend. It is a grave foreshadowing of Anne Boleyn’s infamous fate. The chorus pleads, “please, can someone save us from this mad tyrant?” Continue reading →
Saturday, Sept. 7, 2019
Doors at 7:30 p.m., Show at 8 p.m. Tickets are $22
Calderwood Pavilion at the BCA
527 Tremont Street
Boston, MA 02116
Featuring the talents of Geeks Diana Lu and Shiyanbade Animashaun!
They’re back again! Mark your calendars for the return of The Intersection. Come to the South End on Saturday, September 7 for a night of comedy!
Come witness the baddest comedians, poets, sketch artists, and improvisers create community on stage while making you laugh! The Intersection is produced by creatives of color from across the Boston area.
Doors open at 7:30 pm. Show at 8:00 pm.
F.U.N. – Fierce Urgency of Now: Energizing Young Professionals of Color to Unlock Boston’s Promise
What is the Fierce Urgency of Now Festival?
A five-day series of events hosted by local businesses and organizations geared at highlighting the experiences, challenges, and opportunities for young professionals of color in our city with the ultimate goal of creating community. With more than 30 events scheduled, you can plan to learn, connect, and have fun all week long, while also lending your voice to change. Join us September 4-8 to help make Boston more inclusive for all.Why are we involved in F.U.N.?
With half of the workforce in Boston being classified as millennials, and nearly half of millennials in Greater Boston being people of color, we know that the business community must play a key role in improving the city’s image and increasing access and opportunities to attract and retain talent. Retention of young people of color is of critical importance to our future as a region.
F.U.N. is for you: young professionals and young professional of color looking to build community and gain allies.
(Boston, Mass.) My program calls Masquerade a “verse drama.” That’s about the most pretentious thing I’ve ever seen. Even Shakespeare just wrote “plays.” Other reviewers keep comparing this 19thcentury Russian romantic play to Shakespeare’s Othello. I’m sure writer Mikhail Lermontov filched his basic plot points from The Bard, but the similarities end there. Continue reading →
(Boston, MA) A hip hop musical play, Vietgone is Qui Nguyen’s new rom-com style re-telling of his parents’ love story. Though it’s presented as “a story about falling in love, not a story about war”, it very much is also a story about the Vietnam War, its devastating consequences, and the dignity and fortitude of its survivors. As a play, it’s well-written, at times hilarious, at times, heartbreaking. Continue reading →
(Boston, MA) American Moor is a masterpiece of a one-man show. Written and performed by accomplished actor Keith Hamilton Cobb, the 90 minute monologue portrays the interior narrative of an overqualified black actor as he goes through yet another disheartening audition to play Shakespeare’s Othello for yet another clueless white Director (Josh Tyson). The descriptive prowess of Cobb’s blow-by-blow detail plays out like The Old Man and the Sea. His impressive acting chops create some of the most intense, emotionally raw, and true to life moments I’ve ever seen on any stage, including The Globe Theater in London. Continue reading →
(Watertown, MA)Cardboard Piano is a two-part sociopolitical drama. The first act portrays a young love affair between Chris, a missionary’s daughter (Marge Dunn), and Adiel (Rachel Cognata), a Ugandan teenager, and how it was torn apart by senseless homophobia and war violence. The second act sees the daughter return to Uganda 15 years later to find the man who killed her lover (Michael Ofori/Marc Pierre) reviving her father’s church and continuing to oppress his young, queer congregants. Continue reading →