Feb 24

Distracted by T-Rex: “She the People”

Presented by Huntington Theatre Company
Resident Direction / Choreography by Carisa Barreca
Original Direction / Head Writing by Carly Heffernan
Original Music & Sound Design by Mary Mahoney
Music Direction & Sound Design by Jacob Shuda
Stage Managing by William Collins

Performance dates: Feb 18 – Mar 8
Calderwood Pavilion at the BCA
527 Tremont St., Boston:
Facebook link

Review by Chloé Cunha

Boston, MA — I am woman, hear me roar… with laughter? She the People is fun, high-energy, and, in its best moments, a cathartic release of female frustrations. At its least effective, it is as on the nose as the opening sentence of this review, and narrow in its vision. Though not as radical as one might expect or hope for, it nevertheless presents an entertaining piece of political bubblegum pop to chew on. Continue reading

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Feb 04

“boom”: An End or A Beginning?

Nicholas Yenson* & Chloe Nosan as “Jules” and “Jo.”
Photo by Maggie Hall

Presented by Wellesley Repertory Theatre
By Peter Sinn Nachtrieb
Directed by Marta Rainer
With Nicholas Yenson, Chloe Nosan, Stephanie Clayman

January 16 – February 9, 2020
Ruth Nagel Jones Theatre
Wellesley College
Wellesley , MA 02481
WRT on Facebook

Review by Shiyanbade Animashaun

Wellesley, MA — The set for boom is a tank reminiscent of a gallery or museum exhibit, with assorted instruments set to the left. As it starts, Stephanie Clayman’s  (“Barbara”) crosses the stage in a jumpsuit and overcoat. Shortly thereafter,  Nicholas Yenson ( “Jules”) and Chloe Nosan (“Jo”) robotically take to the stage, arranged as an underground bunker. Continue reading

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Feb 03

Now with Bonus Toilet Goblin: “Vanity Fair”

Presented by Underground Railway Theater
By Kate Hamill
From the novel by William Makepeace Thackeray
Directed by David R. Gammons
Fight coordination by Victor Ventricelli
Dialect coaching by Erika Bailey
Dramaturgy by Hilary Rappaprt

January 23 – February 23, 2020
Central Square Theater 
450 Massachusetts Avenue
Cambridge, MA 02139
Central Square Theater on Facebook

Critique by Kitty Drexel

Cambridge, MA — William Makepeace* Thackeray’s Vanity Fair postdates Voltaire’s Candide by almost 100 years. Kate Hamill’s Vanity Fair now at Central Square Theater compares strongly to the famed Bernstein operetta. One could expect the human race to have evolved to squabble over different intersocial problems after nearly a century. One would be wrong. Continue reading

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Feb 03

“Pass Over”: Repetition and Resonance

The cast at a friendly picnic. The cops were called. Photo by Nile Scott Studio.

Presented by SpeakEasy Stage Company
Written by Antoinette Nwandu
Directed by Monica White Ndounou
With Kadahj Bennett, Hubens “Bobby” Cius, Lewis D. Wheeler

January 3 – Feb. 2, 2020
Calderwood Pavilion at the Boston Center for the Arts
SpeakEasy on Facebook
The Front Porch on Facebook

Review by Shiyanbade Animashaun

Boston, MA — When directed to their seats, audience members were asked to stay clear of the stage. Set in-the-round, the four seating sections surrounded a square with an off-center lamp post and brick. Soon the direction became clear as Kadahj Bennett (Moses) and Hubens “Bobby” Cius (Kitch) took to the stage in the pre-show moments, with interactions that foreshadowed the events of the play. Continue reading

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Jan 29

Protest Harder, Longer, Faster: “Hair: The American Tribal Love-Rock Musical”

Cast of Hair. Andrew Brilliant/Brilliant Pictures.

Presented by New Rep Theatre
Book & Lyrics by Gerome Ragni and James Rado
Music by Galt MacDermot
Directed and choreographed by Rachel Bertone
Music direction by Dan Rodriguez
Intimacy direction by Angie Jepson
Dramaturgy by Emily White

Jan 26- Feb 23, 2020
Open Caption services will be provided on Saturday, 2/8 during the 3:00pm performance.
MainStage Theater
Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472
New Rep on Facebook

Content Warning: This production contains strong language, frequent references to sex and illicit substances, and brief nudity. Recommended for ages 18+.

Critique by Kitty Drexel

Watertown, MA —  Hair is the only time I’ve been (purposefully) naked onstage. I have fond memories of performing in Counter-Productions Theatre Company’s Hair in 2010. Getting naked as an expression of civil protest was just one of the perks of joining their cast. Continue reading

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Jan 27

Climate Terrors: “The Last Catastrophist”

Evelyn Holley as Marina and Shanelle Chloe Villegas as Lucia (L to R). Photo by Paul Fox.

Presented by Fresh Ink Theatre Company
By David Valdes
Directed by Sarah Gazdowicz
Dramaturgy by Sarah Schnebly
Fight choreography by Marge Dunn

January 24 – February 8, 2020
Plaza Black Box Theatre
Boston Center for the Arts
Boston, MA
Fresh Ink on Facebook

Critique by Kitty Drexel

Boston, MA — The opening of The Last Catastrophist last weekend coincides with a news update that the current president is going to repeal Obama era environmental protections for streams, wetlands, and groundwater. Repealing these measures is a step backwards from preventing the devastating effects of climate change on US lands. What small matter is clean, public drinking water so long as his precious golf courses are green? One can’t possibly spend one of every five working days golfing on his private business without golf courses greener than envy.

Water is life. Continue reading

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Jan 23

Bickering is A Language of Love: “We All Fall Down”

Presented by Huntington Theatre Company
by Lila Rose Kaplan
Directed by Melia Bensussen
Jan. 10 – Feb. 15, 2020
South End / Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

“Ring-a-round the rosie,
A pocket full of posies,
Ashes! Ashes!
We all fall down.” – Traditional song (American version)

Boston, MA — We All Fall Down is a family portrait that examines clashing egos during a period of family dilemma. The Stein family isn’t talking to each other. In their defense, they aren’t listening either. It’s Passover. Everyone has an agenda and none of them correspond. We All Fall Down is about the power we give denial. The stronger the denial, the tauter the family bond. Continue reading

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Jan 17

Calling the Police Over a Picnic:”Pass Over”

Photo by Nile Scott Studios; Lewis D. Wheeler, Kadahj Bennett, Hubens “Bobby” Cius

Presented by SpeakEasy Stage Co. with The Front Porch Arts Collective
By Antoinette Nwandu
Directed by Monica White Ndounou
Fight choreography by Brandon G. Green
Movement coaching by Mila Thigpen
Dramaturgy by Pascale Florestal

January 3 – Feb. 2, 2020
Calderwood Pavilion at the Boston Center for the Arts
SpeakEasy on Facebook
The Front Porch on Facebook

Critique by Kitty Drexel

Trigger warning: white guilt, language, fuck the police

(Boston, MA) The sheer volume of what one must understand as true regardless of personal belief in order to not merely understand but thoroughly digest Antoinette Nwandu’s Pass Over at SpeakEasy Stage is overwhelming. The role that white people play in perpetuating racism’s systemic horrorshow machinations against Black people (and all people of color) is astounding.

Here is a list of links containing basic concepts that could be helpful. 

  • It is not the responsibility of Black people to explain racism or to convince white people that it exists. 
  • Being nice isn’t the same as not being racist. Racist people are nice all of the time. Nice people are racist all the time.
  • Black friends won’t make a white person less racist. Dismantling internalized racism requires a lifetime of work.  
  • It should go without saying that Black people want equality. They don’t want to reverse their treatment at the hands of white people back onto white people. 
  • Racism is about power. Reverse racism doesn’t exist. 
  • White people have to stop taking personally Black resistance to oppression.  
  • All of this information is a Google search away. 

Continue reading

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Jul 12

New Rep Theatre Announces Open Captioning for 2019-2020 Season

New Rep header via http://www.newrep.org

New Repertory Theatre
Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472
New Rep on Facebook

Story coverage by Kitty Drexel

(Watertown, MA)  New Repertory Theatre will provide one open captioned performance per each of its six productions during the 2019-2020 season due to a grant from the Theatre Development Fund, said a July 5 press release.

This project is also funded by the National Endowment for the arts, according to the press release. New Rep will offer discounts to those who require open captioned services. Continue reading

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