Oct 16

Everything And More; or, Why My Ex is Straight Now: “The Rocky Horror Show”

Richard O’Brien’s THE ROCKY HORROR SHOW / MOONBOX PRODUCTIONS 2021
Photography: Molly Shoemaker

Presented by Moonbox Productions
Music, lyrics and book by Richard O’Brien
Directed by David Lucey
Music Directed by Mindy Cimini
Choreography by Daniel Forest Sullivan
Dramaturgy by Allison Olivia Choat

October 16 – 31, 2021
Oct. 23 & 24 @ 7PM (ASL Interpreted Performance)
Fri 10/29 8pm (Audio Described Performance)
“The Lab” 
25 Brattle Street
Cambridge MA 02138
Moonbox on Facebook

Please note: Masks and either Proof of Vaccination/Negative PCR Covid Test Results (within 72 hours) are REQUIRED for entry. Thank you for helping us keep everyone safe!

Tickets are General Admission with Pay-What-You-Can* Seating available at the box office prior to each performance.

Content warning: Language, SEXual content, and fabulous drag queens across the gender spectrum

Review by Kitty Drexel

Cambridge, MA — The Rocky Horror Show at The Lab in Harvard Square is everything Rocky Horror could be during these COVID-times and more. Its energy is electric. The cast is damn brilliant. The band is brilliant. Every single person involved in the preview on Friday night knows how to get down (and get back up again). 

Moonbox’s The Rocky Horror Show will cure what ails you – removing the cause but not the symptom. The Lab is awash in bisexual lighting when you enter; we were all lit up in pinks, purple and subtle blues. Gobos twirled above our heads as we sat in rows facing the audience. OMGs, it was so much fun!  Continue reading

Oct 09

Cream Soda to Crème de Menthe: “Queens Girl in the World”

Photo credit to Nile Scott; Image shows Jasmine M. Rush in Queens Girl in the World, sitting on a swing. Behind her, the set, which predominantly features a large, white house, is lit with a mixture of purple and orange lights. In the scene, Jasmine’s character is smiling happily.

Co-produced by The Nora@Central Square Theater, The Front Porch Arts Collective, and The Hangar Theater
Written by Caleen Sinnette Jennings
Directed by Dawn M. Simmons
Performed by Jasmine M. Rush

September 30 – October 31, 2021
Streaming link
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
CST on Facebook

Critique by Kitty Drexel

Trigger warning: abuse, grooming 

CAMBRIDGE, Mass. — There is a practice in the UK that I absolutely love: you can purchase a copy of the show you’re there to see at the bar. Going to see a new play? Buy a copy of it with your Malbec. Attending the show alone? Peruse your new copy while sipping Chardonnay at intermission. (Or Diet Coke if you’re reviewing.) 

In the case of last night’s Queens Girl in the World, I wanted to buy and immediately read the entire Queens Girl Trilogy: Queens Girl in the World, Queens Girl in Africa, Queens Girl: Black in the Green Mountains. Character Jacqueline Marie Butler, written by Caleen Sinnette Jennings, is so captivating I want to know more about her.  Continue reading

Oct 04

Trust Your Gut: “The Sound Inside”

Jennifer Rohn and Nathan Malin in SpeakEasy Stage’s production of The Sound Inside. Photo by Nile Scott Studios.

Presented by SpeakEasy Stage Company
Written by Adam Rapp
Directed by Bryn Boice
Cast: Nathan Malin, Jennifer Rohn

Sept. 24 – Oct. 16, 2021
527 Tremont St
Boston, MA 02116
SpeakEasy on Facebook
SpeakEasy’s COVID-19 protocols

CONTENT WARNING: Discussions of self-harm.

Review by Kitty Drexel

“It will always be impossible to know, for the good reason that all writing is itself this special voice, consisting of several indiscernible voices, and that literature is precisely the invention of this voice, to which we cannot assign a specific origin: literature is that neuter, that composite, that oblique into which every subject escapes, the trap where all identity is lost, beginning with the very identity of the body that writes.” 

– From The Death of the Author by Roland Barthes

BOSTON, Mass. — In watching SpeakEasy’s production of The Sound Inside, I was reminded of Roland Barthes’ infamous essay, The Death of the Author. The Death of the Author is an essay that argues for stripping an author’s intentions and personal biography from a reader’s interpretation of their writing. A reader should separate the author from their art. 

Barthes says writing is intended to be read by others. Regardless of the author’s intentions, the reader will formulate their own understanding of the work. The reader’s interpretation is no less valid than the author’s.  Continue reading

Oct 26

A Look at Truth: “A Woman Ain’t I, A Depiction of Sojourner Truth”

Kathryn Woods as Truth in a prepandemic photo.

Directed and Performed by Historical Interpreter Kathryn Woods
October 9, 2020
Presented by History At Play, LLC
Pay-Per-HAP via Facebook Livestream

Review by Shiyanbade Animashaun

(Boston, MA) A Woman Ain’t I, A Depiction of Sojourner Truth is a One-Woman show about select moments in the life of Sojourner Truth. Creator Kathryn Woods has played this role since the 90s, though perhaps this was the first time it was broadcast into people’s homes via a Facebook Live stream. Continue reading

Oct 09

Upstaged By A Wandering Mouse: “Fannie Lou Hamer: This Little Light”


Presented by Central Square Theatre 
In partnership with City of Cambridge Citizens’ Committee on Civic Unity & YWCA Cambridge.
Written and performed by Dr. Billie Jean Young 

October 7, 2020, at 7PM
A virtual event over Zoom 

Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139
CST on Facebook

Critique by Kitty Drexel

ZOOM/Cambridge, MA — Central Square Theatre’s presentation of Fannie Lou Hamer: This Little Light was a hot and sticky mess. This event didn’t have technical difficulties; it had technical catastrophes. An evening that should have been about civil rights warrior Hamer was rife with distractions instead. 

The audience was told at the beginning of the event that Dr. Young wouldn’t be able to perform for us that evening but that a recording of her performance would be played. While this was unfortunate, we could sympathize with Dr. Young. Her body is her instrument and instruments can be fickle. The Women’s Vote Centennial Panel would continue as scheduled.  Continue reading

Sep 09

The pandemic isn’t over just because you’re over it: Player’s Ring Theatre Reopens

Player’s Ring building; performances are indoors

Produced by the Player’s Ring Theatre
An original play by Irene Kelleher
With Emily Karel
Directed by Peter Josephson
Presented by Glass Dove Productions

October 2 – 11, 2020
105 Marcy Street
Portsmouth, NH 03801
Player’s Ring on Facebook 

Critique by Kitty Drexel

Portsmouth, NH — According to an email press release from Player’s Ring Theatre in New Hampshire sent on September 8, the company will open its doors to the public beginning on October 2 for its production of Mary and Me by Irene Kelleher.

The company closed its doors in March due to the pandemic. It is reopening for live performance after making adjustments for audience safety. These include a new air handling and ventilation system, reduced capacity, social distancing at six feet, a health check at the door, and a mandatory mask policy.

The theater seats 75 patrons at capacity but only 33 seats are for sale to ticketholders. Only bottled drinks will be for sale. Seat assignments will be allocated by the Player’s Ring box office.

Production manager Margherita Giacobbi said in the press release, “Our number one priority in our decision to reopen has been the safety of our artists, volunteers, and audiences. We are following all State and CDC guidelines to ensure a safer environment (emphasis mine).”

Continue reading

Nov 04

Don’t Tell Me the Odds: “Roald Dahl’s Willy Wonka”

Photo by Nile Scott.

Presented by Wheelock Family Theatre
Music and lyrics by Leslie Bricusse and Anthony Newly
Adapted for the stage by Leslie Bricusse and Timothy Allen McDonald
Based on the book, Charlie and the Chocolate Factory by Roald Dahl
Directed by Emily Ranii
Music directed by Nathan Urdangen 
Choreographed by Russell Garrett

Oct 25 – Nov. 17, 2019
Boston University
200 Riverway 
Boston, MA 02215
Wheelock on Facebook

Critique by Kitty Drexel

(Boston, MA) Wheelock Family Theatre’s production of Roald Dahl’s Willy Wonka (2004) should not be confused with the West End and Broadway production of Charlie and the Chocolate Factory (2013). Charlie and the Chocolate Factory is currently touring in the US (now in Omaha!). Roald Dahl’s Willy Wonka is not. Both incorporate elements from Dahl’s novel and the two Hollywood movies. They are similar but not the same.  

Roald Dahl’s Willy Wonka cannot compete with the novel or the movies. Fans of the other Wonka media should view this iteration as the children’s theatre it is and not compare it to its source materials. They will be disappointed. Continue reading

Oct 24

“My Fascination with Creepy Ladies” and a Complete Replication of Poe

Foreground, front to back: Siobhan Carroll, Luz Lopez, Elena Toppo.
Background, front to back: C. Padraig Sullivan, Christine Power, Jessica Golden

Presented by Anthem Theatre Company
A Collection of Horrors by Edgar Allan Poe
Conceived and Directed by Bryn Boice
Featuring Anthem company members Michael Poignand, Johnny Kinsman, Siobhan Carroll, Olivia Z. Cote, Sarah Gazdowicz, Jessica Golden, Katie Grindeland, Luz Lopez, Jessica Scout Malone, Eric McGowan, Christine Power, C. Padraig Sullivan, and Elena Toppo.
Designed by Bridget K. Doyle and Theona White

October 17 – November 3, 2019
South End / BCA Plaza Theatres
Plaza Black Box Theatre
539 Tremont Street
Boston, MA 02116
Event on Facebook

Review by Gillian Daniels

(Boston, MA) Berenice, Annie, Ligeia, Rowena, Annabel Lee, Morella, Lenore, and so many others– an archetype with many names collapsed into a single, waifish woman with hair that hangs loose over her shoulders and a hint of otherworldliness. Meanwhile, the heroes and narrators of these stories are boiled down into the figure of a melancholic, bow-tied, possibly opium-addled narrator.

The woman in question is always on the verge of death, or has already died, but in the wake of that death, she is somehow made more beautiful, powerful, and entrancing. In Anthem Theatre Company’s My Fascination with Creepy Ladies, these characters are now four, leering, dancing, and laughing Creepy Ladies that haunt eight, terrorized, pale, bow-tied Poes. Continue reading

Oct 23

An Unabashedly Queer Celebration: “The Rocky Horror Show”

L to R: Jaclyn Chylinski (Phantom), Carly Grayson (Janet), Alexander Boyle (Brad) and Alex Jacobs (Narrator); Photograph: Sharman Altshuler.

Presented by Moonbox Productions 
Music, Lyrics and Book by Richard O’Brien
Directed by David Lucey
Music direction by Mindy Cimini
Choreography by Dan Sullivan
Costume Design by David Lucey
Set Design by Cameron McEachern
Lighting Design by Sam J. Biondolillo

Performance dates: Oct 18 – Nov 2, 2019
25 Brattle St, Cambridge MA
Facebook link: https://www.facebook.com/MoonboxProductions/

Review by Chloé Cunha

(Cambridge, MA) As a lifelong Cambridge resident, I remember when the Harvard Square Theatre closed. Like many, I was deeply saddened by the loss of this cinema treasure, where I had spent many a day and night watching some fantastic– and truly terrible– movies. More specifically, it was painful for the loss of the weekly screenings of the Rocky Horror Picture Show, which had been an institution since 1984. Continue reading

Oct 22

Songs of Light and History: “Marie and Rosetta”

Lovely Hoffman, Pier Lamia Porter; photo by Nile Scott Studios.

Presented by Greater Boston Stage Company in Collaboration with The Front Porch Arts Collective
By George Brant
Directed by Pascale Florestal
Musical Direction by Erica Telisnor

With Lovely Hoffman, Pier Lamia Porter

Oct. 17 – Nov. 10, 2019
Greater Boston Stage Company 
395 Main Street
Stoneham, MA 02180
GBSC on Facebook

Review by: Shiyanbade Animashaun

(Stoneham, MA) Marie and Rosetta is a tremendous concert built around a conversation that shares what should be a much more well-known story about the roots of Rock-N-Roll. It takes place on the first rehearsal night for a dynamic musical duo, played and sung by Lovely Hoffman as Sister Rosetta Tharpe, and Pier Lamia Porter as Marie Knight. The comedic and moving single act conversation has scenic and costume design by Baron E.Pugh and Michelle Villada, which help transport the audience to this moment in time. Continue reading