Mar 30

Feminist Bark Without Feminist Bite: “Angry, Raucous, and Shamelessly Gorgeous”

Ines de la Cruz and Patrice Jean-Baptiste; Photo by Nile Scott Studios.

Presented by The Lyric Stage
By Pearl Cleage
Directed by Jacqui Parker
Featuring: Patrice Jean Baptiste, Deannah “Dripp” Blemur, Inés de la Cruz, Yasmeen Duncan

March 20-April 12, 2026
The Lyric Stage
140 Clarendon St
Boston, MA

Online Playbill 

Review by Maegan Clearwood

BOSTON — Angry, Raucous, and Shamelessly Gorgeous poses one intriguing question after another. How can Black women make space for themselves within the canon of glorified, seemingly untouchable playwrights? What is the line between performance and exploitation? How can we forge connection across intergenerational feminist divides?

It also conjures up a potent image: a Black woman standing onstage, entirely nude, delivering monologues from the work of August Wilson, the most sanctified Black playwright in the American canon.

Unfortunately, these questions go largely uninterrogated, and the imagery takes shape entirely offstage. Continue reading

Mar 25

Only Now + Now + Now: Song of the Earth (Das Lied von der Erde)

Ellen Lauren, Brandon Jovanovich and Raehann Bryce-Davis; Photo by Nile Scott Studios.

Presented by Boston Lyric Opera
Music by Gustav Mahler 
Chamber arrangement by Arnold Schoenberg
Text from Hans Bethge’s Die chinesische Flöte
Additional spoken text by Anne Bogart
Conducted by David Angus
Stage direction by Anne Bogart

March 20-29, 2026
BLO Opera + Community Studios
Boston, MA 02210
Online Playbill

In German and English with English supertitles. 
Running time: 85 minutes with no intermission

BOSTON — Song of the Earth (Das Lied von der Erde), running through March 29 at the Boston Lyric Opera’s new Community Studios in Southie, is beautifully sung and acted. It shows the opera community what can be achieved in a smaller performance space with modest scenic, properties and lighting design. Such thoughtful but lowkey design places greater emphasis on the performances and resulted in one of the most effective productions (in no small part of Gustav Mahler, director Anne Bogart, and conductor David Angus) I’ve seen this season in any genre.   Continue reading

Feb 16

Here There Be Dragonnes: “The Moderate”

Celeste Oliva and Nael Nacer in The Moderate. Photo: Nile Scott Studios.

Presented by Central Square Theater
A Catalyst Collaborative@MIT Production
By Ken Urban
Directed by Jared Mezzocchi

February 5 – March 1, 2026
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139

Strobe and flashing lighting effects are used in this production.

Using the Motion Picture Association rating system, this production lands between R and NC-17 ratings for sexual content, violence, and mature themes including political terrorism and child abuse. 

Article by Kitty Drexel

CAMBRIDGE, Mass. — Let’s begin with the end. In an interview with Playwright Ken Urban and Director and Multimedia Designer Jared Mezzocchi, I asked the duo what they hoped audiences would take away from their production of The Moderate (now playing at Central Square Theater). Urban said the play is a human story about a man struggling with his past. In doing so, he helps someone in the present. This is possible through Frank’s interactions online

Mezzocchi said he hopes audiences consider how their own internet use could be harmful and instead take a moment to reflect and look within themselves to find hope. 

Hold on to Mezzocchi’s message of hope. You’ll need it.  Continue reading

Nov 10

Yearning for Connection Across Memory: “Summer, 1976”

Laura Latreille, Lee Mikeska Gardner; Photo by Nile Scott Studios.

Presented by Central Square Theater
By David Auburn
Directed by Paula Plum
Featuring: Lee Mikeska Gardner, Laura Latreille

November 6 – 30th, 2025
Central Square Theater
450 Massachusetts Avenue
Cambridge, MA 02139

Critique by Maegan Bergeron-Clearwood

CAMBRIDGE, Mass — Summer, 1976 is an intimate play. It is literally small, with a cast of two, a runtime of just 90 minutes, and a cozy little set that brings the actors practically nose-to-nose with the audience. But more interestingly, it is a story about yearning: two women stumble headfirst into an unexpected friendship, underestimating how hungry they are for deep, heart-opening vulnerability. They also underestimate how terrifying that kind of connection can be.

David Auburn’s play transports us to Ohio during the American bicentennial. Offstage, the women’s liberation movement is in full swing. Onstage, at Central Square Theatre, we could be anywhere, anytime. The set (Kristin Loeffler) features two brightly colored dollhouse-like facades to indicate where different scenes take place, but nothing onstage screams 1970s, and the costumes (Sydney Hovasse) allude to a bit of hippy inspiration without throwing the audience back in time. Continue reading

Sep 16

Two Turn-of-the-Century Trailblazers: “The Kittie Knox Plays” & “Silent Sky”

The Kittie Knox Plays 
Produced by Plays in Place with MassBike
Three one-act plays by Patrick Gabridge, Claire Gardener, Kirsten Greenidge
Directed by Michelle Aguillon
Music direction by Nicholas Chieffo
Choreography by Hampton Richards
Performances in Cambridge, Milton and Boston, MA
The plays are FREE, but registration is required. 

&

Silent Sky 
Produced by Central Square Theater, a Catalyst Collaborative@MIT Production
By Lauren Gunderson
Directed by Sarah Shin
Sound designer and composer: Kai Bohlman
Choreography by Peter DiMuro
Performances in Cambridge, MA
Playbill online

Critique by Kitty Drexel

CAMBRIDGE, Mass. — The 2025/2026 theatre season began in earnest for this queen theatre geek with two turn-of-the-century plays about two local headstrong, heart-set trailblazers: daredevil cyclist Kittie Knox (1874 – 1900) and astronomer Henrietta Swan Leavitt (1868-1921) and her colleagues at the Harvard Observatory. I had the great fortune of watching both productions on Saturday, Sept. 13. Like a curated tasting of fine wines, the productions have their distinct differences but offer something for every playgoer.  Continue reading

Jun 03

Bold, Brutalist Political Commentary: “Mrs. Warren’s Profession”

In Photo: Melinda Lopez, Wesley Savick, Nael Nacer, Evan Taylor, Luz Lopez, Barlow Adamson, Photo by: Nile Scott Studios

Presented by Central Square Theater
By George Bernard Shaw
Directed by Eric Tucker
Featuring Barlow Adamson, Luz Lopez, Melinda Lopez, Nael Nacer, Wesley Savick, Evan Taylor

Central Square Theater
May 29 – June 22, 2025
450 Massachusetts Avenue
Cambridge, Massachusetts 02139

Review by Maegan Bergeron-Clearwood

Cambridge, MA — If there is one theme that director Eric Tucker drives home with his take on George Bernard Shaw’s once-controversial drama, Mrs. Warren’s Profession, it is greed. Scenes of domestic heartbreak play out in a sleek, modern boardroom; children and parents bicker from either end of a lengthy conference table; and overhead, capitalism’s unfeeling gaze surveilles the characters in the form of frenetically changing stock market numbers.

In theory, this modern approach should illuminate aspects of the play that feel trite by 21st century standards. The mere mention of Mrs. Warren’s profession (spoiler alert: she owns a brothel.) was controversial by late-Victorian standards, but the play’s truly radical nature lies in a question that remains just as pertinent today: Can genuine human connection survive when capitalism renders everything, even the most primal of relationships, merely transactional? Continue reading

Jun 02

With A Side of Cheese: “Two Strangers (Carry A Cake Across New York)”

Sam Tutty and Christiani Pitts in Two Strangers (Carry a Cake Across New York).
Photo: Nile Scott Studios and Maggie Hall

Presented by American Repertory Theater
A Kiln Theatre Production
By Jim Barne and Kit Buchan
Directed and Choreographed by Tim Jackson
Music Direction by Jeffrey Campos
Featuring: Christiani Pitts, Sam Tutty 

May 20 – July 13, 2025
Loeb Drama Center
64 Brattle Street
Cambridge, MA 02138
Digital playbill 

This production contains haze, fog, and flashing lights. Recommended for ages 12+.
Run Time: 2 hours and 10 minutes, including one intermission

Critique by Kitty Drexel

CAMBRIDGE, Mass. — Two Strangers (Carry A Cake Across New York) hit Harvard Square just before Harvard’s various commencement ceremonies. It’s a politically charged time when Harvard has spent months fighting for its freedoms as an educational organization (among which, its freedom to receive federal funding as a contractor with the federal government). The Square is flooded with awed tourists collecting memories and memorabilia as their family members graduate from Harvard’s hallowed halls. Meanwhile, pissed off locals navigate around slow-paced bodies as we rush about our work-a-day lives. Coincidentally, it’s a dichotomy captured in Two Strangers

As in the musical playing at the Loeb Drama Center, the U.S. has a different reputation at home than it does outside of our country: The U.S. (and by extension Harvard University), depending on who you ask, is an untamed land of permissible behavior and flashy but great industrial innovations. The international community loves us or hates us depending on their income level and political leanings. Many of our citizens feel the same. 

So, it comes to no great surprise that main character Dougal (Sam Tutty) expects New York to resemble the city he’s seen in the movies: action adventures, “I’m walkin’ here,” tourist traps, and musical montages. Robin (Christiani Pitts) quickly corrects Dougal’s expectations. New York tourism is for people with money, she says. They are broke. It turns out, they are also broken on the inside. Oh hey – just like our transportation, judicial and political systems (etc.)! Welcome, new friend. Continue reading

May 27

It’s About Us: “The Prom”

The Company of THE PROM. Photo by Nile Scott Studios.

Presented by Wheelock Family Theatre
Book and Lyrics by Chad Beguelin
Book by Bob Martin
Music by Matthew Sklar
Based on the Original Concept by Jack Viertel
Directed & Choreographed by Larry Sousa
Music Directed by Jordan Oczkowski

May 17 – June 8
Wheelock Family Theatre
180 Riverway
Boston, MA 02215

Runtime: 2 hours and 25 minutes including intermission.

Review by Helen Ganley

Floor-length dresses and well-tailored suits, a room full of bouncing balloons and floating streamers—it can only mean one thing: prom season. This high school rite of passage is so deeply ingrained in American culture that it’s almost hard to imagine a parents’ board canceling the whole event for one reason: two girls want to attend together. The Prom at Wheelock Family Theatre unfurls this story with energy and empathy, delivering a heartfelt tale of acceptance, community, and love. Continue reading

Apr 23

Might Sound Crazy but it Ain’t No Lie: “A Midsummer Night’s Dream”

The cast of Actors’ Shakespeare Project’s “A Midsummer Night’s Dream” (2025). Photo by Nile Scott Studios.

Presented by Actors’ Shakespeare Project
By William Shakespeare 
Directed by Maurice Emmanuel Parent
Intimacy direction by Olivia Dumaine
Fight direction by Jesse Hinson
Scenic design by Ben Lieberson 
Costumes by Seth Bodie 
Lighting design by Brian Lilienthal
Sound design by Mackenzie Adamick 

April 11 through May 4, 2025
The Dorothy and Charles Mosesian Center for the Arts 
321 Arsenal St
Watertown, MA 02472

Review by Kitty Drexel

WATERTOWN, Mass. — Actors’ Shakespeare Project’s A Midsummer Night’s Dream is a delight. I say this as someone who appreciates the plays of Shakespeare well enough but doesn’t prefer them to other theatre. This production is light and frothy fun that took me back to a much simpler time of bucket hats and glow sticks. Such fun is desperately needed now as fascism suffocates democracy like a knee on George Floyd’s neck. Continue reading

Apr 10

Visually Heavy, Emotionally Weightless: “Carousel”

The cast of “Carousel.” Photo by Nile Scott Studios

Presented by Boston Lyric Opera
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II
Adapted from Ferenc Molnár ‘s 1909 play Liliom
Directed by Anne Bogart
Conducted by David Angus
Set design by Sara Brown
Costume design by Haydee Zelideth
Choreography by Shura Baryshnikov
Featuring: Brandie Sutton, Edward Nelson, Jamie Barton, Anya Matanovic, Omar Najmi, Markel Reed, Sarah Heltzel, Lee Pelton, Abigail Marie Curran

April 4th – 13th
Emerson Colonial Theatre
106 Boylston Street, Boston MA 02116
Tickets here

Content advisory: contains themes and images of domestic violence and emotional abuse.

Running Time: 3 hours with 1 intermission

Review by Maegan Bergeron-Clearwood

BOSTON — Rodgers’ and Hammerstein’s Carousel haunts the musical theatre canon. It is undeniably contentious, an exploration of domestic violence that is either unflinchingly raw or insurmountably problematic, depending on who you ask. It also has an undeniable legacy, containing an atmospheric whimsy, masterful score, and dramaturgical strangeness that bring audiences and artists back time and time again. Continue reading