Nov 29

Food Is Not Enough: “Did You Eat? (밥 먹었니?)”

DID YOU EAT? (밥 먹었니?), Written and Performed by Zoë Kim*. Photo by Maggie Hall

Presented by Chuang Stage and Seoulful Productions
Written and Performed by Zoë Kim 
Directed by Chris Yejin
Dramaturgy by Amrita Ramanan
Choreography by Christopher Shin
Scenic and costume design by Szu Feng Chen
Sound design by Katie Kuan-Yu Chen
Lighting design by Ari Kim

Nov. 12 – 30, 2024
Boston Center for the Arts
Plaza Black Box Theatre 
539 Tremont St.
Boston, MA

Article by Kitty Drexel

Age Recommendation: Did You Eat? (밥 먹었니?) is recommended for audiences aged 13 and older.

Content Advisory: Experiences of childhood trauma, self-harm, and suicidal ideation.

BOSTON —  In the playbill for Did You Eat? (밥 먹었니?) after the Chuang Stage season info but before her polemic on the white entertainment industry, playwright and performer Zoë Kim writes a letter to the audience. She says, “I wish, For fathers to value their daughters. For mothers to believe their daughters.” As an emotionally neglected child who also grew into a strong, independent woman out of spite, I sincerely wish that, too. There are a lot of us out there. Kim’s story is her own, but unfortunately, her show’s themes are universal. 

Kim’s letter continues: she wishes “For you to ask a loved one how they would like to be loved.” 

We could not possibly understand the horrors and grief Kim experienced for decades at the hands of her verbally, physically and psychically abusive parents. Her autobiographical play about the family who spoke love but acted hate is Kim’s own; it shines a light on the traumatic experiences of young and adult women raised by parents who couldn’t, wouldn’t or refused to love them. Gather a group of trusting women together and they will share their stories of abuse. My mother had stories; I have stories; my sisters and aunts in faith (not blood) have them, too. We are not an anomaly, we are the victims of a pandemic of violence against women and girls. 

Kim wishes “For you to share how you would like to be loved.” 

These are the words I share with other survivors: Your abuse is not your fault. You deserve wondrous love. You deserved better then and you deserve better now. 

At a certain point in their adult development, an abused adult who perpetuates abuse onto others chooses their pain over healing. Your abuser chose to hurt you. No matter their cultural or personal excuses it was their choice and never your fault. It is possible to choose love while also choosing to hold your abuser accountable. An abuser earns forgiveness through atonement. Forgiveness is not the same as absolution.  

DID YOU EAT? (밥 먹었니?), Written and Performed by Zoë Kim*. Photo by Maggie Hall

Kim wishes “For you to practice radical love for yourself and for others.” 

Apropos of nothing and because this is a constructive criticism site, I would be remiss in my duties if I did not mention that the pacing of the first 20 minutes lags. The transition from the show’s bright, children’s theatre beginning into Kim’s life story could use smoothing. Otherwise, the story is seamless from start to finish. From its design elements to the acting, Did You Eat? (밥 먹었니?) is impactful storytelling. 

For the folks who attended Did You Eat? (밥 먹었니?) and felt a kinship with its story, whether big or small, I hope you find the healing and wondrous love you need. 

These are resources available to Boston-area and Boston Chinatown victims and survivors of domestic violence:

  • The Asian Task Force Against Domestic Violence: Hotline at 617-338-2355, https://www.atask.org/
  • SafeLink is Massachusetts’ statewide 24/7 toll-free domestic violence hotline and a resource for anyone affected by domestic or dating violence. 1-877-785-2020
    If you are Deaf or Hard of Hearing (D/HH), please dial 711 – MassRelay Service.
    Advocates are bilingual in English and Spanish and have access to a service that can provide translation in more than 130 languages.
  • The National Domestic Violence Hotline offers assistance and safety planning 24/7.
    1-800-799-SAFE (7233), TTY 1-800-787-3224
    If you’re unable to speak safely, you can chat online at thehotline.org
  • Massachusetts Domestic Violence (Safe Link), 1-877-785-2020, https://casamyrna.org/get-support/safelink/
    If you are Deaf or Hard of Hearing (D/HH), please dial 711 MassRelay Service
  • Massachusetts Office for Victim Assistance (MOVA), 617-586-1340, https://www.mass.gov/orgs/massachusetts-office-for-victim-assistance
  • Mass.gov list of Domestic Violence Services:
    https://www.mass.gov/domestic-violence-services

If you are in immediate danger, call 911.

It may require persistence to get help, but help is out there. Keep seeking it and it will one day find you. 

Sep 07

Langston Hughes as “The Black Clown”

The Black Clown Production Photo
The cast of The Black Clown.
Photo: Maggie Hall.

Presented by American Repertory Theater
Adapted from Langston Hughes’ poem
Adapted by Davóne Tines and Michael Schachter
Music by Michael Schachter
Choreographed by Chanel DaSilva
Directed by Zack Winokur
Music Direction by Jaret Landon
Trumpets by Dave Adewumi and Robyn Smith
Keyboards played by Jaret Landon and Bethany Aikin
Reeds by Rajiv Halim, Isaiah Johnson, and Jason Marshall

August 31 – Sept 23, 2018
Loeb Drama Center
Harvard University
Cambridge, MA
ART on Facebook

Written by Bishop C. Knight

(Harvard Square, Cambridge, MA)  In The Black Clown program, the A.R.T. Artistic Director wrote how “Langston Hughes drew deeply on the traditions of African American music,” and Hughes would have been pleased with this production.  

The pit orchestra breathed life into spirituals and added rhythmic profundity to operatic adaptations of Hughes’ poems. Keyboards were played by Jaret Landon, a Chicago-based composer who was the show’s Music Director, and Bethany Aiken, who studied Music History at Oberlin College.  A theater experience fusing vaudeville, gospel, and jazz, Black Clown brought Langston Hughes’ verse to life onstage.  Every musician in this production – from the trumpet players, to the actors who themselves are acclaimed singers – every musician, per their participation in this production, paid respect both to Hughes and to the African American music at the heart of Hughes’ art. Continue reading

Dec 11

Honestly and Wonderfully: “She Loves Me”

The cast of “She Loves Me.” Photo by Maggie Hall.

Presented by Greater Boston Stage Company
Book Written by Joe Masteroff
Music Originally by Jerry Bock
Lyrics by Sheldon Harnick
Directed by Ilyse Robbins
Music directed by Matthew Stern

November 24th through December 23rd, 2017
Greater Boston Stage Company on Facebook
395 Main St, Stoneham, Massachusetts 02180

Review with Bishop C. Knight

(Stoneham, Massachusetts) An adaptation of the 1937 play Parfumerie by Hungarian playwright Miklós László, She Loves Me is set in a perfume shop where the entire staff pauses to sing in unison “Pleeeease doooo call again” to every departing customer.  In a broad sense, this is one of those comedies defined by the positive space of its set; meaning that the characters’ workspace and workspace culture were as much part of the musical as the characters’ dialogue and songs.  She Loves Me is evocative of other comedies reliant on their sets, like Cheers and Seinfeld which respectively wouldn’t be what they are without Sammy’s Boston bar and Jerry’s apartment building. Continue reading