Author Archives: Bishop C. Knight

Oct 05

An Anglo-American Commentary: “Sherlock’s Last Case”

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Rufus Collins, Mark Zeisler, and Malcolm Ingram in SHERLOCK’S LAST CASE. Photo: T. Charles Erickson

Presented by Huntington Theatre Company
Scenic Design by Hugh Landwehr
Written by Charles Marowitz
Directed by Maria Aitken

September 28 thru October 28, 2018
Huntington Avenue Theatre
264 Huntington Ave, Boston, MA 02115
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Written by Bishop C. Knight

(Avenue of the Arts, Boston)  What I appreciate about the Sherlock and Watson mysteries are the stories’ focus relationships.  Sherlock and Watson’s cases are often initiated by a client who needs help with a relative and, at least once before the mystery is solved, Sherlock or Watson expresses loving gratitude for the delightfully dotty Mrs. Hudson.  My favorite character is Dr John Hamish Watson, whom I adore for the same reasons I adore Tom Hagen in The Godfather saga.  Dr Watson is an intelligent, reliable, and logical gentleman with an understated wit.  He is quiet, loyal, short and handsome. I might have a crush on Doctor Watson… Continue reading →

Oct 05

Boldly “Being Earnest”

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Photos: Nile Scott Studios

Presented by Greater Boston Stage Company
Direction and Choreography by Ilyse Robbins
Music by Paul Gordon and Jay Gruska

13 September to 7 October, 2018
Greater Boston Stage Company
395 Main St, Stoneham, MA 02180

Written by Bishop C. Knight

(Stoneham, Massachusetts) In September, I attended the East Coast Premiere of Being Earnest at the Greater Boston Stage Company (GBSC).  This comedy runs for another week ‒ featuring actress Ephie Aardema who performs internationally, as well as other accomplished actors.  GBCS’s adaptation is set in 1960s London, and the composers stayed true to Oscar Wilde’s play. Continue reading →

Oct 02

Stepping Into “Hiveland”

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Luminarium Dance Company’s HIVELAND. Photo: Short photo co.

Presented by Luminarium Dance Company
Choreography by Merli V. Guerra and Kimberleigh A. Holman
Performed by the dancers Jess Chang, Devon Colton, Melenie Diarbekirian, Amy Mastrangelo, Katie McGrail, Alison McHorney, and Jennifer Roberts

September 21, 22, 28,& 29, 2018
The Multicultural Arts Center
Cambridge, Massachusetts
Luminarium on Facebook

Written by Bishop C. Knight

(Cambridge, MA) This dance was called Hiveland.  It was a performance about the social psychology of approach and discovery, and it featured a group of dancers who shared a hive mind.  All of the dancers constantly managed their group conduct, condoning or condemning each other, and it’s interesting how the Directors used an experimental dance to explore societal values of conformity. Continue reading →

Sep 25

“Borrowed Cash” and Their Stolen Songs

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Presented by Harvard’s American Repertory Theater
Written by Daniel Jenkins and Melissa van der Schyff
Directed by Gina Rattan

Sept. 13 – Sept. 23, 2018
OBERON – American Repertory Theater
2 Arrow Street, Cambridge, MA 02138
ART on Facebook

Review by Bishop C. Knight

(Cambridge, MA) Borrowed Cash was a band headlined by the two ex-lovers Ann Marie and Harper, who were Brits parading as hillbilly Southerners. Between the ex-spouses, Ann Marie provided the most twanging, crooning Americana songs center stage with eyes closed.  Harper spent most of his time supplying the main keyboard riffs, singing backup harmonies, and blowing a harmonica.  Harper is actually NYC-born actor Daniel H. Jenkins, and Ann Marie the Canadian actress Melissa van der Schyff. Neither are British or Southern, but both did a great job of playing bitter British bandmates who suffered a nasty divorce. Continue reading →

Sep 07

Langston Hughes as “The Black Clown”

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The Black Clown Production Photo
The cast of The Black Clown.
Photo: Maggie Hall.

Presented by American Repertory Theater
Adapted from Langston Hughes’ poem
Adapted by Davóne Tines and Michael Schachter
Music by Michael Schachter
Choreographed by Chanel DaSilva
Directed by Zack Winokur
Music Direction by Jaret Landon
Trumpets by Dave Adewumi and Robyn Smith
Keyboards played by Jaret Landon and Bethany Aikin
Reeds by Rajiv Halim, Isaiah Johnson, and Jason Marshall

August 31 – Sept 23, 2018
Loeb Drama Center
Harvard University
Cambridge, MA
ART on Facebook

Written by Bishop C. Knight

(Harvard Square, Cambridge, MA)  In The Black Clown program, the A.R.T. Artistic Director wrote how “Langston Hughes drew deeply on the traditions of African American music,” and Hughes would have been pleased with this production.  

The pit orchestra breathed life into spirituals and added rhythmic profundity to operatic adaptations of Hughes’ poems. Keyboards were played by Jaret Landon, a Chicago-based composer who was the show’s Music Director, and Bethany Aiken, who studied Music History at Oberlin College.  A theater experience fusing vaudeville, gospel, and jazz, Black Clown brought Langston Hughes’ verse to life onstage.  Every musician in this production – from the trumpet players, to the actors who themselves are acclaimed singers – every musician, per their participation in this production, paid respect both to Hughes and to the African American music at the heart of Hughes’ art. Continue reading →

Aug 17

A Love Letter, inspired by “A Good Death”

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Photo credit: Colleen Moore

Presented by Also Known As Theatre
Written by Shelley M. Hobbs
Directed by Alexandra Smith
Produced by Kelly Smith

August 17 through September 2
Fridays and Saturdays at 8:00PM
Sundays at 2:00PM
Calderwood Pavilion at Boston Center for the Arts
527 Tremont Street, Boston, Massachusetts 02116
The Stanford Calderwood Pavilion on Facebook

Written by Bishop C. Knight

(South End, Boston, MA)  OOH child, nothing but praise for A Good Death!  I’m about to provide a review that’s emotionally charged with encouragement – for you to see this play and to bring loved ones; especially for you to bring religious relatives you have trouble communicating with.  I’ll use the words love and queer repeatedly, because it is a play about lesbian companions who are platonic life partners.  I’ll show why Boston is damn lucky to have Also Known As Theatre (AKA) as it newest independent theatre company.  I want AKA to flourish. I want Alison Bechdel to attend. I want YOU to attend, and here’s why: Continue reading →

Aug 08

“CATO & DOLLY”, The Hancocks

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Ye Olde Statehouse

Presented by the Bostonian Society
Produced in partnership with Plays in Place, LLC
Written by Playwright Patrick Gabridge
Directed by Courtney O’Connor
Performed by Stephen Sampson and Marge Dunn

July 6th through September 29th, 2018
Old State House, Downtown Boston, MA

Reviewed by Bishop C. Knight

(Boston, Massachusetts)   On a rainy Saturday, Kathy Mulvaney explained to the crowd of museum visitors that she needed a minute to bring in more chairs, as the hall was fuller than anticipated.  Mulvaney is the Director of Education at the Old State House. She told us that the historical play Cato & Dolly would be about twenty minutes, and she noted that we could not re-enter if we decided to leave for the bathroom.  Finally, Mulvaney encouraged us to sit back and enjoy. Then the hall went silent. Continue reading →

Aug 03

PROSPERA – la Señora de la Isla: “La Tempestad”

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Presented by Trinity Repertory Company with Rhode Island Latino Arts (RILA)
Originally Written by William Shakespeare
Translated to Spanish by Orlando Hernandez
Directed by Tatyana-Marie Carlo

June 28 through July 27, 2018
Toured around Rhode Island. Schedule with locations is HERE. 
Trinity Rep on Facebook
RILA on Facebook

Review by Bishop C. Knight

(Roger Williams Park, Providence, Rhode Island)  This bilingual English-Spanish adaptation of William Shakespeare’s The Tempest was part of the Rhode Island Latino Arts’s (RILA) program Teatro en El Verano (Theater in the Summer).  It was directed by the Brown/Trinity second-year Tatyana-Marie Carlo, who was drawn to the humor and magic of The Tempest.  Carlo’s ensemble cast performed the play in a hybrid Spanglish, switching back and forth between the two languages mid-stanza, sometimes mid-line. Continue reading →

Jun 27

Laura Neill’s “DIVAS”

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The ensemble

Presented by OperaHub in collaboration with DIVA Museum
Written by Laura Neill
Produced and Stage Directed by Adrienne Boris
Music Directed and Collaborative Piano by Patricia Au
Starring Chelsea Beatty, Kathryn McKellar, Lindsay Conrad, Glorivy Arroyo, and Christie Lee Gibson

June 21 through 30, 2018
Boston Center for the Arts
527 Tremont Street, Boston
OperaHub on Facebook

Reviewed by Bishop C. Knight

(South End, Boston, Massachusetts) DIVAS is a new play by the writer and educator Laura Neill.  It is being performed for the rest of this week in a black box at the BCA.  On the Sunday I attended, the black box was very warm. The man sitting next to me repeatedly wiped the sweat trickling down his brow, and half the audience was skimming through their programs, while the other half fanned their perspiring faces.  The small theatre’s high temperature didn’t seem to bother most of the patrons, who had either greying or thoroughly whitened hair. OperaHub’s noble mission is “to present high-caliber, affordable, and accessible classical music to a wide community of music and art lovers,” but looking around the audience, it was easy to remember that the classical music community remains mostly white and older. Continue reading →

Jun 25

BeBe Winans was “Born for This”

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Presented by ArtsEmerson
Original Music and lyrics by BeBe Winans
Book by Charles Randolph-Wright, BeBe Winans and Lisa D’Amour
Directed by Charles Randolph-Wright
Choreographed by Warren Adams
Orchestrations, Arrangements, & Music Direction by Steven Jamail
Starring Milton Craig Nealy, Kirsten Wyatt, Phillip Brandon, Matthew Griffin, and Donald Webber, Jr.

June 15 through July 15, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA

Reviewed by Bishop C. Knight

(Downtown Boston, MA)  Born for This was the musical biography of soul gospel musician Benjamin “Bebe” Winans, a Detroit native who began his career releasing albums with his sister Priscilla “CeCe” Winans from 1984 through 1996.  In 1989, BeBe won a Grammy for Best Male Soul Gospel Performance. In 1997, he signed with Atlantic Records and released his first of seven solo albums. That same year, BeBe delivered the international hit “I Wanna Be The Only One,” which featured British soul trio Eternal and topped the UK Singles chart in May 1997.  Throughout his career, Bebe has collaborated other Grammy award winning R&B vocalists – such as Stephanie Mills, Whitney Houston, and Stevie Wonder.
Continue reading →