Jun 27

Laura Neill’s “DIVAS”

The ensemble

Presented by OperaHub in collaboration with DIVA Museum
Written by Laura Neill
Produced and Stage Directed by Adrienne Boris
Music Directed and Collaborative Piano by Patricia Au
Starring Chelsea Beatty, Kathryn McKellar, Lindsay Conrad, Glorivy Arroyo, and Christie Lee Gibson

June 21 through 30, 2018
Boston Center for the Arts
527 Tremont Street, Boston
OperaHub on Facebook

Reviewed by Bishop C. Knight

(South End, Boston, Massachusetts) DIVAS is a new play by the writer and educator Laura Neill.  It is being performed for the rest of this week in a black box at the BCA.  On the Sunday I attended, the black box was very warm. The man sitting next to me repeatedly wiped the sweat trickling down his brow, and half the audience was skimming through their programs, while the other half fanned their perspiring faces.  The small theatre’s high temperature didn’t seem to bother most of the patrons, who had either greying or thoroughly whitened hair. OperaHub’s noble mission is “to present high-caliber, affordable, and accessible classical music to a wide community of music and art lovers,” but looking around the audience, it was easy to remember that the classical music community remains mostly white and older. Continue reading

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Sep 11

Too Much of a Good Thing is Just Wonderful: Why Have One Thing “Or,” the Other When You Can Have It All?

Photo by Chelsea Ruscio.

Presented by Maiden Phoenix and Simple Machine
By Liz Duffy Adams
Directed by Adrienne Boris
September 8 – September 23, 2017

Chelsea Theatre Works
189 Winnismmet Street
Chelsea, MA 02150
OR the play on Facebook

Review by Gillian Daniels

(Chelsea, MA) I sometimes think going to a play is a bit like going to a party where you know nobody at all, save for the person you bring with you. Sometimes, the party can leave you feeling adrift and awkward in your own skin. Other times, you meet some funny, clever people you never expected to meet. They are delighted to include you, for an hour or so (or an eighty minute run time without intermission), in the intimate secrets of their lives and draw you close with the honesty only complete strangers would dare to share with you. The sweet, hilarious, and deliciously bawdy “Or,” is such a party. I recommend attending as soon as possible in order to enjoy the yarn spun between Kaylyn Bancroft (Nell Gwynne/Lady Davenant/Maria/A Jailer), Michael Poignand (as slimily charming King Charles II and charmingly slimy William Scott, divided by a common language with different annunciation) and Anna Waldron (Aphra Behn). Continue reading

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