Jun 27

Laura Neill’s “DIVAS”

The ensemble

Presented by OperaHub in collaboration with DIVA Museum
Written by Laura Neill
Produced and Stage Directed by Adrienne Boris
Music Directed and Collaborative Piano by Patricia Au
Starring Chelsea Beatty, Kathryn McKellar, Lindsay Conrad, Glorivy Arroyo, and Christie Lee Gibson

June 21 through 30, 2018
Boston Center for the Arts
527 Tremont Street, Boston
OperaHub on Facebook

Reviewed by Bishop C. Knight

(South End, Boston, Massachusetts) DIVAS is a new play by the writer and educator Laura Neill.  It is being performed for the rest of this week in a black box at the BCA.  On the Sunday I attended, the black box was very warm. The man sitting next to me repeatedly wiped the sweat trickling down his brow, and half the audience was skimming through their programs, while the other half fanned their perspiring faces.  The small theatre’s high temperature didn’t seem to bother most of the patrons, who had either greying or thoroughly whitened hair. OperaHub’s noble mission is “to present high-caliber, affordable, and accessible classical music to a wide community of music and art lovers,” but looking around the audience, it was easy to remember that the classical music community remains mostly white and older. Continue reading

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Jun 30

Revamped *Cough* Vampire Comedy for Modernity: DER VAMPYR

Photo © OperaHub

Presented by OperaHub
1828 music by Heinrich Marschner
1828 German libretto by Wilhelm August Wohlbrück
1828 libretto based on the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter
2014 arrangement by Moshe Shulman
2014 libretto by John J King
Music direction by Lina Marcel Gonzalez
Stage direction by Christie Lee Gibson

June 19 – 28, 2014
Boston Center for the Arts
Plaza Theatre
Boston, MA

Review by Kitty Drexel

Trigger warnings: Light smut, Feminism

(Boston) Der Vampyr is a decadently feminist adaptation of Marschner’s original. This new arrangement presented by OperaHub tackles the difficult truths of male entitlement, victim blaming and rape culture that all women face on a daily basis. If you, the reader, do not believe in gender equality, this opera is not for you. If you believe that rape culture is not a pervasive truth all women face, then this opera is not for you. It would be best if you pulled your fedora over your eyes and stopped reading this review now. Continue reading

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Jun 17

OperaHub Announces: DER VAMPYR

vampyrwebgraphic

OperaHub Announces June 2014 Show:

Heinrich Marschner’s

DER VAMPYR

in a new English-language adaptation
Boston’s “opera punks” say, “Bite me!”

Librettist: John J King
Stage Director: Christie Lee Gibson
Music Director: Lina Gonzalez

June 19 – June 26, 2014

FREE ADMISSION!
In the spirit of accessible opera for all, tickets are absolutely free, and may be reserved in advance online here!

 

BOSTON, MA – OperaHub broadens their ambitions with their June 2014 production: a new adaptation of Heinrich Marschner’s 1828 gothic opera DER VAMPYR. Though the work had its American premiere at the Boston Conservatory in 1980, it has not been seen in Boston since. Several companies around the world have produced it in recent years, including the American Symphony in Spring 2013 and the New Orleans Opera last fall. Hailed by the New York Times as a “gem of an opera,” it falls stylistically between Weber’s DER FREISCHUTZ and Wagner’s FLYING DUTCHMAN, with a thematic debt owed to Mozart’s DON GIOVANNI.

In the original version of DER VAMPYR, Lord Ruthven, the blood-sucker in question, has not been sucking his fair share of blood. The other vampires in his coven gather at the witches’ dance to charge him with taking three virgins by the end of the third day, or he will perish as a mortal. Tragedy ensues in the local village until the vampire is vanquished. Continue reading

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