Jun 27

Laura Neill’s “DIVAS”

The ensemble

Presented by OperaHub in collaboration with DIVA Museum
Written by Laura Neill
Produced and Stage Directed by Adrienne Boris
Music Directed and Collaborative Piano by Patricia Au
Starring Chelsea Beatty, Kathryn McKellar, Lindsay Conrad, Glorivy Arroyo, and Christie Lee Gibson

June 21 through 30, 2018
Boston Center for the Arts
527 Tremont Street, Boston
OperaHub on Facebook

Reviewed by Bishop C. Knight

(South End, Boston, Massachusetts) DIVAS is a new play by the writer and educator Laura Neill.  It is being performed for the rest of this week in a black box at the BCA.  On the Sunday I attended, the black box was very warm. The man sitting next to me repeatedly wiped the sweat trickling down his brow, and half the audience was skimming through their programs, while the other half fanned their perspiring faces.  The small theatre’s high temperature didn’t seem to bother most of the patrons, who had either greying or thoroughly whitened hair. OperaHub’s noble mission is “to present high-caliber, affordable, and accessible classical music to a wide community of music and art lovers,” but looking around the audience, it was easy to remember that the classical music community remains mostly white and older. Continue reading

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Jun 25

BeBe Winans was “Born for This”

Presented by ArtsEmerson
Original Music and lyrics by BeBe Winans
Book by Charles Randolph-Wright, BeBe Winans and Lisa D’Amour
Directed by Charles Randolph-Wright
Choreographed by Warren Adams
Orchestrations, Arrangements, & Music Direction by Steven Jamail
Starring Milton Craig Nealy, Kirsten Wyatt, Phillip Brandon, Matthew Griffin, and Donald Webber, Jr.

June 15 through July 15, 2018
Emerson Cutler Majestic Theatre
219 Tremont Street, Boston, MA

Reviewed by Bishop C. Knight

(Downtown Boston, MA)  Born for This was the musical biography of soul gospel musician Benjamin “Bebe” Winans, a Detroit native who began his career releasing albums with his sister Priscilla “CeCe” Winans from 1984 through 1996.  In 1989, BeBe won a Grammy for Best Male Soul Gospel Performance. In 1997, he signed with Atlantic Records and released his first of seven solo albums. That same year, BeBe delivered the international hit “I Wanna Be The Only One,” which featured British soul trio Eternal and topped the UK Singles chart in May 1997.  Throughout his career, Bebe has collaborated other Grammy award winning R&B vocalists – such as Stephanie Mills, Whitney Houston, and Stevie Wonder.
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Jun 14

Don’t Expect the Movie: “Dirty Dancing: The Classic Story On Stage”

Craven and Courts. Photo by Jeremy Daniel.

Presented by Boch Center
By Eleanor Bergstein
Music supervising and orchestrations by Conrad Helfrich
Choreography by Michele Lynch
Original choreography by Kate Champion
Directed by Sarna Lapine

June 13 – 17, 2018
Shubert Theatre
Boston, MA
Dirty Dancing tour on Facebook

Review by Kitty Drexel

(Boston, MA) Dirty Dancing: The Classic Story On Stage is a great production for professional-dance enthusiasts who enjoyed Dirty Dancing the movie but have no particular emotional connection to it. Diehard movie fans may feel put out by Eleanor Bergstein’s script upgrades. Musical aficionados may snark at the “acting” going on onstage. Anybody ready for some good time media nostalgia will enjoy themselves. Continue reading

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Jun 11

“A Chorus Line” as a Period Piece

Wahle as Zach with Ensemble. Photo by Herb Philpott.

Presented by Reagle Music Theatre of Greater Boston
Conceived and Originally Directed and Choreographed by Michael Bennett
Book by James Kirkwood and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Originally Co-Choreographed by Bob Avian
Direction; Recreation of the Original Choreography by Leslie Woodies
Music direction by Dan Rodriguez
Assistant Director/Assistant Choreographer – Lauren Gemelli

June 7 through 17, 2018
Reagle Music Theatre of Greater Boston
617 Lexington St., Waltham, MA 02452
Reagle on Facebook

Reviewed by Bishop C. Knight

(Waltham, Massachusetts) I had never seen A Chorus Line so, for readers who are unfamiliar with this 1975 Broadway musical about life in show biz, please let me provide a brief summary.  On a bare stage, a group of dancers bring their headshots and personal histories to an audition where they share their birth names, stage names, birthdays, and ages, as well as their most formative life experiences.  There was a tough boy from the Bronx, another guy from a big Italian family, a saucy woman who flirted with the director, and fifteen more performers – all with large and extremely memorable personalities. Continue reading

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May 17

Uncle Sam is a Benevolent Master. Bator: ALLEGIANCE

The cast. Photo credit: Nile Scott Studios

Presented by SpeakEasy Stage Company
Book by Marc Acito, Jay Kuo, and Lorenzo Thione
Music and lyrics by Jay Kuo
Directed by Paul Daigneault
Music direction by Matthew Stern
Choreography by Ilyse Robbins
Traditional Japanese dance choreography by Kendyl Yokoyama

May 4 – June 2, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

The New England Theatre Geek believes that productions about people of color should be critiques by people of color. Allegiance was attended by both Noelani Kamelamela and Kitty Drexel. The editorial response by Kamelamela gives insight into personal histories of the Japanese-American internment camps. Drexel gives a performance critique. If a story doesn’t include us at all levels then it isn’t really about us.

Response by Noelani Kamelamela

(Boston, MA) After bringing an acclaimed version of Kander & Ebb’s The Scottsboro Boys to Boston last year, Speakeasy Stage Company presents Allegiance, a two hour long musical that explores the unjust imprisonment of Japanese Americans in the US at the tail end of World War II.  It is important for us to tell these stories, not stories of victory, but tales of survival in difficult circumstances. Ignorance, more than the steady drumbeat of white supremacy, separates people far more than a border wall ever can. Continue reading

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May 07

“The Sound of Music”: A Timely Revival

Presented by Networks Press
Written by Richard Rogers & Oscar Hammerstein
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Book by Howard Lindsay and Russel Crouse
Suggested by The Trapp Family Singers by Maria Augusta Trapp
Directed by Matt Lenz
Choreography by Danny Mefford
Music supervision by Andy Einhorn

May 1-13, 2018
Wang Theatre
Boston, MA
Sound of Music on Facebook

Review by Kate Idlebrook

(Boston, MA) Hate crimes are up. White nationalism is on the rise. Reports of race-based bullying are spiking in schools across the country. Into this mix drops a timely revival of The Sound of Music at the Wang Theatre. The iconic musical about a young novice-turned nanny and an Austrian navy captain who refuses to bow to the Nazi invasion has been delighting audiences for decades both on stage and on screen. Continue reading

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Apr 23

“Cabaret” : Red Lights & Secrets

Aimee Doherty* Photographer: Tom Shoemaker

Presented by Moonbox Productions
Based on stories by Christopher Isherwood
Lyrics by Fred Ebb
Music by John Kander
Book by John Masteroff
Directed by Rachel Bertone
Music Direction by Dan Rodriguez

April 14th thru 29th, 2018
BCA Calderwood Pavilion
Wimberly Theater, Boston
Moonbox on Facebook

Review by Bishop C. Knight

(Boston, Massachusetts) I assume that unlike many in the audience at the Wimberly Theatre, I went to the Calderwood Pavilion knowing nothing substantial about Cabaret and naïvely expecting lots of eye-high rockette dance moves.  Seated with friends before the show, I opened up a program and encountered a quote by Christopher Isherwood, the British-American novelist who holds a principal place within my private imaginative world.  This quotation was from Isherwood’s Goodbye to Berlin, upon which Cabaret is based, and it goes “I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Someday, all this will have to be developed, carefully printed, fixed.”   Continue reading

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Apr 17

Real Hopes and Real Dreams: “The Rosenbergs (An Opera)”

Church and Gibson; Kalman Zabarsky, Photographer

Presented by Boston Playwrights’ Theatre
Score by Joachim Holbek
Libretto by Rhea Leman
Music direction by Cristi Catt
Stage direction by Dmitry Troyanovsky
Dramaturgy by Magda Romanska

April 12 – 22, 2018
BPT
Boston, MA
BPT on Facebook

April 27-29, 2018
Brandeis University
Spingold Theater
415 South Street
Waltham, MA 02453

Review by Kitty Drexel

(Boston, MAEthel and Julius Rosenberg were accused of delivering crucial information on the creation of the atomic bomb to the USSR in 1953. This case, considered one of the most infamous spy cases in US history, validated HUAC and contributed to the country-wide paranoia known as the Red Scare. Such attacks on communist affiliates is similar to the current presidential administration’s attacks on socialism. The Rosenbergs (An Opera) considers the couple accused of treasonous espionage. It proves that the American government and the people it claims to serve have changed very little in the last 65 years. Continue reading

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Mar 26

Punk, Communist Opera to Burn Your Daddy’s Ears: The Threepenny Opera

The Threepenny Opera from Boston Lyric Opera on Vimeo.

Presented by Boston Lyric Opera
Music by Kurt Weill
Libretto by Bertolt Brecht
English translation by Michael Feingold
Original German text based on Elisabeth Hauptmann’s German Translation of John Gay’s
The Beggar’s Opera
Conducted by David Angus
Stage directed by James Darrah

March 16 – 25, 2018
Huntington Avenue Theatre
264 Huntington Avenue
Boston, MA
BLO on Facebook

Review by Kitty Drexel

(Boston, MA) 3Penny is not your Daddy’s stodgy traditional opera. Kurt Weill and Bertolt Brecht were communist rabble rousers hell-bent on challenging the operatic form. They were freedom fighters rebelling against the Nazis through theatre. A stalwart Marxist, Brecht wanted to destroy opera’s association with the bourgeoisie. Weill believed opera could belong to the proletariat if given the opportunity. Both would have appreciated the BLO’s production of The Threepenny Opera. Opera purists would not.     Continue reading

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Dec 11

Honestly and Wonderfully: “She Loves Me”

The cast of “She Loves Me.” Photo by Maggie Hall.

Presented by Greater Boston Stage Company
Book Written by Joe Masteroff
Music Originally by Jerry Bock
Lyrics by Sheldon Harnick
Directed by Ilyse Robbins
Music directed by Matthew Stern

November 24th through December 23rd, 2017
Greater Boston Stage Company on Facebook
395 Main St, Stoneham, Massachusetts 02180

Review with Bishop C. Knight

(Stoneham, Massachusetts) An adaptation of the 1937 play Parfumerie by Hungarian playwright Miklós László, She Loves Me is set in a perfume shop where the entire staff pauses to sing in unison “Pleeeease doooo call again” to every departing customer.  In a broad sense, this is one of those comedies defined by the positive space of its set; meaning that the characters’ workspace and workspace culture were as much part of the musical as the characters’ dialogue and songs.  She Loves Me is evocative of other comedies reliant on their sets, like Cheers and Seinfeld which respectively wouldn’t be what they are without Sammy’s Boston bar and Jerry’s apartment building. Continue reading

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