(Cambridge, MA) Dragon Lady is the courageous story of how potty-mouthed, gangsta grandma Maria Porkalob traveled from the Philippines to the US as told by her granddaughter Sara Porkalob. This one woman show/dramatic cabaret is intensely passionate. The events of Maria’s stories might not be exactly true. What is true is the emotional veracity with which it is told.
(Boston, MA) Holy crap, go see Spamilton. Seriously, I mean it this time: go see Spamilton. Parody musicals aren’t for everyone but almost everyone loved Hamilton and Spamilton takes all of the great parts of Hamilton and makes them funny on purpose. Spamilton is a good laugh – even for the people who hate Hamilton.
(Cambridge, MA) If Massenet’s Cendrillon was a cake, it would be covered in thick, buttery frosting, have crushed sugar cookies inside, and funfetti melted into every layer. This version of Cinderella is one of the sentimental renditions of a wildly popular but very reliable recipe. As a fan of multiple versions of the rags-to-riches, wish-fulfillment fairy tale, which includes the much bleaker version explored in Into the Woods, I enjoyed the sweetness that the Harvard College Opera leans into so very hard in this production.Continue reading →
(Watertown, MA) 1776 is a quirky, innuendo-laced musical about Boston’s part in the US’s bid for independence. New Rep gives us a fun production that is more timely than it is educational. This musical might be based on historical facts but this production brings new momentum to current events. Continue reading →
(Boston, MA) Halfway through Shipwrecked! An Entertainment, when Louis de Rougemont (Kevin Cirone)–a real person who claimed to have been stranded in the Pacific in his 1899 serial-turned-book–lives on an unspecified island in a carefree existence with an unspecified, idealized indigenous people who variously refer to him as “chief” or “god,” I thought I’d be writing a very different review. But the lively depiction of a “man-eating octopus” and “flying wombats” early in the show should have tipped me off. This is a narrative that pokes holes in itself, a comedy-drama, a man using a survivor’s unlikely colonialist narrative to build his self-worth, and a story about the stories we tell ourselves to feel better.Continue reading →
(Boston, MA) The CBS television special A Charlie Brown Christmas, which premiered in 1965, has long been a holiday favorite of mine. Before I understood its sophisticate themes or even its dialogue, the adorable cartoons, slow jazz, and children’s voices were instinctively and irresistibly soothing. Decades later, Charlie Brown’s dark horse demeanor and romantic ideals still hold up as a paragon of optimism in a world that makes it so easy become disenchanted and give up our hopes and dreams.
With Lindsay Eagle, Robert Benton Orzalli, Michael John Ciszewski, Lauren Elias, Joey Cletis Pelletier, Molly Kimmerling, Claire Koenig and Bob Mussett. Picture by Tim Gurczak.
Produced by Hub Theatre of Boston
Written by Rick Elice
Music by Wayne Barker
Based on the novel by Dave Barry and Ridley Pearson
Directed by Sarah GazdowiczNovember 2 – 17, 2018 First Church of Boston
66 Marlborough Street
Boston, MA 02116
(Boston, MA)Peter and the Starcatcher is a reimagined origin story for Peter Pan. Before he was the boy who wouldn’t grow up, Peter was an orphan with no name, no friends, and no home. Robbed of their childhoods, Peter and his fellow lost boys are sold to the treacherous, orphan-hating captain of The Neverland, Bill Slank. Slank has stolen Queen Victoria’s treasure trunk and left a decoy in its place on HMS The Wasp. Also aboard The Neverland is Molly Aster, daughter of The Wasp’s captain, righteous and patriotic Lord Leonard Aster. The Asters are revealed to be more than imperial apologists when a band of pirates capture The Wasp and sail for Neverland’s stolen treasure. The adventure lands everyone on Mollusk Island, inhabited by a tribe of English-hating Italian chefs, allowing Peter to discover who he truly is and where he belongs. Continue reading →
(Boston, MA) American history is black history, is slave history. It is a history that demonstrates the deepest stoicism and power of humanity. Beaten and chained, stripped of everything, Black American slaves formed communities tighter than blood, turned lifetimes of suffering into exquisite song, and used song to rise above, revolt against injustice, and redeem all humanity. Nat Turner’s Rebellion was a point of inflection in our nation’s story, which swung the course of history toward freedom and salvation. A grand opera is needed to deliver this epic. No other medium could do justice. Continue reading →
Presented by North Shore Music Theatre
Directed By Robert Cuccioli
Music Direction By Milton Granger
Choreographed By Kelli Barclay
Book And Lyrics By Leslie Bricusse
Music By Frank Wildhorn
Originally Conceived By Steve Cuden and Frank Wildhorn
(Beverly, MA) As I was attempting to become a fiction writer, I thought I had found a clear path to getting published by watching the Lifetime Channel in November and December. The channel was chock full of terrible movies, all about some aspect of Christmas. It occurred to me that while you had to sell your soul to get a $10 check from a literary journal, surely they had to pay someone to write this shlock, and there was always demand for it.Continue reading →
(Stoneham, Massachusetts) In September, I attended the East Coast Premiere of Being Earnest at the Greater Boston Stage Company (GBSC). This comedy runs for another week ‒ featuring actress Ephie Aardema who performs internationally, as well as other accomplished actors. GBCS’s adaptation is set in 1960s London, and the composers stayed true to Oscar Wilde’s play.Continue reading →