MRT’s Content Alert: Based on real events, Until the Flood includes references to racism, bigotry, prejudice, and off-stage violence. The play contains strong adult content/language, including racial slurs. Recommended for ages 16 and older.
Critique by Kitty Drexel
STREAMING — The US police keep killing Black people. On Wednesday, April 28 a Collin County, Texas medical examiner ruled Marvin Scott III’s death a homicide. That was last night. Ma’Khia Bryant was killed by police on April 22. Derek Chauvin was convicted of killing George Floyd on April 20. Nearly a year after the murder took place. Breonna Taylor, Ahmaud Arbery, Aleah Jenkins, Tamir Rice, Michael Brown: I could go on and on. It’s no wonder that human rights lawyers from around the world have called for an investigation of the internationalcriminal court into the systematic murder of Black people in the US.
Until the Flood is a one-woman show about the stories we tell with our lives. On August 9, 2014 Darren Wilson, a white police officer shot and killed Michael Brown, an African American teenager in Ferguson, Missouri. In response to the murder, Dael Orlandersmith interviewed Black and white people, compiled their stories and created this play. We are witness to a spectrum of views. Each monologue takes the viewer closer to Michael Brown and the events that formed the Black Lives Movement.Continue reading →
Apollinaire Theatre Company — Apollinaire at Home announces the special event: Queer Soup’s Mal Malme and The Invasion of Pleasure Valley. Queer Soup Theater’s Mal Malme and members of the original cast of The Invasion of Pleasure Valley join Apollinaire at Home next Thursday, May 21st to revisit their early campy hit.
ArtsEmerson — ArtsEmerson is thrilled to announce that renowned musician, composer, producer, and activist Toshi Reagon is launching Parable Path Boston, based on the tenets of Octavia E. Butler’s novel The Parable of the Sower. Parable Path Boston will kick-off on Friday evening, May 22 with a one-night-only streaming event, the centerpiece of which is a full presentation of Octavia E. Butler’s Parable of the Sower: The Concert Experience.
To access any or all of the May 22 online events, please visit ParablePathBoston.com.
Central Square Theater — “ART IS OUR ACTIVISM – Online Series,” is a series of online play readings, Central Conversations, and educational programs specifically designed to engage audiences in a conversation for the here and now. Wild Goose Dreams
By Hansol Jung. Directed by Debra Wise Monday, May 18 at 7PM on Facebook Live! Presented by Underground Railway at Central Square Theater
A Conversation with Sherry Turkle & Sarah Shin Thursday, May 21 at 7PM on Zoom & Facebook Live!
Join Dr. Sherry Turkle, a researcher of human relationships with technology, and Sarah Shin, a co-founder of Asian American Theatre Artists of Boston, for a conversation about Wild Goose Dreams. Dr. Turkle will discuss how technology supports and inhibits connection in the play, while Ms. Shin will speak to the Korean cultural aspects.
Much Ado About Nothing
By William Shakespeare. Directed by Eric Tucker Monday, May 25 at 6PM on Zoom & Facebook Live! Presented by Bedlam
By Ella Ford. Directed by Cassie Chapados. Monday, June 29 at 7PM on Facebook Live! Presented by The Nora at Central Square Theater
Classic Stage Company — Classic Conversations continues on CSC’s Facebook page every Thursday at 6PM. Follow and Subscribe to watch every premiere Thursdays at 6pm.
Tony Nominee, Ethan Slater, Thurs. May 21 at 6pm, Spongebob Squarepants, Fosse/Verdon
Steven Pasquale, Thurs. May 28 at 6pm, The Bridges of Madison Country, American Son
Bianca Horn, Thurs. June 4 at 6pm, The Great Comet, The Awesome 80s Prom
Luminarium Dance Company — Luminarium continues to present its TEN4TEN Performance Series celebrating its tenth anniversary season with curated shows every two weeks, highlighting its award-winning repertory spanning 2010 to present. This week’s online performance features early examples of Luminarium Dance Company’s interdisciplinary take on community engagement. Enjoy choreographic collaborations that go “beyond dance” with the New England Quilt Museum (2013) and the Eric Carle Museum of Picture Book Art (2015).
Luminarium Dance Company & Monkeyhouse are thrilled to produce the seventh 24-Hour ChoreoFest!
SATURDAY, MAY 23
12-8pm: Live-streamed creation period & interviews
8pm: Live-streamed performance
Liars & Believers — LAB presents Ted & Marie by Joy Besozzi. It is live on its Pandemic Play page.
Coming Up: LAB has 3 shows in the pipeline, a big project gearing up, and a new experiment percolating.Plus several friends are creating shows and doing concerts. As long as this goes on, we’ll keep making art and sharing with you great things we find.
Merrimack Repertory Theatre — Merrimack Repertory Theatre’s professional training program for high school students, the MRT Young Company, goes virtual this year with classes online from 9 a.m. to 3 p.m. for three weeks, July 13-31. Renowned Chicago educator, director, and actor Robert Cornelius returns to lead the intensive.
The rate is $450 per person for the full course. Past Young Company participants may register for only $350. To register, visit www.mrt.org/youngcompany or call the Box Office at 978-654-4678. The program requires a laptop or tablet and internet access; if needed, MRT will provide technical support for any student.
Open Theatre Project — Week 3 of the OTP Community Write. On Monday, featured playwright Nick Malakhow chose “Communication/Miscommunication” and “New Rituals” to inspire our community’s writing this week. Performed by Alissa Cordeiro, Erik McGowan, Dave DiLillo, and Tasha Matthews. PANDEMIC-MONUIM by Bob Williams with Dave DiLillo Home Not Alone by Judith Black with Tasha Matthews Talk To You by Nick Malakhow with Alissa Cordeiro & Erik McGowan
Silverthorne Theater Company — Silverthorne Theater Company presents Days of Possibilities by Rich Orloff. Streaming now-June 4. <iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/WXc9WmKAjXc” frameborder=”0″ allow=”accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture” allowfullscreen></iframe>
SpeakEasy Stage Company — Beginning Wednesday, May 20 at 5PM, is a five-week half-hour series offering an insider’s guide to the five shows making up SpeakEasy’s 2020-2021 Season, which is also the company’s 30th Anniversary year. Those interested can join by tuning into SpeakEasy’s Facebook page for each live 30-minute Q&A session. The schedule of shows and artists is as follows: Once On This Island – Wednesday, May 20, 5:00-5:30pm; Artists present: Director Pascale Florestal, Music Director David Freeman Coleman People, Places & Things – Wednesday, May 27, 5:00-5:30pm – Artists present: Director David R. Gammons, Actress Marianna Bassham, Actor John Kuntz Slave Play – Wednesday, June 3, 5:00-5:30pm; Artist present: Director Tiffany Nichole Greene Bright Star – Wednesday, June 10, 5:00-5:30pm; Artists present: Director Paul Daigneault, Actress Laura Marie Duncan, Choreographer Misha Shields, Music Director Eli Schildekraut The Inheritance – Wednesday, June 17, 5:00-5:30pm; Artist present: Director Paul Daigneault
Announcing the SpeakEasy Play Discussion Club – a weekly discussion surrounding some of today’s most exciting scripts! Join SpeakEasy staff and artists for an online conversation about the play’s major themes and impact on the American theatre canon.For this series of plays, the theme is Celebrating Contemporary Female Voices:
Introduction Session or “Play Reading 101: A How-To Guide” An optional resource for those interested in the tips and tricks of play reading!
Thursday, May 21 from 5:00 – 5:30pm (Sign Up Here)
WEEK TWO: Cost of Living by Martyna Majok
Thursday, May 28 from 5:30 – 6:30pm (Sign Up Here)
WEEK THREE: Cambodian Rock Band by Lauren Yee
Thursday, June 4 from 5:30 – 6:30pm (Sign Up Here)
WEEK FOUR: DIASPORA! by Phaedra Michelle Scott
Developed through SpeakEasy’s The Boston Project
Thursday, June 11 from 5:30 – 6:30 (Sign Up Here)
WEEK FIVE: Wild Goose Dreams by Hansol Jung
Thursday, June 18 from 5:30 – 6:30pm (Sign Up Here)
Matthew Yee, Peter Sipla, Aja Wiltshire, Eileen Doan, Greg Watanabe; Photo by Liz Lauren courtesy of Victory Gardens
Presented by Merrimack Repertory Theatre A co-production with Victory Gardens Theatre in Chicago and City Theatre in Pittsburgh By Lauren Yee Directed by Marti Lyons Featuring the songs of Dengue Fever, Sinn Sisamouth, Voy Ho, and Rose Serey Sothea Cast includes Eileen Doan (Pou, keyboards), Albert Park (Duch), Christopher Thomas Pow (Leng/Ted, guitar), Peter Sipla (Rom, drums), Greg Watanabe (Chum, bass), and Aja Wiltshire (Neary/Sothea, vocals).
(Lowell, MA) The history one learns from Cambodian Rock Band will vary based on previous knowledge of the Cambodian genocide, the Vietnam War, and other geopolitical histories of that era. Lauren Yee’s narrative blends details about how characters survived genocide with elements from the real stories of countless others. Yet, one doesn’t leave the theater with fresh tears of sadness, rather, with smiles over tear-stained faces. The actors, particularly the father-daughter pair of Chum (Greg Watanabe) and Neary (Aja Wilshire), have both very touching and comical exchanges throughout the over 2 hour run time.
It weaves together a portrait of a father, a mystery, history, and amazing music. From the pre-show announcement to ‘cold open’, both in Khmer, audiences are taken on a ride between the 70’s to the early 2000s features a band from the 70s, singing in Khmer.Continue reading →
(Lowell, MA) You know a play hooks you when you start to get uncomfortable from the opening moment. As the lights go up in Slow Food,, we see two diners, Peter and Irene (Joel Van Liew and Daina Michelle Griffith) looking wane in a Greek restaurant as they begrudgingly sip glasses of water and wait. By the time the waiter, Stephen (Brian Beacock), appears, it is hard not to hate him. Continue reading →
(Lowell, MA) Writers must walk a fine line with audiences when it comes to parables. For a parable to be effective, the story must signal its intentions early and clearly. If done well, it gives the story license with the audience to present an incomplete worldview to prove a point. The devil, however, is in the details – as in what details to give the audience and what details to leave out – to create a world that gets enough buy-in from the audience to think about the issue. Continue reading →
(Lowell, MA) Bringing a comic book to life on stage can be extremely difficult, but deconstructing the comic book genre onstage can bring a new round of pitfalls. While the Merrimack Repertory Theatre production of “The Villains’ Supper Club” sometimes stumbles through the scattershot superhero world created by Lila Rose Kaplan’s script, it does so with a winsome and improvisational spirit. This, combined with the fact that Rose Kaplan has packed the script with some really great comical lines, leaves theatergoers with a visually stunning and utterly unique theatrical experience that may not always make sense, but is always entertaining. Continue reading →
(Lowell, MA) As a father of an adopted child, I often wonder how I will guide my son through the emotional stages of thinking about his origin story. I picture many long, earnest, possibly tear-filled conversations that will be good for us to go through, but certainly not entertaining. In Little Orphan Danny, wiseass rock singer Dan Finnerty decided to tell his own story of adoption, and it’s indeed a tearjerker of a musical. My eyes were wet and my ribs were sore from laughing so hard. Continue reading →
(Lowell, MA) Since the advent of the movie industry, we only pay money to see fat men on the silver screen if we can laugh at them. This has invited a parade of tortured souls willing to be crying-on-the-inside clowns in exchange for riches and some measure of acceptance. Too often, however, these jesters (John Belushi, Chris Farley, etc.) break down, and we celebrate the tragedy of a “brilliant life cut short” while waiting for the next heavy man waiting in the wings. Continue reading →
(Lowell, MA) We owe our individual existences to thousands of coincidences in history, but our identities are forged through careful curation. Many find their identities come preformed for them, whether
they like it or not, but some, like second-generation immigrants, must sort early in life through
conflicting information and cultural influences to find who they are. Continue reading →