Dec 29

You Don’t Have to Understand Your Queer Family to Love Your Queer Family: “The Rise and Fall of Holly Fudge”

Rehearsal for “The Rise and Fall of Holly Fudge.” Photo by Meghan Moore/Megpix

Presented by Merrimack Repertory Theatre
By Trista Baldwin
Directed by Courtney Sale
Cast: Kristian Espiritu, Karen MacDonald, Eliza Simpson, Milicent Wright

Now – January 4, 2022
Video on Demand via Mandolin.com
MRT Playbill 
MRT on Facebook

Age Recommendation: 14 and older. Some adult content/language.

Review by Kitty Drexel

Video-On-Demand — The copious productions of The Christmas Carol that come around every year are for mainstream Christmas celebrators. The Rise and Fall of Holly Fudge is a Christmas production for the rest of us. It’s intersectionality feminist. It passes the Bechdel Test. It’s under two hours, and you can drink rum-nog the entire time from your own home. Cheers! 

‘Twas the night before Christmas and all through the house… Carol (New England darling Karen MacDonald) was stirring because her daughter Holly (Kristian Espiritu) was finally coming home to Brockton, Mass.! This year Holly is bringing her special friend Jordan (Eliza Martin Simpson). Worlds, politics, and identities collide when Holly reveals to Carol that Jordan is more than just her Jewish, progressive liberal friend from Portland.

Milicent Wright plays the online Zumba cueing, comestible baking, excellent listener and BFF neighbor Chris. I would take Zumba class with Chris/Millicent any day. She seems fun.  Continue reading

Dec 15

No Room at the Inn: “Witness”

WITNESS: A new virtual documentary theater piece

A screen capture of the online platform.

Presented by Arlekin Players’ (Zero-G) Virtual Theater Lab
Conceived and directed by Igor Golyak
Written by Nana Grinstein with Blair Cadden & Igor Golyak
Scenography & Costume Design by Anna Fedorova
Virtual Design by Daniel Cormino
Sound Design by Viktor Semenov
Produced by Sara Stackhouse
Dramaturgy by Blair Cadden 
Featuring the Arlekin Acting Company

December 10, 2021 – January 23, 2023
Over the Arlekin (zero-G) virtual Theater Lab platform
and Zoom
Arlekin Players on Facebook
Playbill

Review by Kitty Drexel

“It doesn’t feel virtual; it feels real.” 

– Talkback moderator Inessa Rifkin, a founder of the Russian Jewish Community Foundation and a founder of the Russian School of Mathematics, after the December 13 performance of Witness.  

ONLINE/Zoom  — It’s almost Yule! Here’s a Christmas story: In May 1939, the MS St. Louis carried 937 passengers from Nazi-occupied Germany to Havana, Cuba. The Cuban government refused the ship. Its passengers remained onboard; the ship didn’t dock. Cuba had cancelled the immigration papers of the onboard immigrants without notifying them. 

The United States refused the ship too. The US had space to put the passengers but our politicians let money and immigration law stop them from welcoming the passengers. We made a 1976 secular movie about it called “Voyage of the Damned” with Faye Dunaway. How American of us. 

The Jewish passengers were finally allowed some succor when the ship returned to Europe that June.  254 of the passengers died in the Holocaust: 84 in Belgium; 84 in Holland, and 86 in France. There was no room at the inn or the stable with Mary and Joseph. 

Witness by Arlenkin Players is about the fluffy talent show that the passengers held to boost morale. Local New Englanders who are also immigrants play passengers on the boat. It’s about the stark tragedy that our country, a nation that says it welcomes immigrants at its front door on the East Coast, decided that Jewish immigrants fleeing for their very lives should go elsewhere. Popup text boxes invite us to learn about who the passengers were and if they survived the ship. It’s about the multigenerational fight against anti-Semitism in the US. The Arlekin Acting Company portrays Jewish characters from across the decades. Continue reading