Jun 10

Fate from a Fish Called Olga: “chekhovOS /an experimental game/”

chekhovOS /an experimental game/: Pretty in pink

chekhovOS /an experimental game/
Presented by Arlekin’s Zero Gravity (zero-G) Lab & The Cherry Orchard Festival Foundation
Inspired by The Cherry Orchard by Anton Chekhov
Conceived & Directed by Igor Golyak
Produced by Igor Golyak & Sara Stackhouse
Starring Jessica Hecht, and Anna Baryshnikov, Anna Bortnik, Darya Denisova, Jeffrey Hayenga, Melanie Moore, Nael Nacer & Mark Nelson
Mikhail Baryshnikov as playwright Anton Chekhov
Program slides are HERE (scroll down)

May 16 – June 24, 2021
Streamed over Zoom
Tickets are HERE
Arlekin Players on Facebook 

Review by Kitty Drexel

“Wheel of Morality turn, turn, turn/Tell us the lesson that we should learn.” – Yakko Warner, The Animaniacs  

ZOOM — Science fiction is now in black and white Chekhovian color streaming to an internet tool near you. chekhovOS /an experimental game/ only has a few more performances, so check it out before it disappears forever

There is a brief segment in the Animaniacs cartoon franchise called “The Wheel of Morality” that pokes fun at both game shows and cartoon shows that teach morality while also employing slapstick violence for laughs. In the segment, Yakko Warner turns a large game show wheel while siblings Wakko and Dot watch. Reliably, the spinning wheel lands on a number causing a small computer to print out the episode’s morale. The morale is often silly and almost never applies to the episode. The siblings are then chased off of the lot by Ralph the Guard. We love The Animaniacs in our house for its irreverence. 

The virtual morality of Arlekin Player’s production of chekhovOS /an experimental game/ (not to be confused with their last event Cherry OS /an experiment/) is a lot like the Wheel of Morality: the rules are unclear, the narrators are unreliable and the story isn’t linear. You’ll have a great time as long as you have no attachment to the ending. Try to have fun because nothing is certain. Or is it? Continue reading

Apr 02

“A Dead Man’s Diary”: A Sacred Love for Theatre


Presented by Arlekin Players Theatre
Based on the novel by Mikhail Bulgakov
Original stage composition based on the novel written by Igor Golyak and Zhenya Brodskaya
English translation by Yana Minchenko
Composed by Jakov Jakoulov
Directed by Igor Golyak
Choreographed by Victor Plotnikov

17 March thru 1 April 2018
Emerson Paramount Center
Jackie Liebergott Black Box
Downtown Boston, Mass.
Arlequin Players on Facebook

Reviewed by Bishop C. Knight

(Emerson College) A Dead Man’s Diary was a drama performed in Russian, and patrons could request an earplug device that provided English voiceover during the production.  The play begins with our main character Sergei Maksudov writing a novel that is inspired by a dream of his native city and, upon completing this work, Maksudov shares his manuscript with various writers and critics.  One of his readers prompts Maksudov to adapt the book to a play, and thus commences Maksudov’s meanderings through the world of theatre ‒ a sphere where he is scorned by the director of the Moscow Art Theater, Stanislavsky.  At its core, Mikhail Bulgakov’s Theatrical Novel examines a writer’s sacred love for theatre. Continue reading