Mar 03

Open Door Theater presents “Into the Woods,” March 27 – April 5, 2020

Open Door Theater Presents “Into the Woods,” March 27 – April 5, 2020

Be careful what you wish for! Open Door Theater brings Into the Woods, the award-winning musical twist on beloved fairy tales, to the Dragonfly Theater in Acton, March 27 to April 5 at www.opendoortheater.org.
Music and Lyrics by Stephen Sondheim
Book by James Lapine
Originally Directed on Broadway by James Lapine
Orchestrations by Jonathan Tunick

Open Door Theater of Acton’s enchanting production of Into the Woods will run March 27 – April 5 at the Dragonfly Theater at R.J. Grey Junior High, 16 Charter Road, Acton. A musical twist on beloved fairy tales, the story follows Cinderella, Little Red Ridinghood, Jack (with his beanstalk), Witch, and Rapunzel as they meet in the woods and discover the true power of “I wish.”

Performances
Into the Woods will include ASL interpretation at three performances, open captioning at all performances, a Sensory Friendly/relaxed performance, and an audio-described performance.

Tickets can be purchased HERE.
Accessibility information can be found at this link.

Friday, March 27th at 7:00pm / ASL
Saturday, March 28th at 7:00pm / ASL
Sunday, March 29th at 1:00pm / ASL
Friday, April 3rd at 7:00pm
Saturday, April 4th at 1:00pm / sensory friendly Act I only
Saturday April 4th at 7:00pm / audio described
Sunday, April 5th at 1:00pm /

Over the company’s 40-year history, Open Door has provided opportunities for underserved audiences to enjoy live theater. Tickets are $15 and all seats are assigned. For tickets and show details visit www.opendoortheater.org.

Jun 18

No One is Exempt From Pain:”I Was Most Alive With You”

© T Charles Erickson Photography; Russell Harvard and cast.

© T Charles Erickson Photography; Russell Harvard and cast.

Presented by the Huntington Theatre Co. 
Directed and written by Craig Lucas

Through June 26, 2016
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Review by Kitty Drexel

This is a bilingual production; the text is expressed in English and ASL through interpreters. My heartfelt thanks to the crew of the Huntington for respecting the limitations of the hearing community.

(Boston, MA) Bad things happen to people. They just do. Religious pessimists might believe that the Powers That Be punish sinners but even good people experience tragedy. Piety provides no exemption. Bad things happen because they do. If we could understand why, maybe we could prevent them from happening. Continue reading

Dec 04

Sharing the Joyful Word: BLACK NATIVITY

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Banner image borrowed from https://paramountboston.org/

Langston Hughes’ Black Nativity Dec. 2, 2015
Presented by Emerson College and National Center of Afro-American Artists
Book by Langston Hughes
Music & Lyrics chosen by Langston Hughes
Based on text from the Gospel of St. Luke
Executive Producer and Director: Voncille Ross
Assistant to the Director for Music: Stephen Hunter, Sr.
Choral Director for Children: Marilyn Andry
Choral Director for Adults: Milton L. Wright
Ballet Mistress: Desiree Springer

Dec. 4 – 20, 2015
ASL interpreted performances: Dec. 4, 6, 12, 13, 19, & 20, 2015
The Paramount Theater
Boston, MA
Paramount Theater on Facebook
Black Nativity Boston on Facebook

Review by Kitty Drexel

Performances are open to the public beginning on Friday, Dec. 4. I was invited to a dress rehearsal. This review will be based on the wonderful performance the NCAAA so graciously allowed me to attend on Dec. 2, 2015.

(Boston, MA) Jesus was a Jewish man from Israel. Israel shares a border with Egypt which is in Africa. His birthplace, Bethlehem, is approximately six miles from Jerusalem. It takes about five hours to get to Be’er Sheva from Bethlehem if you catch the right bus (thank you Googlemaps). From there, you could get within the borders of Africa if you really wanted to but the journey would be pointlessly rough. I mention this to prove a point: given the physical location of Nazareth, Bethlehem and Jerusalem on a map, it is highly unlikely that Jesus was the blonde haired, blue eyed, white man that Christians enjoy depicting today. You’d have to travel on foot through Lebanon, then Syria and finally Turkey, or voyage across the Mediterranean Sea to Greece or Italy before hitting any majority of white people… And that’s in 7-2 BCE. Good luck finding an agent willing to sell you travel insurance. Continue reading

Mar 16

Inclusive and Intersectional: THE TASTE OF SUNRISE

Photo by Craig Bailey, Perspective Photo.

Elbert Joseph as Tuc in Mother Hicks at Emerson Stage. Photo by Craig Bailey, Perspective Photo.

Presented by Wheelock Family Theatre
Written by Suzan L. Zeder
Composed by Peter Stewart
Directed by Wendy Lement and Kristin Johnson
Choreographed by Patricia Manalo Bochnak

March 13 – 22, 2015
200 The Riverway
Boston, MA
Wheelock on Facebook

PART TWO OF THE WARE TRILOGY, produced with Emerson Stage (Mother Hicks, February 2015) and Central Square Theatre (The Edge of Peace, April 3-12, 2015)

Review by Kitty Drexel

(Boston, MA) In Susan Zeder’s The Taste of Sunrise, Tuc (Elbert Joseph) grows up poor, black and deaf in an ASL-ignorant hearing community in Ware, IL.  At the behest of the well-intentioned Dr. Graham (Donna Sorbello), Jonas Tucker (Cliff Odle) sends Tuc to a school for the deaf to learn how to speak. After years of social solitude, he finally meets kids just like him. They teach him sign; Tuc learns to communicate and to express himself. With help from friends Maizie (Amanda Collins) and Nell Hicks (Brittany Rolfs), discovers what it means to self-discover, to lose and then rebuild one’s identity. Continue reading

Jul 08

Free Shakespeare in the Park: “Two Gentlemen of Verona”

http://www.commshakes.org/system/storage/222/65/a/640/2_gents_website.jpg

Music Director, Colin Thurmond
Set Designer, Beowulf Boritt
Sound Designer, J. Hagenbuckle
Lighting Designer, Eric Southern
Costume Designer, Nancy Leary

Commonwealth Shakespeare Company Main Page, Facebook Page
Boston Common venue
Comm Shakes FAQ page

“Two Gents” tells the tale of two friends who leave their hometown of Verona to find their happy fortunes in Milan. Instead, they find temptation, trickery, and trouble as they vie for favor with the high-society Duke… and his debutante daughter. All are drawn into a web of disguise and secrecy where the last thing anyone wants is for the truth to surface — least of all the dog.

Inspired by Rat Pack-era Vegas — the glamor, the hedonism, and the morning after agonies — the production brings new meaning to the line “what happens in Milan, stays in Milan…”

SPECIAL PERFORMANCES AND EVENTS:
JULY 18TH: AUDIO-DESCRIBED PERFORMANCE
JULY 21ST: ASL-INTERPRETED PERFORMANCE
JULY 26TH: “FAMILY DAY” AND “FREE FUN FRIDAY”
JULY 27TH @ 2PM: ASL-INTERPRETED PERFORMANCE