Jan 08

Awkwardness is Part of the Process: “Small Mouth Sounds”

All photos by Nile Scott Studios. The cast. Digesting.

Presented by SpeakEasy Stage Company
By Bess Wohl
Directed by M. Bevin O’Gara

Jan. 4 – Feb. 2, 2019
Boston Center for the Arts
The Calderwood Pavilion Boston, MA
SpeakEasy on Facebook

This critique has been updated from its previous posting. The update includes corrections and clarifications. (1/31/19 KD)

Critique by Kitty Drexel

Trigger warnings: penis, simulated pot smoking, heavy moaning

It’s January and chances are that you (or your acquaintances) are experiencing an influx of athletic practitioners in your studio of choice. For example, at my own neighborhood ashtanga yoga studio, January 1 meant that the floor became overwhelmed with novices and their wholesome, divot-free mats. Small Mouth Sounds(SMS) captures that awkward group consciousness of baby-yogis talking first “did I make a huge mistake?” steps towards enlightenment. An enlightened mind is not obtained overnight. The journey is schadenfreude for the audience. Continue reading

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Oct 01

Cripping Up and Other Indignities: “PermaDeath”


Presented by White Snake Projects
Dan Visconti – Composer
Cerise Lim Jacobs – Creator and Librettist
Pirate Epstein – Co-Librettist
Cori Ellison – Dramaturg

September 27–29, 2018
Emerson/Cutler Majestic Theatre
219 Tremont Street in Downtown Boston

Critique by Kitty Drexel

(Boston, MA) I had such high hopes for PermaDeath. It is a forward thinking libretto and score but its ablism, racism, and homophobia are disappointing. That this opera is problematic, is an understatement. Continue reading

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Mar 16

Inclusive and Intersectional: THE TASTE OF SUNRISE

Photo by Craig Bailey, Perspective Photo.

Elbert Joseph as Tuc in Mother Hicks at Emerson Stage. Photo by Craig Bailey, Perspective Photo.

Presented by Wheelock Family Theatre
Written by Suzan L. Zeder
Composed by Peter Stewart
Directed by Wendy Lement and Kristin Johnson
Choreographed by Patricia Manalo Bochnak

March 13 – 22, 2015
200 The Riverway
Boston, MA
Wheelock on Facebook

PART TWO OF THE WARE TRILOGY, produced with Emerson Stage (Mother Hicks, February 2015) and Central Square Theatre (The Edge of Peace, April 3-12, 2015)

Review by Kitty Drexel

(Boston, MA) In Susan Zeder’s The Taste of Sunrise, Tuc (Elbert Joseph) grows up poor, black and deaf in an ASL-ignorant hearing community in Ware, IL.  At the behest of the well-intentioned Dr. Graham (Donna Sorbello), Jonas Tucker (Cliff Odle) sends Tuc to a school for the deaf to learn how to speak. After years of social solitude, he finally meets kids just like him. They teach him sign; Tuc learns to communicate and to express himself. With help from friends Maizie (Amanda Collins) and Nell Hicks (Brittany Rolfs), discovers what it means to self-discover, to lose and then rebuild one’s identity. Continue reading

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