Nov 09

Save Corner Store Caroline a Seat: “Just Another Lynching”

Jeghetto Interview – Just Another Lynching from Puppet Showplace Theater on Vimeo.

Presented by Puppet Showplace Theater
Created by Tarish “Jeghetto” Pipkins
Musical score by Shana Tucker
Eulogy written and narrated by Tommy Noonan
Puppeteers: John Reagan, Elbert Joseph, Scotty Swan, Brenda Ray, Roxanna Myhrum, Tarish Pipkins
Tech by Brad Shur

Nov. 8 & 9, 2018
Puppet Showplace Theater
Brookline, MA
PST on Facebook

Critique by Kitty Drexel

Trigger warnings: gunshots, graphic images of violence, wypipo fuckery 

(Brookline, MA) The United States has an historic problem of white violence against people of color that stretches to today. Anyone looking for proof need only search today’s newspaper. Just Another Lynching: An American Horror Story reminds us with shocking clarity just how little things have changed for People of Color in the US. Continue reading

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Oct 24

Early Voting/Voting for the 2018 Midterm Elections

Your voice is important! Learn about early voting in Massachusetts  here: http://www.sec.state.ma.us/earlyvotingweb/earlyvotingsearch.aspx

For our friends outside of MA, here are other resources:
– Here is a USA.gov website that defines the elections but is otherwise unhelpfulhttps://www.usa.gov/midterm-state-and-local-elections#item-213832
– Here is a website that will lead you to your state elections website: https://www.usa.gov/election-office

Can’t vote early? Here is a link that will take you through the steps of discovering your options: https://www.usa.gov/election-office

Provisional ballots ensure that New England voters are not excluded from the voting process due to an administrative error. They provide a fail-safe mechanism for voters who arrive at the polls on Election Day and whose eligibility to vote is uncertain. You have the right to a provisional ballot! (except in New Hampshire where they don’t have them.)

While I have your attention!
Do you need govt. assisted healthcare through the American Healthcare Act? Open enrollment is Thursday, November 1, 2018, to Saturday, December 15, 2018. The current administration is attempting to undermine your right to healthcare under current law. Thwart them by sharing this information and the following website. https://www.healthcare.gov/get-coverage/


Queen’s Note: When you hit the polls on November 6, please take into account that Charlie Baker vetoed the arts budget in July 2018. It was the fourth time he’d done so. If you consider the arts one of your causes, additionally consider Baker’s cowardly actions when you vote.

Source Samples are here:
http://www.massculturalcouncil.org/news/FY19_budget_final.asp
https://www.masslive.com/politics/index.ssf/2015/11/gov_charlie_baker_vetoes_perce.html
http://www.wbur.org/artery/2016/07/22/governor-baker-arts-funding-cuts
https://www.boston.com/news/politics/2018/01/24/gov-baker-to-file-budget-blueprint-on-heels-of-annual-address

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Sep 21

Kindness Can’t Kill Systemic Disease: “Between Riverside and Crazy”

Oswaldo and Pops at breakfast. Photo by Nile Scott Studios

Presented by SpeakEasy Stage Company
By Stephen Adly Guirgis
Directed by Tiffany Nichole Greene
Fight choreography by Greg Maraio
Dialect coaching by Kelly Sabini

Sept. 14 – Oct. 13, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

Review by Kitty Drexel

“I may look how i look. That don’t mean I am how I look.”  – Lulu

(Boston, MA) Fuck the police. Fuck them for killing Black people at unprecedented rates. Fuck them for killing gay/queer/trans people because they can. Fuck them for raping women while in uniform. Fuck them for #bluelivesmatter. Fuck the police and their scare tactics, faulty de-escalation training, and their playing to the sympathies of ignorant white people. No one should die of a routine anything because a trigger happy cop couldn’t keep their shit together. Fuck them for making small changes and expecting big credit. Fuck the police and the lame white horse they rode in on. Fuck the goddamn police. Continue reading

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Aug 24

“Cloud Tectonics”: Love is Love is Love is Love

CLOUD TECTONICS by José Rivera, production poster

Presented by Fort Point Theatre Channel
by José Rivera
Director: Jaime Carrillo
Musicians: Nick Thorkelson, Mitchel Ahern, Anaís Azul, Francis Xavier Norton, Luz Lopez, Fernando Barbosa
FPTC on Facebook

Aug 8th @ 6:00pm
Hyde Square Task Force
30 Sunnyside Street, Jamaica Plain
(In Boston’s newly designated Latin Quarter!)

Aug 14th @ 7:30pm
The Fort Point Room at Atlantic Wharf
290 Congress Street, Boston

Aug 17th & 18 @ 7:30pm
Boston Playwrights’ Theatre
949 Commonwealth Ave., Boston

Aug 21th @ 7:30 pm
Gloucester Stage
267 East Main Street, Gloucester

Review by Diana Lu

(Various locations, MA) I remember once chatting with a friend about Japanese media. He mentioned that in a lot of Japanese narratives, a nuclear disaster occurs and the rest of the story deals with the aftermath. That rarely happens in American narratives, he noted, which focus on anxiety about impending disaster. That is, what we in the US fear the most, has already happened in Japan.  Later, I heard a podcast discuss The Handmaid’s Tale. In it, one host observed that Atwood’s gruesome fictional future is actually the reality of the past, for black slave women. Continue reading

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Aug 16

Drag Messiah: A very Allston Christmas; Yes on 3!

Quorum Boston presents Drag Messiah: A very Allston Christmas

Yes on 3!

Performance Dates:
August 17, 2018
7:30PM
MIT Building 6, Room 120
77 Massachusetts Ave, Cambridge, MA 02139
Aug. 17 event on Facebook

August 18, 2018
7:30PM
First Parish Cambridge Unitarian Universalist
3 Church St, Cambridge, MA 02138
Aug. 18 event on Facebook
Quorum Boston on Facebook

(Cambridge, MA) Since its writing, Handel’s Messiah has been used as a fundraising concert for various causes to benefit society. In Handel’s time, that was the Foundling’s Hospital for London orphans. Quorum will be performing Drag Messiah: a Very Allston Christmas* in order to raise awareness and donations for Freedom for All Massachusetts, a trans-lead organization that is working to protect the ways in which Massachusetts currently allows trans people to use public accomodations (including but not limited to bathrooms) that align with their gender identity. These protections – which allow trans people to live, work, and move through society with basic dignity – also help prevent violence and discrimination against trans people. An anti-LGBTQ group is trying to repeal them, and Freedom for All Massachusetts is working hard to prevent that from happening through public education and awareness. We will have more information, volunteer sign-up for those interested, and VOTER REGISTRATION!

Written by a queer composer who participated in drag culture and wrote many cross-gendered opera roles, the Messiah as performed by an LGBTQ chorus (some of whom will be in drag) will bring awareness to and celebrate the diversity of gender in our Boston community. It will be a very exciting and high-quality concert, and our aim is to use the popularity of the Messiah and the newfound public interest in drag to support the trans community, which is often marginalized from both the classical music and drag scenes, spaces which should be open to all. We will be performing the entire piece with a guest orchestra of historically-informed instrumentalists, in a setting both intimate and powerful. You have not heard this piece performed with as much emotional authenticity as you will this August.

*What’s Allston Christmas?
It’s that time in August and early September when people scavange treasures left on the sidewalk or put in the trash by departing renters. It’s is a working-class celebration of new life and valuing what has been discarded by others, concepts which are also foundational to the queer experience. Handel’s Messiah – a larger-than-life oratorio about birth, rejection and punishment at the hands of those who don’t understand your worth, and the triumph of good will and promise for a better future – is the perfect piece to sing for this occasion.

Quorum Boston is an LGBTQ vocal ensemble that performs music almost exclusively by LGBTQ composers (like Handel!) in order to combat the erasure of queerness in the classical music canon and help new voices be heard.

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Aug 15

Frothy Fun and B-Side Moments: MAMMA MIA

Tari Kelly (Tanya) with Tiffani Barbour (Rosie) and Erica Mansfield (Donna) in MAMMA MIA! live on stage at North Shore Music Theatre thru September 2. Photo©Paul Lyden

Presented by North Shore Music Theatre
Directed & Choreographed By: Kevin P. Hill
Music Direction By: Bob Bray
Music And Lyrics By: Benny Andersson & Björn Ulvaeus And Some Songs With Stig Anderson
Book By: Catherine Johnson
Originally Conceived By: Judy Cramer

August 2 – September 2, 2018
North Shore Music Theatre
Beverly, MA
NSMT on Facebook

Review by Craig Idlebrook

(Beverly, MA) There is a reason why the musical Mamma Mia has become such a phenomenon – I mean, aside from the fact that a group of Swedes sold their souls to the devil to make the most earworm-y music of the 20th century. The story is one long, sexy summer party that showcases the current or past foibles of our twenties. A young woman secretly invites her three potential fathers to her island wedding without telling her mother about it – it’s as if someone set out to re-envision Midsummer Night’s Dream with platform shoes. Continue reading

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Aug 08

“CATO & DOLLY”, The Hancocks

Ye Olde Statehouse

Presented by the Bostonian Society
Produced in partnership with Plays in Place, LLC
Written by Playwright Patrick Gabridge
Directed by Courtney O’Connor
Performed by Stephen Sampson and Marge Dunn

July 6th through September 29th, 2018
Old State House, Downtown Boston, MA

Reviewed by Bishop C. Knight

(Boston, Massachusetts)   On a rainy Saturday, Kathy Mulvaney explained to the crowd of museum visitors that she needed a minute to bring in more chairs, as the hall was fuller than anticipated.  Mulvaney is the Director of Education at the Old State House. She told us that the historical play Cato & Dolly would be about twenty minutes, and she noted that we could not re-enter if we decided to leave for the bathroom.  Finally, Mulvaney encouraged us to sit back and enjoy. Then the hall went silent. Continue reading

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Jun 21

Blog Update: Nondiscrimination/Anti-Harassment Policy

[Updated 6/21/2018]
The New England Theatre Geek (NETG) is an arts blog committed to maintaining a constructive and supportive environment for its readers and its staff. The following harassment policy is in support of our commitment for a more compassionate and respectful arts community. NETG may, from time to time, revise this policy at its discretion without notice:

No individual, whether a NETG employee, audience member, subject of a published critique, production crew or adjacent individual, should be subjected to any unwelcome conduct that is or should be known to be offensive because of gender, race, age, religion, ethnicity, immigration status, disability, sexual orientation or gender identity and/or expression. This policy extends to interaction in person as well as all interactions online. NETG will make reasonable efforts to ensure that the actions of its employees are free from harassment. Should a harassment claim be made, NETG will take appropriate corrective action.

Employees of the NETG are held to a high standard of constructive criticism. Performance critiques, reviews, interviews or op eds will be limited to production elements and the theatre experience of a given performance. Articles written for NETG will disinclude reviews or critiques based on an individual’s gender, race, age, religion, ethnicity, immigration status, disability, sexual orientation or gender identity and/or expression. This policy element may only be revoked on the occasion that an employee directly quotes an artist.

NETG employees are consultants that work directly with New England arts companies to create online journalism. The NETG expects that its colleagues and readers will extend the same respect to employees both online and in person. NETG will not tolerate harassment of any kind either on the New England Theatre Geek online blog, Facebook pages (including the Admiral Kittypants Facebook page), or in person. NETG is within its rights to revoke, suspend and/or permanently ban any person, company or entity from participating in some or all related activities, with or without expressed cause.

When alleged harassment is reported, NETG will investigate the incident at its own discretion. There will be no retaliation against an individual who has or reported harassment, or who has cooperated with any investigation of harassment. Those found guilty of misconduct will find their relationship with NETGsuspended.

Lastly, it is NETG policy to believe victims. Victims are invited to submit claims anonymously or otherwise to blognetheatregeek at gmail dot com. Actions to correct and prevent further misconduct will be performed at the discretion of the victim with input from NETG leadership.

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May 25

Business As Usual: “The Plague”

The cast of Praxis Stage’s THE PLAGUE (left to right): Dawn Davis, Danny Mourino, Steve Auger, Michael Rodriguez, and Dayenne C. Byron Walters.

Presented by Praxis Stage
After La Peste by Albert Camus
Adapted by Neil Bartlett
Directed by Daniel Boudreau

May 23 – 27, 2018
Boston Playwrights’ Theatre
Boston, MA
Praxis on Facebook

Review by Kitty Drexel

“And they answered, “Five gold tumors and five gold mice corresponding to the number of Philistine rulers, since there was one plague for both you[a] and your rulers. 5 Make images of your tumors and of your mice that are destroying the land. Give glory to Israel’s God, and perhaps He will stop oppressing you,[b] your gods, and your land.”
1 Samuel 6:4-5, Internet Bible

“”Brownie, you’re doing a heckuva job” President George W. Bush in response to Michael Brown’s failure to provide basic relief services to the victims of Hurricane Katrina, 2005.

(Boston, MA) History is not taught because educators are sadists with penchants for boring their victims into pliancy. Rather, not just for that. Taught history is meant to remind each generation of what previous generations have done; how they have succeeded and, more importantly, to prevent them from similar failures. The Plague reinforces our need to learn from history now because we will repeat it. We always do.   Continue reading

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May 17

Uncle Sam is a Benevolent Master. Bator: ALLEGIANCE

The cast. Photo credit: Nile Scott Studios

Presented by SpeakEasy Stage Company
Book by Marc Acito, Jay Kuo, and Lorenzo Thione
Music and lyrics by Jay Kuo
Directed by Paul Daigneault
Music direction by Matthew Stern
Choreography by Ilyse Robbins
Traditional Japanese dance choreography by Kendyl Yokoyama

May 4 – June 2, 2018
Calderwood Pavilion
Boston Center for the Arts
Boston, MA
SpeakEasy on Facebook

The New England Theatre Geek believes that productions about people of color should be critiques by people of color. Allegiance was attended by both Noelani Kamelamela and Kitty Drexel. The editorial response by Kamelamela gives insight into personal histories of the Japanese-American internment camps. Drexel gives a performance critique. If a story doesn’t include us at all levels then it isn’t really about us.

Response by Noelani Kamelamela

(Boston, MA) After bringing an acclaimed version of Kander & Ebb’s The Scottsboro Boys to Boston last year, Speakeasy Stage Company presents Allegiance, a two hour long musical that explores the unjust imprisonment of Japanese Americans in the US at the tail end of World War II.  It is important for us to tell these stories, not stories of victory, but tales of survival in difficult circumstances. Ignorance, more than the steady drumbeat of white supremacy, separates people far more than a border wall ever can. Continue reading

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