Category Archives: Uncategorized

Apr 18

Drinking with Aristotle in “Ipsa Dixit”

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Presented by Original Gravity Concert Series
Music & Libretto by Kate Soper
Performed by Equilibrium
Soprano: Stephanie Lamprea,
Violin & Acting Music Director: Nicole Parks
Flute: Orlando Cela
Percussion: Mike Williams

April 12th at 7:30pm
Inner Space
17 Station Street
Brookline, MA, 02445
Original Gravity on Facebook

Review by Gillian Daniels

(Brookline, MA) Ipsa Dixit is Art with a capital, “AH,” an often playful and highly erudite experiment with language and music chiefly meant for people who are already into That Kind of Thing. As a whole, it doesn’t have a clear entrypoint for laymen. This is, at least partially, about the meaning of words vs. the intent of the isolated mind that created them, ie. the vast chasm between expressing something verbally and the isolated brain meat where that verbiage was formed. So yes, it certainly falls into the category of My Thing, with its mosaic of words excerpted from the works of Aristotle, Sophocles, Freud, and Lydia Davis, among others. The music layered on top of these various texts construct an impressionistic portrait of what that language feels like. If you have ever found yourself hungry for a tense drama about a diagrammed sentence, this show is for you. During its two intermissions, there were people who bounced so solidly off the text, they ended up bouncing themselves. Otherwise, others stuck it out for the impressive oddity of Soper’s work as well as the free drinks provided by participating breweries. Continue reading →

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Mar 31

More Than A Political Trinket: “Evita”

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The cast rockin’ it in costumes by Paula Peasley-Ninestein. Photo found on TCT Facebook page.

Presented by The Company Theatre
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Directed by Zoe Bradford and Jordie Saucerman
Musical direction by Bethany Aiken
Staging and choreography by Sally Ashton Forrest
Conducted by David Healey

March 15-31, 2019
30 Accord Park Dr.
Norwell, MA 02061
Company Theatre on Facebook

Critique by Kitty Drexel

(Norwell, MA) Evita is a strange rock operetta. It sounds a great deal like Jesus Christ Superstar and is narrated by a political figure that did more work in Mexico and Cuba than he ever did in Argentina. Additionally, Webber and Rice posit the musical against Eva Peron. She’s treated as a mere political trinket during a time when she symbolized the heart of the Peronist movement. Evita is a problematic piece but the Company Theatre does a fine job producing it.    Continue reading →

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Mar 22

On A Dime: “Dragon Lady”

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Presented by by A.R.T. Breakout, part-one of the Dragon Cycle
Created and performed by Sara Porklob
Original music by Peter Irving
Band: Hot Damn Scandal
Directed by Andrew Russell

March 20 – April 6
Club Oberon
2 Arrow Street
Cambridge MA, 02138
A.R.T. on Facebook

Critique by Kitty Drexel

(Cambridge, MA) Dragon Lady is the courageous story of how potty-mouthed, gangsta grandma Maria Porkalob traveled from the Philippines to the US as told by her granddaughter Sara Porkalob.  This one woman show/dramatic cabaret is intensely passionate. The events of Maria’s stories might not be exactly true. What is true is the emotional veracity with which it is told.

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Mar 09

Applications Invited for Theatre on Fire’s Fun & Games Festival!

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The Fun & Games Festival

A festival celebrating the spark of joy and the value of play. We’re taking fun risks, playing games with forms, and leaping before we look.

May 2 – 19, 2019 at the Charlestown Working Theater​

More information can be found HERE. 

What the Festival Is:

You are invited to participate in a festival of theatre and performance at the Charlestown Working Theater, curated by Theatre on Fire, with a focus on playfulness (in all forms), experimentation, and most of all: FUN. The world is a dark place right now, as we are constantly reminded. So let’s take some time to remind ourselves of the what brings us joy in a festival format.

What We’re Looking For:

Collaborators like you who have something fun to present! Programmed shows will run a minimum of 30 minutes and a maximum of 60 minutes. New works are encouraged but not required.

 

“Fun,” “games,” and “play” can mean different things to different people, and we’re all about that. Maybe you want to play games with theatrical forms? Maybe you want to host an interactive game night instead of a performance? Maybe a stand-up comedy night is on your mind? We’re open to many ideas, though shows should be consistent with the themes of the festival and with the mission and values of Theatre on Fire.

If you may be interested in participating, please fill out this Expression of Interest form. 

If you have questions before you fill out that form, please email evans.darren@gmail.com.

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Feb 11

“Mala” by Melinda Lopez Now available on Audible.com

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“’Mala’ means ‘bad.’ Not that you have done something bad, but that you are, in your core, bad.” – Melinda Lopez, from Mala


Mala
By Melinda Lopez
Narrated by Melinda Lopez
Length: 1 hr and 17 mins
Regular price: $6.95

Review by Kitty Drexel

Melinda Lopez’s one-woman show, Mala is now available on Audible. The New England Theatre Geek previously critiqued Mala on January 26, 2018 and November 5, 2016. The New England Theatre Geek was given a download of Mala in exchange for this review. 

Audible is an app by Amazon that can be downloaded to phone or other internet accessible device. Mala can be purchased through the Audible app or through Amazon. Audible plays the narrated book or script while other apps are in use or on its own. Mala has naturally occurring pauses between scenes that will allow the listener to enjoy at their own pace.

Lopez narrates Mala with her usual candor and charisma. This recording gives her storytelling the NPR treatment: her consonants are crisp, her timbre lilting. It’s as if Lopez is speaking directly into your ear. This recording sounds like a private performance. It hits the heart like a live production. If you loved the stage play and also enjoy listening to recorded books and plays, Mala will be treat for your ears and heart. 

Please note: The passages of Mala originally in Spanish are retained and not translated into English. Monolingual listeners should fire up an online translator for the full experience.

Audible members will be able to enjoy listening to Mala for free during the month of February as part of the company’s Originals Member Benefit. Previous theatrical productions that have released on Audible for millions of listeners globally include Girls & Boys(Carey Mulligan), Harry Clarke (Billy Crudup), Feeding the Dragon (Sharon Washington), and After Anatevka (Alexandra Silber), all of which have been Audible bestsellers.

About the Author and Performer
Melinda Lopez is the playwright-in-residence at the Huntington Theatre Continue reading →

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Jan 28

A Nourishing Treat: “Slow Food”

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Joel Van Liew, Brian Beacock, Daina Griffith. Photo by Meghan Moore.

Presented by Merrimack Repertory Theatre
Written by Wendy MacLeod
Directed by Sean Daniels

January 9 – February 3, 2018
50 E Merrimack St, Lowell, MA 01852
MRT on Facebook

Review by Craig Idlebrook

(Lowell, MA) You know a play hooks you when you start to get uncomfortable from the opening moment. As the lights go up in Slow Food,, we see two diners, Peter and Irene (Joel Van Liew and Daina Michelle Griffith) looking wane in a Greek restaurant as they begrudgingly sip glasses of water and wait. By the time the waiter, Stephen (Brian Beacock), appears, it is hard not to hate him. Continue reading →

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Jan 14

Living is Dirty Business: “Miss You Like Hell”

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Krystal Hernandez and Johanna Carlisle-Zepeda – Photo by Evgenia Eliseeva

Presented by Company One Theatre and American Repertory Theatre
Book & lyrics by Quiara Alegria Hudes
Music & lyrics by Erin McKeown
Directed by Summer L. Williams
Music direction by David Coleman
Movement direction by Mayra Hernandez
Dramaturgy by Noe Montez

Jan. 10 – 27, 2019
Club Oberon
Cambridge, MA
C1 on Facebook
A.R.T. on Facebook

Critique by Kitty Drexel

(Cambridge, MA) Miss You Like Hell is a very special show that approaches the indigenous, female experience from an approachable angle. It is easy to enjoy this production (more so than its individual parts). It’s main characters are expressed as trustworthy humans who are deserving of our compassion because they need it, not because they’ve earned it. Audiences from all backgrounds should see this production. We need free-flowing compassion more than ever. Continue reading →

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Jan 08

Awkwardness is Part of the Process: “Small Mouth Sounds”

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All photos by Nile Scott Studios. The cast. Digesting.

Presented by SpeakEasy Stage Company
By Bess Wohl
Directed by M. Bevin O’Gara

Jan. 4 – Feb. 2, 2019
Boston Center for the Arts
The Calderwood Pavilion Boston, MA
SpeakEasy on Facebook

This critique has been updated from its previous posting. The update includes corrections and clarifications. (1/31/19 KD)

Critique by Kitty Drexel

Trigger warnings: penis, simulated pot smoking, heavy moaning

It’s January and chances are that you (or your acquaintances) are experiencing an influx of athletic practitioners in your studio of choice. For example, at my own neighborhood ashtanga yoga studio, January 1 meant that the floor became overwhelmed with novices and their wholesome, divot-free mats. Small Mouth Sounds(SMS) captures that awkward group consciousness of baby-yogis talking first “did I make a huge mistake?” steps towards enlightenment. An enlightened mind is not obtained overnight. The journey is schadenfreude for the audience. Continue reading →

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Jan 02

“Two Mile Hollow,” Or White People, We Need to Talk About Colorism

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Presented by Apollinaire Theatre Company
Written by Leah Nanako Winkler
Directed by Danielle Fauteux Jacques

Dec 21, 2018 – Jan 20, 2019
Chelsea Theatre Works
189 Winnisimmet St
Chelsea, MA 02150
Apollinaire Theatre Company on Facebook

Review by Diana Lu

(Chelsea, MA) Thanksgiving day. Generic WASP family, The Donnelly’s, converges on Two Mile Hollow, a family beach house. Younger son, Joshua, and daughter, Mary, are expecting drama with mother Blythe, but none are expecting older son Christopher to bring his “assistant,” Charlotte, especially not an “assistant”…OF COLOR. On this stormy night, secrets are spilled, social hierarchies are upended, and only one may leave with their self-esteem unscathed. Continue reading →

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