Image via https://www.lyricstage.com/spiro-veloudos-retirement/
BOSTON – Theatre director Spiro Veloudos announced that he will retire as the Producing Artistic Director of the Lyric Stage Company of Boston in December 2019, said a press release dated October 3.
“Ever since I started in this role in 1998, I promised to make the Lyric Stage ever more vibrant and to continually push my limits, producing shows that would challenge, entertain, and inspire our audiences.
“When I concluded my Sondheim Initiative with the production of Pacific Overtures this past spring, I took the summer off to contemplate what might be next, and I realized that it is time for me to focus solely on my work as a director and to let others manage the daily operations of the theatre and to guide it into the future.
“We need to make books cool again. If you go home with somebody and they don’t have books, don’t fuck them.”
Critique by Kitty Drexel
(Boston, MA) The pop culture obsessions of today are the classics of tomorrow: 50 Shades of Greyis Twilight fanfiction; the Twilight Saga is influenced by Wuthering Heights; Wuthering Heights was controversial in its day for its critical examination of religious hypocrisy, and class inequality within the gothic fiction genre. If the cultural narrative in response to a book shows us who we are as a society, then The Book Club Play at Boston Playwrights’ Theatre shows us that book snobs are insecure secret-hiders. Continue reading →
(Somerville, MA) Veronica Barron is a creator and performer in the Boston area. On October 5 at 7 p.m., Barron will perform in All Together Now #10 at The Burren in Davis Square with Just Felice, Amanda Shea, and Honey Cutt.
As a singer, composer, actor, choreographer, dancer, musician, clown and puppet artist, Barron said she has been focused on creating work that examines the feminine experience and makes use of common, seemingly mundane and fragile materials to explore the limits of storytelling. Continue reading →
Playwright Ginger Lazarus; photo via www.gingerlazarus.com.
(Cambridge, MA) Playwright Ginger Lazarus said the journey to write her drama “The Akhmatova Journals” began in 1993 while visiting St. Petersburg, Russia.
Lazarus was completing a semester abroad in Moscow through the O’Neill Center’s National Theater Institute when fellow students invited her to visit the Anna Akhmatova Museum at the Fountain House with them. She said during a phone interview in late July that she planned on meeting her classmates there that afternoon but a sudden, touristy apathy convinced her to spend the afternoon sipping espresso in a cafe instead.
“I still kick myself for not going,” Lazarus said.
Lazarus’s play “The Akhmatova Journals” is scheduled for a dramatic play reading as part of the That’s What She Said program held by the Nora Theatre Company at Central Square Theater in Cambridge, MA. Continue reading →
(Cambridge, MA) Christina Pecce’s show Witches, Bitches and Divas was presented as a crossover musical comedy and it delivered. Christina was accompanied on stage by her music director, Steve Bass, on the piano, George Darrah on the percussion instruments and Nick Franchese on the viola. Continue reading →
Amanda J Collins and Robert Najarian; photo by Corinne Elicone.
Presented by Mount Auburn Cemetery By Patrick Gabridge, Mount Auburn Cemetary Artist-in-Residence Directed by Courtney O’Connor Music in All the Broken Pieces written, performed and recorded by Arshan Gailus
CAMBRIDGE, Mass. – The America Plays is a pleasant introduction to a select few of the curious residents interred at Mount Auburn Cemetery through theatre. These short plays in place preserve the lives of eight artists, politicians, and scientists while asking their audience to hike the cemetery grounds. It’s a charming way to meet some New England spirits and watch the grounds transition to their fall colors. Continue reading →
(Boston, MA) Steel Magnolias is a theatre classic. It can be seen in fringe and community productions across the country. The 1989 movie starring Sally Fields and Dolly Parton has firmly cemented itself into the 80’s pop culture. The 2012 TV-movie starring Queen Latifah and, queen in her own right, Phylicia Rashad introduced a new generation to the story. It has survived well because of its timelessness. There will always be a need for safer-spaces where women can be themselves beyond the emotional and physical labors society demands from them. Hub Theatre’s production nestles into that need. Continue reading →
(Brookline, Mass.) I Wan Jan is a puppet troupe from Taiwan who presented their debut and only performing show in Boston on July 14th. The troupe was founded by Li Tien-Lu, who named the group “I Wan Jan” (translation: “like natural”) because he believed that a puppet show could be as convincing as any performance by a live actor. The members of the troupe are fourth and third generation descendants of Li Tien-Lu. Continue reading →
(Watertown, MA) New Repertory Theatre will provide one open captioned performance per each of its six productions during the 2019-2020 season due to a grant from the Theatre Development Fund, said a July 5 press release.
This project is also funded by the National Endowment for the arts, according to the press release. New Rep will offer discounts to those who require open captioned services. Continue reading →
Presented by the Huntington Theatre Company Adapted and translated by Melinda Lopez Based on the play by Ferderico Garcia Lorca Directed by Melia Bensussen Original music by Mark Bennett Choreography by Misha Shields Fight direction and intimacy direction by Claire Warden & Ted Hewlett
Trigger warnings: sexual acts, hallucinations & mental illness
(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child.Continue reading →