Oct 04

Boston Theatre Great, Spiro Veloudos Announces Retirement from the Lyric Stage

Image via https://www.lyricstage.com/spiro-veloudos-retirement/

BOSTON – Theatre director Spiro Veloudos announced that he will retire as the Producing Artistic Director of the Lyric Stage Company of Boston in December 2019, said a press release dated October 3.

“Ever since I started in this role in 1998, I promised to make the Lyric Stage ever more vibrant and to continually push my limits, producing shows that would challenge, entertain, and inspire our audiences.

“When I concluded my Sondheim Initiative with the production of Pacific Overtures this past spring, I took the summer off to contemplate what might be next, and I realized that it is time for me to focus solely on my work as a director and to let others manage the daily operations of the theatre and to guide it into the future.

“I am greatly looking forward to my productions of Agatha Christie’s “Murder on the Orient Express” this fall and “A Gentleman’s Guide to Love and Murder” in spring 2020. And I hope that moving into this new chapter of my life will allow me more time to relax, enjoy being with friends and family, and focus more exclusively on my true love: directing,” said Veloudos. Continue reading

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Oct 01

Your Fave is Fanfiction: “The Book Club Play”

Becca A. Lewis, Sean Patrick Gibbons, Greg Maraio (with Pepto Bismol), Rachel Cognata; photo by Stratton McCrady.

Presented by Boston Playwrights’ Theatre
By Karen Zacarias
Directed by Shana Gozansky
Dramaturgy by Caity-Shea Violette

Sept. 26 – Oct. 13, 2019
Boston Playwrights’ Theatre 
Boston, MA
BPT on Facebook

“We need to make books cool again. If you go home with somebody and they don’t have books, don’t fuck them.”
John Waters

Critique by Kitty Drexel

(Boston, MA) The pop culture obsessions of today are the classics of tomorrow: 50 Shades of Grey is Twilight fanfiction; the Twilight Saga is influenced by Wuthering Heights; Wuthering Heights was controversial in its day for its critical examination of religious hypocrisy, and class inequality within the gothic fiction genre. If the cultural narrative in response to a book shows us who we are as a society, then The Book Club Play at Boston Playwrights’ Theatre shows us that book snobs are insecure secret-hiders.  Continue reading

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Sep 26

An Interview with Veronica Barron on “All Together Now #10”

Presented by All Together Now.
Saturday, October 5, 2019
Doors at 6 PM, Show at 7:00 PM

The Burren
Somerville, MA
Tickets
ATB on Facebook

Interview by Noelani Kamelamela

(Somerville, MA) Veronica Barron is a creator and performer in the Boston area.  On October 5 at 7 p.m., Barron will perform in All Together Now #10 at The Burren in Davis Square with Just Felice, Amanda Shea, and Honey Cutt.

As a singer, composer, actor, choreographer, dancer, musician, clown and puppet artist, Barron said she has been focused on creating work that examines the feminine experience and makes use of common, seemingly mundane and fragile materials to explore the limits of storytelling.  Continue reading

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Sep 18

On “The Akhmatova Journals,” part of the October 2019 That’s What She Said program at Central Square Theater

That’s What She Said presented by The Nora Theatre Company.
Coming to the Central Square Theater in October 2019!
CST on Facebook

Article by Kitty Drexel.

Playwright Ginger Lazarus; photo via www.gingerlazarus.com.

(Cambridge, MA) Playwright Ginger Lazarus said the journey to write her drama “The Akhmatova Journals” began in 1993 while visiting St. Petersburg, Russia.

Lazarus was completing a semester abroad in Moscow through the O’Neill Center’s National Theater Institute when fellow students invited her to visit the Anna Akhmatova Museum at the Fountain House with them. She said during a phone interview in late July that she planned on meeting her classmates there that afternoon but a sudden, touristy apathy convinced her to spend the afternoon sipping espresso in a cafe instead.

“I still kick myself for not going,” Lazarus said.

Lazarus’s play “The Akhmatova Journals” is scheduled for a dramatic play reading as part of the That’s What She Said program held by the Nora Theatre Company at Central Square Theater in Cambridge, MA. Continue reading

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Sep 18

The Artist She is Today: “Witches, Bitches and Divas”


Presented by Club Oberon
Written, arranged and performed by Christina Pecce and Steve Bass

Sunday Sep 7th, 2019
Club Oberon
2 Arrow Street, Cambridge, MA
Oberon on Facebook

Review by Piyali Mukherjee

(Cambridge, MA) Christina Pecce’s show Witches, Bitches and Divas was presented as a crossover musical comedy and it delivered. Christina was accompanied on stage by her music director, Steve Bass, on the piano, George Darrah on the percussion instruments and Nick Franchese on the viola. Continue reading

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Sep 16

Completely Natural, Incredibly Beautiful: “The America Plays”

Amanda J Collins and Robert Najarian; photo by Corinne Elicone.

Presented by Mount Auburn Cemetery
By Patrick Gabridge, Mount Auburn Cemetary Artist-in-Residence 
Directed by Courtney O’Connor
Music in All the Broken Pieces written, performed and recorded by Arshan Gailus

September 12, 2019 – September 22, 2019
Mount Auburn Cemetery
Cambridge, MA
MAC on Facebook 

Critique by Kitty Drexel

CAMBRIDGE, Mass. – The America Plays is a pleasant introduction to a select few of the curious residents interred at Mount Auburn Cemetery through theatre. These short plays in place preserve the lives of eight artists, politicians, and scientists while asking their audience to hike the cemetery grounds. It’s a charming way to meet some New England spirits and watch the grounds transition to their fall colors.  Continue reading

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Jul 23

Laughter Through Tears: “Steel Magnolias”

The Cast; Photo by Tim Gurczak

Presented by Hub Theatre Company of Boston
By Robert Harling
Directed by Paula Plum

July 19 – Aug. 3, 2019
Club Cafe
209 Columbus Ave
Boston, MA
Hub on Facebook

Critique by Kitty Drexel

(Boston, MA) Steel Magnolias is a theatre classic. It can be seen in fringe and community productions across the country. The 1989 movie starring Sally Fields and Dolly Parton has firmly cemented itself into the 80’s pop culture. The 2012 TV-movie starring Queen Latifah and, queen in her own right, Phylicia Rashad introduced a new generation to the story. It has survived well because of its timelessness. There will always be a need for safer-spaces where women can be themselves beyond the emotional and physical labors society demands from them. Hub Theatre’s production nestles into that need.  Continue reading

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Jul 17

Universal Appeal Through Puppetry: “A Chance Encounter”

Image via https://english.moc.gov.tw

Presented by Puppet Showplace Theater
Written and performed by I Wan Jan Puppet Troupe

Saturday July 13, 2019
Puppet Showplace Theater
32 Station Street
Brookline, MA 02445
Puppet Showplace on Facebook 

Critique by Piyali Mukherjee

(Brookline, Mass.) I Wan Jan  is a puppet troupe from Taiwan who presented their debut and only performing show in Boston on July 14th. The troupe was founded by Li Tien-Lu, who named the group “I Wan Jan” (translation: “like natural”) because he believed that a puppet show could be as convincing as any performance by a live actor. The members of the troupe are fourth and third generation descendants of Li Tien-Lu. Continue reading

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Jul 12

New Rep Theatre Announces Open Captioning for 2019-2020 Season

New Rep header via http://www.newrep.org

New Repertory Theatre
Mosesian Center for the Arts
321 Arsenal Street
Watertown, MA 02472
New Rep on Facebook

Story coverage by Kitty Drexel

(Watertown, MA)  New Repertory Theatre will provide one open captioned performance per each of its six productions during the 2019-2020 season due to a grant from the Theatre Development Fund, said a July 5 press release.

This project is also funded by the National Endowment for the arts, according to the press release. New Rep will offer discounts to those who require open captioned services. Continue reading

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Jun 14

Like A Bird Made of Light: “Yerma”

Nadine Malouf (Yerma). Photo Credit: T Charles Ericksonn© 

Presented by the Huntington Theatre Company
Adapted and translated by Melinda Lopez
Based on the play by Ferderico Garcia Lorca
Directed by Melia Bensussen
Original music by Mark Bennett
Choreography by Misha Shields
Fight direction and intimacy direction by Claire Warden & Ted Hewlett

May 31 – June 30, 2019
Calderwood Pavilion at the BCA
Boston, MA
Huntington on Facebook

Critique by Kitty Drexel

Trigger warnings: sexual acts, hallucinations & mental illness

(Boston, MA) It is 2019 and the United States government is at war with its people. Laws that aim to control anyone with a uterus are rushing through courthouses at an unprecedented rate. They aren’t protecting life; they are punishing women for having sex. Cadavers have more agency than women. Meanwhile, the foster care services in these same states are overwhelmed with children that desperately need good homes. Saying that the Huntington’s production of Yerma is topical is an understatement. Yerma approaches childbirth not from an opposite standpoint but an adjacent one. The right to choose also means choosing to have a child. Continue reading

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