Tag Archives: Dan Garcia

Sep 25

This Is the Way We Were: “Our Town”

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The Cast of “Our Town” with gentle lights by Deb Sullivan. Photo by Nile Hawver.

Presented by Lyric Stage of Boston
By Thornton Wilder
Directed by Courtney O’Connor

Sept. 19 – Oct. 19, 2025
Lyric Stage Theater
140 Clarendon St, 
Boston, MA 02116

Critique by Kitty Drexel

2 hours and 10 minutes, including intermission

EMILY: “Does anyone ever realize life while they live it…every, every minute?”
STAGE MANAGER: “No. Saints and poets maybe… They do some.”
― Thornton Wilder, Our Town (1938)

BOSTON — Lyric Stage Boston presents Thornton Wilder’s Our Town at its theatre in downtown Boston now through Oct. 19. A theatre classic, Our Town came back into public eye when it was revived for Broadway again in 2024. It played 117 performances on Broadway at the Ethel Barrymore Theatre until it closed on January 19 of this year. Its star-studded cast included Jim Parsons as the Stage Manager, Katie Holmes as Mrs. Webb, Zoey Deutch as Emily and Ephraim Sykes as George. Kenny Leon directed. While the Lyric can’t compete with Dawson’s Creek or The Big Bang Theory fame, its Boston cast infuses Wilder’s timeless story of smalltown simplicity with awe and undeniable charm.  Continue reading →

Nov 26

“Funny, Antiquated Slapstick: Noises Off”

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The cast. Photo by Mark S Howard.

Presented by Lyric Stage Boston
By Michael Frayn
Directed by Ilyse Robbins
Sound Design – Andrew Duncan Will
​Scenic Design – Erik D. Diaz
Costume Design –  Seth Bodie
Lighting Design – SeifAllah Salotto-Cristobal
Props Artisan – Emily Allinson
Voice & Dialect Coach  – Allison Beauregard
Fight Consultant – Ted Hewlett
Featuring:  Amy Barker, Grace Experience, Dan Garcia, Eliza Fichter, Michael Jennings Mahoney, Joseph Marrella, Chip Phillips, Samantha Richert, Lewis D. Wheeler

Nov. 15 – December 22, 2024
Lyric Stage Boston
140 Clarendon St.
Boston, MA 02116

Critique by Craig Idlebrook

Two hours and thirty minutes, with two intermissions

Content Advisory: “The shenanigans of Noises Off include a bit of salty language, some sexual situations, and slapstick humor.” – Lyric Stage

BOSTON — Sometimes, reviewers best serve the audience by declaring their biases up front. Usually, those biases are about something we hate, but not always.

In this case, I should warn you that I love Noises Off as a play, and I fully realize I probably love it more than its inherent cultural worth warrants. Like with a close family member, I am inclined to defend it from accusations of its shortcomings more than I should. There is something about the play within a play about the ridiculous backstage antics of a middling theater cast that resonates with me as a high school drama nerd. Continue reading →

Nov 18

Safe But Not Sorry*: “The Play That Goes Wrong”

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Photo by Mark. S. Howard.

Presented by Lyric Stage Company of Boston 
By Henry Lewis, Jonathan Sayer, and Henry Shields
Directed by Fred Sullivan, Jr.
Stunt Coordinator/Fight Captain: Michael Liebhauser
Scenic Design by Peter Colao
Run Crew: Hazel Peters, Talene Pogherian
Featuring Kelby T. Akin, Alexa Cadete, Nora Eschenheimer, Dan Garcia,
Mitch Kiliulis, Michael Liebhauser, Marc Alexander Pierre, and Dan Whelton. Understudies: Margaret Clark, Patrick French, and Matt C. Ryan.

November 11 – December 18, 2022
Lyric Stage Co.
140 Clarendon St
Boston, MA 02116

Approximately two hours, including one intermission.
This production uses strobe lighting and fog effects. There is one live simulated gunshot in Act 2.

Review by Kitty Drexel

“Anything worth doing is worth doing badly.” — G. K. Chesterton

BOSTON, Mass — Chesterton was a Christian philosopher who argued, with this statement, that most things are done by novices who do those things imperfectly. This Chesterton saying goes along with the Voltaire-attributed aphorism, “don’t let perfect be the enemy of good.” 

Neither Chesterton nor Voltaire was responsible for a cast of accident-prone actors or an elaborate set determined by fate to destroy itself on opening night. Not even Voltaire, the paragon of eighteenth-century French amateur and society theatre, could have imagined The Play That Goes Wrong.  Continue reading →