Nov 18

Safe But Not Sorry*: “The Play That Goes Wrong”

Photo by Mark. S. Howard.

Presented by Lyric Stage Company of Boston 
By Henry Lewis, Jonathan Sayer, and Henry Shields
Directed by Fred Sullivan, Jr.
Stunt Coordinator/Fight Captain: Michael Liebhauser
Scenic Design by Peter Colao
Run Crew: Hazel Peters, Talene Pogherian
Featuring Kelby T. Akin, Alexa Cadete, Nora Eschenheimer, Dan Garcia,
Mitch Kiliulis, Michael Liebhauser, Marc Alexander Pierre, and Dan Whelton. Understudies: Margaret Clark, Patrick French, and Matt C. Ryan.

November 11 – December 18, 2022
Lyric Stage Co.
140 Clarendon St
Boston, MA 02116

Approximately two hours, including one intermission.
This production uses strobe lighting and fog effects. There is one live simulated gunshot in Act 2.

Review by Kitty Drexel

“Anything worth doing is worth doing badly.” — G. K. Chesterton

BOSTON, Mass — Chesterton was a Christian philosopher who argued, with this statement, that most things are done by novices who do those things imperfectly. This Chesterton saying goes along with the Voltaire-attributed aphorism, “don’t let perfect be the enemy of good.” 

Neither Chesterton nor Voltaire was responsible for a cast of accident-prone actors or an elaborate set determined by fate to destroy itself on opening night. Not even Voltaire, the paragon of eighteenth-century French amateur and society theatre, could have imagined The Play That Goes Wrong.  Continue reading

Apr 25

Joy, Compassion, Kicking Ass in Spandex: “Black Super Hero Magic Mama”

Ramona Lisa Alexander – Photo by Lauren Miller

Presented by Company One in collaboration with American Repertory Theater,
Boston Public Library, and Boston Comics in Color Festival
Written by Inda Craig-Galván 
Directed by Monica White Ndounou
Dramaturgy by Ilana M Brownstein and Regine Vital
Animation design & comics consultant: Cagen Luse
Fight choreography by Margaret Clark

April 23 – May 21, 2022
Rabb Hall @ Boston Public Library’s Central Branch
Copley Square
Boston, MA 
All tickets are Pay-What-You-Want ($0 minimum)

Recommended for ages 14 and up. This production contains depictions of police brutality, violence, death, grief, depression, and strong language.

Review by Kitty Drexel

BOSTON, Mass. — The leads of Black Super Hero Magic Mama deserve a critic that looks like them. I look like the cops that are acquitted by juries that also look like me for killing unarmed Black men and women. There are more white critics than Black critics in New England. We need more Black critics in Boston. I strongly urge interested individuals to apply for The Porch’s Young Critics Program this winter and then to shoot me an email. 

Company One and American Repertory Theatre’s Black Super Hero Magic Mama shows us an unsettled Chicago. Sabrina Jackson (Ramona Lisa Alexander, who ran that stage like Pam Grier on a mission) is raising a bright young quiz show star Tramarion Jackson (Joshua Robinson). When Tramarion isn’t trouncing the competition on “Know Your Heritage” with Coach Corey Brackett (Ricardo Engermann), he’s writing comic books with his friend Joseph A Hughes aka Flat Joe (Anderson Stinson III). These two smart but mouthy kids have bright futures. That is until the worst happens. Continue reading

Aug 20

Who will believe you?: “Measure for Measure”

Photo via the BBT Facebook page.

Presented by Brown Box Theatre 
Written by William Shakespeare
Directed by Kyler Taustin
Intimacy & Fight Choreography by Margaret Clark

Performances dates 8/21 – 8/25, 2019
Performance location (s): Various outdoor locations:
8/21: Sampus Pavilion, 160 Pawtucket Blvd, Lowell, MA
8/22: Borderland State Park, 250 Massapoaq Ave., Easton, MA
8/23: – Herter Park Ampitheater, 1175 Soldiers Field Road, Allston, MA
8/24: Hopkinton Ctr for the Arts, 98 Hayde Rowe Street, Hopkinton, MA
8/25: Atlantic Wharf/Waterfront Plaza, 290 Congress Street, Boston, MA
Brown Box on Facebook 

Review by Chloé Cunha

(Boston, Mass.) Without even mentioning context, the above refrain strikes a familiar chord, the scene paints itself: a woman abused, her abuser, threatening the full extent of his power against her. Who will believe you?  Chilling and pressing, Brown Box Theatre’s production reminds us why Shakespeare remains relevant today. Continue reading

Nov 14

Freedom is Not an Inconvenience: HOW SOFT THE LINING

Photo credit: Paul Cantillon, Lidecphoto.com.

Photo credit: Paul Cantillon, Lidecphoto.com. Borders and Hayes sharing a tender moment. Remember folks: intersectional feminism or nothing at all. 

Presented by Bad Habit Productions
Written by Kirsten Greenidge
Directed by M. Bevin O’Gara
Dialect coaching by Steven E. Emanuelson
Dramaturgy by Phaedra Scott
Fight choreography by Margaret Clark
Nov. 5 – 20, 2016

Boston Center for the Arts
Boston, MA
Bad Habit on Facebook
Review by Kitty Drexel

(Boston, MA) How Soft the Lining is nearly a performance ready script. It isn’t there yet. There was a lot of good. There was some not so good too. It has a beautiful story that history nearly forgot thanks to history’s disregard for women’s stories. Thanks to Greenidge, we won’t forget. Continue reading

Aug 04

“Translations” and Tribulations

Credit: Paul Cantillon, Lidecphoto.com

Presented by Bad Habit Productions
by Brian Friel
directed by M. Bevin O’Gara

August 2-17, 2014
Boston Center for the Arts
Calderwood Pavilion
Boston, MA
Bad Habit on Facebook

Review by Gillian Daniels

Cultural erasure and the silencing power of colonialism—Translations is not a play that minces words. It’s a tragedy of linguistics. During the 19th century, the English army seeks to map out the Irish countryside, specifically the town of Baile Beag. In order to have unified names for the maps they draw, the soldiers end up Anglicizing the Gaelic names of rivers, roads, and mountain ridges. Staged by Bad Habit Productions, this play rages at the disappearance of local tradition in the name of Imperialism. Continue reading